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Live at Max's Kansas City by The Velvet Underground
(0 Ratings)
Album Favorite

"Any Velvets album can be the best Velvets album. Any Velvets album can be the best album by anyone. You can't make a wrong choice. Max’s Kansas City is today's winner because it has the best story. It has multiple stories. It's a play. It's not an album. Layered narratives are fighting for your attention. First, there’s the stories in Lou’s songs: wastrels, vagabonds and dealers. Second, there’s the story of this being the Velvet’s last gig with Lou. He’s tired and listless between the songs; he knows it’s over. “This is a song about, ooh when you've done something so sad, and you wake up the next day, and you remember it. Not to sound grim or anything. Just once in a while, you have one of those days. I seem to have them nearly every day.” There’s the story of the band itself at this point – no Cale, no Nico, no Tucker. They don’t sound like the Velvets anymore. New drummer Billy Yule sounds like he’s never heard Mo Tucker and never intends to. Then there’s this strange story in the foreground. The show is an official bootleg recorded by Brigid Polk who is sitting next to Jim Carroll. They sound like they’re having a terrible night and he is an arse. He makes her get him Pernod from the downstairs bar and talks over the band about songs he doesn’t know. It’s all perfect because nothing is remotely perfect. I go out on this lousy date with Brigid and Jim over and over again."

Source
  
The Banana Splits Movie (2019)
The Banana Splits Movie (2019)
2019 | Horror
6
6.0 (10 Ratings)
Movie Rating
The Banana Splits Movie, a horror-fied reimagining of the late 60s/early 70s Hanna-Barbera tv show, knows exactly what it's trying to be. It's silly and tongue in cheek, but toes the line pretty well in pretty much every aspect, not going overboard in either direction, and ultimately delivers a good time for anyone who enjoys a cheesy slasher.

The premise is deliciously simple - a family attend a taping of the titular Banana Splits show, their youngest sons favourite, and end up fighting for survival alongside fellow audience members and backstage crew, when the famous child friendly animatronic stars of the show go haywire and embark on a killing spree. I'm certain it's been said before, but imagine Five Nights at Freddy's crossed over with Willy Wonka & the Chocolate Factory, and you're pretty much there.
It's got a decent amount of gore (mostly done practically which is always a thumbs up), some imaginative kills and set pieces, and a good cast - the nice characters are likeable, the assholes are suitably unlikable (and die horribly of course) - it plays it's safe in that regard, but there's also some half decent character development in place, so I can't grumble too much.

The writing isn't great, and the pacing is a little iffy, could have done with maybe being a little shorter, but honestly, if you go into this fully on board with the premise, then you're almost guaranteed to have a fun and bloody time. Good luck getting that theme song out of your head...