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Roksana Szczęsny (538 KP) rated Moxie (2021) in Movies

Mar 13, 2021  
Moxie (2021)
Moxie (2021)
2021 | Comedy, Drama, Music
9
8.5 (2 Ratings)
Movie Rating
Representation. (1 more)
Likeable characters.
Some scenes are rather unrealistic. (0 more)
Young adult film done right.
When I was getting ready to watch this movie for the first time, I was sort of expecting it to be your ordinary, cringy YA film - I was very pleasantly surprised at how well the movie pulled off the topics it was covering.

I don't think I have ever seen a YA feminist movie before so this was very much a new experience for me. I love that the movie realistically included representation such as a character that is disabled. I know that when I was younger my disability made me feel ashamed and seeing this in a movie targeted at teens would have given me a slight confidence boost.

I have to give the movie props for not making the main character "perfect"; she very much has flaws that can be spotted at certain parts of the movie and at one point, she even gets called out by her best friend.

All in all, I have to say I enjoyed the movie and the only negative thing that I have to say about it is that at some points it was not very realistic, but I think that can be excused when looking at the bigger picture, I truly hope the movie inspires young people to take a look at the world and see the changes that need to be made so that we achieve equality and equity for all.
  
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Awix (3310 KP) rated Pixie (2020) in Movies

Oct 25, 2020  
Pixie (2020)
Pixie (2020)
2020 | Comedy, Thriller
6
7.3 (3 Ratings)
Movie Rating
Knockabout comedy-thriller set in Northern Ireland. 'What do men see in irritating free spirits?' wondered Julia Roberts in a Tom Hanks movie a few years ago, and the question is still a live one: Olivia Cooke plays Pixie, who is not quite Holly Golightly recast as a feminist criminal mastermind, but getting there. Nearly everyone is entranced by her, including apparently the director, cameraman, and cinematographer, despite the fact she seems to be almost completely amoral: ripping off drug dealers, swindling her friends, and cold-blooded murder all seem to be part of her repertoire. Nevertheless she and her latest enamoured stooges zip about Ireland to a jangly western-style soundtrack while Alec Baldwin phones in a cameo as a gun-toting gangster-priest.

Surely people have got to get over this obsession with making Tarantino pastiches sooner or later? This one has the odd funny moment, but a lot of the jokes don't land and the plot constantly seems to be on the verge of unravelling. Olivia Cooke carries the film with predictable grace, but I felt almost commanded to like her without good enough reason: the film also suggests there's a thin line between idealising a character and objectifying them, as a rather lubricious tone occasionally threatens to manifest. Passably watchable in the end, but has no connection to reality: feels like a script somebody wrote in 1995 and then spent twenty-odd years finding the funding for. Cooke in particular deserves better.