"As a school girl this book had an enormous impact on me. It’s not just one of the great works of English fiction, but many describe how it morphs its meaning to suit all seasons of the reader’s life. I read it as a schoolgirl, and the story of the evolving emotions and thoughts of a young girl who reaches womanhood and falls in love with an older man evokes a great romantic love. But on the other hand, the story of his wife, hidden away — descending into madness — caused me frissons of deep fear at the mental illness which was very much the unspoken unknown then, and in my own childhood. At the end of the day it’s an important work for all boys and girls to read, because of its highly developed, complicated and wonderful female heroine."

"I don’t think I would name films as much as I would name filmmakers. You have to have a Frank Capra movie, you’d have to have a John Ford movie, and you’d have to have a Steven Spielberg movie in there. And then as a specific film, Pan’s Labyrinth would have to be in my Top Five. Because what Gabriel García Márquez was to fiction, that movie is to cinema. It’s magical realism, and it’s something that can only exist cinematically. It cannot be confused with any other medium. That makes it the perfect film. It’s also unlike anything you’ve ever seen before or will see again, it’s completely unique and not derivative, and it’s brilliant. Absolutely brilliant. Setting fascist Spain — or fascist anything, for that matter –against this fantasy world created by this perfect, pristine, beautiful, pure girl."

"I admired the fierce honesty in the single-mindedly feminist world-view of this book. It breaks many of the ‘rules’ of fiction. Walker comes close to painting all the men in a simplistic shade of ‘bad,’ although she attempts to give the nameless husband of Celie some redemption in the end. But the reader senses that a greater truth is at stake; that this was a story that needed to be told. I liked how Celie becomes strong with the love of Shug. And how Sofia is amazingly resilient but is punished for sassing the mayor, and later has to go and work for the mayor’s wife. I applauded Celie’s sexual awakening. And, most of all, I liked the idea that God gets angry if we walk past a field with the colour purple and don’t notice it."

"Margaret Atwood wrote The Handmaid’s Tale over thirty years ago now, but it is a book that has never stopped fascinating readers because it articulates so vividly what it feels like for a woman to lose power over her own body. Like George Orwell’s 1984 (a novel that Atwood was inspired by) its title alone summons up a whole set of ideas, even for those who haven’t read it…Atwood has called it ‘speculative fiction’, but also says that all the practises described in the novel are ‘drawn from the historical record’ – i.e. are things that have actually taken place in the past. Could any of Atwood’s speculations take place again, or are some of them taking place already? Are the women in the book powerless in their oppression or could they be doing more to fight it?"