"This is a great glimpse into early immigrant life in New York City seen through the lens of food and cohabitation. It gives a picture of where we came from and how we have become the fusion culinary culture we are today. For me, it feels as though I’m seeing the world through my grandparents' eyes as they traveled from Poland and Lithuania through Ellis Island, finally settling in Chicago. It helps paint a picture of my personal past."

"This is a great glimpse into early immigrant life in New York City seen through the lens of food and cohabitation. It gives a picture of where we came from and how we have become the fusion culinary culture we are today. For me, it feels as though I’m seeing the world through my grandparents' eyes as they traveled from Poland and Lithuania through Ellis Island, finally settling in Chicago. It helps paint a picture of my personal past."

"I love Kore-eda; I can’t wait to watch Shoplifters. This film feels like a natural extension of Ozu, which is wonderful. As an Asian American person, you look for ways to justify and explain and understand why your family dynamic is the way it is, despite the fact that you’re in this country where everybody’s family dynamic seems very different. Then you get these glimpses and you’re like, oh, I can see the connection there."

"I just love this movie. Not sure I can explain exactly why, but the overall tone feels right. It must be Zemeckis magic. I love the time it takes—once stranded on the island. So quiet, peaceful and beautiful at times. It doesn’t rush us but allows us to feel the isolation, and both its scary and beautiful qualities. I really get taken away and transported along with Tom Hanks. Oh right, and Tom Hanks is in this movie!"

"I came to Larisa Shepitko through reading about Elem Klimov after watching Come and See. When I saw that Criterion had put out two of her films through their Eclipse label, I snapped them up. These discs are probably my most prized in my collection. Watching The Ascent feels like being punched in the nose and rolled in the snow. I felt like I’d time traveled to the Second World War and was there as a silent witness."

"I came to Larisa Shepitko through reading about Elem Klimov after watching Come and See. When I saw that Criterion had put out two of her films through their Eclipse label, I snapped them up. These discs are probably my most prized in my collection. Watching The Ascent feels like being punched in the nose and rolled in the snow. I felt like I’d time traveled to the Second World War and was there as a silent witness."