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Kirk Bage (1775 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
If I was still 10 or 11 years old, this might be my favourite film of all time (for a few months). The 10 year old trapped inside me kinda thinks it is! At first I was sceptical that it could be any good at all, seeing it getting nominated in a lot of best animation categories during award season, and then winning them all! From the poster, or even the trailer, alone, I just didn’t get it!
Then folk whose opinion I trust, that normally go for really intense dramas and artsy stuff, started telling me how good it was. I added it to my watchlist and walked away, nodding, as if to say “sure, I’ll get around to it”. More fool me for waiting so long, cos let me tell you, as modern animations go, it is really really good! But why? Well, there are several things that set it apart…
Firstly, it patronises no one. This is a fun, all swinging, all action, adventure, with real threat, real emotion and real excitement. Secondly, the love and attention that have gone into the myth of Spiderman and what he/she/it represents is so astonishingly comprehensive in a 2 hour film, that anyone living on Mars and never knowing a single thing about it, would understand instantly. You also don’t have to be a superhero geek to like it (but it helps a bit).
And thirdly, the animation. Wow, the animation! Incorporating so many styles and techniques, often in the same image / scene, it is a mind boggling experience, and a visual festival of comic book art. It shouldn’t work, but, my word, it not only works, it totally rocks! I have never felt before that I was experiencing a living, moving, comic book. Every detail makes you respect and appreciate this art form, and its evolution through the years.
Not only that, however, but it has an inclusivity that is awesome and so simple. This isn’t a film about boys, for boys. Gwen Stacy, aka Spider-Woman, is a great, strong character in her own right; as is Spider-Ham; as are all of them. Literally, there is something for everyone to relate to. And the cunning conceit that brings them all together just… works!
I’m not sure I’ll watch it very often, because, you know, I’m not 10 any more. But if I am ever in the mood to feel young and excited about heroes, then this will be my first port of call.
Then folk whose opinion I trust, that normally go for really intense dramas and artsy stuff, started telling me how good it was. I added it to my watchlist and walked away, nodding, as if to say “sure, I’ll get around to it”. More fool me for waiting so long, cos let me tell you, as modern animations go, it is really really good! But why? Well, there are several things that set it apart…
Firstly, it patronises no one. This is a fun, all swinging, all action, adventure, with real threat, real emotion and real excitement. Secondly, the love and attention that have gone into the myth of Spiderman and what he/she/it represents is so astonishingly comprehensive in a 2 hour film, that anyone living on Mars and never knowing a single thing about it, would understand instantly. You also don’t have to be a superhero geek to like it (but it helps a bit).
And thirdly, the animation. Wow, the animation! Incorporating so many styles and techniques, often in the same image / scene, it is a mind boggling experience, and a visual festival of comic book art. It shouldn’t work, but, my word, it not only works, it totally rocks! I have never felt before that I was experiencing a living, moving, comic book. Every detail makes you respect and appreciate this art form, and its evolution through the years.
Not only that, however, but it has an inclusivity that is awesome and so simple. This isn’t a film about boys, for boys. Gwen Stacy, aka Spider-Woman, is a great, strong character in her own right; as is Spider-Ham; as are all of them. Literally, there is something for everyone to relate to. And the cunning conceit that brings them all together just… works!
I’m not sure I’ll watch it very often, because, you know, I’m not 10 any more. But if I am ever in the mood to feel young and excited about heroes, then this will be my first port of call.
Lottie disney bookworm (1056 KP) rated Cinderella Takes the Stage in Books
Apr 26, 2020
This childhood tale of Cinderella is simple and light-hearted with beautiful sentiments and messages throughout: perfect for the little reader in your lives. The illustrations by Adrienne Brown are also incredibly beautiful, with pumpkin carriage watermarks and gorgeous details on each page.
Ella is a young girl, surrounded by the love of her parents in a fairly privileged surrounding. Her days are filled with stories about magic, playing with her new puppy Bruno, taking tea with her parents and preparing for the upcoming puppet competition at the midsummer festival.
It is this competition which is the focus of the short tale, as Cinderella displays her sheer determination to compete and win the prized gold coin, despite her lack of talents in sewing and a puppet which, in her words, looks like a potato.
This determination makes the character of Cinderella inspirational to the young reader, whether they realise that at the time or not. Yes her coveted possession is a silver and gold dress but, despite the tales of magic and fairies that surround her, she does not rely on wishes or her parents to obtain the dress: her sole plan is to earn the gold coin through winning the competition and purchase the dress herself, a refreshing change from the bibbidi, bobbidi boo methods which Tessa Roehl could have so easily reverted to.
Cinderella is not quite perfect though and can be headstrong in her beliefs: quickly jumping to conclusions when she meets a girl her own age who is not quite as well off as herself. As a mother to a seven-year-old, I can readily believe this! Luckily, Cinderella’s parents believe that there is good in every person, a theme which mirrors the original tale and films. Thus, Cinderella learns more about the little girl: significantly benefitting from both the practical lessons which the girl can offer; an insight into the world around her which is not straight out of a fairytale; and finally, the laughter, love and secrets that a childhood friendship offers.
Cinderella and Val are from different worlds, they find beauty in different things and their dreams could not be further apart. However, this does not limit their common interests or indeed their friendship in any capacity and this is something we should all instil in our children. As Tessa Roehl so beautifully puts it: “Our hearts don’t always need to want the same thing. As long as they want something.”
Ella is a young girl, surrounded by the love of her parents in a fairly privileged surrounding. Her days are filled with stories about magic, playing with her new puppy Bruno, taking tea with her parents and preparing for the upcoming puppet competition at the midsummer festival.
It is this competition which is the focus of the short tale, as Cinderella displays her sheer determination to compete and win the prized gold coin, despite her lack of talents in sewing and a puppet which, in her words, looks like a potato.
This determination makes the character of Cinderella inspirational to the young reader, whether they realise that at the time or not. Yes her coveted possession is a silver and gold dress but, despite the tales of magic and fairies that surround her, she does not rely on wishes or her parents to obtain the dress: her sole plan is to earn the gold coin through winning the competition and purchase the dress herself, a refreshing change from the bibbidi, bobbidi boo methods which Tessa Roehl could have so easily reverted to.
Cinderella is not quite perfect though and can be headstrong in her beliefs: quickly jumping to conclusions when she meets a girl her own age who is not quite as well off as herself. As a mother to a seven-year-old, I can readily believe this! Luckily, Cinderella’s parents believe that there is good in every person, a theme which mirrors the original tale and films. Thus, Cinderella learns more about the little girl: significantly benefitting from both the practical lessons which the girl can offer; an insight into the world around her which is not straight out of a fairytale; and finally, the laughter, love and secrets that a childhood friendship offers.
Cinderella and Val are from different worlds, they find beauty in different things and their dreams could not be further apart. However, this does not limit their common interests or indeed their friendship in any capacity and this is something we should all instil in our children. As Tessa Roehl so beautifully puts it: “Our hearts don’t always need to want the same thing. As long as they want something.”
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Kristy H (1252 KP) rated The Switch in Books
Jan 7, 2021
A touching look at love and loss
Leena Cotton's way to deal with life is losing herself in her work. But when she's forced to take a two-month sabbatical, her usual focal point is gone. So Leena comes up with a plan: she'll escape to her grandmother Eileen's house, a beautiful little cottage in the lovely, quiet village of Hamleigh, and Eileen will come and stay in Leena's flat in London. To Leena, this sounds perfect; her grandmother, after all, though nearly eighty, is newly single and looking for another chance at love. Where better to find it than in bustling London? But switching places isn't as easy as it seems. In Hamleigh, Leena learns her grandmother's shoes are hard to fill, having to plan a local festival and deal with nosy neighbors. Meanwhile, in London, Eileen has to get up-to-speed with online dating and the hustle and bustle of a busy city. But, all may not be lost for the Cotton women.
Oh this book. It's just absolutely lovely. I wasn't sure if the idea of a "swapping places" book would come across as silly or trite, but in O'Leary's deft hands, it's perfect. She gives us a beautiful story about healing after grief (Leena's sabbatical comes because she blows a presentation as she's dealing with the grief of losing her sister; Eileen, obviously, has lost her granddaughter). But it's also funny, sweet, and romantic. The sadness is woven in with hope and beauty. It's one of those rare books that can make you both cry and laugh.
Eileen and Leena--what can I say about these characters? They are so real! I identified, of course, with workaholic Leena, and you just want to go into the book and save her (though she doesn't need it) as she struggles with her sister's death, feeling abandoned by her own grieving mother after the loss, and getting her life back on track. And Eileen? She's a total trip. Finally free to find love again, she's a wonderful and spunky woman that you cannot help but root for. The supporting cast is absolutely excellent--Leena's friends and flatmates, combined with the townspeople of Hamleigh, make for some of the most memorable supporting cast I can remember in quite some time. They all fit together perfectly in the story.
Overall, I defy you not to fall for this tale. Eileen's quest for love. Leena's quest to find herself again. O'Leary gives us a beautiful gift in THE SWITCH. One of my favorite reads of the year. 4.5+ stars.
Leena Cotton's way to deal with life is losing herself in her work. But when she's forced to take a two-month sabbatical, her usual focal point is gone. So Leena comes up with a plan: she'll escape to her grandmother Eileen's house, a beautiful little cottage in the lovely, quiet village of Hamleigh, and Eileen will come and stay in Leena's flat in London. To Leena, this sounds perfect; her grandmother, after all, though nearly eighty, is newly single and looking for another chance at love. Where better to find it than in bustling London? But switching places isn't as easy as it seems. In Hamleigh, Leena learns her grandmother's shoes are hard to fill, having to plan a local festival and deal with nosy neighbors. Meanwhile, in London, Eileen has to get up-to-speed with online dating and the hustle and bustle of a busy city. But, all may not be lost for the Cotton women.
Oh this book. It's just absolutely lovely. I wasn't sure if the idea of a "swapping places" book would come across as silly or trite, but in O'Leary's deft hands, it's perfect. She gives us a beautiful story about healing after grief (Leena's sabbatical comes because she blows a presentation as she's dealing with the grief of losing her sister; Eileen, obviously, has lost her granddaughter). But it's also funny, sweet, and romantic. The sadness is woven in with hope and beauty. It's one of those rare books that can make you both cry and laugh.
Eileen and Leena--what can I say about these characters? They are so real! I identified, of course, with workaholic Leena, and you just want to go into the book and save her (though she doesn't need it) as she struggles with her sister's death, feeling abandoned by her own grieving mother after the loss, and getting her life back on track. And Eileen? She's a total trip. Finally free to find love again, she's a wonderful and spunky woman that you cannot help but root for. The supporting cast is absolutely excellent--Leena's friends and flatmates, combined with the townspeople of Hamleigh, make for some of the most memorable supporting cast I can remember in quite some time. They all fit together perfectly in the story.
Overall, I defy you not to fall for this tale. Eileen's quest for love. Leena's quest to find herself again. O'Leary gives us a beautiful gift in THE SWITCH. One of my favorite reads of the year. 4.5+ stars.
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