"The Daphne du Maurier book on which this film is based is on my summer reading list every year. This film is such a solid early example of feminist horror. It’s an obsessive love triangle between three women, one of whom is only known as “the second Mrs. De Winter” and another of whom is dead. This gorgeous film draws you in with a dizzying seductiveness while at the same time plunging itself into your chest and stopping your beating heart."

"To start with, a unique film from Scorsese’s career, rediscovered recently, and a feminist melodrama with constant emotion. The humanity that transpires within the slightest exchange, the slightest look between actors (a beautiful group led by Ellen Burstyn) can almost be seen as vestiges from another time – contemporary cinema having lost (momentarily?) this sort of innate grace, the pleasure of acting, of crying and living in front of a camera. Today’s “naturalism” seems quite faded when one sees a film of this moral fiber."

"Diane di Prima is a legendary poet and feminist. These poems are the embodiment of a woman seeing herself both as feminine and animalistic all at once. Di Prima is considered the only woman who was part of the Beat movement of poets, but in my opinion, she is the strongest voice out of all of them, even more than Allen Ginsberg. She always wrote fiercely and violently, truthfully and potently. She is a wholly original voice and this book was the first glimpse of that."