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Phil Leader (619 KP) rated Liberator (The Liberators #1) in Books
Nov 19, 2019
Fast. Loud. Violent. Fun. All good adjectives to use in relation to this book. This is the summer blockbuster of science fiction novels.
It is the far future. Corporate business rules and takeovers and mergers are often done facing down the barrel of a gun - or the threat of destruction from orbit from a massive spaceship.
When Skye Pennington is kidnapped by a rival company in order to gain business advantage, her friend Orlanda Nixon tries to rescue her. After her initial attempt is thwarted, she turns to the only place she can, the old mercenary unit she and Skye were both part of. The Liberators.
However, the former large and fearsome force is now a tattered remnant after one battle too far, kept alive only by their leader, JJ Tristan and a few final loyal members who have nowhere else to go. Tristan must gather as much of the team as he can muster at short notice and get his mighty - and badly damaged - ship back in action. It's a tall order for a disparate group who don't always get on with each other.
In the end the plot is not of any particular consequence. It is a very handy hook to hang the story off of, the initial stirring battles introducing Orlanda and Skye, the introduction and gathering of the Liberators after Orlanda's plea and the adrenaline fuelled fight sequences as they attempt to recapture Skye. There is also some sneaking around by the team's deadly assassin and flashbacks to show the glory days of the team, and some of the history between the characters.
The result is a terrific ensemble piece, the Liberators may be battered and dog-eared, old and tired but they have an instinct for survival and fighting that is only matched by their ability to cause destruction and mayhem. The pace runs fast through most of the book - it does slow in the middle as the characters are introduced but is never dull and certainly never predictable.
Every character is well thought out and at first glance some appear to be simplistic ciphers - the cyborg, the tech specialist with the weird sense of humour, the grizzled commander - but once they start interacting and (most importantly) fighting each comes entirely into their own.
This book doesn't take itself too seriously - it exists for the excellent set pieces rather than for any detailed introspection on future society - and the scenes of the good guys running around in big armour with even bigger guns will bring a smile to your face. In particular the sequence when their ship takes off is a total tour de force and one of the best action scenes I have seen in print.
This is a terrific introduction to what will hopefully be a series of novels. Certainly what happens next to the Liberators will be of interest. Any Hollywood producers looking for the next great summer blockbuster could do worse as well.
Rating: Lots of violence. Then some more. And some bad language
It is the far future. Corporate business rules and takeovers and mergers are often done facing down the barrel of a gun - or the threat of destruction from orbit from a massive spaceship.
When Skye Pennington is kidnapped by a rival company in order to gain business advantage, her friend Orlanda Nixon tries to rescue her. After her initial attempt is thwarted, she turns to the only place she can, the old mercenary unit she and Skye were both part of. The Liberators.
However, the former large and fearsome force is now a tattered remnant after one battle too far, kept alive only by their leader, JJ Tristan and a few final loyal members who have nowhere else to go. Tristan must gather as much of the team as he can muster at short notice and get his mighty - and badly damaged - ship back in action. It's a tall order for a disparate group who don't always get on with each other.
In the end the plot is not of any particular consequence. It is a very handy hook to hang the story off of, the initial stirring battles introducing Orlanda and Skye, the introduction and gathering of the Liberators after Orlanda's plea and the adrenaline fuelled fight sequences as they attempt to recapture Skye. There is also some sneaking around by the team's deadly assassin and flashbacks to show the glory days of the team, and some of the history between the characters.
The result is a terrific ensemble piece, the Liberators may be battered and dog-eared, old and tired but they have an instinct for survival and fighting that is only matched by their ability to cause destruction and mayhem. The pace runs fast through most of the book - it does slow in the middle as the characters are introduced but is never dull and certainly never predictable.
Every character is well thought out and at first glance some appear to be simplistic ciphers - the cyborg, the tech specialist with the weird sense of humour, the grizzled commander - but once they start interacting and (most importantly) fighting each comes entirely into their own.
This book doesn't take itself too seriously - it exists for the excellent set pieces rather than for any detailed introspection on future society - and the scenes of the good guys running around in big armour with even bigger guns will bring a smile to your face. In particular the sequence when their ship takes off is a total tour de force and one of the best action scenes I have seen in print.
This is a terrific introduction to what will hopefully be a series of novels. Certainly what happens next to the Liberators will be of interest. Any Hollywood producers looking for the next great summer blockbuster could do worse as well.
Rating: Lots of violence. Then some more. And some bad language
Gareth von Kallenbach (980 KP) rated Free State of Jones (2016) in Movies
Aug 6, 2019
When we look at the Civil War period, we are often confronted with numbers: the numbers of the dead, the numbers of those fighting, the pay, the amount of bullets and munitions used. One thing we rarely discuss is depth with regard to the people and circumstances surrounding the war. We are concerned with particular battles and what major leaders were victorious or fell. We, either through school or the collective of movies created about the period, do not get to see the people for who they are and the variables surrounding their existence during this period. We do not have the ability to comprehend how the war affected them in losing their property, loved ones, or even how they face starvation and violence. We don’t get the chance to see slaves other than a myopic, generalized representation that doesn’t show us how they were able to survive in the face of danger multiple sides. The Free State of Jones corrects many of the mistakes and missed opportunities of previous films, of which there are many, that deal with slavery, the Civil War, the Reconstruction Era, and the South.
In The Free State of Jones, Matthew McConaughey plays Newt Knight a southerner who begins to see the hypocrisy of the Civil War and deserts from the Confederate Military. Upon his return he seeks to support his relatives and neighbors who are being taken advantage of by the Confederacy. His movement grows to where he and an army of men and women of different backgrounds begin fighting back against the Confederacy in the attempt to assert their autonomy and sovereignty.
The film is beautifully shot and allows for the display of serenity during all of the chaos that is shown throughout. One strength that director Gary Ross demonstrates is his ability to demonstrate that there were many layers to the War. Slavery is the central theme and he goes beyond this to show how much race played into the war and its lasting effect that we are still dealing with today. He points out through the film that we had a moment to be a transformative nation, but there were so many people who wanted to the status quo to remain that they prevented any and all social progress that seemed to threaten their perceived social standing. With respect to slavery, Free State gives voices to slaves and Freedmen during the period rather than having them on the periphery or invisible all together. The film offers an authenticity and depth that many films of this period are fearful or reluctant to engage in. There is warfare, there is violence, there is struggle, but the film offers more. It shows humanity. It demonstrates how people recognized what was wrong and took a stand. It also does not play with the history in order to have issues romanticized. It is honest in its application and for some, that will not sit well.
In The Free State of Jones, Matthew McConaughey plays Newt Knight a southerner who begins to see the hypocrisy of the Civil War and deserts from the Confederate Military. Upon his return he seeks to support his relatives and neighbors who are being taken advantage of by the Confederacy. His movement grows to where he and an army of men and women of different backgrounds begin fighting back against the Confederacy in the attempt to assert their autonomy and sovereignty.
The film is beautifully shot and allows for the display of serenity during all of the chaos that is shown throughout. One strength that director Gary Ross demonstrates is his ability to demonstrate that there were many layers to the War. Slavery is the central theme and he goes beyond this to show how much race played into the war and its lasting effect that we are still dealing with today. He points out through the film that we had a moment to be a transformative nation, but there were so many people who wanted to the status quo to remain that they prevented any and all social progress that seemed to threaten their perceived social standing. With respect to slavery, Free State gives voices to slaves and Freedmen during the period rather than having them on the periphery or invisible all together. The film offers an authenticity and depth that many films of this period are fearful or reluctant to engage in. There is warfare, there is violence, there is struggle, but the film offers more. It shows humanity. It demonstrates how people recognized what was wrong and took a stand. It also does not play with the history in order to have issues romanticized. It is honest in its application and for some, that will not sit well.
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A three man team of soldiers is sent behind enemy lines to find and retrieve an elite corporate son, who should have been protected by his 'Ironclad' armour. It's fast moving (it's a novella, so the action has to come hard and fast), and jam packed with science fiction goodies.
The Conglomerates, originating in the USA, are 'annexing' other countries and eliminating socialism or anything that isn't capitalism. They are currently fighting against the Nord forces (Scandinavia) and not having an easy time of it - largely because of the Finns and their penchant for some serious biological tweaking.
I have to admit that I wasn't completely sure whether I'd enjoy this. It is essentially a war story. How wrong could I be though?The main character, Ted Regan, narrates the story, and we see everything from his perspective. They're all great, well written characters (except for the British one - why are they always the unlikeable ones?).
There isn't as much detail as there would be in a full length novel, but that's the nature of a novella, and to be honest I'm a fan of filling in the information yourself.
This has 'Movie Deal' written all over it, and I know plenty of people who would love to watch it! I'm going to have to get cracking on my other Tchaikovsky books on my bookshelf now that I've had a taste!
Many thanks to the publisher and Netgalley for a copy of the book to read!
The Conglomerates, originating in the USA, are 'annexing' other countries and eliminating socialism or anything that isn't capitalism. They are currently fighting against the Nord forces (Scandinavia) and not having an easy time of it - largely because of the Finns and their penchant for some serious biological tweaking.
I have to admit that I wasn't completely sure whether I'd enjoy this. It is essentially a war story. How wrong could I be though?The main character, Ted Regan, narrates the story, and we see everything from his perspective. They're all great, well written characters (except for the British one - why are they always the unlikeable ones?).
There isn't as much detail as there would be in a full length novel, but that's the nature of a novella, and to be honest I'm a fan of filling in the information yourself.
This has 'Movie Deal' written all over it, and I know plenty of people who would love to watch it! I'm going to have to get cracking on my other Tchaikovsky books on my bookshelf now that I've had a taste!
Many thanks to the publisher and Netgalley for a copy of the book to read!
Suswatibasu (1703 KP) rated Mudbound (2017) in Movies
Jan 3, 2018 (Updated Jan 3, 2018)
Remarkable, excellent, harrowing film
Dee Rees has created a historical epic about two Americas - people living side by side but utterly separated by experiences - that resonates in modern times. Set in the rural American South during World War II, Mudbound is an epic story of two families pitted against one another by a ruthless social hierarchy, yet bound together by the shared farmland of the Mississippi Delta.
Following the McAllan family, they are transplanted from the quiet civility of Memphis and seem unprepared for the harsh demands of farming. Meanwhile, Hap and Florence Jackson - sharecroppers who have worked the land for generations - struggle to build a small dream of their own despite the rigidly enforced racial barriers they face. In between, are the sons of both families, fighting together in a war, and returning together as brothers despite being on different ends of the spectrum. But soon after they face the harsh realities of the Jim Crow laws.
Rees' film is a study of historic division, but it has such a poetically tragic sense of the characters and their limitations that it transcends the setting and location. The cast are entirely remarkable, with standout performances from Carey Mulligan, Jason Mitchell, and Rob Morgan. The last few scenes are climactic, and truly horrifying, leaving you reeling at the end. Mudbound has elevated Netflix's theatrical game.
Following the McAllan family, they are transplanted from the quiet civility of Memphis and seem unprepared for the harsh demands of farming. Meanwhile, Hap and Florence Jackson - sharecroppers who have worked the land for generations - struggle to build a small dream of their own despite the rigidly enforced racial barriers they face. In between, are the sons of both families, fighting together in a war, and returning together as brothers despite being on different ends of the spectrum. But soon after they face the harsh realities of the Jim Crow laws.
Rees' film is a study of historic division, but it has such a poetically tragic sense of the characters and their limitations that it transcends the setting and location. The cast are entirely remarkable, with standout performances from Carey Mulligan, Jason Mitchell, and Rob Morgan. The last few scenes are climactic, and truly horrifying, leaving you reeling at the end. Mudbound has elevated Netflix's theatrical game.
Ross (3284 KP) rated Myths and Mortals in Books
Apr 8, 2019
*** Disclosure - I received a free copy of this book from the publishers and NetGalley in exchange for an honest review ***
The follow-up to Smoke and Summons continues straight on. Sandis is no longer connected to her demon of choice, but is safe and free from the (presumed dead) Kazen. Rone is still separated from his mother and running out of time to cross the border and escape the troubled country.
The story focuses more on the characters' feelings than before (where the first book was largely aimless wandering and fighting), with Sandis torn between staying with the only family she has (her estranged uncle) and knowing that he is using her for her powers, as her former master had done. Rone is desperate to escape the country but cannot bear to be parted from Sandis, and there is unspoken tension between them.
The book sees more of the underworld of the city explored as the main characters team up with some undesirables to try and overcome their main enemy.
There are some typical twists and turns along the way, most of which are fairly predictable. The action sequences are good, but I found myself speed-reading the final quarter just to get finished.
A decent story and even though short feels like it could have been edited a bit more. I think I will read the concluding part when it is released, as the ending of this book teased what could be some excited conflicts.
The follow-up to Smoke and Summons continues straight on. Sandis is no longer connected to her demon of choice, but is safe and free from the (presumed dead) Kazen. Rone is still separated from his mother and running out of time to cross the border and escape the troubled country.
The story focuses more on the characters' feelings than before (where the first book was largely aimless wandering and fighting), with Sandis torn between staying with the only family she has (her estranged uncle) and knowing that he is using her for her powers, as her former master had done. Rone is desperate to escape the country but cannot bear to be parted from Sandis, and there is unspoken tension between them.
The book sees more of the underworld of the city explored as the main characters team up with some undesirables to try and overcome their main enemy.
There are some typical twists and turns along the way, most of which are fairly predictable. The action sequences are good, but I found myself speed-reading the final quarter just to get finished.
A decent story and even though short feels like it could have been edited a bit more. I think I will read the concluding part when it is released, as the ending of this book teased what could be some excited conflicts.
Ashley Cresswell (8 KP) rated Conan Exiles in Video Games
Jun 3, 2019
Online Multiplayer (6 more)
No pressure on doing things
Plenty to do
Nothing is impossible
Adventure
Leveling up
No set storyline
Aiming is slightly off (2 more)
Controls can be a bit jerky
A little difficult to figure things out
Conan Exileant
I downloaded Conan Exiles for the ps4 thinking it was going to be another of the crappy free games that you could complete within a night and feel no satisfaction from.
Then i loaded up the game... How wrong i was. From the get go i was hooked on this beautiful world full of creatures and adventure and possibilities. At first i died... A lot. It was a little bit difficult to get the hang of the game and the controls. But once i figured it out i was hooked. From the fighting of creatures and exiles to the building of your own base even taming wild animals it's a game i have never experienced before. Leveling up is quite easy too and those tricky beasts soon become more of an annoyance than challenging.
My experience was made even more enjoyable when i joined an online clan run by my friend. Exploring and adventuring had never been more fun. Usually i am a solo player but with this game i really enjoyed the company. It's a fully immersive game with so much to do either on your own or with a group of people.
Then i loaded up the game... How wrong i was. From the get go i was hooked on this beautiful world full of creatures and adventure and possibilities. At first i died... A lot. It was a little bit difficult to get the hang of the game and the controls. But once i figured it out i was hooked. From the fighting of creatures and exiles to the building of your own base even taming wild animals it's a game i have never experienced before. Leveling up is quite easy too and those tricky beasts soon become more of an annoyance than challenging.
My experience was made even more enjoyable when i joined an online clan run by my friend. Exploring and adventuring had never been more fun. Usually i am a solo player but with this game i really enjoyed the company. It's a fully immersive game with so much to do either on your own or with a group of people.
Debbiereadsbook (1554 KP) rated Out Of The Ocean in Books
Mar 25, 2018
a good solid 3 stars
Independent reviewer for Archaeolibrarian, was gifted my copy of this book.
Cal and Scott come together, when their boats are destroyed in the storm. They are fighting for their lives, out at sea, and the inevitable happens, they get close just as they get rescued and split up. With Scott in Germany and Cal in the States, will they fight for what they want, for WHO they want??
I liked this book, I really did, I just didn't love it. It's very well written from both Cal and Scott's point of view, and I saw no editing or spelling errors. I just, I dunno, couldn't love it!
I did find Scott a little ....insipid....a bit of a spolit brat.... when standing up to his dad! He DOES stand up to him, but only at the risk of losing Cal, when it should have been way before then for a mid 30's guy!
I just....oh! Don't you just HATE not being able to word what you want!!
It's not overly explicit, but it does get a little yukkie while they are floating in the life raft, but eating raw fish, eyes and guts and all weren't never gonna be a picnic in the park, now was it?? Bit gross!
A nice book, just one that didn't blow me away. Only short, some 100 pages, an hour reading time for.
3 stars
**same worded review will appear elsewhere**
Cal and Scott come together, when their boats are destroyed in the storm. They are fighting for their lives, out at sea, and the inevitable happens, they get close just as they get rescued and split up. With Scott in Germany and Cal in the States, will they fight for what they want, for WHO they want??
I liked this book, I really did, I just didn't love it. It's very well written from both Cal and Scott's point of view, and I saw no editing or spelling errors. I just, I dunno, couldn't love it!
I did find Scott a little ....insipid....a bit of a spolit brat.... when standing up to his dad! He DOES stand up to him, but only at the risk of losing Cal, when it should have been way before then for a mid 30's guy!
I just....oh! Don't you just HATE not being able to word what you want!!
It's not overly explicit, but it does get a little yukkie while they are floating in the life raft, but eating raw fish, eyes and guts and all weren't never gonna be a picnic in the park, now was it?? Bit gross!
A nice book, just one that didn't blow me away. Only short, some 100 pages, an hour reading time for.
3 stars
**same worded review will appear elsewhere**
Alicia S (193 KP) rated Crow (Boston Underworld, #1) in Books
Sep 28, 2018
Tough as any Irish mobster out there, Mackenzie has been fighting her way through living on the streets of Boston since she was 13. In and out of foster homes since her father's murder, she is the daughter and granddaughter of two of the best underground Irish fighters and can surely handle herself as such. When her best friend Talia disappears from the Irish mob run strip club she started working at, Mac is determined to find out what happened. On her own she is ready to take on the Russian Mafia and Irish mobsters clearly involved in some way. Deciding to go undercover... she has no idea no idea just how deep this will take her. She finds herself working for Lachlan attempting to get answers without letting on why she is really there. This book sucked me right in from page one... Lachlan was as fierce and determined as he is sexy. Mac has never let anyone in before, determined to be the tough as fighter her Dad raised, yet she simply can't stop the feelings she that continue to grow for this ferocious man... I ABSOLUTELY loved these two!? The book was absolutely fantastic and Im SO glad to have found this author! Ill surely be back for more as the book was so well written, with a fantastic storyline and characters you can't help but fall in love with. HIGHLY, HIGHLY recommended!!
