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ArecRain (8 KP) rated Moon Called in Books
Jan 18, 2018
Thank you, Patricia Briggs for proving to me that there is still some amazing urban fantasy/paranormal fiction out there. I am so used to reading paranormal romance that I was actually pleasantly surprised that I became so completely wrapped up in the plotline that I didn’t even notice the lack of sex scenes and romance.
There are so many things to love about this novel. From the fantastic world the Briggs creates to the even more interesting characters that fill the pages. Briggs took the time to explain the world just enough for us to understand the races and world without making us bored from over description. There were some things that I felt Briggs could have left out bit what’s a little background info?
I also enjoyed that Briggs’ female protagonist, Mercy, was not the stereotypical lead. She was smart enough to take care of herself and keep herself out of trouble, or call people who could. In no way was she kind of woman who, while enjoying her independence, thought she was a superwoman who could take on anything and everything by herself and come out on top. I loved her sarcasm without the bitchiness and her wit without the “know it all” attitude.
It wasn’t just Mercy that made the storyline interesting, it was all the characters. I found myself interested in all the characters from different races that befriended or aided her, not to mention the entire werewolf pack.
I do have one complaint about this the novel, but it has more to do with Briggs than the story. While the storyline was intriguing and kept me turning the pages, Briggs writing style irked me. At times, it felt dry and I was just reading words. Briggs also liked to throw in random words that I had never heard of in my life. I am a fairly intelligent girl and I know me some vocabulary, but I had no idea where Briggs pulled these words from. At least they were easy to figure out from context clues.
There are so many things to love about this novel. From the fantastic world the Briggs creates to the even more interesting characters that fill the pages. Briggs took the time to explain the world just enough for us to understand the races and world without making us bored from over description. There were some things that I felt Briggs could have left out bit what’s a little background info?
I also enjoyed that Briggs’ female protagonist, Mercy, was not the stereotypical lead. She was smart enough to take care of herself and keep herself out of trouble, or call people who could. In no way was she kind of woman who, while enjoying her independence, thought she was a superwoman who could take on anything and everything by herself and come out on top. I loved her sarcasm without the bitchiness and her wit without the “know it all” attitude.
It wasn’t just Mercy that made the storyline interesting, it was all the characters. I found myself interested in all the characters from different races that befriended or aided her, not to mention the entire werewolf pack.
I do have one complaint about this the novel, but it has more to do with Briggs than the story. While the storyline was intriguing and kept me turning the pages, Briggs writing style irked me. At times, it felt dry and I was just reading words. Briggs also liked to throw in random words that I had never heard of in my life. I am a fairly intelligent girl and I know me some vocabulary, but I had no idea where Briggs pulled these words from. At least they were easy to figure out from context clues.
Lottie disney bookworm (1056 KP) rated A Curse So Dark and Lonely in Books
Mar 26, 2021
Have you ever finished a book and just felt bereft afterwards? Unable to figure out what on earth you are supposed to do now? That is how I felt earlier today when I finished A Curse So Dark And Lonely.
Brigid Kemmerer's retelling of Beauty and the Beast is the first in the Curse breaker series but it is nothing short of brilliant. It possibly took me 5 whole minutes to buy book 2: A Heart So Fierce and Broken once I had finished.
Now you may have gathered that I have read my fair share of retellings but this one has teeth! Split between Washington DC and the kingdom of Emberfall this is simply 480 ish pages of tension, angst and gritty violence.
Elements of ACSDAL mirror the traditional fairytale : enchantress, tick; cursed Prince, tick; true love is the only way to break the curse, (sickening) tick. However, this enchantress sticks around for a bit of torture, the cursed Prince is more of a beast than you expect and if the girl does not fall in love with the Prince? Then he has to start all over again!
If that hasn't got you heading for your local bookshop then Brigid Kemmerer also throws in a female protagonist with cerebral palsy, an enemies to lovers relationship and torn loyalties wherever you turn.
Kemmerer's characters are incredibly well developed and really seem to stay with the reader. Harper manages to be simultaneously vulnerable and kick ass; Grey is stoic and loyal, barely ever showing glimpses of his true heart or personality; and Rhen is the epitomy of a cursed Prince. You don't want to like Rhen sometimes but slowly you find yourself rooting for him and, maybe even falling a little bit in love with him.
This is a non-stop story with a fast-paced plot that leaves you guessing until the very end... Only to have you reeling at the epilogue. This is no fairytale and love doesn't always save the day!
Now everyone leave me alone... I'm reading book 2!
Brigid Kemmerer's retelling of Beauty and the Beast is the first in the Curse breaker series but it is nothing short of brilliant. It possibly took me 5 whole minutes to buy book 2: A Heart So Fierce and Broken once I had finished.
Now you may have gathered that I have read my fair share of retellings but this one has teeth! Split between Washington DC and the kingdom of Emberfall this is simply 480 ish pages of tension, angst and gritty violence.
Elements of ACSDAL mirror the traditional fairytale : enchantress, tick; cursed Prince, tick; true love is the only way to break the curse, (sickening) tick. However, this enchantress sticks around for a bit of torture, the cursed Prince is more of a beast than you expect and if the girl does not fall in love with the Prince? Then he has to start all over again!
If that hasn't got you heading for your local bookshop then Brigid Kemmerer also throws in a female protagonist with cerebral palsy, an enemies to lovers relationship and torn loyalties wherever you turn.
Kemmerer's characters are incredibly well developed and really seem to stay with the reader. Harper manages to be simultaneously vulnerable and kick ass; Grey is stoic and loyal, barely ever showing glimpses of his true heart or personality; and Rhen is the epitomy of a cursed Prince. You don't want to like Rhen sometimes but slowly you find yourself rooting for him and, maybe even falling a little bit in love with him.
This is a non-stop story with a fast-paced plot that leaves you guessing until the very end... Only to have you reeling at the epilogue. This is no fairytale and love doesn't always save the day!
Now everyone leave me alone... I'm reading book 2!
LeftSideCut (3776 KP) rated Indiana Jones and the Last Crusade (1989) in Movies
Jan 28, 2021
Returning to a much more balanced tone that the overly "cooky" Temple of Doom, the third Indiana Jones adventure gives Raiders of the Lost Ark some serious competition for best entry in the franchise (Raiders just about beats it for me based on the ratio of melting nazi face content).
The Last Crusade is a hugely entertaining movie from start to finish. It has a fantastic cast from the ever reliable Harrison Ford in the title role, to the convincingly menacing antagonist played by Julian Glover. Of course, Sean Connery is here for the ride this time around, as Indy's old man. The dynamic between Connery and Ford is great, and every scene with the two of them is cinema gold. Alison Doody makes for a welcome change with this films female protagonist (sort of), her character finally bucking the trend of typical love interest and having some depth, and a hell of a mean streak. Its nice to see John Rhys-Davies return from his ToD absence, and River Phoenix makes for an extremely memorable young Indiana in the movies opening flashback scene - on the subject of that scene, the transition from young Indy to Harrison Ford Indy is epic, thanks in part to another wonderful John Williams score, and is one of my highlights of the entire franchise!
The pacing is spot on - the over-two-hour runtime never once feels like a slog. The constant action is some of Spielberg's best work, and is suitably high octane. Everything in between boasts an engaging screenplay that develops all of the characters nicely, and the comedy elements are well done and sporadically placed, making the sillier moments genuinely funny (even the ridiculous Hitler scene)
All in all, The Last Crusade is a wonderful conclusion to the original trilogy, and is a genuinely fantastic adventure movie that stands toe to toe with the first film in its quality.
The Last Crusade is a hugely entertaining movie from start to finish. It has a fantastic cast from the ever reliable Harrison Ford in the title role, to the convincingly menacing antagonist played by Julian Glover. Of course, Sean Connery is here for the ride this time around, as Indy's old man. The dynamic between Connery and Ford is great, and every scene with the two of them is cinema gold. Alison Doody makes for a welcome change with this films female protagonist (sort of), her character finally bucking the trend of typical love interest and having some depth, and a hell of a mean streak. Its nice to see John Rhys-Davies return from his ToD absence, and River Phoenix makes for an extremely memorable young Indiana in the movies opening flashback scene - on the subject of that scene, the transition from young Indy to Harrison Ford Indy is epic, thanks in part to another wonderful John Williams score, and is one of my highlights of the entire franchise!
The pacing is spot on - the over-two-hour runtime never once feels like a slog. The constant action is some of Spielberg's best work, and is suitably high octane. Everything in between boasts an engaging screenplay that develops all of the characters nicely, and the comedy elements are well done and sporadically placed, making the sillier moments genuinely funny (even the ridiculous Hitler scene)
All in all, The Last Crusade is a wonderful conclusion to the original trilogy, and is a genuinely fantastic adventure movie that stands toe to toe with the first film in its quality.
Emergency Powers (Imogen Trager #3)
Book
The accidental president is no accident. The investigation that was FBI Agent Imogen Trager’s...
Suspense Thriller Imogen Trager
Hazel (1853 KP) rated The Boy I Am in Books
Dec 22, 2020
Imagine a world where women are safe from men. Imagine a world where women are in charge. Imagine a world where men no longer reduce women to something to flirt with or dismiss as beneath them. This is the way of life in K. L. Kettle's dystopian novel The Boy I Am. War has left the Earth in ruins, and it is no longer safe to go outside, yet humanity is surviving in tall, secure tower blocks overseen by the Chancellor. Men and boys are confined to the basement floors as a punishment for their behaviour during the war. To earn their right to live on the upper floors, they must learn to behave like a gentleman, and never look at a woman's skin without their permission.
The protagonist, Jude, is running out of time to earn the right to live amongst the women. If he does not gain a sponsor, he faces a future in the dangerous mines. Yet, Jude is not sure he wants to live with the women, who have demeaned him for his gender since his birth. He has seen another side to them and believes the Chancellor has killed his best friend. Jude wants to escape, risk the poisonous fog outside and search for a better life. To do this, the Chancellor must die.
The way women treat men and boys is uncomfortable to read. Female readers, in particular, may have experienced similar treatment at the hands of men. Feminists desire an equal world, but there is the risk of going too far the other way. Yet, as Jude discovers, it is not as black and white as Female versus Male. An underground gang of women known as Hysterics are also trying to escape. They want to save themselves and the boys from a society not run by women, but by the elite.
K. L. Kettle explains her intentions behind the novel in a letter to the reader at the end of the book. She quotes Lord Acton's (1834-1902) proverb "absolute power corrupts absolutely" and questions if everyone is equal, does everyone have the ability to abuse the power they have? What may have seemed a good idea for humanity after the war, has become an oppressive state where no one is safe from those in power, not even the women. The Chancellor controls everyone, but Jude and the Hysterics are determined to take that power away from her.
Telling the story from Jude's perspective highlights the faults in today's societies. Many are unaware of the belittling behaviour happening around them, but when the roles are reversed, they are obvious. The Boy I Am is both thrilling and eye-opening, challenging gender roles and power dynamics in general. Those who have read books such as Noughts and Crosses by Malorie Blackman are guaranteed to enjoy K. L. Kettle's novel.
The protagonist, Jude, is running out of time to earn the right to live amongst the women. If he does not gain a sponsor, he faces a future in the dangerous mines. Yet, Jude is not sure he wants to live with the women, who have demeaned him for his gender since his birth. He has seen another side to them and believes the Chancellor has killed his best friend. Jude wants to escape, risk the poisonous fog outside and search for a better life. To do this, the Chancellor must die.
The way women treat men and boys is uncomfortable to read. Female readers, in particular, may have experienced similar treatment at the hands of men. Feminists desire an equal world, but there is the risk of going too far the other way. Yet, as Jude discovers, it is not as black and white as Female versus Male. An underground gang of women known as Hysterics are also trying to escape. They want to save themselves and the boys from a society not run by women, but by the elite.
K. L. Kettle explains her intentions behind the novel in a letter to the reader at the end of the book. She quotes Lord Acton's (1834-1902) proverb "absolute power corrupts absolutely" and questions if everyone is equal, does everyone have the ability to abuse the power they have? What may have seemed a good idea for humanity after the war, has become an oppressive state where no one is safe from those in power, not even the women. The Chancellor controls everyone, but Jude and the Hysterics are determined to take that power away from her.
Telling the story from Jude's perspective highlights the faults in today's societies. Many are unaware of the belittling behaviour happening around them, but when the roles are reversed, they are obvious. The Boy I Am is both thrilling and eye-opening, challenging gender roles and power dynamics in general. Those who have read books such as Noughts and Crosses by Malorie Blackman are guaranteed to enjoy K. L. Kettle's novel.
Gareth von Kallenbach (980 KP) rated Atomic Blonde (2017) in Movies
Jul 11, 2019
The beginning of the end of the Cold War,1989. East and West Germany still separated by more than just a wall. An MI6 agent sent to retrieve a knock list two weeks prior has been killed and the list is missing. It contains information on every agent for each agency who have representation in Berlin. MI6 sends in Lorraine Broughton (Charlize Theron), specialist in intelligence collection and hand to hand combat. She would have to work with the section chief David Percival (James McAvoy) to retrieve the list before it falls into the hands of the competition.
Lorraine’s fight scenes, carefully choreographed to deliver efficiency in movement where not one strike is wasted. The action sequences truly drives the pace of the storyline. one would think that this is just the average action film but it’s not. This film’s storyline has very good pacing although there are points of slight foreshadowing, but it keeps one guessing about peoples loyalties even after it is established…or is it?
Charlize plays Lorraine with the coolness on par with 007, but with a realistic enemy. McAvoy’s Percival is the agent that has spent so much time in Berlin where he has become entrenched in the role of a black-market trader so familiar with the east/west that he believes he knows how to run the game. He toggles back and forth from East to West like an eel slithering through the hands of fishermen.
We also see a few familiar faces playing key appointments in the spy game. Toby Jones as Eric Gray, Lorraine’s boss and John Goodman as Emmet Kurzfeld, the CIA attaché to this mission with MI6. Sofia Boutella, who we have seen in Kingsman and The Mummy plays Delphine Lasalle, the fledgling agent from France documenting Lorraine’s every move.
The film is set to the steady rhythm of 80’s electronic New Wave. The soundtrack in this movie does not function solely as accompaniment. Each scene is accentuated by songs carefully curated to enhance each moment as a supporting character.
Based on Antony Johnston’s 2012 Graphic Novel “The Coldest City” Director David Leitch (John Wick & Deadpool 2 ) gives us an ass kicking female protagonist that is clever, darkly witty and can take on pretty much anything that comes her way. The stunts are filmed with an experienced fluidity and the movements are crisp, definitely a benefit from Leitch’s stunt expertise.
So far, the summer blockbuster season can be named the point where female action heroes can hold the attention of the viewer, no longer seen as the frail victim or second fiddle to the man. She can take care of business and put the hurt on anyone that comes at her as well as share with the audience that she has emotional depth.
My attention was captured from the first shot to the ending credits.
Lorraine’s fight scenes, carefully choreographed to deliver efficiency in movement where not one strike is wasted. The action sequences truly drives the pace of the storyline. one would think that this is just the average action film but it’s not. This film’s storyline has very good pacing although there are points of slight foreshadowing, but it keeps one guessing about peoples loyalties even after it is established…or is it?
Charlize plays Lorraine with the coolness on par with 007, but with a realistic enemy. McAvoy’s Percival is the agent that has spent so much time in Berlin where he has become entrenched in the role of a black-market trader so familiar with the east/west that he believes he knows how to run the game. He toggles back and forth from East to West like an eel slithering through the hands of fishermen.
We also see a few familiar faces playing key appointments in the spy game. Toby Jones as Eric Gray, Lorraine’s boss and John Goodman as Emmet Kurzfeld, the CIA attaché to this mission with MI6. Sofia Boutella, who we have seen in Kingsman and The Mummy plays Delphine Lasalle, the fledgling agent from France documenting Lorraine’s every move.
The film is set to the steady rhythm of 80’s electronic New Wave. The soundtrack in this movie does not function solely as accompaniment. Each scene is accentuated by songs carefully curated to enhance each moment as a supporting character.
Based on Antony Johnston’s 2012 Graphic Novel “The Coldest City” Director David Leitch (John Wick & Deadpool 2 ) gives us an ass kicking female protagonist that is clever, darkly witty and can take on pretty much anything that comes her way. The stunts are filmed with an experienced fluidity and the movements are crisp, definitely a benefit from Leitch’s stunt expertise.
So far, the summer blockbuster season can be named the point where female action heroes can hold the attention of the viewer, no longer seen as the frail victim or second fiddle to the man. She can take care of business and put the hurt on anyone that comes at her as well as share with the audience that she has emotional depth.
My attention was captured from the first shot to the ending credits.
Dr. Sayer Altair is a neuroscientist, investigating the brains of serial killers for the FBI. But when the police find a young girl, dead, after being locked in a cage and left to starve, Sayer is called on to lead the murder investigation. The case intensifies when it turns out she's the daughter of a famous Senator. Soon another girl is missing and Sayer feels the pressure of the case surrounding her. Can she find this next victim before it's too late? And can she find the horrible person who is doing this--before they strike again?
This one had been on my shelf for a bit, and I picked it up as part of my self-imposed #readwhatyouown challenge. I also have the second book, Buried, coming up soon and wanted to read the first Sayer Altair book in the series.
I found Caged to be a quick, compelling read, and I warmed to Sayer immediately. She's a smart, complicated protagonist with her own set of issues, but also an endearing love of hot dogs, actual dogs, and a deep desire to solve her cases and help her victims. I had a slight sense of deja vu starting this one as I'd just recently read a book about another Ph.D. who was studying the brains of serial killers (The Killer on the Wall). What are the odds, right? (Fairly small, I suppose, when you read a ton of thrillers.)
This was a fast read--a race against time aided by short, quick chapters. I actually had a pretty good feeling about who our sicko killer was, but it didn't stop me from finding the entire book very compelling. The novel is a dark read, with the idea of a killer conducting experiments on caged girls very creepy. There's a lot going on--ties to mythology, Sayer's research, some mentions of Sayer's past (she's lost a loved one), office politics, Sayer's (wonderfully feisty) grandmother popping up, and more. At times, it's a bit much and some of the pieces don't feel fully explored, but overall, I enjoyed all the various plot lines.
Sayer is assisted by a great supporting cast (Ezra, one of her researchers, was my favorite, along with her FBI partner). Her grandmother, as mentioned, is also pretty fun. The thread of strong women in this one is interesting, and it's nice to have a main character whom--while obviously flawed--is still really tough and really smart. I'll read about them any day.
"'I think you might just be a badass, Sayer Altair.'"
I sometimes found the writing to be a little simplistic, especially when depicting Sayer's thoughts and feelings (along the lines of a little more telling versus showing). Still, it was well-written for a debut novel and well-done from a forensic and crime perspective--the author's background (Ph.D., murder investigator, and more) shows.
Overall, this was a very enjoyable read. I'm always up for a good mystery that holds my interest, especially one featuring a strong female protagonist. I'm looking forward to reading Buried soon. 3.5+ stars.
This one had been on my shelf for a bit, and I picked it up as part of my self-imposed #readwhatyouown challenge. I also have the second book, Buried, coming up soon and wanted to read the first Sayer Altair book in the series.
I found Caged to be a quick, compelling read, and I warmed to Sayer immediately. She's a smart, complicated protagonist with her own set of issues, but also an endearing love of hot dogs, actual dogs, and a deep desire to solve her cases and help her victims. I had a slight sense of deja vu starting this one as I'd just recently read a book about another Ph.D. who was studying the brains of serial killers (The Killer on the Wall). What are the odds, right? (Fairly small, I suppose, when you read a ton of thrillers.)
This was a fast read--a race against time aided by short, quick chapters. I actually had a pretty good feeling about who our sicko killer was, but it didn't stop me from finding the entire book very compelling. The novel is a dark read, with the idea of a killer conducting experiments on caged girls very creepy. There's a lot going on--ties to mythology, Sayer's research, some mentions of Sayer's past (she's lost a loved one), office politics, Sayer's (wonderfully feisty) grandmother popping up, and more. At times, it's a bit much and some of the pieces don't feel fully explored, but overall, I enjoyed all the various plot lines.
Sayer is assisted by a great supporting cast (Ezra, one of her researchers, was my favorite, along with her FBI partner). Her grandmother, as mentioned, is also pretty fun. The thread of strong women in this one is interesting, and it's nice to have a main character whom--while obviously flawed--is still really tough and really smart. I'll read about them any day.
"'I think you might just be a badass, Sayer Altair.'"
I sometimes found the writing to be a little simplistic, especially when depicting Sayer's thoughts and feelings (along the lines of a little more telling versus showing). Still, it was well-written for a debut novel and well-done from a forensic and crime perspective--the author's background (Ph.D., murder investigator, and more) shows.
Overall, this was a very enjoyable read. I'm always up for a good mystery that holds my interest, especially one featuring a strong female protagonist. I'm looking forward to reading Buried soon. 3.5+ stars.
Haley Mathiot (9 KP) rated Blood Magic (The Blood Journals, #1) in Books
Apr 27, 2018
Books should capture you from the first page, right? They should cause you to want to read more and not be able to put it down. They should also have important interesting things happening in every scene.
This is the problem with Blood Magic. The very first chapter was interesting: beyond interesting. It felt like I'd opened up to the middle. It threw me into the story with no explanation, no development, and no mental preparation. Because I didn't know the character I was reading about, it felt out of place and I just didn't care. The excitement was gone: it could have been dramatic if it was in Chapter 7, but it wasn't, it was in Chapter 1. The pacing felt off.
Same with the romance between the two main characters: It was way too smooth, way to fast, and there was no chemistry. They kissed a lot, but there was no chemistry, because there wasn't enough time for the tension between them to build.
I felt like the story didn't really get started until halfway through the book. I kept wondering "what's the point of all this?" See, stuff was happening, but there was no real plot. A plot is the main point of the story, and events link together to form it. Blood Magic had lots of events, but they didn't start connecting until late, and by that time I was tired of lots of kissing and cutting and looking at each other with go-go eyes.
On the good side, I did like the female protagonist, Silla. Her personality and her character were fun, her responses and reactions were plausible. The blood magic she performs was intriguing, as all magic is to me, and I enjoyed reading about it (however gruesome cutting yourself to use your blood for magic potions is).
However I am terribly disappointed. I expected much more from a Randomhouse book. The concept of Blood Magic had so much potential… but I feel disappointed and annoyed after hitting the halfway point. And the thing about reading is, why read something disappointing when I could read something that will please me? So I'm moving on.
This is the problem with Blood Magic. The very first chapter was interesting: beyond interesting. It felt like I'd opened up to the middle. It threw me into the story with no explanation, no development, and no mental preparation. Because I didn't know the character I was reading about, it felt out of place and I just didn't care. The excitement was gone: it could have been dramatic if it was in Chapter 7, but it wasn't, it was in Chapter 1. The pacing felt off.
Same with the romance between the two main characters: It was way too smooth, way to fast, and there was no chemistry. They kissed a lot, but there was no chemistry, because there wasn't enough time for the tension between them to build.
I felt like the story didn't really get started until halfway through the book. I kept wondering "what's the point of all this?" See, stuff was happening, but there was no real plot. A plot is the main point of the story, and events link together to form it. Blood Magic had lots of events, but they didn't start connecting until late, and by that time I was tired of lots of kissing and cutting and looking at each other with go-go eyes.
On the good side, I did like the female protagonist, Silla. Her personality and her character were fun, her responses and reactions were plausible. The blood magic she performs was intriguing, as all magic is to me, and I enjoyed reading about it (however gruesome cutting yourself to use your blood for magic potions is).
However I am terribly disappointed. I expected much more from a Randomhouse book. The concept of Blood Magic had so much potential… but I feel disappointed and annoyed after hitting the halfway point. And the thing about reading is, why read something disappointing when I could read something that will please me? So I'm moving on.
Sam (74 KP) rated The Undomestic Goddess in Books
Mar 27, 2019
Samantha is a high powered lawyer in a high powered law firm in London. She’s one of the best and has worked hard to get where she is. And when the opportunity a arises for her to become a partner at the firm, she works even harder than before. She’s got everything set out and knows that the promotion is hers, then finds out she has made a terrible mistake. A mistake that has cost fifty million. And she runs.
She finds herself being mistaken for the new housekeeper at a lovely house in the country and she is so flustered that she doesn’t know how to tell her new employers that it is all a mistake, so instead she goes along with it.
Samantha Sweeting is probably my favourite female protagonist ever. She is absolutely hilarious (even if she doesn’t know it) and she’s definitely not your stereotypical character. She runs when she realises she’s made a mistake, and then follows the fake it to make it life, pretending to be a housekeeper even though she’s got no idea how to even turn on a washing machine.
She is so comical, especially how she doesn’t have any idea how to do anything in a house but somehow becomes an amazing housekeeper.
The Undomestic Goddess is a novel about overcoming everything you have spent your life trying to be in order to find happiness. Samantha is faced with the problem of whether she wants to be happy, have time for herself and her own life, or she could go back to Carter Spink. It raises the question of whether happiness is truly worth more than money, and if success really equals happiness.
When I read Sophie Kinsella’s My Not So Perfect Life, I thought that I had found the most true and realistic book I could. But The Undomestic Goddess beats even that and is even more entertaining. I can’t believe I hadn’t discovered it sooner than when I spotted it in Morrisons. It’s such a heartfelt and honest book that it’s definitely a must read.
She finds herself being mistaken for the new housekeeper at a lovely house in the country and she is so flustered that she doesn’t know how to tell her new employers that it is all a mistake, so instead she goes along with it.
Samantha Sweeting is probably my favourite female protagonist ever. She is absolutely hilarious (even if she doesn’t know it) and she’s definitely not your stereotypical character. She runs when she realises she’s made a mistake, and then follows the fake it to make it life, pretending to be a housekeeper even though she’s got no idea how to even turn on a washing machine.
She is so comical, especially how she doesn’t have any idea how to do anything in a house but somehow becomes an amazing housekeeper.
The Undomestic Goddess is a novel about overcoming everything you have spent your life trying to be in order to find happiness. Samantha is faced with the problem of whether she wants to be happy, have time for herself and her own life, or she could go back to Carter Spink. It raises the question of whether happiness is truly worth more than money, and if success really equals happiness.
When I read Sophie Kinsella’s My Not So Perfect Life, I thought that I had found the most true and realistic book I could. But The Undomestic Goddess beats even that and is even more entertaining. I can’t believe I hadn’t discovered it sooner than when I spotted it in Morrisons. It’s such a heartfelt and honest book that it’s definitely a must read.
BookInspector (124 KP) rated The Burning Girls in Books
Jan 26, 2021
The protagonist in this book is Jack, a female vicar, that has been sent to a little village to take over the church that has been vacant. Her daughter Flo is a teenager that had to change her life from Nottingham to Chapel Croft. I really loved the brilliant selection of characters. They are all mysterious, intriguing and different. I thoroughly enjoyed Jacks thoughts about being a priest, the church’s role and religion in general. It was very modern and stigma defining. I really liked Flo as well, she seems like a very smart young lady, full of curiosity and teenage rebellion. 🙂
Like always, the narrative is creepy, mysterious and very well planned out. There are multiple stories running through this book. This book is told from multiple perspectives, and I absolutely adored that. Jack’s perspective investigates a story of two young ladies that disappeared thirty years ago and a mysterious suicide of the previous vicar. And Flo’s perspective shares very creepy encounters with local youth. The whole book is covered in a mysterious shroud, suspense is seeping through the pages, and the story simply had me absorbed. The topics discussed in this book are religion, evil youth, parenting issues, over the top religiousness, church work, vicar’s life, tight community nuances, murder and many more.
The writing style of this book is impeccable. C.J. Tudor’s writing is evolving with every single book. The setting and the mood of this book is perfect for horror, and the mystery just drives suspense through this novel. The chapters are pretty short, so it is a fast and gripping book. The culmination and the ending are brilliant, and I loved how the book was rounded up. I have to warn the reader, that this book has murders, pretty gross stories, burning people and psychopaths.
So, to conclude, this was my first book of 2021 and is going straight to my top 10 of this year. I loved everything about this novel, it has very unique and complex characters as well as an amazingly delivered plot full of twists, intriguing stories and mystery. I strongly recommend to anyone who loves Stephen King or a good mystery.
Like always, the narrative is creepy, mysterious and very well planned out. There are multiple stories running through this book. This book is told from multiple perspectives, and I absolutely adored that. Jack’s perspective investigates a story of two young ladies that disappeared thirty years ago and a mysterious suicide of the previous vicar. And Flo’s perspective shares very creepy encounters with local youth. The whole book is covered in a mysterious shroud, suspense is seeping through the pages, and the story simply had me absorbed. The topics discussed in this book are religion, evil youth, parenting issues, over the top religiousness, church work, vicar’s life, tight community nuances, murder and many more.
The writing style of this book is impeccable. C.J. Tudor’s writing is evolving with every single book. The setting and the mood of this book is perfect for horror, and the mystery just drives suspense through this novel. The chapters are pretty short, so it is a fast and gripping book. The culmination and the ending are brilliant, and I loved how the book was rounded up. I have to warn the reader, that this book has murders, pretty gross stories, burning people and psychopaths.
So, to conclude, this was my first book of 2021 and is going straight to my top 10 of this year. I loved everything about this novel, it has very unique and complex characters as well as an amazingly delivered plot full of twists, intriguing stories and mystery. I strongly recommend to anyone who loves Stephen King or a good mystery.