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RavenclawPrincess913 (253 KP) rated Blade of secrets in Books
Jun 15, 2022
Title: Blade of Secrets
Author: Tricia Levenseller
This book and it's cover were both amazing. Thank you to Bookishfirst for sending me a copy of it to review.
The book starts off as Ziva a magical bladesmoth dealing with a Karen customer who hurt himself on his blade.
Quote: "It's not nearly as hurt as your pride else you would be at a healers and not here." Page 5. I agree this is very true and he is acting like a two year old which I found hilarious.
Quote: "How can a man who injures himself with his own weapon be dangerous?" Page 7. This had me laughing.
Than the story went on to Ziva meeting Petrik who specializes in ancient magic and wants her help writing the book he's working on. He's an important character in this book so pay attention. I didn't trust him at first he gave bad vibes but in the end he was on Zivas side.
Quote: "This mace steals the breathe of surrounding enemies! It can kill without even touching an opponent, and yet it sits above the mantel as though it were a-a-decoration!" I agree I would have been mad to putting a good magical weapon to no use. Can just use a normal non-magicked mace for a decoration. Ansel goes to try to kiss her and doesn't understand no means no. Quote: "You think saying a few nice words to me earns you a kiss? That's not how it works." This is 100% true and many people need to learn to understand this. He goes on to have a fit but his parents end up believing her. She also meets Warlord Kymora Avedin during this time. She can't be trusted and I also found it funny Ansel didn't get his way.
When Ziva is making the sword for Kymora she sees Kellyn who is important in this story for the first time. The swords magic is made from her feelings for him and her telling it all her secrets. Which was amazing I loved it that part was intense. When showing Kymora it cuts Kymora and Ziva finds out she can hear the victims secrets when it cuts them.
Two of Kymoras secrets are:
Quote "This weapon will make me unbeatable in combat." Which can be a good thing if your a good guy she's not.
Quote "I will crush Ghadra's pathetic rulers and reunite the regions under one rule once more: my own. The people will be enslaved to my will. The royal family will all bow before me. Right before I remove their heads." This is where I couldn't put it down. For the safety of her country and sister they decided to run. Their journey was fun and interesting. I loved it. Ziva and Kellyn fall for each other and she finally opens up about her anxiety which I can relate to. I loved this story and can't wait to read the next one. It has an amazing but sad cliffhanger ending.
P.S. It's on my favorites shelf now.
Author: Tricia Levenseller
This book and it's cover were both amazing. Thank you to Bookishfirst for sending me a copy of it to review.
The book starts off as Ziva a magical bladesmoth dealing with a Karen customer who hurt himself on his blade.
Quote: "It's not nearly as hurt as your pride else you would be at a healers and not here." Page 5. I agree this is very true and he is acting like a two year old which I found hilarious.
Quote: "How can a man who injures himself with his own weapon be dangerous?" Page 7. This had me laughing.
Than the story went on to Ziva meeting Petrik who specializes in ancient magic and wants her help writing the book he's working on. He's an important character in this book so pay attention. I didn't trust him at first he gave bad vibes but in the end he was on Zivas side.
Quote: "This mace steals the breathe of surrounding enemies! It can kill without even touching an opponent, and yet it sits above the mantel as though it were a-a-decoration!" I agree I would have been mad to putting a good magical weapon to no use. Can just use a normal non-magicked mace for a decoration. Ansel goes to try to kiss her and doesn't understand no means no. Quote: "You think saying a few nice words to me earns you a kiss? That's not how it works." This is 100% true and many people need to learn to understand this. He goes on to have a fit but his parents end up believing her. She also meets Warlord Kymora Avedin during this time. She can't be trusted and I also found it funny Ansel didn't get his way.
When Ziva is making the sword for Kymora she sees Kellyn who is important in this story for the first time. The swords magic is made from her feelings for him and her telling it all her secrets. Which was amazing I loved it that part was intense. When showing Kymora it cuts Kymora and Ziva finds out she can hear the victims secrets when it cuts them.
Two of Kymoras secrets are:
Quote "This weapon will make me unbeatable in combat." Which can be a good thing if your a good guy she's not.
Quote "I will crush Ghadra's pathetic rulers and reunite the regions under one rule once more: my own. The people will be enslaved to my will. The royal family will all bow before me. Right before I remove their heads." This is where I couldn't put it down. For the safety of her country and sister they decided to run. Their journey was fun and interesting. I loved it. Ziva and Kellyn fall for each other and she finally opens up about her anxiety which I can relate to. I loved this story and can't wait to read the next one. It has an amazing but sad cliffhanger ending.
P.S. It's on my favorites shelf now.
There will be spoilers, so you have been warned!
I have said this before and I will say it again, this series is amazing! I love how much power Meyer gives to her leading female protagonists, and I especially like how she makes them to be so dynamic. The same goes to the male characters, but honestly, I don't think they are given as much of a role as the women, and I am okay with that.
Lets start off with Cinder. She is so kick ass in this book. Not like she isn't in the others, but in Winter, she allows herself to become the queen she is. Even though she is scared to death and does not want any harm to come to her friends, she is willing to accept their help and start a gosh darn revolution to save both the Lunar colonies and all of Earth! All of this while trying to stay sane, learning how her powers work, trying to not become like her Aunt, trying to save all of her friends, and have a romantic relationship with a certain Emperor. I just really appreciate how, even though she is painted as this weird thing being a cyborg, she is able to push past those hardships and still come out a great person.
Iko is so amazing in this series as well. She is such a great friend and, honestly, I just freaking love her! All of the sarcastic comments she makes give me happy thoughts. Plus, she is just as bad a flirt as Thorne is!
Scarlet is so fierce. Not only has she been kidnapped (multiple times in this series), she also has to deal with the fact that basically all of her family is dead and the only person she loves is a Lunar wolf-hybrid. She is so strong and loving. Once someone comes into her pack (yes, I said pack because she is the freaking Alpha), she protects them at all costs. Her relationship with Winter, while it started off rocky, ends up to be really special. I love how Meyer made her so strong and level headed, but still gave her a "soft" side. (I put soft in quotation marks because she is never really soft, but she cares a lot and I couldn't think of a better way to describe that.)
Cress is one of my favorite characters in this whole series. She is just so full of hope and love and joy and is able to spread that to everyone else. I love how much she loves Thorne, but she doesn't want to ruin their friendship, so she kinda tries to hide it and push away the fact that HE FEELS THE SAME WAY ABOUT HER. Sorry, I am just very passionate about these two. They are just so freaking cute together I want to die. Also, even though she is this tiny, cute thing, she is a bad ass as well. She can hack literally anything and shot her boyfriend's fingers off. On top of that, SHE SURVIVED BEING STABBED IN THE STOMACH! How much more metal can she get? (Apart from becoming cyborg, I guess)
Now, to conclude our leading ladies, we come to Winter. I feel so horrible for her. She had to endure her whole life with her evil step-mother Levana, but she was still able to come out on top. She used her kindness and compassion to succeed in life rather than manipulation. She genuinely cares about the people in her life and her love for Jacin is stellar. (get it?) I am so glad she is able to be happy in the end because, stars above, she deserves it. I kinda wanted her to become queen for just a second, but I am honestly fine with her being ambassador. Like I said before, her friendship with Scarlet is so pure and good. I just love her so much.
Now onto the boys starting with Kai. Kai is so great. He has to marry Levana, yet he still believes in Cinder as much as he can. He just wants what is best for his country, and while being emperor is difficult, he still makes time for his friends. Well, they do kidnap him for about a month, but he helped them with their plans!
Wolf is too good for the world. He has been through so much, from the alterations, to his brother being drafted and then killed (?), his girlfriend being kidnapped, then his mother being shot in front of him, and more alterations. Give the guy a break! I do love how he tries to quell his animal instincts for Scarlet and how he shows how much he loves her.
Thorne was so adorable when he got his sight back and all he could do was stare at Cress. Like, oh my stars goals! He was still as sassy as ever, but we also got to see a super sweet side to him that was very insecure about his feelings toward Cress. I thought that was really cool to see alongside his arrogant asshole side.
Jacin was a mystery from the start. I knew he wasn't all bad, even when he sold out the crew to Levana, but I didn't really know the extent to his feelings toward Winter. Everything, and I mean everything, he does is for her. He just wants to protect her from the world, Levana, and herself, but he doesn't really know how to do that completely. He is so shy with his emotions, but once he lets them out, it's like he can't hold back the floods anymore!
The plot was very well thought out as well. I was very impressed with the structure of it, and quite possibly more important, the actual format. I did NOT expect the book to be over eight hundred pages just looking at it. When I looked to the end to see the page count when I was about 42 pages in, I was shocked to say the least. Holy cow Fiewel and Friends! Great printing job! But back to the actual plot, I really enjoyed it, and while I was sad to see it over, I loved the way it ended. There was hope and happiness, but it wasn't as if it was not hard won. They all had their battle scars, but they were functioning and moving past their problems.
Overall, I freaking loved this series so much! If any of you ever want to talk about it with me, feel free! I am up to the task!
I have said this before and I will say it again, this series is amazing! I love how much power Meyer gives to her leading female protagonists, and I especially like how she makes them to be so dynamic. The same goes to the male characters, but honestly, I don't think they are given as much of a role as the women, and I am okay with that.
Lets start off with Cinder. She is so kick ass in this book. Not like she isn't in the others, but in Winter, she allows herself to become the queen she is. Even though she is scared to death and does not want any harm to come to her friends, she is willing to accept their help and start a gosh darn revolution to save both the Lunar colonies and all of Earth! All of this while trying to stay sane, learning how her powers work, trying to not become like her Aunt, trying to save all of her friends, and have a romantic relationship with a certain Emperor. I just really appreciate how, even though she is painted as this weird thing being a cyborg, she is able to push past those hardships and still come out a great person.
Iko is so amazing in this series as well. She is such a great friend and, honestly, I just freaking love her! All of the sarcastic comments she makes give me happy thoughts. Plus, she is just as bad a flirt as Thorne is!
Scarlet is so fierce. Not only has she been kidnapped (multiple times in this series), she also has to deal with the fact that basically all of her family is dead and the only person she loves is a Lunar wolf-hybrid. She is so strong and loving. Once someone comes into her pack (yes, I said pack because she is the freaking Alpha), she protects them at all costs. Her relationship with Winter, while it started off rocky, ends up to be really special. I love how Meyer made her so strong and level headed, but still gave her a "soft" side. (I put soft in quotation marks because she is never really soft, but she cares a lot and I couldn't think of a better way to describe that.)
Cress is one of my favorite characters in this whole series. She is just so full of hope and love and joy and is able to spread that to everyone else. I love how much she loves Thorne, but she doesn't want to ruin their friendship, so she kinda tries to hide it and push away the fact that HE FEELS THE SAME WAY ABOUT HER. Sorry, I am just very passionate about these two. They are just so freaking cute together I want to die. Also, even though she is this tiny, cute thing, she is a bad ass as well. She can hack literally anything and shot her boyfriend's fingers off. On top of that, SHE SURVIVED BEING STABBED IN THE STOMACH! How much more metal can she get? (Apart from becoming cyborg, I guess)
Now, to conclude our leading ladies, we come to Winter. I feel so horrible for her. She had to endure her whole life with her evil step-mother Levana, but she was still able to come out on top. She used her kindness and compassion to succeed in life rather than manipulation. She genuinely cares about the people in her life and her love for Jacin is stellar. (get it?) I am so glad she is able to be happy in the end because, stars above, she deserves it. I kinda wanted her to become queen for just a second, but I am honestly fine with her being ambassador. Like I said before, her friendship with Scarlet is so pure and good. I just love her so much.
Now onto the boys starting with Kai. Kai is so great. He has to marry Levana, yet he still believes in Cinder as much as he can. He just wants what is best for his country, and while being emperor is difficult, he still makes time for his friends. Well, they do kidnap him for about a month, but he helped them with their plans!
Wolf is too good for the world. He has been through so much, from the alterations, to his brother being drafted and then killed (?), his girlfriend being kidnapped, then his mother being shot in front of him, and more alterations. Give the guy a break! I do love how he tries to quell his animal instincts for Scarlet and how he shows how much he loves her.
Thorne was so adorable when he got his sight back and all he could do was stare at Cress. Like, oh my stars goals! He was still as sassy as ever, but we also got to see a super sweet side to him that was very insecure about his feelings toward Cress. I thought that was really cool to see alongside his arrogant asshole side.
Jacin was a mystery from the start. I knew he wasn't all bad, even when he sold out the crew to Levana, but I didn't really know the extent to his feelings toward Winter. Everything, and I mean everything, he does is for her. He just wants to protect her from the world, Levana, and herself, but he doesn't really know how to do that completely. He is so shy with his emotions, but once he lets them out, it's like he can't hold back the floods anymore!
The plot was very well thought out as well. I was very impressed with the structure of it, and quite possibly more important, the actual format. I did NOT expect the book to be over eight hundred pages just looking at it. When I looked to the end to see the page count when I was about 42 pages in, I was shocked to say the least. Holy cow Fiewel and Friends! Great printing job! But back to the actual plot, I really enjoyed it, and while I was sad to see it over, I loved the way it ended. There was hope and happiness, but it wasn't as if it was not hard won. They all had their battle scars, but they were functioning and moving past their problems.
Overall, I freaking loved this series so much! If any of you ever want to talk about it with me, feel free! I am up to the task!
Lottie disney bookworm (1056 KP) rated Cinderella is Dead in Books
Jun 6, 2020
Contains spoilers, click to show
Thank you to Netgalley and Kalynn Bayron for giving me the opportunity to read an advance copy of Cinderella is Dead in exchange for an honest review.
With such a strong title to a novel, it’s easy to predict that an author would struggle to maintain the sense of danger and mystery that is immediately evoked. However, as Kalynn Bayron opens on the revelation that Cinderella has been dead for 200 years and introduces us to two young women hiding from those who are sure to kill them, I think it is safe to say that she has the drama side of things covered!
The kingdom of Mersaille was once ruled by none other than Prince Charming and Cinderella. After her untimely death, Cinderella’s tale is held in almost biblical stature for generations, with young girls reciting it each night in preparation for their own chance to attend an annual ball once they turn 16 and wishing for their own fairy godmother to grant their happily ever after.
However, as the reader enters the town of Lille 200 years later, we witness that life within the kingdom is far from that of a fairytale. The balls that act as a tribute to Cinderella are mandatory meat markets with lecherous “suitors”, domestic violence and the suppression of women is commonplace and the ruler, Prince Manford, thrives on the power, fear and violence.
The reader witnesses this abysmal society through Bayron’s use of a first-person perspective: that of our protagonist Sophia. Sophia is everything a modern protagonist should be: she questions the unjust world around her and, having just turned 16 is preparing to attend her first ball, not with excitement, but with trepidation.
Sophia reveals to the reader that a girl only has three chances to be chosen by a suitor at the ball, after that she is considered forfeit, taken away from her family in disgrace and placed either into a workhouse or service. Men, however, are under no such conditions: they can attend balls when they wish and can choose a number of girls if they want to. Many girls’ singular hope is to be chosen by a good man at the ball, one who will not beat her, perhaps even one who will take them away from Lille. This is not enough for Sophia, she wants more for her life and, as she says herself:
“I don’t want to be saved by some knight in shining armor. I’d like to be the one in the armor, and I’d like to be the one doing the saving.”
At the beginning of the book, Sophia’s main gripe with the society she lives in is that it will not allow her to be with Erin, the girl she loves. As the book continues, the underlying theme of the rights and treatment of women strengthens, along with Sophia, but the first few pages at least are centered on the teenage relationship between Sophia and Erin.
What I absolutely adored about Bayron’s writing style here is the complete lack of shock or awe in this relationship: it is mentioned right from the start and at no point in this novel does Sophia “come out”, there is simply no need. All those around Sophia, who know her and care for her, are aware of her feelings for Erin and, although Sophia is occasionally referred to as “different”, the author chooses to abolish any unnecessary labels within her novel.
Unfortunately, Bayron does not have an easy ride in store for Sophia: reeling from a firm separation from Erin, Sophia is cast a lifeline, an “easy way out” in the form of a local boy who is also “different”. Sadly, this option is quickly and dramatically ripped away from her: forcing her to find her strength pretty damn quickly as she begins a life as an outlaw.
Along her path, Sophia meets two strong female characters: Constance and Amina. Although, wildly different, both these women play a significant role in Sophia’s self-discovery.
Amina is as far from the traditional fairy godmother image as you can get and, although she feels guilt for her previous actions, it takes meeting Sophia for her to recognise her previous denial and to help change the way of the world. Amina is a protector to Sophia right to the end, in her own unique way.
Constance, what can we say about Constance? I defy anyone to read this book and not fall in love with this girl! Constance possesses the strength that Sophia does not yet recognise within herself; she is fiery and, as a descendant of an “evil stepsister”, leads a resistance movement to uncover and publicise the truth about the real tale of Cinderella. Despite, technically saving Sophia towards the beginning of the story, Constance is not Sophia’s saviour: nor is Sophia the saviour; however, the power that they find together is monumental.
Constance is a complete juxtaposition to Erin: whereas Erin accepts the rules of society out of fear for herself and her family, Constance actively rebels against them. It is almost as if they represent the paths Sophia has to choose from. Nevertheless, along their adventure, Sophia and Constance’s relationship strengthens into love. This is no fairytale, love at first sight deal though! If anything, the slow-burning romance between the two made it more believable and I really appreciated that Sophia didn’t just rebound due to Erin’s choices: she had been burnt and she was still unsure of her own feelings never mind anyone else’s.
At the hands of Bayron, Sophia experiences heartbreak, friendship, murder, love and conspiracy: she is on the brink of danger too many times to count and is constantly second guessing who she can trust. Yet, it is clear that the author adores her main character: Sophia’s journey to realise that she is enough is incredible and the strength that she finds within herself is inspirational. Sophia is also surrounded by a cast of strong female characters: there are no Prince Charming’s in this novel that’s for sure!
I wasn’t that far into this book when I decided I need to read more of Kalynn Bayron’s work. I love how there are no chapters in this novel, we are taken on this relentless journey with Sophia: the reader is not given a chance to stop and take stock, reflect or rest until it is all over and this creates the tensest experience. Even we don’t know who to trust towards the end!
‘Cinderella is Dead’ is powerful, thought-provoking and is constantly leaving the reader guessing. On a basic level the novel deals with violence, love, politics and a little bit of necromancy thrown in there for good measure. However, the intelligent writing as well as the massive plot twist and the subjects of LGBTQ love, women’s rights and domestic violence lifts this novel from that basic level into, what I predict could be a bestseller.
With such a strong title to a novel, it’s easy to predict that an author would struggle to maintain the sense of danger and mystery that is immediately evoked. However, as Kalynn Bayron opens on the revelation that Cinderella has been dead for 200 years and introduces us to two young women hiding from those who are sure to kill them, I think it is safe to say that she has the drama side of things covered!
The kingdom of Mersaille was once ruled by none other than Prince Charming and Cinderella. After her untimely death, Cinderella’s tale is held in almost biblical stature for generations, with young girls reciting it each night in preparation for their own chance to attend an annual ball once they turn 16 and wishing for their own fairy godmother to grant their happily ever after.
However, as the reader enters the town of Lille 200 years later, we witness that life within the kingdom is far from that of a fairytale. The balls that act as a tribute to Cinderella are mandatory meat markets with lecherous “suitors”, domestic violence and the suppression of women is commonplace and the ruler, Prince Manford, thrives on the power, fear and violence.
The reader witnesses this abysmal society through Bayron’s use of a first-person perspective: that of our protagonist Sophia. Sophia is everything a modern protagonist should be: she questions the unjust world around her and, having just turned 16 is preparing to attend her first ball, not with excitement, but with trepidation.
Sophia reveals to the reader that a girl only has three chances to be chosen by a suitor at the ball, after that she is considered forfeit, taken away from her family in disgrace and placed either into a workhouse or service. Men, however, are under no such conditions: they can attend balls when they wish and can choose a number of girls if they want to. Many girls’ singular hope is to be chosen by a good man at the ball, one who will not beat her, perhaps even one who will take them away from Lille. This is not enough for Sophia, she wants more for her life and, as she says herself:
“I don’t want to be saved by some knight in shining armor. I’d like to be the one in the armor, and I’d like to be the one doing the saving.”
At the beginning of the book, Sophia’s main gripe with the society she lives in is that it will not allow her to be with Erin, the girl she loves. As the book continues, the underlying theme of the rights and treatment of women strengthens, along with Sophia, but the first few pages at least are centered on the teenage relationship between Sophia and Erin.
What I absolutely adored about Bayron’s writing style here is the complete lack of shock or awe in this relationship: it is mentioned right from the start and at no point in this novel does Sophia “come out”, there is simply no need. All those around Sophia, who know her and care for her, are aware of her feelings for Erin and, although Sophia is occasionally referred to as “different”, the author chooses to abolish any unnecessary labels within her novel.
Unfortunately, Bayron does not have an easy ride in store for Sophia: reeling from a firm separation from Erin, Sophia is cast a lifeline, an “easy way out” in the form of a local boy who is also “different”. Sadly, this option is quickly and dramatically ripped away from her: forcing her to find her strength pretty damn quickly as she begins a life as an outlaw.
Along her path, Sophia meets two strong female characters: Constance and Amina. Although, wildly different, both these women play a significant role in Sophia’s self-discovery.
Amina is as far from the traditional fairy godmother image as you can get and, although she feels guilt for her previous actions, it takes meeting Sophia for her to recognise her previous denial and to help change the way of the world. Amina is a protector to Sophia right to the end, in her own unique way.
Constance, what can we say about Constance? I defy anyone to read this book and not fall in love with this girl! Constance possesses the strength that Sophia does not yet recognise within herself; she is fiery and, as a descendant of an “evil stepsister”, leads a resistance movement to uncover and publicise the truth about the real tale of Cinderella. Despite, technically saving Sophia towards the beginning of the story, Constance is not Sophia’s saviour: nor is Sophia the saviour; however, the power that they find together is monumental.
Constance is a complete juxtaposition to Erin: whereas Erin accepts the rules of society out of fear for herself and her family, Constance actively rebels against them. It is almost as if they represent the paths Sophia has to choose from. Nevertheless, along their adventure, Sophia and Constance’s relationship strengthens into love. This is no fairytale, love at first sight deal though! If anything, the slow-burning romance between the two made it more believable and I really appreciated that Sophia didn’t just rebound due to Erin’s choices: she had been burnt and she was still unsure of her own feelings never mind anyone else’s.
At the hands of Bayron, Sophia experiences heartbreak, friendship, murder, love and conspiracy: she is on the brink of danger too many times to count and is constantly second guessing who she can trust. Yet, it is clear that the author adores her main character: Sophia’s journey to realise that she is enough is incredible and the strength that she finds within herself is inspirational. Sophia is also surrounded by a cast of strong female characters: there are no Prince Charming’s in this novel that’s for sure!
I wasn’t that far into this book when I decided I need to read more of Kalynn Bayron’s work. I love how there are no chapters in this novel, we are taken on this relentless journey with Sophia: the reader is not given a chance to stop and take stock, reflect or rest until it is all over and this creates the tensest experience. Even we don’t know who to trust towards the end!
‘Cinderella is Dead’ is powerful, thought-provoking and is constantly leaving the reader guessing. On a basic level the novel deals with violence, love, politics and a little bit of necromancy thrown in there for good measure. However, the intelligent writing as well as the massive plot twist and the subjects of LGBTQ love, women’s rights and domestic violence lifts this novel from that basic level into, what I predict could be a bestseller.
Beckie Shelton (40 KP) rated Beast: The Beginning (Hate Story, #1) in Books
Oct 6, 2017
I loved Beast: The Beginning (Hate Story, #1). From the minute I started reading This I was lost in another world, one of blood, hate and organised crime.
Where being bad was good and innocence is soon corrupted and lost forever.
So beast is about Frankie Notte and Anteros Drago a boss in the Pavoni family.
Frankie trades herself for her Papas life accompanying the beast to a fate unknown.
The Beast himself has every intention of selling Frankie to the Institute to be sold to the highest bidder.
But sometimes the best-laid plans can go awry, as is what happens here, leaving the beast with a slave that he's not quite sure what to do with.
Now, this was described as a dark read, and there is plenty of evidence of that darkness scattered throughout Beast, but behind closed doors, the Beast becomes increasingly fascinated with his new toy and there is at times a surprising gentleness to some of his interactions with Frankie.
He continues to try and keep up a front in front of his wolves as they start to lose confidence in their leader, questioning his actions towards an inconsequential Slave.
There is also a lot of secrets and intrigue running beneath the surface and rumours running amok concerning the Pavoni Princess, even Beast himself starts to listen and doubt what is real.
So dissecting our two main honchos here.
Anteros Drago/ Beast first, he's Ruthless, cruel, seemingly without mercy, he wants to break Frankie reducing her to nothing, he even initially tells her she is nothing.
His Black-heart is dark to the core, he lives for the job having spent years planning, with his wolves there rise to the top of the family from mere foot soldiers.
He appears to have no weaknesses. that is until Frankie slowly starts to thaw his ice-cold heart, not that you would major notice this as he's still a complete bastard to Frankie subjecting her to awful situations to teach her her place and generally playing mind games, belittling her at every turn while fighting his growing affections and deceiving himself regarding his feelings towards her.
Now Frankie herself, she is multi-faceted in regards to what she portrays outwardly.
Shes, not a worldly girl having been ill much of her teenage years, but From day one despite her apprehension, Frankie refuses to back down, sometimes even stupidly goading Beast, She grows so much in character throughout this story, seeming to get stronger with each new trial experienced, she also tries daily to fight her strange attraction towards the Beast that she swears she hates.
When we get the final satisfying reveal, setting us up for book two all players have been moved around into their new places almost like a chess match.
Or maybe even a new blood war.
You can see straight off that the next instalment is going to be very different in regards to changing tides.
So Really well done to the author I can't wait to get stuck into Beauty: The End (Hate Story, #2).
This may have been my first Mary Catherine Gebhard book, but definitely won't be my last.
It's been quite a while since I indulged myself in a good Dark romance and though this was not as dark as some I have read I found this a great addition to its genre.
So Give this a go if you like a good anti-hero romance, happy reading.
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
Where being bad was good and innocence is soon corrupted and lost forever.
So beast is about Frankie Notte and Anteros Drago a boss in the Pavoni family.
Frankie trades herself for her Papas life accompanying the beast to a fate unknown.
The Beast himself has every intention of selling Frankie to the Institute to be sold to the highest bidder.
But sometimes the best-laid plans can go awry, as is what happens here, leaving the beast with a slave that he's not quite sure what to do with.
Now, this was described as a dark read, and there is plenty of evidence of that darkness scattered throughout Beast, but behind closed doors, the Beast becomes increasingly fascinated with his new toy and there is at times a surprising gentleness to some of his interactions with Frankie.
He continues to try and keep up a front in front of his wolves as they start to lose confidence in their leader, questioning his actions towards an inconsequential Slave.
There is also a lot of secrets and intrigue running beneath the surface and rumours running amok concerning the Pavoni Princess, even Beast himself starts to listen and doubt what is real.
So dissecting our two main honchos here.
Anteros Drago/ Beast first, he's Ruthless, cruel, seemingly without mercy, he wants to break Frankie reducing her to nothing, he even initially tells her she is nothing.
His Black-heart is dark to the core, he lives for the job having spent years planning, with his wolves there rise to the top of the family from mere foot soldiers.
He appears to have no weaknesses. that is until Frankie slowly starts to thaw his ice-cold heart, not that you would major notice this as he's still a complete bastard to Frankie subjecting her to awful situations to teach her her place and generally playing mind games, belittling her at every turn while fighting his growing affections and deceiving himself regarding his feelings towards her.
Now Frankie herself, she is multi-faceted in regards to what she portrays outwardly.
Shes, not a worldly girl having been ill much of her teenage years, but From day one despite her apprehension, Frankie refuses to back down, sometimes even stupidly goading Beast, She grows so much in character throughout this story, seeming to get stronger with each new trial experienced, she also tries daily to fight her strange attraction towards the Beast that she swears she hates.
When we get the final satisfying reveal, setting us up for book two all players have been moved around into their new places almost like a chess match.
Or maybe even a new blood war.
You can see straight off that the next instalment is going to be very different in regards to changing tides.
So Really well done to the author I can't wait to get stuck into Beauty: The End (Hate Story, #2).
This may have been my first Mary Catherine Gebhard book, but definitely won't be my last.
It's been quite a while since I indulged myself in a good Dark romance and though this was not as dark as some I have read I found this a great addition to its genre.
So Give this a go if you like a good anti-hero romance, happy reading.
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
Daniel Boyd (1066 KP) rated American Idiot by Green Day in Music
Nov 2, 2017
Soda Pop & Ritalin
For some reason people like to slag Green Day, they are the butt of a lot of punk music jokes and to be honest I do get why. I understand why people see their use of makeup and their whole zany persona as a farce and don’t take them seriously, but no matter what you think of them in general, it is hard to deny that their seventh album, ‘American Idiot,’ perfectly captured the zeitgeist at the time, especially in the US. The album was an unexpected maturation of any of the band’s previous efforts and capitalised on their potential. When Billie Joe Armstrong wrote the album, he chose to channel his feelings into a cast of various characters and use a concept album format to display the emotions he and his peers felt at the time. I would argue the fact that American Idiot is definitively a concept album, as it doesn’t actually tell a cohesive story with a beginning, middle and end, instead opting for the approach of latching on to a certain feeling, whether it be rage or love and assigning that to a specific character and then throwing all of these characters into the mixing pot together. We hear the album from the perspective of the protagonist in the story, Jesus Of Suburbia, a young man who is sick of a broken system and feels disillusioned and uninspired by everything that he sees around him. The reason that so many people felt this way at the time of this album’s release, 2004, was due to the Bush administration’s misguidance and outright lies and due to the fallout from the 9/11 terrorists attacks that has never really gone away in America since the incident occurred. So, fed up of his suburban, dead end town Jesus leaves home and begins a quest of self discovery that involves a great deal of substance abuse, which ends up leading to the creation of an alter ego residing in Jesus’ mind who calls himself Saint Jimmy. Think Tyler Durden in fight club, but if he had a Mohican and ear stretchers. Jimmy leads Jesus on the thinly veiled path to revolution, which simply turns out to be a path to self destruction and eventually when Jesus hits rock bottom, (just like Fight Club,) he forces Jimmy to commit suicide and rids his mind of him. At the end of the album though Jesus’ fate is left ambiguous, but what is clear is that his journey has taken its toll on him, which is signified by the fact that he forgets the name of the girl that he fell in and out of love with during his spiritual quest. This album perfectly captured the mindset of a generation of kids forgotten by the system that was put in place to help them grow. American Idiot gives the man on the street a well informed, unified voice and actually injects some form of leadership into the political and social landscape at the time, even if it probably isn’t the form of leadership that your parents had in mind, or the government had put in place for you. A wake up call that is essential and still relevant today, this album and its story and character carries the important message that we shouldn’t settle for any less than what we deserve and what we deserve is often a lot better than what we end up getting. This album is pretty much the American version of Never Mind The Bollocks.
Kristy H (1252 KP) rated Left to Chance in Books
Jan 10, 2018
Great characters (3 more)
Strong portrayal of a small town
Some great funny moments
Lovely and powerful moments
Sweet, touching tale
After six years, Teddi Learner returns to her small hometown of Chance, Ohio to photograph the wedding of her best friend's husband, Miles. Miles is getting remarried after the death of his first wife, Celia. Celia and Miles and had one daughter together, Shayna, who is now twelve. Teddi and Shay had a somewhat superficial relationship after Celia's death--a yearly visit in Chicago, Skype calls, etc. But Shay's now nearly a teenager and she's personally asked Teddi to come to town--a place she's never set foot in since her beloved best friend passed away. When she arrives, she finds Chance has grown, and so has Shay, who is struggling with her father's remarriage and fitting in within her teen friend circle. Further, Teddi's memories of Celia are as strong as ever, and so are her feelings for Celia's brother, Beck, whom she was seeing when she fled town after (okay, pretty much during) Celia's funeral. Teddi has a new life now, photographing weddings all over the country for Hester Hotels. She left Chance behind and never looked back. But now that she's here, she can't help but notice all (and who) she left.
I enjoy picking up novels like this sometime because they let me indulge in my Lifetime / Hallmark movie side (I'm a sucker for those, especially at Christmas time). This book was an excellent diversion and while I certainly could predict some areas, it surprised me in others.
Nathan gives us some great characters, particularly Teddi and Shay. Teddi is complicated and a little annoying, at times, but she comes across as realistically human and flawed. Her love for Celia is incredibly strong and you can feel her loss and heartache come across the pages. The novel is a real testament to female friendship. At times you want to push or prod her a bit, but she's also stronger than she thinks. As for Shay, my heart often broke for the poor girl, struggling at the age of being between a girl and a teenager, with the added difficulty of having lost her mom.
Nathan also does a good job of portraying the eclectic cast of characters in small town Chance, with some good foils popping up for Teddi. Some of my particular favorite appearances included Teddi's cousin, Maggie, and childhood friend, Josie. Because it's a small place, Miles' wedding is the talk of the town, and we see how it brings up some bitterness and long held issues among some, including the immediate family.
Overall, I enjoyed this one. The hardest part was some melodrama in the plot and theme, which got to be a little too much at times. Some things seemed to be blown a bit out of proportion and there can be a lot of different plot threads going on at times. However, there are some really lovely and powerful moments and some incredibly funny ones--much of which stem from the strength of the characters. There's a bit of a picture perfect ending, but not the one I expected. This was a sweet, touching tale in many ways and exactly the read I needed at this point in time. 3.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
I enjoy picking up novels like this sometime because they let me indulge in my Lifetime / Hallmark movie side (I'm a sucker for those, especially at Christmas time). This book was an excellent diversion and while I certainly could predict some areas, it surprised me in others.
Nathan gives us some great characters, particularly Teddi and Shay. Teddi is complicated and a little annoying, at times, but she comes across as realistically human and flawed. Her love for Celia is incredibly strong and you can feel her loss and heartache come across the pages. The novel is a real testament to female friendship. At times you want to push or prod her a bit, but she's also stronger than she thinks. As for Shay, my heart often broke for the poor girl, struggling at the age of being between a girl and a teenager, with the added difficulty of having lost her mom.
Nathan also does a good job of portraying the eclectic cast of characters in small town Chance, with some good foils popping up for Teddi. Some of my particular favorite appearances included Teddi's cousin, Maggie, and childhood friend, Josie. Because it's a small place, Miles' wedding is the talk of the town, and we see how it brings up some bitterness and long held issues among some, including the immediate family.
Overall, I enjoyed this one. The hardest part was some melodrama in the plot and theme, which got to be a little too much at times. Some things seemed to be blown a bit out of proportion and there can be a lot of different plot threads going on at times. However, there are some really lovely and powerful moments and some incredibly funny ones--much of which stem from the strength of the characters. There's a bit of a picture perfect ending, but not the one I expected. This was a sweet, touching tale in many ways and exactly the read I needed at this point in time. 3.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Kristy H (1252 KP) rated All the Crooked Saints in Books
Jan 10, 2018 (Updated Jan 10, 2018)
Story of love, loss, and sadness that everyone can appreciate
Maggie Stiefvater's latest--a stand-alone novel--tells the tale of the Soria family, who live in Bicho Raro, Colorado in the 1960s. On the family compound, you'll find the extended Soria family, including the three cousins: Beatriz, Daniel, and Joaquin. Beatriz is scientific-minded; so much, in fact, that she believes she has no feelings. Daniel is the Saint of Bicho Raro, and performs miracles for the Pilgrims who come in droves for the magic the Sorias can offer. Joaquin loves music and performs as Diablo Diablo on an illegal radio station he operates. The Sorias live apart from the Pilgrims they serve, believing helping and interfering with them after performing the first miracle will only bring on darkness. After all, it happened with Daniel's late parents. But when Daniel becomes involved with a Pilgrim named Marisita and a young man named Pete arrives at Bicho Raro looking for work, the Sorias are forced to confront many of their long-held beliefs.
I won't lie: it's a little hard to review this book, beyond saying that it's very much a Maggie Stiefvater novel. If you haven't read one of Stiefvater's novels before, I'm not sure I'd start with this one, even if it is one of her few stand-alone books. Her novels are typically full of all things fancy and fantastical, forcing the reader to suspend reality and be prepared to come along fully for the ride. If you can't do that, or don't enjoy such books, this isn't for you. Even I, who am familiar with her style, had a little trouble with this one at points.
Stiefvater has a way with language; she loves words and weaving a spell with them, and her novels are dense with beauty and picturesque scenes. She uses a repetitious style here in many of her sentences and the overall structure: again, something you might have to get used to.
Still, this book is bizarre but compelling. I put it aside the first night I started it and wasn't sure I'd enjoy it, but when I picked it up again, I was sucked into the Soria's story. The cousins are all rather enthralling characters, and you truly become a part of their journey. Sure, the miracle idea seems a little crazy, but it really just is part of the book, along with the owls, a giant, the moving earth, etc. It's really lovely at times, and I enjoyed the comparisons between miracles and radio waves.
As mentioned, Daniel, Beatriz, and Joaquin are all fascinating characters, and I also really grew to care for Pete, as well, along with another character named Tony. Even Marisita grew on me. There's a bit of suspense and tension to the novel, and you'll find yourself intrigued to see how things turn out. The themes of humanity, darkness, and family are well-done overall.
This probably isn't my favorite of Stiefvater's books; I love the Shiver series and The Raven Boys series, much like this novel, is even more mystical, but features the same sort of compelling characters as here. However, the story and characters grew on me, and I don't regret reading it. It's enjoyable, albeit somewhat odd at times. The story of love, loss, and sadness at its core is one everyone can appreciate.
I won't lie: it's a little hard to review this book, beyond saying that it's very much a Maggie Stiefvater novel. If you haven't read one of Stiefvater's novels before, I'm not sure I'd start with this one, even if it is one of her few stand-alone books. Her novels are typically full of all things fancy and fantastical, forcing the reader to suspend reality and be prepared to come along fully for the ride. If you can't do that, or don't enjoy such books, this isn't for you. Even I, who am familiar with her style, had a little trouble with this one at points.
Stiefvater has a way with language; she loves words and weaving a spell with them, and her novels are dense with beauty and picturesque scenes. She uses a repetitious style here in many of her sentences and the overall structure: again, something you might have to get used to.
Still, this book is bizarre but compelling. I put it aside the first night I started it and wasn't sure I'd enjoy it, but when I picked it up again, I was sucked into the Soria's story. The cousins are all rather enthralling characters, and you truly become a part of their journey. Sure, the miracle idea seems a little crazy, but it really just is part of the book, along with the owls, a giant, the moving earth, etc. It's really lovely at times, and I enjoyed the comparisons between miracles and radio waves.
As mentioned, Daniel, Beatriz, and Joaquin are all fascinating characters, and I also really grew to care for Pete, as well, along with another character named Tony. Even Marisita grew on me. There's a bit of suspense and tension to the novel, and you'll find yourself intrigued to see how things turn out. The themes of humanity, darkness, and family are well-done overall.
This probably isn't my favorite of Stiefvater's books; I love the Shiver series and The Raven Boys series, much like this novel, is even more mystical, but features the same sort of compelling characters as here. However, the story and characters grew on me, and I don't regret reading it. It's enjoyable, albeit somewhat odd at times. The story of love, loss, and sadness at its core is one everyone can appreciate.
Hazel (1853 KP) rated The Chilbury Ladies' Choir in Books
May 23, 2017
Wartime Fiction
This eBook was provided by the publisher via NetGalley in exchange for an honest review
"Just because the men have gone to war, why do we have to close the choir? And precisely when we need it most!"
Set in the fictional village of Chilbury, Kent during the Second World War, The Chilbury Ladies’ Choir explores the lives of the women left behind whilst the men go off to fight. The remaining villagers are disappointed at the closing of the church choir, which, according to the vicar, cannot go on without any men to sing the tenor and bass parts. However, the arrival of bold, forthright Primrose Trent brings the birth of a new choir, a choir for women only.
Although a war is going on, the ladies of Chilbury have so many other things on their minds. Told through a conflation letters and diary entries, The Chilbury Ladies’ Choir reveals the everyday lives of a handful of characters. Mrs Tilling’s journal provides an overview of the general events, whilst 18-year-old Venetia’s letters divulge the wiles and charms she uses in the name of romance. Other characters, particularly the young teenager, Kitty, offer other insights to the goings on in the village.
From falling in love, to having babies, The Chilbury Ladies’ Choir is full of secrets, schemes and misunderstandings that almost let the villagers forget there is a war on. However, the effects of war do reach the little village, bringing with it terror and grief.
The individual stories that make up the book provide the reader with a number of scenarios that are full of emotion, but equally entertain. One moment the horror of war could leave readers in flood of tears, the next, Mrs B.’s pretentious personality and vaunting comments bring amusement and laughter.
All the while these events are playing out, the Chilbury Ladies’ Choir pulls the women together, providing them with a source of comfort to get them through the terrible times. No matter what disasters befall them, whether caused by war or their own actions, joining together in song gives them a purpose and opportunity to have a break from their fears and grief. War may destroy, but they will carry on singing.
Written in the manner of private letters and journals gives the novel a personal touch. The story is not merely narrated, it is expressed through the emotion and feelings of individual characters, making the scenarios seem more authentic. The downside to this method is the lack of distinction between each character’s voices. With no detectable dialect, the musings of a 13-year-old are composed in much the same manner as the much older Mrs Tilling.
The Chilbury Ladies’ Choir is an enjoyable piece of historical literature, which is bound to appeal to many people. Although set during World War II, its primary focus is on the people in the village, making it more attractive to readers who are fed up of reading about bombs and fighting. A mix of family issues, bribery and romance provide considerably more entertainment than a generic wartime novel. Being Jennifer Ryan’s debut novel, The Chilbury Ladies’ Choir is of a quality that suggests the author has so much more to deliver in the not-so-distant future.
"Just because the men have gone to war, why do we have to close the choir? And precisely when we need it most!"
Set in the fictional village of Chilbury, Kent during the Second World War, The Chilbury Ladies’ Choir explores the lives of the women left behind whilst the men go off to fight. The remaining villagers are disappointed at the closing of the church choir, which, according to the vicar, cannot go on without any men to sing the tenor and bass parts. However, the arrival of bold, forthright Primrose Trent brings the birth of a new choir, a choir for women only.
Although a war is going on, the ladies of Chilbury have so many other things on their minds. Told through a conflation letters and diary entries, The Chilbury Ladies’ Choir reveals the everyday lives of a handful of characters. Mrs Tilling’s journal provides an overview of the general events, whilst 18-year-old Venetia’s letters divulge the wiles and charms she uses in the name of romance. Other characters, particularly the young teenager, Kitty, offer other insights to the goings on in the village.
From falling in love, to having babies, The Chilbury Ladies’ Choir is full of secrets, schemes and misunderstandings that almost let the villagers forget there is a war on. However, the effects of war do reach the little village, bringing with it terror and grief.
The individual stories that make up the book provide the reader with a number of scenarios that are full of emotion, but equally entertain. One moment the horror of war could leave readers in flood of tears, the next, Mrs B.’s pretentious personality and vaunting comments bring amusement and laughter.
All the while these events are playing out, the Chilbury Ladies’ Choir pulls the women together, providing them with a source of comfort to get them through the terrible times. No matter what disasters befall them, whether caused by war or their own actions, joining together in song gives them a purpose and opportunity to have a break from their fears and grief. War may destroy, but they will carry on singing.
Written in the manner of private letters and journals gives the novel a personal touch. The story is not merely narrated, it is expressed through the emotion and feelings of individual characters, making the scenarios seem more authentic. The downside to this method is the lack of distinction between each character’s voices. With no detectable dialect, the musings of a 13-year-old are composed in much the same manner as the much older Mrs Tilling.
The Chilbury Ladies’ Choir is an enjoyable piece of historical literature, which is bound to appeal to many people. Although set during World War II, its primary focus is on the people in the village, making it more attractive to readers who are fed up of reading about bombs and fighting. A mix of family issues, bribery and romance provide considerably more entertainment than a generic wartime novel. Being Jennifer Ryan’s debut novel, The Chilbury Ladies’ Choir is of a quality that suggests the author has so much more to deliver in the not-so-distant future.
Hazel (1853 KP) rated Clover Moon in Books
May 24, 2017
A Victorian Story
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Although now in her seventies, the Nation’s favourite children’s author, Dame Jacqueline Wilson, is continuing to write after surpassing one hundred novels. Many children (mostly girls) grow up reading her stories, myself being amongst that number. Even my sister, who hated reading, purchased a number of her books. It has been well over a decade since I last read a Jacqueline Wilson, however after seeing her latest novel was available for review, I thought I would give it a go.
Clover Moon is set in poverty-stricken Victorian London, where eleven-year-old Clover, the eldest of six siblings, lives with her father and stepmother. Like many stepmother’s in children’s literature, Clover’s treats her like a slave – a position she is destined to stay in unless she gets a job in a factory. With no school to attend, Clover becomes a second mother to her younger brother’s and sisters, yet nothing can prepare her for the devastating impact a wave of Scarlet Fever brings. With only an old doll maker who cares about her, Clover is desperate to get out of her situation; so after a chance meeting with an artist who tells her about a home for destitute girls, Clover decides to seek out the help and life she deserves.
Although only eleven, Clover has the responsibilities of someone of a more mature age. It is hard to imagine sending a child out to work, or trusting them to look after a newborn baby. Children reading this book will learn the difference between their lives and the life of a child in the 1800s.
As always, Jacqueline Wilson gives her main character a happy ending – although in this instance it still remains a bit uncertain. Despite the horrible circumstances, Wilson manages to pump her story full of enthusiastic optimism, thus portraying Clover as a strong, determined heroine.
Most of Jacqueline Wilson’s earlier books were set in the present day; there were still unhappy situations, but the settings were based on ideas the reader would be familiar with. In the case of Clover Moon, unless children have been educated about the poor in Victorian England, it is unlikely that they will be able to fully comprehend Clover’s predicament. As a result, the book is more suitable for young teenagers than the usual target audience of eight to twelve year olds.
Comparing my memories of Jacqueline Wilson books I read as a child with her latest publication, Clover Moon felt like something different; a new direction. As I have not read any of her work between the early 2000s and now, I am not sure when this change occurred, but it feels as though Wilson is delving deeper into her main character’s thoughts and feelings, and creating a more insightful storyline. On the other hand, I may simply be more intuitive as an adult than I was a child.
Although Clover Moon did not turn out to be the style of writing I was expecting I thoroughly enjoyed it. In fact, this difference made it possible to distance myself from the author’s renown, and treat it as an individual story. Clover is an admirable character who, through her narration, provides both an entertaining story and brief historical education. Fans of Jacqueline Wilson will not be disappointed with this latest publication; and if you are a new reader, Clover Moon is a great place to start.
Although now in her seventies, the Nation’s favourite children’s author, Dame Jacqueline Wilson, is continuing to write after surpassing one hundred novels. Many children (mostly girls) grow up reading her stories, myself being amongst that number. Even my sister, who hated reading, purchased a number of her books. It has been well over a decade since I last read a Jacqueline Wilson, however after seeing her latest novel was available for review, I thought I would give it a go.
Clover Moon is set in poverty-stricken Victorian London, where eleven-year-old Clover, the eldest of six siblings, lives with her father and stepmother. Like many stepmother’s in children’s literature, Clover’s treats her like a slave – a position she is destined to stay in unless she gets a job in a factory. With no school to attend, Clover becomes a second mother to her younger brother’s and sisters, yet nothing can prepare her for the devastating impact a wave of Scarlet Fever brings. With only an old doll maker who cares about her, Clover is desperate to get out of her situation; so after a chance meeting with an artist who tells her about a home for destitute girls, Clover decides to seek out the help and life she deserves.
Although only eleven, Clover has the responsibilities of someone of a more mature age. It is hard to imagine sending a child out to work, or trusting them to look after a newborn baby. Children reading this book will learn the difference between their lives and the life of a child in the 1800s.
As always, Jacqueline Wilson gives her main character a happy ending – although in this instance it still remains a bit uncertain. Despite the horrible circumstances, Wilson manages to pump her story full of enthusiastic optimism, thus portraying Clover as a strong, determined heroine.
Most of Jacqueline Wilson’s earlier books were set in the present day; there were still unhappy situations, but the settings were based on ideas the reader would be familiar with. In the case of Clover Moon, unless children have been educated about the poor in Victorian England, it is unlikely that they will be able to fully comprehend Clover’s predicament. As a result, the book is more suitable for young teenagers than the usual target audience of eight to twelve year olds.
Comparing my memories of Jacqueline Wilson books I read as a child with her latest publication, Clover Moon felt like something different; a new direction. As I have not read any of her work between the early 2000s and now, I am not sure when this change occurred, but it feels as though Wilson is delving deeper into her main character’s thoughts and feelings, and creating a more insightful storyline. On the other hand, I may simply be more intuitive as an adult than I was a child.
Although Clover Moon did not turn out to be the style of writing I was expecting I thoroughly enjoyed it. In fact, this difference made it possible to distance myself from the author’s renown, and treat it as an individual story. Clover is an admirable character who, through her narration, provides both an entertaining story and brief historical education. Fans of Jacqueline Wilson will not be disappointed with this latest publication; and if you are a new reader, Clover Moon is a great place to start.
Hazel (1853 KP) rated The Storyteller in Books
May 30, 2017
An Ethical Question
Jodi Picoult is the bestselling author of numerous novels, with My Sister’s Keeper being the most well known, perhaps. All of her stories are well written although it is still possible to notice improvements in the writing over the years right up until now with her latest, The Storyteller, which quite possibly could be her best yet.
Arguably, The Storyteller does not quite read as a Jodi Picoult novel is known to. This is, in part, because of the nature of the story. Most of her previous books deal with medical ethics and/or court cases, whereas this story contains neither. The Storyteller contains a combination of past and present - the main focus being on the Holocaust.
Four people narrate the novel: two in the present day and two giving an account of their experience during the Second World War. It begins with Sage Singer, a 25 year old, hermit-like woman with a disfiguring facial scar – the result of a terrible accident, one that also led to the death of her mother. For the past three years Sage has been participating in a grief group – a place where people who have lost loved ones can come together and talk about their feelings. After three years surely Sage would no longer need the help of the group? However she still attends, not because she finds it helpful, but for the opposite reason. She even says herself: “If it were helpful I wouldn’t still be coming.” It unfolds that she still blames herself for her mother’s death despite the reassurances that it was an accident and not her fault.
It is through the grief group that Sage meets an elderly man, Josef Weber. After becoming friendly and discovering that Sage comes from a Jewish family, Josef confesses to something terrible – he was a Nazi during the war. He killed people. He wants Sage to represent all the Jews he killed and forgive him. Then he wants her to help him die.
Whilst, Josef recounts his experience of being part of the Nazi party, another account is also given. Minka, Sage’s grandmother, describes the terrors she faced as an imprisoned Jew suffering fates such as the deaths of all her family and friends and her time in Auschwitz. Another element to the novel is the vampire story Minka wrote as a teenager. This is interspersed between the other chapters of the book. Unwittingly, Minka’s fictional tale reflects the alienation and destruction of the Jews. The final character is Leo who, like Sage, is narrating the present day, and trying to locate ex-Nazi members in order for them to be punished by the government.
One thing to praise Picoult for, not just in The Storyteller, but also in all her novels is the amount of in-depth research she undertakes to make her stories as accurate as possible even though they are fictional. Minka’s account was written is such a way that it was almost believable that Picoult had been there and experienced it herself. She even learnt to bake bread so that she could write from the point of view of a baker. This is pure dedication!
The Storyteller is an amazing, beautiful book, which is not purely an enjoyable read. It informs, shocks and stays with you for a long time. You will question your own morals and ability to forgive. Is anyone entirely evil? Is anyone entirely good? Perhaps we are both, so why should anyone have the right to treat others as inferior from themselves?
Arguably, The Storyteller does not quite read as a Jodi Picoult novel is known to. This is, in part, because of the nature of the story. Most of her previous books deal with medical ethics and/or court cases, whereas this story contains neither. The Storyteller contains a combination of past and present - the main focus being on the Holocaust.
Four people narrate the novel: two in the present day and two giving an account of their experience during the Second World War. It begins with Sage Singer, a 25 year old, hermit-like woman with a disfiguring facial scar – the result of a terrible accident, one that also led to the death of her mother. For the past three years Sage has been participating in a grief group – a place where people who have lost loved ones can come together and talk about their feelings. After three years surely Sage would no longer need the help of the group? However she still attends, not because she finds it helpful, but for the opposite reason. She even says herself: “If it were helpful I wouldn’t still be coming.” It unfolds that she still blames herself for her mother’s death despite the reassurances that it was an accident and not her fault.
It is through the grief group that Sage meets an elderly man, Josef Weber. After becoming friendly and discovering that Sage comes from a Jewish family, Josef confesses to something terrible – he was a Nazi during the war. He killed people. He wants Sage to represent all the Jews he killed and forgive him. Then he wants her to help him die.
Whilst, Josef recounts his experience of being part of the Nazi party, another account is also given. Minka, Sage’s grandmother, describes the terrors she faced as an imprisoned Jew suffering fates such as the deaths of all her family and friends and her time in Auschwitz. Another element to the novel is the vampire story Minka wrote as a teenager. This is interspersed between the other chapters of the book. Unwittingly, Minka’s fictional tale reflects the alienation and destruction of the Jews. The final character is Leo who, like Sage, is narrating the present day, and trying to locate ex-Nazi members in order for them to be punished by the government.
One thing to praise Picoult for, not just in The Storyteller, but also in all her novels is the amount of in-depth research she undertakes to make her stories as accurate as possible even though they are fictional. Minka’s account was written is such a way that it was almost believable that Picoult had been there and experienced it herself. She even learnt to bake bread so that she could write from the point of view of a baker. This is pure dedication!
The Storyteller is an amazing, beautiful book, which is not purely an enjoyable read. It informs, shocks and stays with you for a long time. You will question your own morals and ability to forgive. Is anyone entirely evil? Is anyone entirely good? Perhaps we are both, so why should anyone have the right to treat others as inferior from themselves?