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Billie Wichkan (118 KP) rated Ahriman: The Spirit of Destruction in Books
May 22, 2019
Espionage. Assassins.Middle East.
Homeland meets Syriana in the near future.
When the CIA intercepts intelligence on a terrorist attack in Kuwait, Petra Shirazi, a former field agent, comes face to face with the Ahriman, one of Iran's deadliest assassins.
The story is led by a strong female protagonist who is pitted against her nemesis. To stop him, Petra must confront her past and the traumatic experience that took her out of the field.
This was a well thought out, well written intricate international thriller. The main character, Petra, is an intelligent and independent woman who is forced to overcome her fears and PTSD from a failed field op in order to prevent a massive terrorist attack.
Ms. Guha does a great job weaving the political landscape of the today’s Middle East with a future (2021) that she’s created. It’s a refreshing change from the majority of spy thrillers in that the author stays away from all the typical clichés that can slow a fast paced thriller down. A great first novel.
Very good strong characters and loved the plot.
Really enjoyed this and highly recommend!
This book was provided to me for free for an honest and unbiased review
Homeland meets Syriana in the near future.
When the CIA intercepts intelligence on a terrorist attack in Kuwait, Petra Shirazi, a former field agent, comes face to face with the Ahriman, one of Iran's deadliest assassins.
The story is led by a strong female protagonist who is pitted against her nemesis. To stop him, Petra must confront her past and the traumatic experience that took her out of the field.
This was a well thought out, well written intricate international thriller. The main character, Petra, is an intelligent and independent woman who is forced to overcome her fears and PTSD from a failed field op in order to prevent a massive terrorist attack.
Ms. Guha does a great job weaving the political landscape of the today’s Middle East with a future (2021) that she’s created. It’s a refreshing change from the majority of spy thrillers in that the author stays away from all the typical clichés that can slow a fast paced thriller down. A great first novel.
Very good strong characters and loved the plot.
Really enjoyed this and highly recommend!
This book was provided to me for free for an honest and unbiased review
Mark @ Carstairs Considers (2084 KP) rated Secrets of a Scottish Isle in Books
Mar 28, 2024 (Updated Mar 28, 2024)
Undercover in the Occult
Jane Wunderly is on the Isle of Iona off the coast of Scottland. She’s joined the Golden Dawn, going under cover in an attempt to learn if their leader would be a good asset for the organization she and her fiancé, Redvers, works for. But Jane has just barely joined the group when she finds the body of another female member on the moors. Jane is driven to get justice for the victim. But what exactly happened to her? And what about Jane’s official investigation?
As a fan of the series, I was delighted to spend time with Jane and Redvers again. They are a great pair. We get plenty of new characters, and they are well developed, too. Sadly, the plot was uneven, with Jane spending lots of time contemplating what was happening in between the twists. This led to an abrupt but logical climax. The writing brought Iona in March to life, and it made me shiver as I read. It’s fun to see a poet from 1927 show up in the book, and be sure to read the author’s notes at the end to see where she got the inspiration for the tale. Fans of the series will enjoy Jane’s latest adventure.
As a fan of the series, I was delighted to spend time with Jane and Redvers again. They are a great pair. We get plenty of new characters, and they are well developed, too. Sadly, the plot was uneven, with Jane spending lots of time contemplating what was happening in between the twists. This led to an abrupt but logical climax. The writing brought Iona in March to life, and it made me shiver as I read. It’s fun to see a poet from 1927 show up in the book, and be sure to read the author’s notes at the end to see where she got the inspiration for the tale. Fans of the series will enjoy Jane’s latest adventure.
I was ensnared by the man's look on the front of this cover that I had to buy it. I don't know why, but I was just fascinated by his expression. After reading the description, I was so taken by this book that I immediately had to read it. I actually expected the female protagonist, Sierra, to be a whore with prisoners. The description led me to believe. It also made me think that she was some week female under the influence of her enemy.
I was so completely wrong. Not only does Sierra only have sex with three people the entire novel --two because she wanted to and one because she is pretty much forced--, but she is one of the strongest heroines I have ever read. She watched her mother, who had the gift of sight, being forced to work for the enemy Saxons, who later murders her for hiding Sierra's brother. Sierra and her brother, Torin, are then forced apart. It is thought that Torin is left for dead, while Sierra takes up her mother's job as the Saxon king's Seer. Her entire life, Sierra never loses her fire, her hope, or her determination. When she sees Dryston, she sees her chance to escape and doesn't hesitate to snatch it.
I was so completely enraptured by this novel: by Sierra's life and emotions, by Dryston's mission, determination, and tenderness when taking care of Sierra, and by the entire nations hope of being free from the Saxons. McIntyre weaves such a compelling story that one cannot help but be tangled up in. I actually completely forgot that this was meant to be an erotic novel because I was so caught up in the storyline. I am glad, however, that I did not read this book for the erotica. Honestly, the erotic scenes fizzled. They were short, lacked description, and were actually passable.
One of the best novels I've read in a long time.
I was so completely wrong. Not only does Sierra only have sex with three people the entire novel --two because she wanted to and one because she is pretty much forced--, but she is one of the strongest heroines I have ever read. She watched her mother, who had the gift of sight, being forced to work for the enemy Saxons, who later murders her for hiding Sierra's brother. Sierra and her brother, Torin, are then forced apart. It is thought that Torin is left for dead, while Sierra takes up her mother's job as the Saxon king's Seer. Her entire life, Sierra never loses her fire, her hope, or her determination. When she sees Dryston, she sees her chance to escape and doesn't hesitate to snatch it.
I was so completely enraptured by this novel: by Sierra's life and emotions, by Dryston's mission, determination, and tenderness when taking care of Sierra, and by the entire nations hope of being free from the Saxons. McIntyre weaves such a compelling story that one cannot help but be tangled up in. I actually completely forgot that this was meant to be an erotic novel because I was so caught up in the storyline. I am glad, however, that I did not read this book for the erotica. Honestly, the erotic scenes fizzled. They were short, lacked description, and were actually passable.
One of the best novels I've read in a long time.
Micky Barnard (542 KP) rated Spinning Silver in Books
Dec 6, 2018
Heroes and villains
I am all smug contentment on finishing SPINNING SILVER, the ending was utter completeness. This is a complex fantasy novel, definitely modelled in the background by a dark fairytale that would be familiar to any reader.
The book starts off with a female protagonist Miryem, such a young woman of determination, focus, self-belief and strength. What happens is that slowly, as the tale unfolds, two other female characters Wanda and Irina join the tale to be key storytellers. I absolutely loved the slow revealing of these other lead characters. All three females had experienced difficult childhoods in different ways which I believe led to their tenacious characters.
What is pretty hilarious is that nearly every single male character is a total tool. They are almost too numerous to be named but I have to speak of Mirnatius and the hideousness of his character, even though there is more to it than that. The King of the Staryk needs particular mention because although I should have hated him, I didn’t. He captivated me and drew me in. Frustratingly, despite the physical description, I couldn’t quite paint a picture of him. I loved reading about the Staryk, the kingdom, the people. I just couldn’t hate this King.
SPINNING SILVER was complicated in many ways, sometimes confusing but ultimately enlightening if I just waited to put the pieces together. The description of people, sights, sounds and the environment were seamlessly brought to life. The tale itself was easy to slip into from the first few pages and although I experienced a plodding sensation at two thirds of the way, it picked up again.
Naomi Novik has followed up from UPROOTED and given us a tale to rival and match but with a very different feel and context. I thoroughly enjoyed my reading journey and I can’t wait to discuss this with my friends.
I voluntarily read an early copy of this book.
The book starts off with a female protagonist Miryem, such a young woman of determination, focus, self-belief and strength. What happens is that slowly, as the tale unfolds, two other female characters Wanda and Irina join the tale to be key storytellers. I absolutely loved the slow revealing of these other lead characters. All three females had experienced difficult childhoods in different ways which I believe led to their tenacious characters.
What is pretty hilarious is that nearly every single male character is a total tool. They are almost too numerous to be named but I have to speak of Mirnatius and the hideousness of his character, even though there is more to it than that. The King of the Staryk needs particular mention because although I should have hated him, I didn’t. He captivated me and drew me in. Frustratingly, despite the physical description, I couldn’t quite paint a picture of him. I loved reading about the Staryk, the kingdom, the people. I just couldn’t hate this King.
SPINNING SILVER was complicated in many ways, sometimes confusing but ultimately enlightening if I just waited to put the pieces together. The description of people, sights, sounds and the environment were seamlessly brought to life. The tale itself was easy to slip into from the first few pages and although I experienced a plodding sensation at two thirds of the way, it picked up again.
Naomi Novik has followed up from UPROOTED and given us a tale to rival and match but with a very different feel and context. I thoroughly enjoyed my reading journey and I can’t wait to discuss this with my friends.
I voluntarily read an early copy of this book.
Bob Mann (459 KP) rated Respect (2021) in Movies
Oct 14, 2021
Re, re, re, re, ‘spect… Just a little bit.
What with holidays and Bond, it’s taken me a few weeks to get to see this Aretha Franklin biopic. But I finally caught it this week.
Plot Summary:
‘Re’ is a 10-year old growing up in relative middle-class affluence in Birmingham, Alabama with her high-profile preacher father C.L. Franklin (Forest Whitaker). She is blessed with a wonderful singing voice. We follow her career, as Aretha Franklin (Jennifer Hudson), through her struggles with controlling men and alcohol. This is against the backdrop of supporting the civil rights movement led by Martin Luther King (Gilbert Glenn Brown).
“Respect” Review: Positives:
Jennifer Hudson gives a tremendous performance as Franklin, delivering both the vocals and the acting admirably. (Apparently, the lady herself, before she died in August 2018, named Hudson as the best person to play her.)
Coming out of this movie, you have to admire Aretha Franklin’s legacy. Although there are moments when her ‘demons’ got the better of her (and the movie is unafraid to paint her in a negative light for these) she led a tumultuous life and yet was still a strong force for both feminism and equality. I think the movie highlights that admirably. “Have you lost your mind?” her father (Forest Whitaker) asks. “Maybe…. maybe I’ve found it.” she replies.
I loved the clip during the end titles (at a Carole King concert and in front of the Obamas) of Franklin well into her 70’s belting out “Natural Woman”. Classy stuff.
Negatives:
It’s long. Very long. Approaching Bond long.
There’s a curious ‘cookie-cutter-ness’ to these biopics of classic female singers (controlling and abusive men; alcohol/drug abuse; prejudice through sex/race; etc). (Would they even have emanated the same level of soul without all the grief? Perhaps not.) The similarities lead you to naturally compare this movie with “The US vs Billie Holiday“. The Billie Holiday story felt like it had a lot more grit and angst in it, making it, for me at least, more memorable. The script for “Respect” – although still rather episodic – flows better. Whilst still great, Hudson’s performance (an Oscar nomination perhaps?) doesn’t come close to the Oscar-nominated stellar job done by Andra Day.
I didn’t like how the script introduced us to its characters. For example, Ted White (Marlon Wayans) is introduced at a church barbeque. He’s painted as a disreputable character, but why? And you have no idea if he is supposed to be a famous singer, a songwriter, a promoter, or a producer (as in fact he is). As another example, Kelvin Hair plays Sam Cooke in the movie, but – unless I missed it – this doesn’t seem to be highlighted in the script.
Summary Thoughts on “Respect”
“Respect” is the feature debut for female director Liesl Tommy. And it’s certainly an ambitious target for a first-timer to shoot at, so ‘Respect’ for that! And it comes across as a solid and enjoyable biopic, not least to remind yourself of some of the classic tunes that Aretha Franklin belted out. At 145 minutes though, it takes its time telling its story, and I think a tighter, shorter film would have worked better.
Did I enjoy it though? Yes, I did. But it’s worth pointing out that the illustrious Mrs Movie Man – who normally begrudges every minute over 90 minutes in a movie – really loved this one.
Plot Summary:
‘Re’ is a 10-year old growing up in relative middle-class affluence in Birmingham, Alabama with her high-profile preacher father C.L. Franklin (Forest Whitaker). She is blessed with a wonderful singing voice. We follow her career, as Aretha Franklin (Jennifer Hudson), through her struggles with controlling men and alcohol. This is against the backdrop of supporting the civil rights movement led by Martin Luther King (Gilbert Glenn Brown).
“Respect” Review: Positives:
Jennifer Hudson gives a tremendous performance as Franklin, delivering both the vocals and the acting admirably. (Apparently, the lady herself, before she died in August 2018, named Hudson as the best person to play her.)
Coming out of this movie, you have to admire Aretha Franklin’s legacy. Although there are moments when her ‘demons’ got the better of her (and the movie is unafraid to paint her in a negative light for these) she led a tumultuous life and yet was still a strong force for both feminism and equality. I think the movie highlights that admirably. “Have you lost your mind?” her father (Forest Whitaker) asks. “Maybe…. maybe I’ve found it.” she replies.
I loved the clip during the end titles (at a Carole King concert and in front of the Obamas) of Franklin well into her 70’s belting out “Natural Woman”. Classy stuff.
Negatives:
It’s long. Very long. Approaching Bond long.
There’s a curious ‘cookie-cutter-ness’ to these biopics of classic female singers (controlling and abusive men; alcohol/drug abuse; prejudice through sex/race; etc). (Would they even have emanated the same level of soul without all the grief? Perhaps not.) The similarities lead you to naturally compare this movie with “The US vs Billie Holiday“. The Billie Holiday story felt like it had a lot more grit and angst in it, making it, for me at least, more memorable. The script for “Respect” – although still rather episodic – flows better. Whilst still great, Hudson’s performance (an Oscar nomination perhaps?) doesn’t come close to the Oscar-nominated stellar job done by Andra Day.
I didn’t like how the script introduced us to its characters. For example, Ted White (Marlon Wayans) is introduced at a church barbeque. He’s painted as a disreputable character, but why? And you have no idea if he is supposed to be a famous singer, a songwriter, a promoter, or a producer (as in fact he is). As another example, Kelvin Hair plays Sam Cooke in the movie, but – unless I missed it – this doesn’t seem to be highlighted in the script.
Summary Thoughts on “Respect”
“Respect” is the feature debut for female director Liesl Tommy. And it’s certainly an ambitious target for a first-timer to shoot at, so ‘Respect’ for that! And it comes across as a solid and enjoyable biopic, not least to remind yourself of some of the classic tunes that Aretha Franklin belted out. At 145 minutes though, it takes its time telling its story, and I think a tighter, shorter film would have worked better.
Did I enjoy it though? Yes, I did. But it’s worth pointing out that the illustrious Mrs Movie Man – who normally begrudges every minute over 90 minutes in a movie – really loved this one.
Tamsin Clark (15 KP) rated The Cat Lady in Video Games
Jan 26, 2018
Superb Artwork (5 more)
Brilliant soundtrack
Dark, gory and surreal
Interesting puzzle work
Multiple endings
Steam card and achievements
Not enough user interaction sometimes (1 more)
May not be suitable for those in vulnerable mental health states
A dark, twisted journey into mental illness
The Cat Lady really surprised me. The dark, almost minimal, graphics styles led me to believe this wasn't going to be much of a horror game but how wrong I was. This game has a way of sucking you in and chewing you up, then spitting you out as a glob of emotionally affected goop.
The story follows a female protagonist, Susan Ashworth. She's alone and on the verge of suicide, constantly questioning the worth of her existence. After a significant event, she meets an odd woman who sets her on a journey to meet 5 very dark people who may change her outlook on life....for better or worse. Who can she trust, if anyone at all?
I would recommend that if you suffer from mental illness, suicidal thoughts or if you have issues with emotional triggers then you either don't play this or you play with others (unless you know you're in a good place). While the game IS a basic point and click, it still deals with a LOT of mental health issues; some of the scenes were hard even for me, and I consider myself in a good place mentally right now.
Overall I was seriously impressed with this game, it took me 11 hrs to play but that was including distractions and just leaving the game sitting while I did things, so I maybe got about 8 hrs of straight play. Indie horror point and clicks are so rare and this one is an example for the entire genre.
The story follows a female protagonist, Susan Ashworth. She's alone and on the verge of suicide, constantly questioning the worth of her existence. After a significant event, she meets an odd woman who sets her on a journey to meet 5 very dark people who may change her outlook on life....for better or worse. Who can she trust, if anyone at all?
I would recommend that if you suffer from mental illness, suicidal thoughts or if you have issues with emotional triggers then you either don't play this or you play with others (unless you know you're in a good place). While the game IS a basic point and click, it still deals with a LOT of mental health issues; some of the scenes were hard even for me, and I consider myself in a good place mentally right now.
Overall I was seriously impressed with this game, it took me 11 hrs to play but that was including distractions and just leaving the game sitting while I did things, so I maybe got about 8 hrs of straight play. Indie horror point and clicks are so rare and this one is an example for the entire genre.
Sarah (7798 KP) rated Ava (2020) in Movies
Jan 5, 2021
Dull and unoriginal
Ava is a 2020 spy action thriller directed by Tate Taylor and starring Jessica Chastain. It follows Ava (Chastain), an assassin working for a shadowy organisation who soon becomes hunted by her own, led by the mysterious Simon (Colin Farrell). Between missions and death threats, Ava is aided by her handler Duke (John Malkovich) while she attempts to resolve some long held family issues with her mother (Geena Davis), sister (Jess Weixler) and ex (Common).
From the outset, Ava appears to be like your typical female assassin style film – a loud, stylish electro/techno soundtrack overlaying an assassination featuring wigs, stylish clothes and cars and every other spy cliché you’d come to expect from a film like this. The only truly original and enjoyable thing in this opening scene is Ioan Gruffudd’s shady businessman, who looks like he’s having a whale of a time relishing playing a bad guy for a change. However what you don’t see coming with Ava after this initial scene is that instead of being a full on action film, it turns into a family melodrama with a few fight scenes thrown in almost as an afterthought.
Ava is a characterless film full of clichés, and lacking in any personality whatsoever. The spy and action elements, when we eventually see them that is, are entirely unoriginal and have been done so much better in any other spy film you could think of. The fight scenes are surprisingly dull and the camera work only results in highlighting how staged and choreographed the scenes are, they just don’t look real. It isn’t helped by all of the family drama either, with a large number of conversational dialogue scenes taking over the majority of the short but feels so long run time. It wouldn’t be too bad if these were scripted well but I’m afraid like everything else in this film, the script is lacklustre and clichéd.
Character development is poor and banal too, with the majority of the spy related characters lacking in any form of personality or likability. Ava herself is the worst, she reminded me of a personality-less robot who has no depth or emotions, no matter how much the opening credits scene or family interactions try to tell us otherwise. This film has really done it’s stellar cast a huge injustice and gives them absolutely nothing to work with.
Even the plot suffers from a complete absence of originality and seems to have been kept as vague as possible, whether on purpose or because the writers just couldn’t be bothered I’m not sure. The shadowy organisation that Ava, Duke and Simon all work for is never identified or discussed in any real detail. All we learn about them is that they employ assassins to make hits on possibly shady people, with no further elaboration on why or what these people have done wrong, which Ava herself seems fascinated about as we see her questioning her victims as they’re about to die. I’m all for creating a mysterious atmosphere giving away just enough to keep us intrigued, but I’m afraid this doesn’t work for Ava as it just comes across as lazy and complacent with sloppy writing.
I couldn’t help but compare Ava to Atomic Blonde, another female led assassin film that is worlds apart from this. Ava is lacking in everything that made Atomic Blonde - a fun watch, with style, substance and some brutal (but well executed) fight scenes - and I really wish Ava had followed the same formula as at least this would have made it watchable. As it is, it’s a completely dull and clichéd spy film lacking in pretty much everything.
From the outset, Ava appears to be like your typical female assassin style film – a loud, stylish electro/techno soundtrack overlaying an assassination featuring wigs, stylish clothes and cars and every other spy cliché you’d come to expect from a film like this. The only truly original and enjoyable thing in this opening scene is Ioan Gruffudd’s shady businessman, who looks like he’s having a whale of a time relishing playing a bad guy for a change. However what you don’t see coming with Ava after this initial scene is that instead of being a full on action film, it turns into a family melodrama with a few fight scenes thrown in almost as an afterthought.
Ava is a characterless film full of clichés, and lacking in any personality whatsoever. The spy and action elements, when we eventually see them that is, are entirely unoriginal and have been done so much better in any other spy film you could think of. The fight scenes are surprisingly dull and the camera work only results in highlighting how staged and choreographed the scenes are, they just don’t look real. It isn’t helped by all of the family drama either, with a large number of conversational dialogue scenes taking over the majority of the short but feels so long run time. It wouldn’t be too bad if these were scripted well but I’m afraid like everything else in this film, the script is lacklustre and clichéd.
Character development is poor and banal too, with the majority of the spy related characters lacking in any form of personality or likability. Ava herself is the worst, she reminded me of a personality-less robot who has no depth or emotions, no matter how much the opening credits scene or family interactions try to tell us otherwise. This film has really done it’s stellar cast a huge injustice and gives them absolutely nothing to work with.
Even the plot suffers from a complete absence of originality and seems to have been kept as vague as possible, whether on purpose or because the writers just couldn’t be bothered I’m not sure. The shadowy organisation that Ava, Duke and Simon all work for is never identified or discussed in any real detail. All we learn about them is that they employ assassins to make hits on possibly shady people, with no further elaboration on why or what these people have done wrong, which Ava herself seems fascinated about as we see her questioning her victims as they’re about to die. I’m all for creating a mysterious atmosphere giving away just enough to keep us intrigued, but I’m afraid this doesn’t work for Ava as it just comes across as lazy and complacent with sloppy writing.
I couldn’t help but compare Ava to Atomic Blonde, another female led assassin film that is worlds apart from this. Ava is lacking in everything that made Atomic Blonde - a fun watch, with style, substance and some brutal (but well executed) fight scenes - and I really wish Ava had followed the same formula as at least this would have made it watchable. As it is, it’s a completely dull and clichéd spy film lacking in pretty much everything.
Kristy H (1252 KP) rated Young Jane Young in Books
Jun 10, 2021
An emotional, character-driven tale
This is the twenty-fifth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
YOUNG JANE YOUNG weaves together the story of five women--Rachel Grossman, who worries about her college-aged daughter, Aviva and her future. Jane Young, who lives in Maine with her daughter, Ruby. Ruby Young, who has led a quiet life with her mom, until now. Embeth Levin, the wife of a famous congressman. And Aviva Grossman, who became Internet famous after a terrible scandal. These five women are bound together by this scandal and the man at its center.
This was an interesting read, told from the perspective of each of our female protagonists. Zevin is excellent at portraying different voices, from young Ruby to the older Rachel and Embeth, and I really enjoyed how strong of a storyteller she was. Some of the women's stories were told in unique formats, such as all email or a "choose your own adventure" style. It was different, took a little getting used to, but overall worked for this book.
This is less of an action packed tale than a character-driven one, focused on how Aviva's actions affect everyone going forward. It has a political bent, but centers more around emotion, relationships, and family. It does a good job portraying the double standards applied to women--in politics, in marriage, and more. My favorite character was probably Ruby, but I thought Zevin did a good job of bringing each woman to life and showing their complex feelings and flaws.
I would have liked more of an ending to this story, especially finding out what was next for Ruby and Rachel. But this was an interesting and different read, and I'm glad I picked it up. As always, as I get nearly to the end of the alphabet, I'm glad my challenge has gotten me to choose some books I might not have otherwise.
YOUNG JANE YOUNG weaves together the story of five women--Rachel Grossman, who worries about her college-aged daughter, Aviva and her future. Jane Young, who lives in Maine with her daughter, Ruby. Ruby Young, who has led a quiet life with her mom, until now. Embeth Levin, the wife of a famous congressman. And Aviva Grossman, who became Internet famous after a terrible scandal. These five women are bound together by this scandal and the man at its center.
This was an interesting read, told from the perspective of each of our female protagonists. Zevin is excellent at portraying different voices, from young Ruby to the older Rachel and Embeth, and I really enjoyed how strong of a storyteller she was. Some of the women's stories were told in unique formats, such as all email or a "choose your own adventure" style. It was different, took a little getting used to, but overall worked for this book.
This is less of an action packed tale than a character-driven one, focused on how Aviva's actions affect everyone going forward. It has a political bent, but centers more around emotion, relationships, and family. It does a good job portraying the double standards applied to women--in politics, in marriage, and more. My favorite character was probably Ruby, but I thought Zevin did a good job of bringing each woman to life and showing their complex feelings and flaws.
I would have liked more of an ending to this story, especially finding out what was next for Ruby and Rachel. But this was an interesting and different read, and I'm glad I picked it up. As always, as I get nearly to the end of the alphabet, I'm glad my challenge has gotten me to choose some books I might not have otherwise.
Lyndsey Gollogly (2893 KP) rated The Echo Killing ( Harper McClain 1) in Books
Dec 28, 2023
206 of 235
Kindle
The Echo Killing ( Harper McClain 1)
By Christi Daugherty
⭐️⭐️⭐️⭐️
When a murder echoing a fifteen-year-old cold case rocks the Southern town of Savannah, crime reporter Harper McClain risks everything to find the identity of this calculated killer in Christi Daugherty's new novel The Echo Killing.
A city of antebellum architecture, picturesque parks, and cobblestone streets, Savannah moves at a graceful pace. But for Harper McClain, the timeless beauty and culture that distinguishes her home’s Southern heritage vanishes during the dark and dangerous nights. She wouldn’t have it any other way. Not even finding her mother brutally murdered in their home when she was twelve has made her love Savannah any less.
Her mother’s killer was never found, and that unsolved murder left Harper with an obsession that drove her to become one of the best crime reporters in the state of Georgia. She spends her nights with the police, searching for criminals. Her latest investigation takes her to the scene of a homicide where the details are hauntingly familiar: a young girl being led from the scene by a detective, a female victim naked and stabbed multiple times in the kitchen, and no traces of any evidence pointing towards a suspect.
Harper has seen all of this before in her own life. The similarities between the murder of Marie Whitney and her own mother’s death lead her to believe they’re both victims of the same killer. At last, she has the chance to find the murderer who’s eluded justice for fifteen years and make sure another little girl isn’t forever haunted by a senseless act of violence—even if it puts Harper in the killer’s cross-hairs…
This was really good I enjoyed it. I did catch on to the killer early on but it was still a really good read. Characters were interesting and the storyline was good. Looking forward to more.
Kindle
The Echo Killing ( Harper McClain 1)
By Christi Daugherty
⭐️⭐️⭐️⭐️
When a murder echoing a fifteen-year-old cold case rocks the Southern town of Savannah, crime reporter Harper McClain risks everything to find the identity of this calculated killer in Christi Daugherty's new novel The Echo Killing.
A city of antebellum architecture, picturesque parks, and cobblestone streets, Savannah moves at a graceful pace. But for Harper McClain, the timeless beauty and culture that distinguishes her home’s Southern heritage vanishes during the dark and dangerous nights. She wouldn’t have it any other way. Not even finding her mother brutally murdered in their home when she was twelve has made her love Savannah any less.
Her mother’s killer was never found, and that unsolved murder left Harper with an obsession that drove her to become one of the best crime reporters in the state of Georgia. She spends her nights with the police, searching for criminals. Her latest investigation takes her to the scene of a homicide where the details are hauntingly familiar: a young girl being led from the scene by a detective, a female victim naked and stabbed multiple times in the kitchen, and no traces of any evidence pointing towards a suspect.
Harper has seen all of this before in her own life. The similarities between the murder of Marie Whitney and her own mother’s death lead her to believe they’re both victims of the same killer. At last, she has the chance to find the murderer who’s eluded justice for fifteen years and make sure another little girl isn’t forever haunted by a senseless act of violence—even if it puts Harper in the killer’s cross-hairs…
This was really good I enjoyed it. I did catch on to the killer early on but it was still a really good read. Characters were interesting and the storyline was good. Looking forward to more.
Bob Mann (459 KP) rated Jack Reacher: Never Go Back (2016) in Movies
Sep 29, 2021
I’m a big fan of Tom Cruise. He is a real old-fashioned film star, generous with his fans on the red carpet and with real star power at the box office. And I can happily sit down in front of just about any one of his DVD’s time and time again and still enjoy it. Unlike many critics, I even enjoyed his last outing as Jack Reacher.
Unfortunately, and it pains me to say this but, his latest outing – “Jack Reacher: Never Go Back” – is a bit dull.
Lee Child’s Reacher has many years before turned his back on his military past and wanders the country as a drifter righting wrongs outside of the law. In this film, his military past again makes a major (“No, ex-Major”) intrusion into his life. Potential love interest Major Susan Turner (Colbie Smulders, from the “Avengers” world) is arrested on trumped-up espionage charges and Cruise sets out to clear her name. Along the way he accidentally (and rather too conveniently for the plot) discovers that a paternity suit has been filed against him and Reacher confronts the rebellious and light-fingered teenager Samantha (Danika Yarosh, aged 18 playing 15).
Unfortunately the big-cheeses involved in the international arms skulduggery are determined to tie up each and every loose end in their intrigue, and that includes Reacher, Turner and young Samantha by association. Needless to say, the villains – led by a one-man killing machine (Patrick Heusinger) – haven’t counted on Reacher’s ‘particular set of skills’.
My problem with the film (after an entertaining opening) is that the screenplay lumbers from standard thriller set-piece to standard thriller set-piece in a highly predictable way. It’s as if the scripts from 20 different films have been stuck in a blender. Shadowy arms dealing shenanigans: check; Cute teenager in peril: check; Gun fight on a dockside: check; Rooftop chase: check.
Are all the individual set-pieces decently done? Yes, sure. But the combination of these bits of action tapas really don’t add up to a satisfying meal. The story arc is almost non-existent as there is no suspense in the ‘investigation’: the plot is all pretty well laid out for you.
Where there is some fun to be had is in the play-off between the born-leader Reacher and the born-leader Turner, both trying to be top-dog in the decision making. The romantic connection between the leads seems almost plausible despite their 20 (TWENTY!) year age difference: this is more down to how incredibly good Cruise still looks at age 54 (damn him!). Turner makes a good female role-model right up to the point where there is a confrontation in a hotel room and Turner backs down: despite Cruise being the “hero” it would have been nice for female equality for this face-off to have gone the other way.
The director is Edward Zwick, who helmed Cruise’s more interesting movie “The Last Samurai”.
The trailer started off well and then progressed into general mediocrity. Unfortunately – for me at least – the film lived up to the trailer. Watchable, but not memorable.
Unfortunately, and it pains me to say this but, his latest outing – “Jack Reacher: Never Go Back” – is a bit dull.
Lee Child’s Reacher has many years before turned his back on his military past and wanders the country as a drifter righting wrongs outside of the law. In this film, his military past again makes a major (“No, ex-Major”) intrusion into his life. Potential love interest Major Susan Turner (Colbie Smulders, from the “Avengers” world) is arrested on trumped-up espionage charges and Cruise sets out to clear her name. Along the way he accidentally (and rather too conveniently for the plot) discovers that a paternity suit has been filed against him and Reacher confronts the rebellious and light-fingered teenager Samantha (Danika Yarosh, aged 18 playing 15).
Unfortunately the big-cheeses involved in the international arms skulduggery are determined to tie up each and every loose end in their intrigue, and that includes Reacher, Turner and young Samantha by association. Needless to say, the villains – led by a one-man killing machine (Patrick Heusinger) – haven’t counted on Reacher’s ‘particular set of skills’.
My problem with the film (after an entertaining opening) is that the screenplay lumbers from standard thriller set-piece to standard thriller set-piece in a highly predictable way. It’s as if the scripts from 20 different films have been stuck in a blender. Shadowy arms dealing shenanigans: check; Cute teenager in peril: check; Gun fight on a dockside: check; Rooftop chase: check.
Are all the individual set-pieces decently done? Yes, sure. But the combination of these bits of action tapas really don’t add up to a satisfying meal. The story arc is almost non-existent as there is no suspense in the ‘investigation’: the plot is all pretty well laid out for you.
Where there is some fun to be had is in the play-off between the born-leader Reacher and the born-leader Turner, both trying to be top-dog in the decision making. The romantic connection between the leads seems almost plausible despite their 20 (TWENTY!) year age difference: this is more down to how incredibly good Cruise still looks at age 54 (damn him!). Turner makes a good female role-model right up to the point where there is a confrontation in a hotel room and Turner backs down: despite Cruise being the “hero” it would have been nice for female equality for this face-off to have gone the other way.
The director is Edward Zwick, who helmed Cruise’s more interesting movie “The Last Samurai”.
The trailer started off well and then progressed into general mediocrity. Unfortunately – for me at least – the film lived up to the trailer. Watchable, but not memorable.