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Brown_Flopsy (3 KP) rated Thirteen Reasons Why: (TV Tie-in) in Books
Feb 4, 2018
Contains spoilers, click to show
As a school librarian and in light of the recent Netflix adaptation of this book, I felt that I should read it.
Firstly, I don't think this book actively promotes suicide. I actually think it is the intention of the author to make us think about how our actions affect other people's lives. It is not about revenge. It is about changing your actions...making time to talk to that person you think may need someone to talk to....being kinder. Listening to the tapes makes Clay appreciate that a person's actions can influence another's life in ways you do not realise and that making an effort to really get to know someone else can help them be happier if they are struggling.
However, this is definitely not a book to be given to someone who is suffering from depression. This is not a self-help book. Hannah is in a cycle of self-destruction, a downward spiral she is not able to escape from. She has already made up her mind that she cannot carry on and I am not sure she can be diverted from her course in the end. Mr Porter tries to help her talk, but unintentionally confirms the decision she has already made. I have not suffered from depression myself, but am very aware of what this can lead to and I can see that the book could be read in a way which could offer suicide as an option to someone who is in a dark place.
If you are worried about whether to recommend this book, or allow a young person to read this, my advice would be that this is not a story for younger children - this is a dark and sometimes sexual story and does have a rape in it. I would not recommend this book for anyone under the age of 15/16, because of this.
In addition, be aware that this is not a story for someone who suffers from depression as it can be read in a way which seems to offer suicide as an acceptable option if you can see youself in the same place as Hannah finds herself, although this is not its intention. Be aware of who is reading this book. It is, however an interesting read and does open the discussion about suicide, just be careful about who you recommend this to and do talk about it with them both before and afterwards.
Having said all this, I did enjoy reading the book and don't believe that the author intends anything dark by it or suggests intentionally that suicide is a way to get revenge on others.
The Netflix series worries me far more than the book itself. This strings out the story in a way which seems to glamorise Hannah's tapes and the idea of revenge on those that caused her suffering to make it into a "teen drama full of angst". I would be very worried about letting youngsters watch this series.
The Netflix series is horrific. This oringinally had a certificate of 15, but this was been amended to 18. The tv show definitely does not leave you with the same feelings as the book and most certainly is not for children. The final episode even shows Hannah sitting in a bath and cutting into her veins with a razor blade. Please do not watch this if you liked the book. Jay Asher, you should be ashamed that you had anything to do with this!
Firstly, I don't think this book actively promotes suicide. I actually think it is the intention of the author to make us think about how our actions affect other people's lives. It is not about revenge. It is about changing your actions...making time to talk to that person you think may need someone to talk to....being kinder. Listening to the tapes makes Clay appreciate that a person's actions can influence another's life in ways you do not realise and that making an effort to really get to know someone else can help them be happier if they are struggling.
However, this is definitely not a book to be given to someone who is suffering from depression. This is not a self-help book. Hannah is in a cycle of self-destruction, a downward spiral she is not able to escape from. She has already made up her mind that she cannot carry on and I am not sure she can be diverted from her course in the end. Mr Porter tries to help her talk, but unintentionally confirms the decision she has already made. I have not suffered from depression myself, but am very aware of what this can lead to and I can see that the book could be read in a way which could offer suicide as an option to someone who is in a dark place.
If you are worried about whether to recommend this book, or allow a young person to read this, my advice would be that this is not a story for younger children - this is a dark and sometimes sexual story and does have a rape in it. I would not recommend this book for anyone under the age of 15/16, because of this.
In addition, be aware that this is not a story for someone who suffers from depression as it can be read in a way which seems to offer suicide as an acceptable option if you can see youself in the same place as Hannah finds herself, although this is not its intention. Be aware of who is reading this book. It is, however an interesting read and does open the discussion about suicide, just be careful about who you recommend this to and do talk about it with them both before and afterwards.
Having said all this, I did enjoy reading the book and don't believe that the author intends anything dark by it or suggests intentionally that suicide is a way to get revenge on others.
The Netflix series worries me far more than the book itself. This strings out the story in a way which seems to glamorise Hannah's tapes and the idea of revenge on those that caused her suffering to make it into a "teen drama full of angst". I would be very worried about letting youngsters watch this series.
The Netflix series is horrific. This oringinally had a certificate of 15, but this was been amended to 18. The tv show definitely does not leave you with the same feelings as the book and most certainly is not for children. The final episode even shows Hannah sitting in a bath and cutting into her veins with a razor blade. Please do not watch this if you liked the book. Jay Asher, you should be ashamed that you had anything to do with this!
Kristy H (1252 KP) rated Small Admissions in Books
Feb 13, 2018
Kate Pearson is going through a rough time. She's been dumped by Robert, her incredibly handsome French boyfriend, and she turned down a spot in her grad school program, so instead of living a dream life in Paris, she's living on the couch, barely able to wash her own hair. Her friend Chloe feels responsible (Robert is her cousin, after all), her friend Vicki is just annoyed (Vicki has no patience for wallowing), and Kate's older sister Angela just wants to fix everything. She connects Kate to a lead for an interview at the admissions department at the Hudson Day School. Surprising everyone, Kate gets the job, and suddenly has to get her life together. There's no time for self-pity during admissions season, after all. Indeed, Kate finds herself drawn to her job, her new colleagues, and the various children she meets while at work. And while Kate's working non-stop, her friends are busy falling in love, feeling guilty about their role in Kate's earlier breakdown regarding Robert, and generally making a mess of things. Will Kate make her own mess at the new admissions gig as well, or is this the fresh chance she needed?
I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate.
The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Kate, Chloe, Angela, Henry -- they were intriguing and, when featured, seemed real, even if Angela was driving us crazy meddling into Kate's life, as was Chloe with her never-ending guilt over her supposed role in Kate's breakdown. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. The snippets from the kids (and parents) applying for school are great, too, but it's hard not to see them sometimes as a detraction from our main characters, especially a side plot with two fervent (and delusional) parents.
Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 12/27/2016.
I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate.
The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Kate, Chloe, Angela, Henry -- they were intriguing and, when featured, seemed real, even if Angela was driving us crazy meddling into Kate's life, as was Chloe with her never-ending guilt over her supposed role in Kate's breakdown. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. The snippets from the kids (and parents) applying for school are great, too, but it's hard not to see them sometimes as a detraction from our main characters, especially a side plot with two fervent (and delusional) parents.
Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 12/27/2016.
Maribeth is an overworked mother of four-year-old twins: busy dividing her time as an editor of a magazine, mothering her twins, and taking care of her household. But Maribeth is so busy she doesn't even realize she's had a heart attack. Once out of the hospital, Maribeth is shocked to realize that her mother and husband seem clueless when it comes to taking care of her (and in many ways, the household). Maribeth feels overwhelmed and frustrated. Angry at her husband, Jason, she packs a bag and flees her husband and the twins, basically starting her life over in another city. Once there, Maribeth makes new friends and starts a search for her own birth mother. But obviously she has left behind unresolved issues in New York, such as her husband and family. (Minor issue, right?)
Wow, this is quite a book, and honestly, I'm still processing some of my feelings about it. I've previously read two of Forman's YA novels (both of which I enjoyed), but this was my first time reading her foray into general fiction. For me, this book really hit home, considering I am an overworked mother of four-year-old twins, who juggles work and motherhood much like Maribeth. Lucky for me, my spouse isn't clueless like Maribeth's husband (in fact: she's lovely). I also don't have a mother who is basically totally worthless; I mean, seriously, how pathetic is Maribeth's mom? Can these people not help the woman mere weeks after she's had a freaking heart attack? The whole episode where Meredith's kids have lice and her spouse and mother flake on her had me completely stressed out.
In fact, there were honestly times reading this book that I felt my own heart hurting, both from Forman's realistic description of Maribeth's cardiac attack, as well as from the stressful scenario she's in. Forman does an excellent job of conveying the pressure Maribeth is under and the frustration she feels in her life--overwhelmed, alone, trapped, desperate. What mother hasn't felt that way at some point, and truly, what mother hasn't wanted to run away at times?
My issue with this book is that Maribeth actually does run away. It's really hard to believe she'd actually leave her kids - not for a week or two - but for a good chunk of time (and taking a sizable chunk of her family's savings with her). But, while I really didn't agree with all of her choices (they didn't truly seem realistic), I have to admit, I found myself liking the book in spite of them. The life Maribeth creates for herself away from her family is unique and readable, and her world away is compelling. My only beef: should a woman really have to leave for her spouse to appreciate all she does? I am not totally sure I agree with the message.
Overall, this book is different. It's not your typical contemporary fiction, but it's certainly worth reading. 3.5 stars (and leaves you thinking).
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 9/6.
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Wow, this is quite a book, and honestly, I'm still processing some of my feelings about it. I've previously read two of Forman's YA novels (both of which I enjoyed), but this was my first time reading her foray into general fiction. For me, this book really hit home, considering I am an overworked mother of four-year-old twins, who juggles work and motherhood much like Maribeth. Lucky for me, my spouse isn't clueless like Maribeth's husband (in fact: she's lovely). I also don't have a mother who is basically totally worthless; I mean, seriously, how pathetic is Maribeth's mom? Can these people not help the woman mere weeks after she's had a freaking heart attack? The whole episode where Meredith's kids have lice and her spouse and mother flake on her had me completely stressed out.
In fact, there were honestly times reading this book that I felt my own heart hurting, both from Forman's realistic description of Maribeth's cardiac attack, as well as from the stressful scenario she's in. Forman does an excellent job of conveying the pressure Maribeth is under and the frustration she feels in her life--overwhelmed, alone, trapped, desperate. What mother hasn't felt that way at some point, and truly, what mother hasn't wanted to run away at times?
My issue with this book is that Maribeth actually does run away. It's really hard to believe she'd actually leave her kids - not for a week or two - but for a good chunk of time (and taking a sizable chunk of her family's savings with her). But, while I really didn't agree with all of her choices (they didn't truly seem realistic), I have to admit, I found myself liking the book in spite of them. The life Maribeth creates for herself away from her family is unique and readable, and her world away is compelling. My only beef: should a woman really have to leave for her spouse to appreciate all she does? I am not totally sure I agree with the message.
Overall, this book is different. It's not your typical contemporary fiction, but it's certainly worth reading. 3.5 stars (and leaves you thinking).
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 9/6.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Emma Montague is an Englishwoman living in the U.S. She left behind her parents as soon as she could: feeling trapped by her mother's snobbery and outgoing personality, so different from Emma's quiet and introverted self. But life in the high-powered banking world in New York City isn't exactly for Emma either. She finds everyone so false: women who only care about clothes and finding a man, too many nights at bars, and pressure to use dating apps. Her one long-term relationship winds up nowhere, and so Emma finds herself on the move again: this time to the beach town of Westport, CT. She takes a break from banking and finds herself renting a house in this seaside town. Emma quickly finds herself falling for landlord, Dominic, a bartender in Westport. A father to six-year-old Jesse, Dominic seems to be the opposite of Emma in every way. Emma isn't sure that the two could ever really be together, but she can't seem to stop her heart from falling for Dominic. Are they meant to be?
Ugh, this book. Some of it was enjoyable, and yet so much of it was just so damn frustrating. First of all, the entire thing seemed like it was based on just a mountain of stereotypes and tropes. Emma has built-in stereotypes and preconceived notions about Dominic (a bartender can't be anything like a banker, apparently, or share any of the same interests). Every woman in the banking world is a vapid idiot except Emma. All New Yorkers just want to get married and move to the suburbs. And so on and so on. It gets really old after a while.
Then, the whole different worlds thing: Emma versus Dom style. As a moving forward plot device, it just seemed incredibly forced. I understand that the "we're from two different worlds" idea still exists today, but really? It's that hard to overcome that a woman considers just dropping the only guy who has ever made her happy, because he seems beneath her? It would be different if the book put forth some real reasons that their class differences threatened their relationship, but it really doesn't. It's all half developed and mostly based on Emma's speculation.
That brings me to Emma. I wanted to like Emma. I could see a lot of Emma in myself - a quiet introvert who doesn't take well to people, who needs time to warm up. I understand that. But oh my gosh, she drove me crazy. So wishy washy! So indecisive! So unable to just follow her *own* thoughts and feelings. She drove me insane. It's very hard to fully enjoy a novel where you often want to wring the neck of the main character.
All of that, truly, I could have probably forgiven if Green hadn't taken the plot off the deep end near the end of the novel. I was so irritated and so upset: I went through all of the above for THIS? I won't spoil it, but let's just say I didn't sign up for a Nicholas Sparks novel. Any of the novel's redeeming qualities (a cute cat, a somewhat cute kid, Emma's dad) went out the window.
Overall, I just didn't enjoy this one. Too much of the plot devices irritated me, and then-BOOM-the actual plot drove me over the edge.
Ugh, this book. Some of it was enjoyable, and yet so much of it was just so damn frustrating. First of all, the entire thing seemed like it was based on just a mountain of stereotypes and tropes. Emma has built-in stereotypes and preconceived notions about Dominic (a bartender can't be anything like a banker, apparently, or share any of the same interests). Every woman in the banking world is a vapid idiot except Emma. All New Yorkers just want to get married and move to the suburbs. And so on and so on. It gets really old after a while.
Then, the whole different worlds thing: Emma versus Dom style. As a moving forward plot device, it just seemed incredibly forced. I understand that the "we're from two different worlds" idea still exists today, but really? It's that hard to overcome that a woman considers just dropping the only guy who has ever made her happy, because he seems beneath her? It would be different if the book put forth some real reasons that their class differences threatened their relationship, but it really doesn't. It's all half developed and mostly based on Emma's speculation.
That brings me to Emma. I wanted to like Emma. I could see a lot of Emma in myself - a quiet introvert who doesn't take well to people, who needs time to warm up. I understand that. But oh my gosh, she drove me crazy. So wishy washy! So indecisive! So unable to just follow her *own* thoughts and feelings. She drove me insane. It's very hard to fully enjoy a novel where you often want to wring the neck of the main character.
All of that, truly, I could have probably forgiven if Green hadn't taken the plot off the deep end near the end of the novel. I was so irritated and so upset: I went through all of the above for THIS? I won't spoil it, but let's just say I didn't sign up for a Nicholas Sparks novel. Any of the novel's redeeming qualities (a cute cat, a somewhat cute kid, Emma's dad) went out the window.
Overall, I just didn't enjoy this one. Too much of the plot devices irritated me, and then-BOOM-the actual plot drove me over the edge.
Kristy H (1252 KP) rated Girl Last Seen in Books
Feb 13, 2018
Lainey was ten when she was taken. She spent three horrible years in her kidnapper's basement, enduring horrible things. Lainey is supposed to be "lucky," since she escaped, but it's hard for her to see it that way sometimes. Her entire life has been formed by that awful period in her life. And now, another girl has gone missing. Olivia Shaw, who looks exactly like Lainey did thirteen years ago. Lainey's kidnapper was never found: the police say because she could never give strong enough evidence to identify him. So Lainey has spent these years afraid, living in a haze of pills and booze, and waiting for something bad to happen. Well, something bad has happened. How exactly is Lainey involved, and is she ever going to be safe again?
I definitely have some mixed feelings about this one. <i>It certainly grabs you from the beginning and has some moments that make you go "what?!"</i> Parts of the story are very unique--I enjoyed the plot of two young women/girls aligned by a potential kidnapper--but the story was marred somewhat by the focus on Lainey's drinking and drugs. She's presented as an unreliable narrator, which I understand, and as a flawed heroine. Some of the scenes with her nearly make you cringe: you feel a mix of such sympathy and frustration, because she's such a stressful protagonist. The trend toward these frustrating, unreliable narrators lately has grown a bit old for me.
My other issue was Lainey's strange dynamic with the detective investigating Olivia's disappearance, Sean: the same detective, coincidentally, who found Lainey thirteen years ago as she stumbled helplessly along the road after escaping her horrible fate in the basement. Their dynamic, frankly, is just odd, and I found it almost distracting from the main story. Romance? Just a side story? Is he involved? It was less a bit of intrigue though and, as I mentioned, a distraction. And honestly, a little confusing. After a while, I started to get a little bored with Lainey's helplessness, her interactions with Sean, and the overall lack of things moving forward.
That changed about 3/4 in, when things picked up and became interesting again. There are definitely some fascinating moments in the book, and I did find it engaging overall, despite some stumbles along the way. This is a first novel and I see room from improvement, for sure. I'm going for a 3-star rating -- this is based on a combination of 2.5 stars for some stilted/cheesy writing combined with 3.5 stars for some exciting plot twists, including one near the end that pretty much made it all worth it. I would certainly be intrigued to read Laurin's next book. Don't let my review scare you from this one: I read a lot of thrillers, so I get bit jaded reading some similar plot devices. There's still plenty of pieces to like here.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 07/20/2017.
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I definitely have some mixed feelings about this one. <i>It certainly grabs you from the beginning and has some moments that make you go "what?!"</i> Parts of the story are very unique--I enjoyed the plot of two young women/girls aligned by a potential kidnapper--but the story was marred somewhat by the focus on Lainey's drinking and drugs. She's presented as an unreliable narrator, which I understand, and as a flawed heroine. Some of the scenes with her nearly make you cringe: you feel a mix of such sympathy and frustration, because she's such a stressful protagonist. The trend toward these frustrating, unreliable narrators lately has grown a bit old for me.
My other issue was Lainey's strange dynamic with the detective investigating Olivia's disappearance, Sean: the same detective, coincidentally, who found Lainey thirteen years ago as she stumbled helplessly along the road after escaping her horrible fate in the basement. Their dynamic, frankly, is just odd, and I found it almost distracting from the main story. Romance? Just a side story? Is he involved? It was less a bit of intrigue though and, as I mentioned, a distraction. And honestly, a little confusing. After a while, I started to get a little bored with Lainey's helplessness, her interactions with Sean, and the overall lack of things moving forward.
That changed about 3/4 in, when things picked up and became interesting again. There are definitely some fascinating moments in the book, and I did find it engaging overall, despite some stumbles along the way. This is a first novel and I see room from improvement, for sure. I'm going for a 3-star rating -- this is based on a combination of 2.5 stars for some stilted/cheesy writing combined with 3.5 stars for some exciting plot twists, including one near the end that pretty much made it all worth it. I would certainly be intrigued to read Laurin's next book. Don't let my review scare you from this one: I read a lot of thrillers, so I get bit jaded reading some similar plot devices. There's still plenty of pieces to like here.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 07/20/2017.
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Zuky the BookBum (15 KP) rated The White Road in Books
Mar 15, 2018
This is the first book I’ve read by Sarah Lotz, plus it’s the first I’ve read to do with natural, mountainess horror… and I have to say I really enjoyed it! It instantly pulls you into the story, and the writing and setting instantly creates such an atmospheric, creepy and chilling feeling.
You do have to suspend belief for this novel. A man going down to do some caving is plausible, but the idea that Simon could climb Mount Everest after no professional training is just not believable. This didn’t bother me an awful lot as I was so involved with the characters stories and encaptured by the fear of the situations, but I know it can be an issue for some people.
I’m stunned at how claustrophobic and breathless this book made me feel. When we’re down in the caves with Simon, straight off, I found myself squirming and panicking as we made our way deeper into the abyss. Then those feelings were brought back to me again as we were scaling Everest and the air was getting thinner and thinner. Lotz really has a way of writing horrifying experiences! She’s also good at adding in humour to parts of the story that others would make severely intense, and I liked that we had that chance to have a bit of a mental break from all the dramatics.
I won’t lie and say this was the most perfect book in the world, because it isn’t. I was disappointed by the final climb up Everest. It all happened to quickly, I was stunned to turn the page and find we were back down at ABC camp. It wasn’t at all as climactic as what had happened down in the caves, which seemed weird, as this was our main event! <b><i>But</i></b>, the climb up Everest feels like much more like a <i>means</i> to an end.
Lotz is a master at getting you attached to characters. Simon was witty and he was tragic, by the end I felt like I knew him completely and to be honest, <i>I think I was in love with him a little bit. </i> When we get to the end, that chilling, haunting end, I very nearly shed a tear. I was so attached to his character, I felt like he was worth crying for, but somehow I kept my wits about me (very unlike me!)
Like I just mentioned, the ending is one of the best I’ve read. For me, it was everything I wanted it to be, and everything I didn’t want it to be. It was raw and terrifying. I felt a little choked up by it all.
Overall, I think I’ve discovered a new type of book I like! I like this horror-in-the-wilderness feel so I’m definitely going to be checking out more books like this! <i>(I just bought myself Ararat by Christopher Golden)</i> Please, if you read the synopsis and thought “hmm, that sounds like it could be good”, rush out to get this! I know Lotz’s other books have garnered pretty average to poor reviews, but after this, I’m going to have to check out her other stuff.
<i>Thank you to Hodder & Stoughton for sending me an advanced reader’s copy of this book.</i>
You do have to suspend belief for this novel. A man going down to do some caving is plausible, but the idea that Simon could climb Mount Everest after no professional training is just not believable. This didn’t bother me an awful lot as I was so involved with the characters stories and encaptured by the fear of the situations, but I know it can be an issue for some people.
I’m stunned at how claustrophobic and breathless this book made me feel. When we’re down in the caves with Simon, straight off, I found myself squirming and panicking as we made our way deeper into the abyss. Then those feelings were brought back to me again as we were scaling Everest and the air was getting thinner and thinner. Lotz really has a way of writing horrifying experiences! She’s also good at adding in humour to parts of the story that others would make severely intense, and I liked that we had that chance to have a bit of a mental break from all the dramatics.
I won’t lie and say this was the most perfect book in the world, because it isn’t. I was disappointed by the final climb up Everest. It all happened to quickly, I was stunned to turn the page and find we were back down at ABC camp. It wasn’t at all as climactic as what had happened down in the caves, which seemed weird, as this was our main event! <b><i>But</i></b>, the climb up Everest feels like much more like a <i>means</i> to an end.
Lotz is a master at getting you attached to characters. Simon was witty and he was tragic, by the end I felt like I knew him completely and to be honest, <i>I think I was in love with him a little bit. </i> When we get to the end, that chilling, haunting end, I very nearly shed a tear. I was so attached to his character, I felt like he was worth crying for, but somehow I kept my wits about me (very unlike me!)
Like I just mentioned, the ending is one of the best I’ve read. For me, it was everything I wanted it to be, and everything I didn’t want it to be. It was raw and terrifying. I felt a little choked up by it all.
Overall, I think I’ve discovered a new type of book I like! I like this horror-in-the-wilderness feel so I’m definitely going to be checking out more books like this! <i>(I just bought myself Ararat by Christopher Golden)</i> Please, if you read the synopsis and thought “hmm, that sounds like it could be good”, rush out to get this! I know Lotz’s other books have garnered pretty average to poor reviews, but after this, I’m going to have to check out her other stuff.
<i>Thank you to Hodder & Stoughton for sending me an advanced reader’s copy of this book.</i>
Zuky the BookBum (15 KP) rated Behind Closed Doors in Books
Mar 15, 2018
Also find my review here: http://bit.ly/28KzCFf
<b><i>Fear," he whispered. "There is nothing quite like it. I love how it looks, I love how it feels, I love how it smells. And I especially love the sound of it." I felt his tongue on my cheek. "I even love the taste of it.</i></b>
Welcome to Jack and Grace's perfect life and perfect marriage. Jack's an amazing, handsome and successful lawyer for battered woman and Grace is the gorgeous put-together house wife... or so it seems. But what if Grace were to tell she wasn't a house wife, she was in fact a prisoner locked up by her own husband who craves nothing more than seeing and feeling another person's fear? Would you believe her?
I loved all the twists and turns and edge of the seat moments within this novel. It was an excellent thriller that Im sure thousands have and will continue to enjoy. Im definitely going to keep my eyes peeled for any more novels from Paris as I loved her style of writing and felt her story telling flowed perfectly.
The characters were very well developed and you really got a good insight into their lives, thoughts and feelings. Paris did an excellent job at making two very unique characters. Without trying to give too much away, Jack is a very different kind of sadistic captor. Hes so terrifying because he could definitely be real. He could be your neighbour, your boss, your friend even. Hes just a seemingly normal guy but what lies underneath is far from normal.
Grace can be a little stupid and doesnt often act quick enough, its no use for her to try anyway as Jack is always one step ahead. Shes trapped and she knows it, therefore shes an interesting character to see progress through the novel as we see her seemingly give up against her captor, but really, underneath, shes cunning and planning the whole time.
If it wasnt for the fact that you could easily guess how this was going to end once the idea was placed in front of you, it might have even got a 5 star rating. Though the end was predictable there was still some element of shock to it, especially the last heart breaking / lifting scene. <spoiler>The final scene shared between Grace and Esther was such a wonderful way to end this book, it rounded this book off so well. The perfect ending!</spoiler>
The weird thing is, the whole time I read this I thought how far fetched and silly it was, though I was enjoying it, but when you think about it, its not <i>that</i> far fetched. You hear all these terrible stories about women kidnapped and held against their will who are given the freedom to go outside but theyre so paralysed by fear of what could happen, they never say a thing to anyone. Jaycee Lee Dugard, for example, was kidnapped and kept hidden for 18 years! Keeping someone captive isnt that uncommon and Im sure there are actually some terrified women out there that are living a life something very similar to this. So when you put it into that perspective this becomes a very chilling horror story rather than just a fast paced thriller.
<b><i>Fear," he whispered. "There is nothing quite like it. I love how it looks, I love how it feels, I love how it smells. And I especially love the sound of it." I felt his tongue on my cheek. "I even love the taste of it.</i></b>
Welcome to Jack and Grace's perfect life and perfect marriage. Jack's an amazing, handsome and successful lawyer for battered woman and Grace is the gorgeous put-together house wife... or so it seems. But what if Grace were to tell she wasn't a house wife, she was in fact a prisoner locked up by her own husband who craves nothing more than seeing and feeling another person's fear? Would you believe her?
I loved all the twists and turns and edge of the seat moments within this novel. It was an excellent thriller that Im sure thousands have and will continue to enjoy. Im definitely going to keep my eyes peeled for any more novels from Paris as I loved her style of writing and felt her story telling flowed perfectly.
The characters were very well developed and you really got a good insight into their lives, thoughts and feelings. Paris did an excellent job at making two very unique characters. Without trying to give too much away, Jack is a very different kind of sadistic captor. Hes so terrifying because he could definitely be real. He could be your neighbour, your boss, your friend even. Hes just a seemingly normal guy but what lies underneath is far from normal.
Grace can be a little stupid and doesnt often act quick enough, its no use for her to try anyway as Jack is always one step ahead. Shes trapped and she knows it, therefore shes an interesting character to see progress through the novel as we see her seemingly give up against her captor, but really, underneath, shes cunning and planning the whole time.
If it wasnt for the fact that you could easily guess how this was going to end once the idea was placed in front of you, it might have even got a 5 star rating. Though the end was predictable there was still some element of shock to it, especially the last heart breaking / lifting scene. <spoiler>The final scene shared between Grace and Esther was such a wonderful way to end this book, it rounded this book off so well. The perfect ending!</spoiler>
The weird thing is, the whole time I read this I thought how far fetched and silly it was, though I was enjoying it, but when you think about it, its not <i>that</i> far fetched. You hear all these terrible stories about women kidnapped and held against their will who are given the freedom to go outside but theyre so paralysed by fear of what could happen, they never say a thing to anyone. Jaycee Lee Dugard, for example, was kidnapped and kept hidden for 18 years! Keeping someone captive isnt that uncommon and Im sure there are actually some terrified women out there that are living a life something very similar to this. So when you put it into that perspective this becomes a very chilling horror story rather than just a fast paced thriller.
Zuky the BookBum (15 KP) rated Three Days and a Life in Books
Mar 15, 2018
I'm having a little bit of a struggle coming up with the words to describe how I feel about this one. Clearly, I enjoyed it, but I can't quite work out what it was about it that I liked so much, and then how I can get that across in my review. Let's go through this one step at a time...
This book is very much about neighbourly relationships. It's based in the small village of Beauval where everyone knows everyone, there are friends in the village and there are enemies. They live everyday surrounded by people who know everything about them. There are a load of books about the small-town-mentality at the moment, it's clearly a very "in" thing for authors at the moment. Some of them I like, others I find boring or distressing. This one was just perfect for me!
We begin the novel in 1999 and this is where we get most of the small-town vibes. We meet Antoine and his mother, whose only worry is to keep up with appearances. We meet the neighbours, the Desmedt's and Mouchottes. We meet the town butcher, Monsieur Kowalski. We meet the Weiser's - the mayor and his son Theo. We meet a lot of different people, but they all have a very important role to play within the story.
It's the 23rd December 1999 and little Remi Desmedt has gone missing. There are plenty of the theories as to his disappearance, but we know what's happened to him, and we know where he is. What follows is a slow paced novel about the effects of Remi's disappearance on the town and the theories and judgments each villager makes on anyone suspected of having taken the young boy.
The majority of this novel is set in the few days after Remi's disappearance in 1999. This was definitely my favourite part of the novel. It was enjoyable to follow the story through Antoine's mind-set, who is 12 at the time. But as we move through the story, we meet Antoine again in 2011 and then again in 2015, but these parts of the book aren't as enjoyable to read.
As we progress through the novel, Antoine keeps coming up against challenges he needs to overcome. Will he do the right thing, or will he do anything to keep his secrets close?
Like I said before, this novel is slow paced, but I quite like that in a books sometimes. This is advertised as a thriller but I wouldn't think of is like that, this feels more like a general fiction novel to be honest. This was also described as "suspenseful", but again, I'm going to disagree with that. See what I mean about not being able to describe my feelings on it? I'm at a loss for words on what I feel this books was like! What I can say is that I love Lemaitre's way of writing. It really sucked me into the story and for this reason, I'm definitely checking out his other stuff!
Something I also know is that I enjoyed this book, for the most part. If it hadn't been for the 2011 and 2015 chapters, and the direction they took, this could have been a 5 star read for me.
This book is very much about neighbourly relationships. It's based in the small village of Beauval where everyone knows everyone, there are friends in the village and there are enemies. They live everyday surrounded by people who know everything about them. There are a load of books about the small-town-mentality at the moment, it's clearly a very "in" thing for authors at the moment. Some of them I like, others I find boring or distressing. This one was just perfect for me!
We begin the novel in 1999 and this is where we get most of the small-town vibes. We meet Antoine and his mother, whose only worry is to keep up with appearances. We meet the neighbours, the Desmedt's and Mouchottes. We meet the town butcher, Monsieur Kowalski. We meet the Weiser's - the mayor and his son Theo. We meet a lot of different people, but they all have a very important role to play within the story.
It's the 23rd December 1999 and little Remi Desmedt has gone missing. There are plenty of the theories as to his disappearance, but we know what's happened to him, and we know where he is. What follows is a slow paced novel about the effects of Remi's disappearance on the town and the theories and judgments each villager makes on anyone suspected of having taken the young boy.
The majority of this novel is set in the few days after Remi's disappearance in 1999. This was definitely my favourite part of the novel. It was enjoyable to follow the story through Antoine's mind-set, who is 12 at the time. But as we move through the story, we meet Antoine again in 2011 and then again in 2015, but these parts of the book aren't as enjoyable to read.
As we progress through the novel, Antoine keeps coming up against challenges he needs to overcome. Will he do the right thing, or will he do anything to keep his secrets close?
Like I said before, this novel is slow paced, but I quite like that in a books sometimes. This is advertised as a thriller but I wouldn't think of is like that, this feels more like a general fiction novel to be honest. This was also described as "suspenseful", but again, I'm going to disagree with that. See what I mean about not being able to describe my feelings on it? I'm at a loss for words on what I feel this books was like! What I can say is that I love Lemaitre's way of writing. It really sucked me into the story and for this reason, I'm definitely checking out his other stuff!
Something I also know is that I enjoyed this book, for the most part. If it hadn't been for the 2011 and 2015 chapters, and the direction they took, this could have been a 5 star read for me.
Awkward, failed attempt at satire?
After college, Elinor moves to New York with her journalism degree and dreams of writing pieces that mean something. She sees a future with her boyfriend, Mike, also a journalist. Instead, Elinor lives in a cramped apartment with no kitchen, sleeps on a foam pad, and nannies to two slightly whiny and obsessive children. She thinks her future is looking up when she's offered a position at Journalism.ly, a digital brand a la BuzzFeed. But soon Elinor learns that her sole function there is to produce pieces that go "viral" and then she and Mike break up, pushing her into a deeper depression. Is it even possible to have the creative and romantic life she dreamed of, Elinor wonders?
I won't lie; this was a strange book. Even the narration style is odd. While it's told mostly from Elinor's point of view, we get this peculiar device thrown in at times (e.g., "the reader should know"). You get used to it eventually, but still.
In fact, the whole novel can be very awkward at times and after a while, I lost the thread on whether it was because the book was well-done (she's so well-written!) or just awkward and painful. A lot of the book features much melodrama between the characters, most of whom always seemed to be having bad days. Really, was life so terrible? There is much angst, a lot of social media usage, lots of happy hours and supposed networking, and not a lot of people to care about.
For indeed, a lot of the characters are not likable, and I found myself vacillating in my feelings for Elinor. I didn't grow up in the social media world, like she, but am immersed in it enough now that I could empathize with her--to a point. At some stages, the novel really captured some painful situations. There were some funny points, and places where Elinor could be helpless yet sympathetic. At other points, Elinor was just hapless and unable to take charge of her life in any capacity and filled me with abject terror for the future of the nation.
I was honestly baffled at times on whether the book was satiric, or a commentary on social media and journalism, or taking itself too seriously. Elinor winds up working for Journalism.ly, which is said to be similar to BuzzFeed (and many other sites), and she's told to make things go viral, which, funnily enough, she has a bit of a knack for, despite her own inability to make friends or succeed in social situations (or life, in general). Whether all of this is ironic or not, I'll never quite know.
So, in the end, I'm at a loss with this one. I really don't know how I feel. Satire? A look at a generation? A bunch of hapless unlikable people prattling on? All three combined? I can say that this was a fast read--the author drew me in, as I read it in about a day. I was left with a weird feeling when I finished. I can't say I really recommend it, but it was an interesting read at times.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review; more at https://justacatandabookatherside.blogspot.com/.
I won't lie; this was a strange book. Even the narration style is odd. While it's told mostly from Elinor's point of view, we get this peculiar device thrown in at times (e.g., "the reader should know"). You get used to it eventually, but still.
In fact, the whole novel can be very awkward at times and after a while, I lost the thread on whether it was because the book was well-done (she's so well-written!) or just awkward and painful. A lot of the book features much melodrama between the characters, most of whom always seemed to be having bad days. Really, was life so terrible? There is much angst, a lot of social media usage, lots of happy hours and supposed networking, and not a lot of people to care about.
For indeed, a lot of the characters are not likable, and I found myself vacillating in my feelings for Elinor. I didn't grow up in the social media world, like she, but am immersed in it enough now that I could empathize with her--to a point. At some stages, the novel really captured some painful situations. There were some funny points, and places where Elinor could be helpless yet sympathetic. At other points, Elinor was just hapless and unable to take charge of her life in any capacity and filled me with abject terror for the future of the nation.
I was honestly baffled at times on whether the book was satiric, or a commentary on social media and journalism, or taking itself too seriously. Elinor winds up working for Journalism.ly, which is said to be similar to BuzzFeed (and many other sites), and she's told to make things go viral, which, funnily enough, she has a bit of a knack for, despite her own inability to make friends or succeed in social situations (or life, in general). Whether all of this is ironic or not, I'll never quite know.
So, in the end, I'm at a loss with this one. I really don't know how I feel. Satire? A look at a generation? A bunch of hapless unlikable people prattling on? All three combined? I can say that this was a fast read--the author drew me in, as I read it in about a day. I was left with a weird feeling when I finished. I can't say I really recommend it, but it was an interesting read at times.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review; more at https://justacatandabookatherside.blogspot.com/.
Bethany Fletcher (17 KP) rated Beyond a Darkened Shore in Books
Jun 25, 2018
Contains spoilers, click to show
I had serious mixed feelings about this book. It promised Viking’s and magic and adventure and that was all there no doubt but not really well.
The book opens straight up with a raid. This is great as it shows us Ciara’s abilities and lets us get a feel for the story to come and our characters in general. But then it didn’t live up to this great introduction. There are plenty of action sequences, battles for Dubhlinn, battles with giants, battles with sea serpents, battles with gods, but they were all so short. Seriously almost every battle was over in about three-four pages. It felt like the author had all these great ideas and then didn’t know how to execute them.
The mythology. I was excited for this book as it was a mixture of Celtic and Norse mythology. It definitely had these elements but maybe too much? There were gods and goddesses, fairy tunnels, each-uisch, giants, magic, the wild hunt, sea serpents, Valhalla, these would have all been fine if they had a purpose. Most of these things appear for 5 pages and then are never mentioned again. It read like the author was trying to throw all of the mythology she knew at us and was trying so hard to prove, Look! Magic is real in this world. It wasn’t all necessary.
The characters. I loved Ciara. She stood up for herself, she didn’t care what anyone else thought, she was strong and independent.
Leif. I liked him to start. He was sassy, sarcastic, he stood up for those he thought were getting mistreated. But then, he did some things that made me seriously question his judgement. There is a scene where Ciara cannot sleep so decides to go and find the Viking mage. When she walks into the room full of drunk Viking men on of them attempts to rape her. Leif does help but then blames her for it saying she shouldn’t have put herself in a dangerous situation. Ciara immediately calls him out and says it’s not my fault I almost got raped because I am female. He quickly tries to backtrack but she is having none of it. This made me love Ciara more and start to question Leif.
Another questionable scene is after Ciara finds out something drastic about Leif’s family. She is understandably upset and leaves. Leif proceeds to chase her, threaten to break down her door and then forces himself on her when she opens it. Again Ciara shuts him down asking how her dare kiss her at that moment. He simply wanted her and didn’t want her to be angry. HOW ABOUT DON’T FORCE YOURSLEF ON HER THEN IDIOT?
The ending. The ending felt so rushed. Seriously we fight the giants and goddesses, sail all the way back to Ireland, have another battle and get established back at Ciara’s home all wishing about 50 pages. It was so rushed. Like the writer was nearing a page count and couldn’t go over or something.
Having said all of this I did really enjoy reading the book. It didn’t take very long was a pleasant reading experience. If it sounds like something you would like then go check it out.
The book opens straight up with a raid. This is great as it shows us Ciara’s abilities and lets us get a feel for the story to come and our characters in general. But then it didn’t live up to this great introduction. There are plenty of action sequences, battles for Dubhlinn, battles with giants, battles with sea serpents, battles with gods, but they were all so short. Seriously almost every battle was over in about three-four pages. It felt like the author had all these great ideas and then didn’t know how to execute them.
The mythology. I was excited for this book as it was a mixture of Celtic and Norse mythology. It definitely had these elements but maybe too much? There were gods and goddesses, fairy tunnels, each-uisch, giants, magic, the wild hunt, sea serpents, Valhalla, these would have all been fine if they had a purpose. Most of these things appear for 5 pages and then are never mentioned again. It read like the author was trying to throw all of the mythology she knew at us and was trying so hard to prove, Look! Magic is real in this world. It wasn’t all necessary.
The characters. I loved Ciara. She stood up for herself, she didn’t care what anyone else thought, she was strong and independent.
Leif. I liked him to start. He was sassy, sarcastic, he stood up for those he thought were getting mistreated. But then, he did some things that made me seriously question his judgement. There is a scene where Ciara cannot sleep so decides to go and find the Viking mage. When she walks into the room full of drunk Viking men on of them attempts to rape her. Leif does help but then blames her for it saying she shouldn’t have put herself in a dangerous situation. Ciara immediately calls him out and says it’s not my fault I almost got raped because I am female. He quickly tries to backtrack but she is having none of it. This made me love Ciara more and start to question Leif.
Another questionable scene is after Ciara finds out something drastic about Leif’s family. She is understandably upset and leaves. Leif proceeds to chase her, threaten to break down her door and then forces himself on her when she opens it. Again Ciara shuts him down asking how her dare kiss her at that moment. He simply wanted her and didn’t want her to be angry. HOW ABOUT DON’T FORCE YOURSLEF ON HER THEN IDIOT?
The ending. The ending felt so rushed. Seriously we fight the giants and goddesses, sail all the way back to Ireland, have another battle and get established back at Ciara’s home all wishing about 50 pages. It was so rushed. Like the writer was nearing a page count and couldn’t go over or something.
Having said all of this I did really enjoy reading the book. It didn’t take very long was a pleasant reading experience. If it sounds like something you would like then go check it out.
LadyDahlia (2 KP) Jun 3, 2018