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Mark @ Carstairs Considers (2099 KP) rated Cozy Up to Blood in Books
Oct 29, 2021
Hiding Out on an Island with…Vampires?
Murray Lee has wandered onto the island of Belfry off the coast of Oregon just as the rains wash away the bridge connecting it to the mainland. He’s just in time for the annual festival dedicated to the movies in the Evenfall series, a popular vampire themed series of books and movies which were filmed on the island. This means there are plenty of outsiders posing as vampires around town. Someone is taking advantage of the crowds by attacking some of the locals, stealing from them, and biting their necks. The local police think that Murray is a good suspect since he is new to town but obviously not part of the Evenfall crowd. But Murray doesn’t want the police looking into him or his past. He has a secret. And it might have something to do with the motorcycle gang sitting on the other side of the bridge waiting for the water to recede. Can he clear his name without revealing his past? Will he even get off the island alive?
There is a part of me that enjoyed the book despite the flaws. I do enjoy Murray’s character, and I want to see him succeed and be happy. The Evenfall books and movies, clearly a spoof on Twilight, were always funny when they were the focus of the story. And yet, the mystery of the book was weak, almost more a sub-plot in the middle of everything else. I’ve always struggled a bit with the overall premise of the series, but this time, it was extremely unbelievable. I am still hoping we get another book, especially since the ending set up another adventure. If you are interested in the series, I suggest you wait until you can get them cheaply.
There is a part of me that enjoyed the book despite the flaws. I do enjoy Murray’s character, and I want to see him succeed and be happy. The Evenfall books and movies, clearly a spoof on Twilight, were always funny when they were the focus of the story. And yet, the mystery of the book was weak, almost more a sub-plot in the middle of everything else. I’ve always struggled a bit with the overall premise of the series, but this time, it was extremely unbelievable. I am still hoping we get another book, especially since the ending set up another adventure. If you are interested in the series, I suggest you wait until you can get them cheaply.
Mark @ Carstairs Considers (2099 KP) rated Ashes to Ashes, Crust to Crust in Books
Feb 23, 2024 (Updated Feb 23, 2024)
Mystery Didn’t Quite Work for Me
Summer is winding down soon, which means that the crowds will be disappearing from Geneva Bay, Wisconsin. Unfortunately for Delilah O’Leary, she hasn’t earned quite as much as she needs during her deep dish pizza restaurant’s first season opened to survive the coming winter season comfortably. Which means she needs to win the upcoming “Taste of Wisconsin” contest held during the annual Labor Day festival. She’s been trying to prefect her recipe for weeks. However, she is less than thrilled when she learns who the judge is going to be.
All that takes a back seat when someone drops dead in the new juice bar in town. Delilah happens to be on hand, and she can’t help but get involved in the investigation. But can she figure out what happened?
I enjoyed the first book in the series, and was looking forward to returning to the great characters and setting. Unfortunately, the plot tries to do too much. Early on, I was enjoying trying to figure out what was part of the mystery and what was part of any subplots, but when we reached the climax, things were just too rushed because of everything else going on. In fact, it felt like the mystery was undercooked overall, and I was left with a major question about why a character did what they did. Which is a shame because the characters and setting were great once again. I love Delilah and the rest of the crew, and I’d love to visit the town. There are some fun laughs, including in the recipes. Seriously, they are written by some of the characters, and they are great. I already have book three, so hopefully, the plot is stronger in that one.
All that takes a back seat when someone drops dead in the new juice bar in town. Delilah happens to be on hand, and she can’t help but get involved in the investigation. But can she figure out what happened?
I enjoyed the first book in the series, and was looking forward to returning to the great characters and setting. Unfortunately, the plot tries to do too much. Early on, I was enjoying trying to figure out what was part of the mystery and what was part of any subplots, but when we reached the climax, things were just too rushed because of everything else going on. In fact, it felt like the mystery was undercooked overall, and I was left with a major question about why a character did what they did. Which is a shame because the characters and setting were great once again. I love Delilah and the rest of the crew, and I’d love to visit the town. There are some fun laughs, including in the recipes. Seriously, they are written by some of the characters, and they are great. I already have book three, so hopefully, the plot is stronger in that one.
Emma @ The Movies (1786 KP) rated Knives Out (2019) in Movies
Nov 4, 2019
Knives Out was probably my most anticipated film of the festival, so much so that I brought a ticket to see it rather than deal with the hassle of the press screening.
If you take Clue, add some Agatha Christie and maybe a large helping of A-list cast you'll find yourself at the feet of Knives Out. I don't have a problem with any of that at all, the problem I had is that what we got was predictable. That can work, predictable is comforting, but here I watched and felt like I'd seen it before. It felt like I was watching a remake of something. It was Clue without being as fun and Agatha Christie without being as intriguing. Would it have been better had I not been so excited to see it? Potentially, though we'll never know now.
There are definitely things to like though.
We get the classic interview phase with each family member questioned alone, the whole scene has a wonderful flow to it. With the script, the actors and the clips of each character edited together so well you get the perfect comedic timing on everything.
Marta was an interesting character but Ana de Armas (Blade Runner 2049 and No Time To Die) gave what I felt was an almost forgettable performance, which is incredible considering Marta has a severe problem with lying that leads to hilarious situations. It's a solid performance, I don't want to say she did a bad job, but the other characters are larger than life and it would have been nice to see a little more of that in her. I know she's supposed to be the meek and mild help but you see little glimmers of it in there yet it doesn't come to anything.
Benoit Blanc is Knives Out's Poirot, though he's much more of a crossbreed of Poirot and Hastings. Excellent with the deductions and yet just a little oblivious. Daniel Craig plays him just slightly frustrating, which again is something you'd expect in this sort of thing but I wasn't entirely convinced. I did like Blanc's interactions with Marta, though only from his side of things, it did something interesting to his character but somehow made no impact on Marta's.
A brief special mention should go to Lakeith Stanfield and Noah Segan, their appearances felt fleeting but they were always amusing.
I thought the rest of the cast was good, as you'd expect, that might seems rather dismissive but how am I supposed to feel about it? A-listers in main roles... fantastic, A-listers in cameos... fantastic, but the rest of the characters in this was filled with powerful actors all in bit parts. When that went through my head all I could think was "please sir, I want some more." Toni Collette, Chris Evans, Jamie Lee Curtis, Michael Shannon... great performances but I'd happily have had an encore.
I did enjoy it, but as I sat in the audience and everyone around me roared with laughter at things I thought were just okay I had to wonder what I'd missed. Was it because I was so hyped for it in the first place? Was it festival fatigue? Or have I just seen so much of this that I just couldn't appreciate their take on the classic? I wish I knew.
Cineworld are putting on an Unlimited Screening of this a few days before it goes on general release, I'll definitely be checking it out again and I'm hoping that a second viewing will make me feel differently about it. In the meantime though it's nice to see so many people rating this one highly.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/knives-out-movie-review.html
If you take Clue, add some Agatha Christie and maybe a large helping of A-list cast you'll find yourself at the feet of Knives Out. I don't have a problem with any of that at all, the problem I had is that what we got was predictable. That can work, predictable is comforting, but here I watched and felt like I'd seen it before. It felt like I was watching a remake of something. It was Clue without being as fun and Agatha Christie without being as intriguing. Would it have been better had I not been so excited to see it? Potentially, though we'll never know now.
There are definitely things to like though.
We get the classic interview phase with each family member questioned alone, the whole scene has a wonderful flow to it. With the script, the actors and the clips of each character edited together so well you get the perfect comedic timing on everything.
Marta was an interesting character but Ana de Armas (Blade Runner 2049 and No Time To Die) gave what I felt was an almost forgettable performance, which is incredible considering Marta has a severe problem with lying that leads to hilarious situations. It's a solid performance, I don't want to say she did a bad job, but the other characters are larger than life and it would have been nice to see a little more of that in her. I know she's supposed to be the meek and mild help but you see little glimmers of it in there yet it doesn't come to anything.
Benoit Blanc is Knives Out's Poirot, though he's much more of a crossbreed of Poirot and Hastings. Excellent with the deductions and yet just a little oblivious. Daniel Craig plays him just slightly frustrating, which again is something you'd expect in this sort of thing but I wasn't entirely convinced. I did like Blanc's interactions with Marta, though only from his side of things, it did something interesting to his character but somehow made no impact on Marta's.
A brief special mention should go to Lakeith Stanfield and Noah Segan, their appearances felt fleeting but they were always amusing.
I thought the rest of the cast was good, as you'd expect, that might seems rather dismissive but how am I supposed to feel about it? A-listers in main roles... fantastic, A-listers in cameos... fantastic, but the rest of the characters in this was filled with powerful actors all in bit parts. When that went through my head all I could think was "please sir, I want some more." Toni Collette, Chris Evans, Jamie Lee Curtis, Michael Shannon... great performances but I'd happily have had an encore.
I did enjoy it, but as I sat in the audience and everyone around me roared with laughter at things I thought were just okay I had to wonder what I'd missed. Was it because I was so hyped for it in the first place? Was it festival fatigue? Or have I just seen so much of this that I just couldn't appreciate their take on the classic? I wish I knew.
Cineworld are putting on an Unlimited Screening of this a few days before it goes on general release, I'll definitely be checking it out again and I'm hoping that a second viewing will make me feel differently about it. In the meantime though it's nice to see so many people rating this one highly.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/knives-out-movie-review.html
Goddess in the Stacks (553 KP) rated Empress of All Seasons in Books
Mar 20, 2019
Characters (2 more)
World-building
Japanese mythology
I am so torn on this book. I'm really tired of the trope of "batch of girls competing to win a dude" that seems to be so popular lately. But this is an Asian take on the trope, so I don't want to come down too hard on it for that. I attended a panel at the last Baltimore Book Festival about old tropes being resurrected by minority authors, and I agree that just because a trope might seem old and played out, putting a new spin on it with minority characters and themes deserves its own time. That is definitely valid. But they were talking about tropes like vampires and zombies and retold classics like Pride and Prejudice and Alice in Wonderland. I'm not sure the trope of "girls competing to win a dude" deserves more time in any form. (To be fair, I kind of equally hate guys competing to win the hand of the princess. No one should be obligated to marry someone just because they won an arbitrary competition. There are all kinds of consent issues there.)
Despite that, I really enjoyed this book. I loved the characters, the variety of yõkai, the bits of myth interspersed throughout the book. I do question Akira being trained to be a master of shuriken in a matter of days - like, really? And I wish instead of summarizing a ton in the epilogue, she'd just written a sequel, because I think there's enough material to do it. You'd think, with so much I didn't like about the book, that my overall opinion would be negative - but it's not. Even with all of those bad points, this book was enthralling and kept me reading right to the end.
Empress of all Seasons is a great Japanese-inspired fantasy that relies a little too much on old tropes. Set your inner critic to the side and just enjoy the ride, because the story is fantastic.
You can find all my reviews at http://goddessinthestacks.com
Despite that, I really enjoyed this book. I loved the characters, the variety of yõkai, the bits of myth interspersed throughout the book. I do question Akira being trained to be a master of shuriken in a matter of days - like, really? And I wish instead of summarizing a ton in the epilogue, she'd just written a sequel, because I think there's enough material to do it. You'd think, with so much I didn't like about the book, that my overall opinion would be negative - but it's not. Even with all of those bad points, this book was enthralling and kept me reading right to the end.
Empress of all Seasons is a great Japanese-inspired fantasy that relies a little too much on old tropes. Set your inner critic to the side and just enjoy the ride, because the story is fantastic.
You can find all my reviews at http://goddessinthestacks.com
Bong Mines Entertainment (15 KP) rated Lie to Me - Single by Veronica Fusaro in Music
Jun 17, 2019
Veronica Fusaro is a 22-year-old singer-songwriter from Thun, Switzerland. Not too long ago, she released a music video for her “lie to me” single.
“If I told you not to leave would you turn and look back to me? And maybe if you’d stay, we could try to dream away the day is way too bright, it’s fulfilled with lies anyway. Have another drink, you could show me how you wink all of your sorrows away. Something is telling me that you’re my escape.” – lyrics
‘lie to me’ tells an adorable tale of a young woman who is in a foggy room at night with someone who she desires to be with.
Apparently, she doesn’t care if this person tells her stories which aren’t necessarily true. All she wants is for him to keep talking for a few more months until July comes.
Later, she admits that she wants to frame his face just in case he disappears outside into the cold weather.
‘lie to me’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses guitar-driven instrumentation scented with a lovely commercial pop fragrance.
“‘lie to me’ is “inspired by a Friday night out, but talks about much more than just a weekend. It addresses the rapidity of the world we live in and our desperate cry to find real emotions.” – Veronica Fusaro
Veronica Fusaro stepped into the spotlight in 2016 with her self-produced EP, entitled, “Lost In Thought”.
Shortly afterward, she surprised the Swiss music industry by winning the “Demo of the Year” at the M4Music-Festival.
Since then, she has toured small and large stages, from New Zealand to London and all the way back to Switzerland. With the experience of 136 shows in 2018, this year is set to be even more exciting for Fusaro.
https://www.bongminesentertainment.com/veronica-fusaro-lie-to-me/
“If I told you not to leave would you turn and look back to me? And maybe if you’d stay, we could try to dream away the day is way too bright, it’s fulfilled with lies anyway. Have another drink, you could show me how you wink all of your sorrows away. Something is telling me that you’re my escape.” – lyrics
‘lie to me’ tells an adorable tale of a young woman who is in a foggy room at night with someone who she desires to be with.
Apparently, she doesn’t care if this person tells her stories which aren’t necessarily true. All she wants is for him to keep talking for a few more months until July comes.
Later, she admits that she wants to frame his face just in case he disappears outside into the cold weather.
‘lie to me’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses guitar-driven instrumentation scented with a lovely commercial pop fragrance.
“‘lie to me’ is “inspired by a Friday night out, but talks about much more than just a weekend. It addresses the rapidity of the world we live in and our desperate cry to find real emotions.” – Veronica Fusaro
Veronica Fusaro stepped into the spotlight in 2016 with her self-produced EP, entitled, “Lost In Thought”.
Shortly afterward, she surprised the Swiss music industry by winning the “Demo of the Year” at the M4Music-Festival.
Since then, she has toured small and large stages, from New Zealand to London and all the way back to Switzerland. With the experience of 136 shows in 2018, this year is set to be even more exciting for Fusaro.
https://www.bongminesentertainment.com/veronica-fusaro-lie-to-me/
Gareth von Kallenbach (971 KP) rated Cold Pursuit (2019) in Movies
Jun 19, 2019
Nels Coxman (Liam Neeson) is a simple man who spends his days clearing the roads in a remote Colorado Ski Town and spends his days with his wife and his son. Nels is so unassuming that when he is awarded Citizen of the Year he states that there are others far more worthy and fusses over getting dressed up to accept the award and make a speech.
When his son is found dead of a Heroin overdose; Nels is not willing to accept that his son was a user even though this puts tremendous strain on his marriage and has taken Nels to consider suicide. At his worst moment he learns that his son’ co-worker was involved with some shady dealing and that his son was likely collateral damage from the criminal elements involved.
With a new found sense of purpose: Nels embarks on a quest to find the truth and avenge his son’s death no matter the consequences.
One would think that “Cold Pursuit” is a standard revenge film but it unexpectedly changes direction shortly after Nels starts exacting his revenge. The film transforms into a Dark Comedy of sorts as characters get a Title Screen when they are killed many of which have a morbid humor to them. The film even takes the bold step of moving away from Neeson for a good third of the film and putting the emphasis on other characters from rival crime organizations to the Sherriff and his eager Detective (Emmy Rossum).
As such the film is not what you expect as although there is plenty of action at times; it is a Dark Comedy with dramatic elements. It is more in line of what you might expect at a Film Festival from an Indie studio versus a major studio release.
As such fans of Neeson may be disappointed in seeing a departure from the type of films they have come to expect from him in recent years while others may embrace the quirky nature of the film.
http://sknr.net/2019/01/30/cold-pursuit/
When his son is found dead of a Heroin overdose; Nels is not willing to accept that his son was a user even though this puts tremendous strain on his marriage and has taken Nels to consider suicide. At his worst moment he learns that his son’ co-worker was involved with some shady dealing and that his son was likely collateral damage from the criminal elements involved.
With a new found sense of purpose: Nels embarks on a quest to find the truth and avenge his son’s death no matter the consequences.
One would think that “Cold Pursuit” is a standard revenge film but it unexpectedly changes direction shortly after Nels starts exacting his revenge. The film transforms into a Dark Comedy of sorts as characters get a Title Screen when they are killed many of which have a morbid humor to them. The film even takes the bold step of moving away from Neeson for a good third of the film and putting the emphasis on other characters from rival crime organizations to the Sherriff and his eager Detective (Emmy Rossum).
As such the film is not what you expect as although there is plenty of action at times; it is a Dark Comedy with dramatic elements. It is more in line of what you might expect at a Film Festival from an Indie studio versus a major studio release.
As such fans of Neeson may be disappointed in seeing a departure from the type of films they have come to expect from him in recent years while others may embrace the quirky nature of the film.
http://sknr.net/2019/01/30/cold-pursuit/
Alexis Taylor recommended Arise Therefore by Palace Music in Music (curated)
Caribou recommended Music for 18 Musicians by Steve Reich in Music (curated)
Mick Hucknall recommended Fun House by The Stooges in Music (curated)
Bong Mines Entertainment (15 KP) rated You're the One - Single by Big Gigantic in Music
Jun 25, 2019
Big Gigantic is an electronic outfit based in Boulder, Colorado. Not too long ago, they released a melodic electronic tune, entitled, “You’re the One”, featuring topline sensation Nevve.
“‘You’re the One’ is about reminding yourself that you’re unique and special in your own way and that the path to something greater lies within you. Loving one another is important, but it all begins with loving yourself. It’s not always easy, but it’s always worth it. We are so inspired by each and every one of you and the stories of resilience, grace, and strength you have shared with us are truly moving. You are ALL the ones.” – Big Gigantic
‘You’re the One’ tells an interesting tale of a young guy who is on a mission to succeed. In the dead of the night, he gets a feeling inside telling him that he’s the one.
‘You’re the One’ contains a relatable storyline, ear-welcoming vocals, and horn-filled instrumentation flavored with a positive vibe.
“We’re so excited to start this next phase of Big Gigantic. We’re starting the process of looking directly inward with our song ‘You’re The One’. The theme of the song is loving yourself, which in this day is something we could all do more of. We put so much pressure on ourselves to succeed, do the best we can, be the best we can, and keep up with others around us. That pressure can easily turn from something positive and motivating, into something negative and uninspiring. It can lead to some dark places so it’s important to take a step back and remember to take time to love yourself.” – Big Gigantic
Big Gigantic consists of Dominic Lalli (saxophonist, producer) and Jeremy Salken (drummer).
They are known for their epic live show, which has been showcased at major festivals such as Coachella, Lollapalooza, Bonnaroo, ACL, Ultra, Outside Lands, Hangout, HARD, Governors Ball, Electric Forest and more.
Also, they’ve sold out their own headlining festival, Rowdytown, at Red Rocks Amphitheatre, with (10k+ tickets) every year since 2012.
“‘You’re the One’ is about reminding yourself that you’re unique and special in your own way and that the path to something greater lies within you. Loving one another is important, but it all begins with loving yourself. It’s not always easy, but it’s always worth it. We are so inspired by each and every one of you and the stories of resilience, grace, and strength you have shared with us are truly moving. You are ALL the ones.” – Big Gigantic
‘You’re the One’ tells an interesting tale of a young guy who is on a mission to succeed. In the dead of the night, he gets a feeling inside telling him that he’s the one.
‘You’re the One’ contains a relatable storyline, ear-welcoming vocals, and horn-filled instrumentation flavored with a positive vibe.
“We’re so excited to start this next phase of Big Gigantic. We’re starting the process of looking directly inward with our song ‘You’re The One’. The theme of the song is loving yourself, which in this day is something we could all do more of. We put so much pressure on ourselves to succeed, do the best we can, be the best we can, and keep up with others around us. That pressure can easily turn from something positive and motivating, into something negative and uninspiring. It can lead to some dark places so it’s important to take a step back and remember to take time to love yourself.” – Big Gigantic
Big Gigantic consists of Dominic Lalli (saxophonist, producer) and Jeremy Salken (drummer).
They are known for their epic live show, which has been showcased at major festivals such as Coachella, Lollapalooza, Bonnaroo, ACL, Ultra, Outside Lands, Hangout, HARD, Governors Ball, Electric Forest and more.
Also, they’ve sold out their own headlining festival, Rowdytown, at Red Rocks Amphitheatre, with (10k+ tickets) every year since 2012.