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Ivana A. | Diary of Difference (1171 KP) rated The Lost Girls of Paris in Books
Feb 3, 2020
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In the 1940’s, with the world at war, Eleanor Trigg leads a mysterious ring of secret female agents in London. Twelve of these women are sent to Paris to aid the resistance.
<b>They never return home!</b>
Shortly after the war ends, passing through New York’s Grand Central Station, Grace Healey finds an abandoned suitcase beneath a bench. The case is filled with a dozen photographs, each of a different woman.
Setting out to find the women in the pictures, Grace is drawn into the mystery of the lost girls of Paris, their fierce friendship, unthinkable bravery – and, ultimately, the worst kind of betrayal.
Eleanor is a woman that men fear and women hate. Wherever she goes, fear follows. However, in a world of men who lead and men who are in war, she starts a programme in London where she recruits women, prepares them and deploys them to help in the war. The women have to aid the man, transmit radio messages and blend in with the french people. Eleanor makes sure they are prepared for every possible scenario, and she would’ve joined them, if they let her. As much as she seems cruel, she loves her girls like her daughters, and when things go horribly wrong, she blames herself.
Marie never imagined she would be recruited by Eleanor. Leaving her daughter behind and going into the unknown, she is deployed in Paris for a very dangerous mission. But can friendships so easily made survive the dark days of war? And what happens when Marie is one of those twelve women that disappear without a trace, never to be seen again…
And then Grace finds the suitcase full of photos of women and she can’t help but wonder what happened to them. The paths of these three women will indirectly cross over, leaving us, readers, with an amazing story to follow.
The writing is incredible and it transports you right in the 1940’s. Feelings and emotions are overflowing. I am not completely sure how I felt with the ending, as it ended too predictable for my taste, with a lot of unrealistic scenes and no character development, really.
But even despite all that, it warmed my heart and made me rethink my life decisions. The Lost Girls of Paris is a book about women who are brave and loyal. Women who are not afraid to stand up and fight. Women who have everything to lose and nothing to regret. A tale of pure emotion.
Thank you to the team at HarperCollins – HQ, for sending me a paperback ARC copy of this book, in exchange for my honest review.
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In the 1940’s, with the world at war, Eleanor Trigg leads a mysterious ring of secret female agents in London. Twelve of these women are sent to Paris to aid the resistance.
<b>They never return home!</b>
Shortly after the war ends, passing through New York’s Grand Central Station, Grace Healey finds an abandoned suitcase beneath a bench. The case is filled with a dozen photographs, each of a different woman.
Setting out to find the women in the pictures, Grace is drawn into the mystery of the lost girls of Paris, their fierce friendship, unthinkable bravery – and, ultimately, the worst kind of betrayal.
Eleanor is a woman that men fear and women hate. Wherever she goes, fear follows. However, in a world of men who lead and men who are in war, she starts a programme in London where she recruits women, prepares them and deploys them to help in the war. The women have to aid the man, transmit radio messages and blend in with the french people. Eleanor makes sure they are prepared for every possible scenario, and she would’ve joined them, if they let her. As much as she seems cruel, she loves her girls like her daughters, and when things go horribly wrong, she blames herself.
Marie never imagined she would be recruited by Eleanor. Leaving her daughter behind and going into the unknown, she is deployed in Paris for a very dangerous mission. But can friendships so easily made survive the dark days of war? And what happens when Marie is one of those twelve women that disappear without a trace, never to be seen again…
And then Grace finds the suitcase full of photos of women and she can’t help but wonder what happened to them. The paths of these three women will indirectly cross over, leaving us, readers, with an amazing story to follow.
The writing is incredible and it transports you right in the 1940’s. Feelings and emotions are overflowing. I am not completely sure how I felt with the ending, as it ended too predictable for my taste, with a lot of unrealistic scenes and no character development, really.
But even despite all that, it warmed my heart and made me rethink my life decisions. The Lost Girls of Paris is a book about women who are brave and loyal. Women who are not afraid to stand up and fight. Women who have everything to lose and nothing to regret. A tale of pure emotion.
Thank you to the team at HarperCollins – HQ, for sending me a paperback ARC copy of this book, in exchange for my honest review.
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Night Reader Reviews (683 KP) rated Fading in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Fading by Cindy Cipriano may not contain vampires or werewolves yet it still has a slightly supernatural/paranormal feel to it. This book is in a similar group as Twilight as a forbidden love book. Also, this is only the first book in a series that is expected to be three or four books long.
Leath is the typical seventeen-year-old high school girl. She has her mother’s full support after her father died and her two best friends Victor and Anamae. The three of them have been considering college visits and what the future may hold for them. Leath and Victor have always been close but when Victor starts showing interest in being more than just friends with Leath she resists him. Victor believes Leath is confused and will come around to recognizing her feelings for him but Leath is not too sure. Then while working in her guidance councilor's office Leath sees the transfer file for a new student, James.
As if fate put them together James and Leath run into each other on Jame’s first day and they instantly become inseparable. Leath feels as if she has known James for her entire life and James feels the same way about her. Leath wonders if James is the same boy that Leath has actually been having dreams about all her life. Is she prepared to make the huge sacrifice required for her to be with James? Leath must choose between her friends, family, and freedom, or James before he makes the decision for her.
What I liked best about the book was honestly James himself. Even if he seemed somewhat creepy at times he is a great guy. His willingness to live alone and possibly face the wrath of his race just to protect Leath from his societies traditions are commendable. What I didn’t really like was the abrupt change around chapter fifteen. I understand the need for it but it was a little rough at first. I also didn’t understand completely why the fading worked so well on Leath that time when it didn’t work the first time. The only difference I can really come up with was the medication Leath was on and everyone else forgetting James helping her forget as well.
Teens of all ages will find this book to be appealing as the language is mild and there isn’t really any inappropriate content. Readers of romance will defiantly enjoy this book more so than fans of other genres. I give this book a rating of 4 out of 4. Fans of teen romance will love this twist on a classic forbidden love story. The entire concept of fading allows for the story to move on without having messy explanations in the middle of everything.
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Leath is the typical seventeen-year-old high school girl. She has her mother’s full support after her father died and her two best friends Victor and Anamae. The three of them have been considering college visits and what the future may hold for them. Leath and Victor have always been close but when Victor starts showing interest in being more than just friends with Leath she resists him. Victor believes Leath is confused and will come around to recognizing her feelings for him but Leath is not too sure. Then while working in her guidance councilor's office Leath sees the transfer file for a new student, James.
As if fate put them together James and Leath run into each other on Jame’s first day and they instantly become inseparable. Leath feels as if she has known James for her entire life and James feels the same way about her. Leath wonders if James is the same boy that Leath has actually been having dreams about all her life. Is she prepared to make the huge sacrifice required for her to be with James? Leath must choose between her friends, family, and freedom, or James before he makes the decision for her.
What I liked best about the book was honestly James himself. Even if he seemed somewhat creepy at times he is a great guy. His willingness to live alone and possibly face the wrath of his race just to protect Leath from his societies traditions are commendable. What I didn’t really like was the abrupt change around chapter fifteen. I understand the need for it but it was a little rough at first. I also didn’t understand completely why the fading worked so well on Leath that time when it didn’t work the first time. The only difference I can really come up with was the medication Leath was on and everyone else forgetting James helping her forget as well.
Teens of all ages will find this book to be appealing as the language is mild and there isn’t really any inappropriate content. Readers of romance will defiantly enjoy this book more so than fans of other genres. I give this book a rating of 4 out of 4. Fans of teen romance will love this twist on a classic forbidden love story. The entire concept of fading allows for the story to move on without having messy explanations in the middle of everything.
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Night Reader Reviews (683 KP) rated What If... in Books
Jan 10, 2020
Honest Review for Free Copy of Book
What If… by Corrina Joy is one woman’s story as she explores her ‘what if..’. A word of warning though, this book is full of both happiness and heartbreak. Depending on the reader’s current emotional state and lifestyle this book could be very depressing or uplifting.
Joy Chambers feels like there is something missing in her life. Her husband is a hardworking man but puts money and sports above caring about her. He doesn't pay attention to her or her needs and lets her take care of the house and children alone. The crushing loneliness of her marriage mixed with her longing to feel true love and joy again propels her to take a half-hour break at the beach. This is so that she can emotionally let go before returning to her daily chores. A random wave knocks her into the water where she hits her head and comes across her “magical little relic”.
Upon twisting this relic Joy gets transported to a different dimension where her life is significantly different. There is one common theme in each dimension that she visits, Jerry. Unconditionally but was unable to be with him in her original dimension. For some reason on another each one of Joy’s visits is cut short and so is her time with Jerry. How Joy’s story ends is completely up to the reader thanks to two very clever options for endings by the author. Both of the endings are extremely different but as the book says “Her destiny is in your hands...”
What I liked best was all the different dimensions that Joy visited while trying to find what was missing from her life. I did notice one thing that may or may not have been true. It seemed to me that each ‘dimension’ was really just a different time period in the same dimension or the world. As if Joy only changed dimension once and visited important points in that dimension. What I did not like was in the first chapter Joy explains her life to the reader. She talks of just existing, not living, and an unnamed husband who does not seem to care for her or emotionally support her, and their children. After she finds her magical little relic they are not mentioned again. I can not help but wonder about Joy’s feelings about leaving them behind, especially her kids. What becomes of them?
This book is directed more towards adults. Specifically, those who find themselves wondering what their lives might be like if they had done things differently. At the same time, this book is just as enjoyable for everyone else. I rate this book 4 out of 4. This book was beautiful. Over its 188 pages, Joy finds what element in her life she needs in order to feel whole. The final twelve pages or so consist of two alternate endings (an amazing and unusual concept) so the reader can decide exactly how Joy’s life turns out.
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Joy Chambers feels like there is something missing in her life. Her husband is a hardworking man but puts money and sports above caring about her. He doesn't pay attention to her or her needs and lets her take care of the house and children alone. The crushing loneliness of her marriage mixed with her longing to feel true love and joy again propels her to take a half-hour break at the beach. This is so that she can emotionally let go before returning to her daily chores. A random wave knocks her into the water where she hits her head and comes across her “magical little relic”.
Upon twisting this relic Joy gets transported to a different dimension where her life is significantly different. There is one common theme in each dimension that she visits, Jerry. Unconditionally but was unable to be with him in her original dimension. For some reason on another each one of Joy’s visits is cut short and so is her time with Jerry. How Joy’s story ends is completely up to the reader thanks to two very clever options for endings by the author. Both of the endings are extremely different but as the book says “Her destiny is in your hands...”
What I liked best was all the different dimensions that Joy visited while trying to find what was missing from her life. I did notice one thing that may or may not have been true. It seemed to me that each ‘dimension’ was really just a different time period in the same dimension or the world. As if Joy only changed dimension once and visited important points in that dimension. What I did not like was in the first chapter Joy explains her life to the reader. She talks of just existing, not living, and an unnamed husband who does not seem to care for her or emotionally support her, and their children. After she finds her magical little relic they are not mentioned again. I can not help but wonder about Joy’s feelings about leaving them behind, especially her kids. What becomes of them?
This book is directed more towards adults. Specifically, those who find themselves wondering what their lives might be like if they had done things differently. At the same time, this book is just as enjoyable for everyone else. I rate this book 4 out of 4. This book was beautiful. Over its 188 pages, Joy finds what element in her life she needs in order to feel whole. The final twelve pages or so consist of two alternate endings (an amazing and unusual concept) so the reader can decide exactly how Joy’s life turns out.
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Emma @ The Movies (1786 KP) rated The Call Of The Wild (2020) in Movies
Mar 1, 2020
When they announced Call of the Wild with Harrison Ford I was onboard, then they said they were CGIing the dog and I became expressionless. I understood how some bits would need to be CGId... but the whole dog? I WANT FLOOFS!
An excitable family pet gets taken to the wilds of the Yukon and sold as a sled dog. Along the way he makes new friends and learns about the call of the wild... I know, you'd never have guessed from the title of the film!
Let's deal with the giant dog in the room first. It's difficult to express my exact feelings about the CGI in the film, yes it isn't great, but by the end of the film [well, quite early on] I didn't care. Buck has so many personality traits and goofball moments that you know he must be CGI but it really doesn't matter. A lot of the things on screen I'm sure you would see in a real dog, but you can't put them through the same actions as their computer-generated counterparts. The opening sequence with Buck running through the house was cartoonish and daft, and while I rolled my eyes it was one of the many funny moments that happened throughout the film. You just acclimatise to the whole thing and forget that Buck isn't real.
While the humans take a back seat to Buck's adventures most of the time they're still great on screen. Omar Sy and Cara Gee as Perrault and Françoise make a great duo, and Sy with Buck has some very fun pieces. His reaction to the dogs feels very natural and the ice scene you briefly see in the trailer was a strong moment for everyone involved.
Dan Stevens playing Hal is the villain of the piece and his whole performance reminds me of a classic animated Disney villain, a cross between things from Lady and the Tramp, Beauty and the Beast and 101 Dalmations. There's a very specific maniacal villain in my head but I can't remember who or what film and it's driving me nuts! [Do let me know if you know!] By the end of the film though I was bothered more by his cartoonish acting than I was by the CG.
Our main pull was, of course, Harrison Ford. I don't know how John Thornton is portrayed in the book but the one in this film is a very relaxed character that only occasionally has to step it up. It isn't much of a stretched for Ford, I wouldn't be at all surprised if someone told me he wasn't even acting.
This is peak adventure, with excitement, peril and humour. The whole audience was reacting, and it was wonderful. Having gone in prepared to be annoyed the whole way through I was amazed at just how much I laughed and cried, and how exhilarating they managed to make things. Call of the Wild was a delightful watch, dubious CGI and all.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/the-call-of-wild-movie-review.html
An excitable family pet gets taken to the wilds of the Yukon and sold as a sled dog. Along the way he makes new friends and learns about the call of the wild... I know, you'd never have guessed from the title of the film!
Let's deal with the giant dog in the room first. It's difficult to express my exact feelings about the CGI in the film, yes it isn't great, but by the end of the film [well, quite early on] I didn't care. Buck has so many personality traits and goofball moments that you know he must be CGI but it really doesn't matter. A lot of the things on screen I'm sure you would see in a real dog, but you can't put them through the same actions as their computer-generated counterparts. The opening sequence with Buck running through the house was cartoonish and daft, and while I rolled my eyes it was one of the many funny moments that happened throughout the film. You just acclimatise to the whole thing and forget that Buck isn't real.
While the humans take a back seat to Buck's adventures most of the time they're still great on screen. Omar Sy and Cara Gee as Perrault and Françoise make a great duo, and Sy with Buck has some very fun pieces. His reaction to the dogs feels very natural and the ice scene you briefly see in the trailer was a strong moment for everyone involved.
Dan Stevens playing Hal is the villain of the piece and his whole performance reminds me of a classic animated Disney villain, a cross between things from Lady and the Tramp, Beauty and the Beast and 101 Dalmations. There's a very specific maniacal villain in my head but I can't remember who or what film and it's driving me nuts! [Do let me know if you know!] By the end of the film though I was bothered more by his cartoonish acting than I was by the CG.
Our main pull was, of course, Harrison Ford. I don't know how John Thornton is portrayed in the book but the one in this film is a very relaxed character that only occasionally has to step it up. It isn't much of a stretched for Ford, I wouldn't be at all surprised if someone told me he wasn't even acting.
This is peak adventure, with excitement, peril and humour. The whole audience was reacting, and it was wonderful. Having gone in prepared to be annoyed the whole way through I was amazed at just how much I laughed and cried, and how exhilarating they managed to make things. Call of the Wild was a delightful watch, dubious CGI and all.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/the-call-of-wild-movie-review.html
Picking up after the harrowing events of book one, NO MERCY finds Officer Ellery Hathaway on leave. She's going to mandated therapy, attending a group for victims of violent crime. This isn't exactly Ellery's "cup of tea," as she's not one for sharing her feelings. In group, she meets Myra, a victim of a deadly fire years ago that killed her young son. Ellery quickly gets caught up in Myra's case and becomes convinced that the wrong man--who is up for parole--was convicted of the crime. Another group member, Wendy, was brutally raped, and she asks Ellery for help finding her rapist, who is still on the loose, leaving Wendy a shadow of her once vibrant self. Ellery turns to her friend, FBI agent Reed Markham, the man who rescued her so many years ago. Reed comes, of course; he can never say no to Ellery. But Reed is also in line for a big promotion, and his boss doesn't want him near Ellery. As the two start digging, they uncover secrets: lots of them.
"You kill one guy, one time, and suddenly everyone thinks you need therapy..."
I picked up this book immediately after reading book one, because I was so captivated by Reed and Ellery. They are an amazing duo, with wonderful chemistry, both for solving crimes and in the "will they, won't they" department. Schaffhausen writes in this steady, easy-to-read way that effortlessly brings her characters to life and makes it so easy to flip the pages. Just like the first book, I tore through this one in less than 24 hours.
There are plenty of twists and turns and lots of drama. But there's also a personal and touching element to these books. Ellery and Reed have such a connection. He supposedly rescued her all those years ago, pulling near-dead Ellery from the clutches of a serial killer. But, of course, that experience has formed and hardened her in so many ways. She's a tough cookie. And it's truly just Reed who can see past her outer shell. Ellery will only allow Reed to see little glimpses of her actual self.
The mystery in this book is exemplary. We go back in time to a series of fires in Boston. Even better, it has some ties to Reed's boss, McGreevy, who worked the Boston beat back in the day (see, everything is personal). The more present-day case, Wendy's rapist, fuels Ellery, who feels as if perhaps she is worthless, unable to affect change as a police officer. It's also personal, on a whole different level. Both are compelling. Each kept me guessing and while I had some inkling about the fires, nothing would stop me from frantically turning the pages!
In the end, this was an excellent book. I love the relationship between Ellery and Reed and how it's developing. Both cases were intriguing and kept me hooked from the beginning. I immediately turned to book three, and I'm so sad it's the last one (hopefully just for now)! 4 stars.
"You kill one guy, one time, and suddenly everyone thinks you need therapy..."
I picked up this book immediately after reading book one, because I was so captivated by Reed and Ellery. They are an amazing duo, with wonderful chemistry, both for solving crimes and in the "will they, won't they" department. Schaffhausen writes in this steady, easy-to-read way that effortlessly brings her characters to life and makes it so easy to flip the pages. Just like the first book, I tore through this one in less than 24 hours.
There are plenty of twists and turns and lots of drama. But there's also a personal and touching element to these books. Ellery and Reed have such a connection. He supposedly rescued her all those years ago, pulling near-dead Ellery from the clutches of a serial killer. But, of course, that experience has formed and hardened her in so many ways. She's a tough cookie. And it's truly just Reed who can see past her outer shell. Ellery will only allow Reed to see little glimpses of her actual self.
The mystery in this book is exemplary. We go back in time to a series of fires in Boston. Even better, it has some ties to Reed's boss, McGreevy, who worked the Boston beat back in the day (see, everything is personal). The more present-day case, Wendy's rapist, fuels Ellery, who feels as if perhaps she is worthless, unable to affect change as a police officer. It's also personal, on a whole different level. Both are compelling. Each kept me guessing and while I had some inkling about the fires, nothing would stop me from frantically turning the pages!
In the end, this was an excellent book. I love the relationship between Ellery and Reed and how it's developing. Both cases were intriguing and kept me hooked from the beginning. I immediately turned to book three, and I'm so sad it's the last one (hopefully just for now)! 4 stars.
Daniel Tiger's Stop & Go Potty
Education and Entertainment
App
**Parents' Choice Silver Honor** **Tech for Kids - Best Pick App** **Children's Technology Review -...
Kristy H (1252 KP) rated In the Role of Brie Hutchens... in Books
Jul 2, 2020
Brie Hutchens is an eighth-grader at a Catholic school. She loves soap operas and dreams of being the star of the school play. She wants to go to drama school next year. Brie also has feelings that she's pretty sure are different than the other kids at her school. For instance, she gets a fluttery feeling looking at photos online of her favorite soap opera actress. But when Brie's (very religious) mom walks in on her doing so, Brie freaks out and tells her Mom she's been chosen to crown the Mary statue at her school's ceremony. She hasn't of course, and even worse, she probably stands no chance at earning the gig, since it usually goes to a top student. One like Kennedy, whom Brie usually avoids. But as Brie starts to spend a little more time with Kennedy, she realizes Kennedy gives her the same feeling as that soap actress. And that none of this is going to make her mother happy (or help her crown Mary).
This is a very sweet, heartwarming, and touching story about a young girl finding her way and finding herself. I'm a sucker for coming of age stories, but when they are lesbian coming of age stories? I'm sold. Brie is an interesting character, who even comes across a little ungrateful at times--though perhaps she's just a typical teenager. She's embarrassed her dad works at her school and often seems a bit self-centered and in her own world. Okay, yeah, she's a teenager. But her battle with her sexual identity is certainly one I could identify with and it's presented in a lovely and truthful way. It's exactly the kind of book kids this age need, especially teens being raised in a religious environment.
The book is more religious than I expected, but it's not off-putting. As someone whose first love love came from a religious Catholic family, I saw so much of my past life in this book. I loved the fact that Brie is a soap fan--as kid who grew up loving Dallas, Days of Our Lives, Passions, and Sunset Beach, this part of the book was totally fun. Yet, Melleby worked in the angle in a serious way, too, as Brie uses soaps as a way to realize that maybe she isn't so different after all (thank you, soaps, for having some progressive characters ahead of your time).
"But when Brie and her mom sat in the living room, watching their soaps, Brie forgot they had so little in common."
Brie is fun and sweet and she's decidedly her own person, yet scared of how her religious mom and her Catholic school friends might see her if she reveals she likes girls. Her agonizing over this, her fear of coming out, is raw and realistic. The difficultly of coming out really resonates here, and Melleby does a wonderful job capturing how hard it is, even now.
Overall, this is a lovely and tender book--funny and sweet--and a great children's/YA read. If you love coming of age stories, YA novels, or any LQBTIA youth fiction, I think this novel will tug at your heartstrings.
This is a very sweet, heartwarming, and touching story about a young girl finding her way and finding herself. I'm a sucker for coming of age stories, but when they are lesbian coming of age stories? I'm sold. Brie is an interesting character, who even comes across a little ungrateful at times--though perhaps she's just a typical teenager. She's embarrassed her dad works at her school and often seems a bit self-centered and in her own world. Okay, yeah, she's a teenager. But her battle with her sexual identity is certainly one I could identify with and it's presented in a lovely and truthful way. It's exactly the kind of book kids this age need, especially teens being raised in a religious environment.
The book is more religious than I expected, but it's not off-putting. As someone whose first love love came from a religious Catholic family, I saw so much of my past life in this book. I loved the fact that Brie is a soap fan--as kid who grew up loving Dallas, Days of Our Lives, Passions, and Sunset Beach, this part of the book was totally fun. Yet, Melleby worked in the angle in a serious way, too, as Brie uses soaps as a way to realize that maybe she isn't so different after all (thank you, soaps, for having some progressive characters ahead of your time).
"But when Brie and her mom sat in the living room, watching their soaps, Brie forgot they had so little in common."
Brie is fun and sweet and she's decidedly her own person, yet scared of how her religious mom and her Catholic school friends might see her if she reveals she likes girls. Her agonizing over this, her fear of coming out, is raw and realistic. The difficultly of coming out really resonates here, and Melleby does a wonderful job capturing how hard it is, even now.
Overall, this is a lovely and tender book--funny and sweet--and a great children's/YA read. If you love coming of age stories, YA novels, or any LQBTIA youth fiction, I think this novel will tug at your heartstrings.
Erika (17789 KP) rated Stillwater (2021) in Movies
Aug 3, 2021
The film Stillwater is based upon and exploits the Amanda Knox story. Swapping Italy for the town of Marseille, France, Allison (Abigail Breslin), an American university student is convicted of killing her girlfriend, Lina. Bill (Matt Damon), Allison’s estranged father, visits her regularly in prison, and is convinced of her innocence.
The majority of the film focuses on Bill’s quest to prove her innocence. Bill is a roughneck (oil driller), good ol’ boy Okie from Stillwater. After delivering a letter to Allison’s lawyer with new information, he takes it upon himself to find the main suspect, Akim, with the help of Virginie (Camille Cottin). This is completely against Allison’s wishes, because she sees him, and herself, as a ‘fuck-up’.
Bill develops a relationship with Virginie, and her daughter, Maya (Lilou Siauvaud). After Allison refuses to see him anymore, Bill stays with Virginie, as a friend, helps with Maya, and goes native. Honestly, the subplot of this relationship with Virginie that progresses to a romantic relationship, and the fatherly relationship to Maya, slow the film down to a snail’s pace. The story finally picks up again, when Bill takes Maya to a football game, and he captures Akim. Bill collects DNA from Akim, hands it to an ex-cop, then finally learns the truth of what happened with the murder of Lina. This situation ruins his relationship with his new French family, and he goes back to Stillwater, quickly followed by Allison, after she is released after the DNA matches what was left at the crime scene.
I was originally pretty excited to see the film, but then I read a Vanity Fair interview with the director, Tom McCarthy. McCarthy mentioned that he wanted to be in the shoes of Amanda Knox, or something like that. Knox, who was found not guilty for the murder of Meredith Kercher, was probably very available. Knox came out after the article was published and voiced that her story was being exploited. Reading her responses made me have really icky feelings, and I almost didn’t go see it, because they’re profiting off her story. To be fair, Knox is profiting off her own story as well, but it still isn’t right. This situation hurt the film, in my opinion, and I think the box office numbers in the US reflect that as well. I would have rated this film higher, and enjoyed it more, had I not seen the press surrounding it. I don’t know whether that’s a good or bad thing.
Damon did well in his portrayal of an Okie roughneck, and you could tell he really did study to nail the role. Breslin was neither here nor there, and I didn’t necessarily sympathize with her at all. So, I didn’t really care in the end if she got out of prison or not.
This film clocks in at 2 hours and 20 minutes, and it felt like a 2 hour and 20-minute film. I didn’t like the subplot, at all. It made the movie so bloated, and I kind of just wanted it to end. I don’t think this film is going to do well outside of the US, at all.
The majority of the film focuses on Bill’s quest to prove her innocence. Bill is a roughneck (oil driller), good ol’ boy Okie from Stillwater. After delivering a letter to Allison’s lawyer with new information, he takes it upon himself to find the main suspect, Akim, with the help of Virginie (Camille Cottin). This is completely against Allison’s wishes, because she sees him, and herself, as a ‘fuck-up’.
Bill develops a relationship with Virginie, and her daughter, Maya (Lilou Siauvaud). After Allison refuses to see him anymore, Bill stays with Virginie, as a friend, helps with Maya, and goes native. Honestly, the subplot of this relationship with Virginie that progresses to a romantic relationship, and the fatherly relationship to Maya, slow the film down to a snail’s pace. The story finally picks up again, when Bill takes Maya to a football game, and he captures Akim. Bill collects DNA from Akim, hands it to an ex-cop, then finally learns the truth of what happened with the murder of Lina. This situation ruins his relationship with his new French family, and he goes back to Stillwater, quickly followed by Allison, after she is released after the DNA matches what was left at the crime scene.
I was originally pretty excited to see the film, but then I read a Vanity Fair interview with the director, Tom McCarthy. McCarthy mentioned that he wanted to be in the shoes of Amanda Knox, or something like that. Knox, who was found not guilty for the murder of Meredith Kercher, was probably very available. Knox came out after the article was published and voiced that her story was being exploited. Reading her responses made me have really icky feelings, and I almost didn’t go see it, because they’re profiting off her story. To be fair, Knox is profiting off her own story as well, but it still isn’t right. This situation hurt the film, in my opinion, and I think the box office numbers in the US reflect that as well. I would have rated this film higher, and enjoyed it more, had I not seen the press surrounding it. I don’t know whether that’s a good or bad thing.
Damon did well in his portrayal of an Okie roughneck, and you could tell he really did study to nail the role. Breslin was neither here nor there, and I didn’t necessarily sympathize with her at all. So, I didn’t really care in the end if she got out of prison or not.
This film clocks in at 2 hours and 20 minutes, and it felt like a 2 hour and 20-minute film. I didn’t like the subplot, at all. It made the movie so bloated, and I kind of just wanted it to end. I don’t think this film is going to do well outside of the US, at all.
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I don’t always read poetry, but I won "It's Getting Harder and Harder To Tell the Two of You Apart" by Casey Renee Kiser and Johnny Scarlotti through a giveaway on LibraryThing.
And if you are already familiar with my “reading rules”, you know I try and read every single book I have ever received, because it’s only fair. And sometimes, the most unexpected books and the ones we don’t actively search for tend to surprise us the most. That happened with this book as well!
"It's Getting Harder and Harder To Tell the Two of You Apart" is written by two authors - two amazing writers of poetry, who have a very similar style of horror and suspense, but also very distinctive differences in their writing style too. The book is split in two parts, and we get the chance to explore both worlds.
<b>Part 1 - Casey Renee Kiser</b>
The first part of the book was written by Casey Renee Kiser, and my favorite poem was “I am not a ghost yet”. It is morbid and powerful, and I loved the way the feelings and scenes were amplified in a morbid sense. I love the brutality of the writing.
<b><i>“Everything was beautiful the day you died”,
You said as you touched my cold hand. </i></b>
<b>Part 2 - Johnny Scarlotti</b>
I could instantly see the difference in the poems between the two poets, but at the same time, also admire how similar their styles and themes are. I find Johnny’s writing very creepy, much creepier than Casey’s. Especially when the mood suddenly changes and the random “haha’s” and “woahh’s” in the poems appear.
<b><i>Now I’m dashing through the park clipping
Children’s kite strings
Ha ha, that’s what you get, you little freaks!</i></b>
It felt like I was reading the secret diary of the Joker. Either him, or Pennywise. It was so fucked up, but it read as the new normal, which is what a psycho would think and feel. It was creepy, it was wrong, but at the same time it satisfied my curiosity. I think that may be the same curiosity that makes me watch true crime shows, crime confessions and old interview with Ted Bundy. And I really enjoyed it.
If I could change anything about my experience with this book, I would have read this for Halloween. I think it would have been the perfect experience, next to a lot of red candles and dim lighting, alongside some quiet creepy music.
I would recommend "It's Getting Harder and Harder To Tell the Two of You Apart" to all fans of horror poetry - it is dark and twisty, brutally honest and creepy, and it will pull you over to the dark side, even for a day.
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/09/Book-Review-Banner-79.png"/>;
I don’t always read poetry, but I won "It's Getting Harder and Harder To Tell the Two of You Apart" by Casey Renee Kiser and Johnny Scarlotti through a giveaway on LibraryThing.
And if you are already familiar with my “reading rules”, you know I try and read every single book I have ever received, because it’s only fair. And sometimes, the most unexpected books and the ones we don’t actively search for tend to surprise us the most. That happened with this book as well!
"It's Getting Harder and Harder To Tell the Two of You Apart" is written by two authors - two amazing writers of poetry, who have a very similar style of horror and suspense, but also very distinctive differences in their writing style too. The book is split in two parts, and we get the chance to explore both worlds.
<b>Part 1 - Casey Renee Kiser</b>
The first part of the book was written by Casey Renee Kiser, and my favorite poem was “I am not a ghost yet”. It is morbid and powerful, and I loved the way the feelings and scenes were amplified in a morbid sense. I love the brutality of the writing.
<b><i>“Everything was beautiful the day you died”,
You said as you touched my cold hand. </i></b>
<b>Part 2 - Johnny Scarlotti</b>
I could instantly see the difference in the poems between the two poets, but at the same time, also admire how similar their styles and themes are. I find Johnny’s writing very creepy, much creepier than Casey’s. Especially when the mood suddenly changes and the random “haha’s” and “woahh’s” in the poems appear.
<b><i>Now I’m dashing through the park clipping
Children’s kite strings
Ha ha, that’s what you get, you little freaks!</i></b>
It felt like I was reading the secret diary of the Joker. Either him, or Pennywise. It was so fucked up, but it read as the new normal, which is what a psycho would think and feel. It was creepy, it was wrong, but at the same time it satisfied my curiosity. I think that may be the same curiosity that makes me watch true crime shows, crime confessions and old interview with Ted Bundy. And I really enjoyed it.
If I could change anything about my experience with this book, I would have read this for Halloween. I think it would have been the perfect experience, next to a lot of red candles and dim lighting, alongside some quiet creepy music.
I would recommend "It's Getting Harder and Harder To Tell the Two of You Apart" to all fans of horror poetry - it is dark and twisty, brutally honest and creepy, and it will pull you over to the dark side, even for a day.
Eleanor Luhar (47 KP) rated Eden Summer in Books
Jun 24, 2019
I keep falling behind on wiring my reviews, sorry! I really need to get back on track. I finished this on Tuesday I think? I really enjoyed it, although it isn't quite worthy of five stars.
I'm going to put in a trigger warning as there are mentions of substance abuse, physical abuse, death, adoption and suicide.
Jess's best friend has gone missing. Through interviews with the police and Jess's personal recollections, we begin to build up a picture of Eden's life before her disappearance. Her sister had recently been killed in a car accident, and her seemingly perfect relationship with Liam was more complicated than anyone realised. Bit by bit, Jess - and we - begin to piece things together and discover where Eden has gone.
The girls are only young - 15 I think? - and very much have the all-consuming passion that young teens feel. As in, every little issue feels huge, and things feel far more serious than they might to an older person. I remember feeling this way. I think it was portrayed so accurately, the way fighting with your best friend feels like the end of the world and a family argument overwhelms you with guilt. It was a bit annoying in some ways, though; no fault of the author, of course, I just get a bit annoyed at kids taking things too seriously. I look back at myself and think how stupid it was to get so caught up in such little issues. So the things that Jess gets so worked up over just seemed a bit trivial to me, like she was exaggerating too much. But as I said, this creates the teenage voice really well in my opinion.
The things that both these girls have gone through are massive, though - Jess was attacked and Eden's sister killed. That's pretty hard for a young girl to deal with, and these are not the problems I'm saying are trivial. These are hugely important and emotional issues and I think it's great to talk about. I love books with these real, albeit sad, events. I think it is so good to discuss all the feelings and situations that follow, and also emphasise how it is not the end of the world if something bad happens. life will continue. Eden says how she feels her sister's death becoming more distant, more bearable, and how she doesn't want that to happen. She feels guilty, as if she's forgetting her and moving on. This is so important. She also thinks about killing herself due to guilt - which I won't ruin too much - but then realises how she shouldn't take life for granted. Her sister would've given anything to be alive still, and she shouldn't be throwing that away.
It was a really good read and I found myself wondering what was going to be revealed next. It was wel written and perfectly captured the young voice of Jess. If I read this when I was younger, I think I would've adored it. I would've understood it and connected to Jess more than I did now I'm older. 4 stars, definitely worth a read.
I'm going to put in a trigger warning as there are mentions of substance abuse, physical abuse, death, adoption and suicide.
Jess's best friend has gone missing. Through interviews with the police and Jess's personal recollections, we begin to build up a picture of Eden's life before her disappearance. Her sister had recently been killed in a car accident, and her seemingly perfect relationship with Liam was more complicated than anyone realised. Bit by bit, Jess - and we - begin to piece things together and discover where Eden has gone.
The girls are only young - 15 I think? - and very much have the all-consuming passion that young teens feel. As in, every little issue feels huge, and things feel far more serious than they might to an older person. I remember feeling this way. I think it was portrayed so accurately, the way fighting with your best friend feels like the end of the world and a family argument overwhelms you with guilt. It was a bit annoying in some ways, though; no fault of the author, of course, I just get a bit annoyed at kids taking things too seriously. I look back at myself and think how stupid it was to get so caught up in such little issues. So the things that Jess gets so worked up over just seemed a bit trivial to me, like she was exaggerating too much. But as I said, this creates the teenage voice really well in my opinion.
The things that both these girls have gone through are massive, though - Jess was attacked and Eden's sister killed. That's pretty hard for a young girl to deal with, and these are not the problems I'm saying are trivial. These are hugely important and emotional issues and I think it's great to talk about. I love books with these real, albeit sad, events. I think it is so good to discuss all the feelings and situations that follow, and also emphasise how it is not the end of the world if something bad happens. life will continue. Eden says how she feels her sister's death becoming more distant, more bearable, and how she doesn't want that to happen. She feels guilty, as if she's forgetting her and moving on. This is so important. She also thinks about killing herself due to guilt - which I won't ruin too much - but then realises how she shouldn't take life for granted. Her sister would've given anything to be alive still, and she shouldn't be throwing that away.
It was a really good read and I found myself wondering what was going to be revealed next. It was wel written and perfectly captured the young voice of Jess. If I read this when I was younger, I think I would've adored it. I would've understood it and connected to Jess more than I did now I'm older. 4 stars, definitely worth a read.