Search

Search only in certain items:

Harlan County U.S.A. (1976)
Harlan County U.S.A. (1976)
1976 | Documentary
(0 Ratings)
Movie Favorite

"I found out in my thirties that Barbara Kopple’s effort is considered one of the greatest documentaries ever made. At the time of its release, I only knew that she had all but recorded my own life as a union organizer—the cold breaking dawn of the picket line each morning, sniper shots fired by company thugs, all completely unseen by the mainstream media. I was in Detroit, Compton, Louisville—she was in Harlan. We both lived on scraps. I slept with a shotgun at my side, sang our strike songs until my voice was raw. The ’70s were the last great militant era of American labor, but back then, we were just amazed to be able to fight one more day. Kopple’s characters were my comrades across the hollow, so to speak—and these Brookside women weren’t beauty pageant winners, either. They were the toughest leaders I’ve ever known. The most charismatic feminist icon of those years for me wasn’t Gloria Steinem—it was Lois Scott, a Brookside strike leader, drawing out a .38 from under her blouse, concealed in her bra."

Source
  
40x40

Suswatibasu (1701 KP) rated Her Body and Other Parties: Stories in Books

Nov 22, 2017 (Updated Nov 22, 2017)  
Her Body and Other Parties: Stories
Her Body and Other Parties: Stories
Carmen Maria Machado | 2017 | Fiction & Poetry, LGBTQ+
7
6.0 (8 Ratings)
Book Rating
Good writing but fairly disappointing
Her Body and Other Parties is like most short story collections I have read in that some of the stories worked for me far more than others.

Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.

Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.

My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.

Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
  
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;

<img src="https://diaryofdifference.com/wp-content/uploads/2019/08/Book-Review-Banner-3.png"/>;

<b><i>‘’I was born to destroy everything you ever loved before me.’’</i></b>

It is very hard for me to judge this work and write a book review. It's hard to tell you what I think because I don't feel like I'm an expert in poetry.  I love reading poetry, but I don't read it as much. I love poetry, but maybe I don't understand it.

<b><i>Bright Pink Ink: New and Selected Poems</i></b> has a jolly vibe to it, a lot of love & happiness, emotions of loss, missing loved ones and love, as well as a feminist vibe that is refreshing. It was an enjoyable read. 

However, it also holds a little bit if monotony with it, very short poems or poems that are written as prose. I encountered a few repetitive sentences on a few occasions and while I know that repeating a line is common in poetry to straighten the meaning and add rhythm - in this occasion it wasn't pleasurable to read. 

<b><i>"Maybe I should tell them about my husband's laugh. A sound that erupts as suns inside me till I float - free as dust." </i></b>

I loved <b><i>‘’A poem from 4/14/2015 read on 6/21/2017’’.</i></b> It is written quite well, with two parallel stories happening while you read, in a different timeline. I really enjoyed it, despite the great annoyance that is the date. The only logical date format I know of is day - month - year. 

There were a lot of feminist vibes through the poems, which was pleasantly enjoyable. On this topic, <b><i>"Mortal Gods Demand a Sacrifice"</i></b> was my favourite one. 

<b><i>"The moon must've thought you were the sun." </i></b>

Thank you to the author Laura Dinovis Berry for sending me a copy of Bright Pink Ink in exchange for an honest review. 

<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;