"Although I have been doing plays since I was eight-years-old, it was only when I started doing Shakespeare at age 19 at the Georgia Shakespeare Festival that I felt like my career started. I learned from master teachers at the University of Evansville, at Juilliard, at Shakespeare festivals all over the country, eventually landing at Shakespeare in the Park in NYC. That show transferred, so I got to make my Broadway debut doing “The Tempest” with Patrick Stewart. I owe so much to Shakespeare. Nothing is more humbling and more exhilarating than taking ahold of those sacred words and riding them like a wave. If I could only take one book to the island, this one would do just fine."

"I used to have a studio in Brondesbury Villas up in Kilburn and there was a little book shop that I used to go to and one day they were playing this record. I think she is one of the great musicians alive at the moment; she plays bass but she plays it with such ferocity. She's a very interesting person to work with because she doesn't think at all in terms of chords or anything. You just play a track to her and she just starts to do something. She comes up with the most amazing riffs that are just completely unlike anything anyone would think of doing. The go-go scene she came out of was a particular approach to rhythm, and it's very contained. It's not at all splashy. It's all about really intricate, tight and accurate rhythm. I was in Montreux in 1995, I was working with David [Bowie] on that album, Outside, and the festival was on. I heard this music coming from the festival place and I thought, ""Wow, what is that?"", and it was her with her seven-piece band, who were the meanest looking people you've ever seen. This giant on the drums, two guitar players with these kind of slitty shades playing the meanest funk guitar. It was the probably the best show I ever saw. I was shivering with excitement. It's so harmonically dangerous. It's so strange what the instruments are playing. If you heard them in the abstract you'd think you could never put these together into a song. They're off on their own trips and somehow they just cohere together."

"I had to choose this one because it means so much to me in my life. When I met my wife we were listening to it a lot, so it's a really personal record for me, and a really romantic record. It's got a folk element but it's never silly, and on songs like 'Young Bride' it's really fascinating and beautiful. I went to see them at the Royal Festival Hall a couple of years ago and was absolutely blown away. I didn't know what to expect, but the singer had a real presence, a real energy, he was living it. It's the soundtrack to a very recent part of my life, and a very important moment to me personally. It has a huge emotional resonance for me."