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A Class by Herself: Protective Laws for Women Workers, 1890s-1990s
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A Class by Herself explores the historical role and influence of protective legislation for American...
A New Model
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Voluptuous beauty Ashley Graham has been modeling professionally since the age of thirteen....
Memoir feminist modeling nonfiction
Femlandia was an enjoyable, if rather frustrating read. The end of civilisation doesn’t come from a killer virus, zombies or climate disaster, but instead is caused by a total economic collapse. The world (particularly the USA) goes broke. Food becomes prohibitively expensive, services are shut off, people are made homeless: it’s every man/ woman for themselves. Except, as is often the case in these circumstances, it’s the women and children who suffer the most.
Miranda Reynolds is left to fend for herself and her teenage daughter when her husband literally drives himself off a cliff. She realises her only safe space is with the mother she hasn’t spoken to in a very long time, and the community that she has set up: Femlandia. It’s her last resort.
Now, if I were Miranda, I wouldn’t have prevaricated for so long - I would have turned up on Femlandia’s doorstep pretty fast. This is regardless of the fact that it’s nothing like the safe haven it has always sold itself as.
As I’ve said, this frustrated and gripped me in equal measure. There are plenty of things in this, that as a feminist, made my toes curl. But let’s face it: who wants to read a dystopian novel where everything is lovely, there are no problems, and everyone lives happily ever after? That’s like NO dystopia I’ve ever read about!
This looks at human nature in all it’s glory and ignominy. It looks at some uncomfortable subjects: abuse, control and prejudice (especially misandry and anti-trans). But do you know what? I raced through this, it gave me a lot to think about, and I think it’s well worth a read.
Miranda Reynolds is left to fend for herself and her teenage daughter when her husband literally drives himself off a cliff. She realises her only safe space is with the mother she hasn’t spoken to in a very long time, and the community that she has set up: Femlandia. It’s her last resort.
Now, if I were Miranda, I wouldn’t have prevaricated for so long - I would have turned up on Femlandia’s doorstep pretty fast. This is regardless of the fact that it’s nothing like the safe haven it has always sold itself as.
As I’ve said, this frustrated and gripped me in equal measure. There are plenty of things in this, that as a feminist, made my toes curl. But let’s face it: who wants to read a dystopian novel where everything is lovely, there are no problems, and everyone lives happily ever after? That’s like NO dystopia I’ve ever read about!
This looks at human nature in all it’s glory and ignominy. It looks at some uncomfortable subjects: abuse, control and prejudice (especially misandry and anti-trans). But do you know what? I raced through this, it gave me a lot to think about, and I think it’s well worth a read.
ClareR (5721 KP) rated Body of Stars in Books
Jan 16, 2024
Body of Stars is an enjoyable YA novel set in the near future. This is a world where the markings on a woman’s body predict the future for not only themselves, but for their families as well.
Instead of this phenomenon giving women autonomy over their own lives, it seems that it’s the same old story. Their bodies are a commodity, mapped out by a government organisation, checked over by their fathers when their markings change during puberty. They are warned not to show themselves off or be by themselves, lest men can’t control themselves as they’re driven wild with lust. So far, so stereotypical.
Celeste Morton is excited by the prospect of this transition, and her brother Miles is desperate to practice his interpretation skills on his sister. But when Celeste transitions, a terrible fate is revealed. And in a desperate bid to keep this a secret, Celeste experiences the worst thing that can happen to a changeling.
I have to admit to being very frustrated whilst reading this. There’s nothing feminist about this story - there is a good argument for why feminism is necessary though. Misogyny is rife in the world of this book! To be honest, the story could have run in exactly the same direction without the need for freckles, moles and other markings. It was depressing that even in an alternative near future, women would be experiencing the same restrictions and abuse that so many live through today.
This was a novel that I loved to hate - the frustration was immense! Do I recommend it? Well yes, but be prepared for the deep breathing, calming exercises that you’ll need!
Instead of this phenomenon giving women autonomy over their own lives, it seems that it’s the same old story. Their bodies are a commodity, mapped out by a government organisation, checked over by their fathers when their markings change during puberty. They are warned not to show themselves off or be by themselves, lest men can’t control themselves as they’re driven wild with lust. So far, so stereotypical.
Celeste Morton is excited by the prospect of this transition, and her brother Miles is desperate to practice his interpretation skills on his sister. But when Celeste transitions, a terrible fate is revealed. And in a desperate bid to keep this a secret, Celeste experiences the worst thing that can happen to a changeling.
I have to admit to being very frustrated whilst reading this. There’s nothing feminist about this story - there is a good argument for why feminism is necessary though. Misogyny is rife in the world of this book! To be honest, the story could have run in exactly the same direction without the need for freckles, moles and other markings. It was depressing that even in an alternative near future, women would be experiencing the same restrictions and abuse that so many live through today.
This was a novel that I loved to hate - the frustration was immense! Do I recommend it? Well yes, but be prepared for the deep breathing, calming exercises that you’ll need!
Kristy H (1252 KP) rated Moxie: A Novel in Books
Apr 4, 2019
This book has been on my shelf for a little while; I'd bought it as I'd heard good things. I'm working on my self-imposed #readwhatyouown challenge this year, and once I heard that Amy Poehler was going to direct an adaption of this one at Netflix, I figured it was a good time to pick it up.
MOXIE was a slow starter, but turned into a really rousing, empowering read, and I'm excited to see how it translates to the screen. It's incredibly timely and also very terrifying. The more I read it, the more horrified I was that this was reality for females in high school. So much of what Mathieu describes you know happens, but as a parent of two young girls, it's just awful to read about all these kids endure.
There's almost two plot lines in this one--the feminist saga of Moxie and a romance featuring Vivian and another boy at school. I've seen some complaints that the romance detracted from the overall plot, but I actually enjoyed it. Vivian even worries that she is distracting herself from Moxie, at times, because of her relationship. The romance also provides some comedic moments and humanizes Vivian, making her seem more like a real teen. She's a great character, and I really like her.
Overall, even though this was a little slow to begin, I really enjoyed it. It's very YA, if that makes any sense--it's a great book to have on the shelves of all high schools. I would rate it as a 3.5-star read, but I'm bumping it up to 4-stars, because it makes you laugh, cheer, and nearly cry. You'll also fall for the characters, especially Vivian and her friends. I'm looking forward to see how Poehler and crew bring this to Netflix.
MOXIE was a slow starter, but turned into a really rousing, empowering read, and I'm excited to see how it translates to the screen. It's incredibly timely and also very terrifying. The more I read it, the more horrified I was that this was reality for females in high school. So much of what Mathieu describes you know happens, but as a parent of two young girls, it's just awful to read about all these kids endure.
There's almost two plot lines in this one--the feminist saga of Moxie and a romance featuring Vivian and another boy at school. I've seen some complaints that the romance detracted from the overall plot, but I actually enjoyed it. Vivian even worries that she is distracting herself from Moxie, at times, because of her relationship. The romance also provides some comedic moments and humanizes Vivian, making her seem more like a real teen. She's a great character, and I really like her.
Overall, even though this was a little slow to begin, I really enjoyed it. It's very YA, if that makes any sense--it's a great book to have on the shelves of all high schools. I would rate it as a 3.5-star read, but I'm bumping it up to 4-stars, because it makes you laugh, cheer, and nearly cry. You'll also fall for the characters, especially Vivian and her friends. I'm looking forward to see how Poehler and crew bring this to Netflix.
Janeeny (200 KP) rated The Illumination Of Ursula Flight in Books
May 8, 2019
Even though this book has a nice looking cover I can’t say that it is a book I would have picked up myself
The Goodreads blurb reads
“Born on the night of an ill-auguring comet just before Charles II's Restoration, Ursula Flight has a difficult future written in the stars.
Against the custom of the age she begins an education with her father, who fosters in her a love of reading, writing and astrology.
Following a surprise meeting with an actress, Ursula yearns for the theatre and thus begins her quest to become a playwright despite scoundrels, bounders, bad luck and heartbreak.”
On the face of it it sounds like a ‘coming of age’ historical drama, which it essentially was, and not in an era I really have much an interest in. So it was nice to read something a little out of my comfort zone.
As the blurb says, Ursula is a young girl with aspirations of the stage. Unfortunately for Ursula her parents have a life planned for her and being a lowly actress is not one of them. The story follows Ursula's struggles to follow her parents wishes whilst trying to stay true to herself.
I loved the way this was written, its told from Ursula's point of view and interspersed with little snippets of play writing by Ursula. Ursula is a very strong character that is way ahead of the era she lives in. What I loved most about this book was near the end, i won't spoil it, but suffice to say I think the author was very clever with the ending she chose.
To summarise, it’s a well written well reserached coming of aged historical drama with a strong female lead and an admirable feminist message.
The Goodreads blurb reads
“Born on the night of an ill-auguring comet just before Charles II's Restoration, Ursula Flight has a difficult future written in the stars.
Against the custom of the age she begins an education with her father, who fosters in her a love of reading, writing and astrology.
Following a surprise meeting with an actress, Ursula yearns for the theatre and thus begins her quest to become a playwright despite scoundrels, bounders, bad luck and heartbreak.”
On the face of it it sounds like a ‘coming of age’ historical drama, which it essentially was, and not in an era I really have much an interest in. So it was nice to read something a little out of my comfort zone.
As the blurb says, Ursula is a young girl with aspirations of the stage. Unfortunately for Ursula her parents have a life planned for her and being a lowly actress is not one of them. The story follows Ursula's struggles to follow her parents wishes whilst trying to stay true to herself.
I loved the way this was written, its told from Ursula's point of view and interspersed with little snippets of play writing by Ursula. Ursula is a very strong character that is way ahead of the era she lives in. What I loved most about this book was near the end, i won't spoil it, but suffice to say I think the author was very clever with the ending she chose.
To summarise, it’s a well written well reserached coming of aged historical drama with a strong female lead and an admirable feminist message.
Goddess in the Stacks (553 KP) rated Heart of Thorns (Heart of Thorns #1) in Books
Oct 19, 2018
I almost bailed on this book. It's not bad, exactly, it's just - mediocre. Mia discovers that she is the thing she's been taught to hate, discovers that maybe they're not all bad, that what she's been taught is probably wrong, but, y'know, maybe not entirely wrong - it's just one trope after another. It was rather predictable.
And there's this problem with the world. If every woman is suspected of being a witch, (sorry, Gwyrach) and they work their magic through touch - how is anyone having kids? Sure, women are required to wear gloves in public, but - the touch-magic doesn't keep men from abusing women. Not like in The Power, where men start getting actually scared to touch women for fear of what could happen.
The only character in this book that I actually LIKED was Prince Quin. And maybe Dom, the flirtatious gay boy. Mia was rather thoroughly unlikable. First she blindly accepts that she should hate and kill Gwyrach, then is appalled to find out she (and her mother) are/were Gwyrach, and refuses to accept that because of course she can't possibly be one of those reviled women. She refuses to take Quin into her confidence, despite him showing blind trust in her for most of the book. What does he have to do to prove himself to you, woman?
I've read much better feminist dystopias. This is oppressed-women-finding-their-hidden-powers-and-fighting-back clothed in a fantasy instead of a dystopia, and it's not nearly as good as it could be. Despite ending on a cliffhanger, I don't care enough about these characters to read the next book.
You can find all my reviews at http://goddessinthestacks.com
And there's this problem with the world. If every woman is suspected of being a witch, (sorry, Gwyrach) and they work their magic through touch - how is anyone having kids? Sure, women are required to wear gloves in public, but - the touch-magic doesn't keep men from abusing women. Not like in The Power, where men start getting actually scared to touch women for fear of what could happen.
The only character in this book that I actually LIKED was Prince Quin. And maybe Dom, the flirtatious gay boy. Mia was rather thoroughly unlikable. First she blindly accepts that she should hate and kill Gwyrach, then is appalled to find out she (and her mother) are/were Gwyrach, and refuses to accept that because of course she can't possibly be one of those reviled women. She refuses to take Quin into her confidence, despite him showing blind trust in her for most of the book. What does he have to do to prove himself to you, woman?
I've read much better feminist dystopias. This is oppressed-women-finding-their-hidden-powers-and-fighting-back clothed in a fantasy instead of a dystopia, and it's not nearly as good as it could be. Despite ending on a cliffhanger, I don't care enough about these characters to read the next book.
You can find all my reviews at http://goddessinthestacks.com
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