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Gareth von Kallenbach (980 KP) rated the PC version of Remember Me in Video Games
Jun 19, 2019
Cyberpunk is a phrase that has been tossed around often to describe a futuristic theme where technology becomes a necessity for survival along the lines of food, shelter, and water. Games ranging from Deus EX and System Shock as well as movies such as “Blade Runner” and “Total Recall” have depicted a future where humanity and technological integrations have overlapped into all elements of life and society including the replacement of biological appendages and functions.
In the new game Remember Me, players are set in Paris in 2084 where technology has allowed the population to upload their memories to the net. Not only can people share memories, but unpleasant memories can be removed as well.
The company behind this technology, Memorize is using the memories to control the population through never ending surveillance of a person’s memories. There are also individuals who have absorbed too many memories and have become mutated as a result.
The result of this is the rise of a resistance movement named Errorists who strive to bring down Memorize.
Players play as a female character named Nilin who escapes from Memorize detention before the last of her memories can be wiped away. Blessed with a gift to steal and remix memories, Nilin becomes part of a plan to capture the head of Memorize in an effort to alter his memories and save society.
Being able to replay and modify memories is a big part of the game as well as combat which can be upgraded from a Combo Lab to upgrade various fighting moves and styles.
With thousands of possible combos, being able to customize a style that works best for you is one of the great aspects of the game.
The platforming and combat in the game may become a bit repetitive for some and others may find it a bit frustrating. There are at times issues with save games as death can remove progress earned between save points.
The game has solid graphics and is to be praised for taking a new narrative to the genre and the introduction of memory manipulations was a nice touch. I also loved the characters in the game that despite some uneven writing and storylines stood out. In the end, Remember Me is a fun game and a great concept but falls short of being a classic due to several issues mentioned previously as well as camera and control issues.
http://sknr.net/2013/06/11/remember-me/
In the new game Remember Me, players are set in Paris in 2084 where technology has allowed the population to upload their memories to the net. Not only can people share memories, but unpleasant memories can be removed as well.
The company behind this technology, Memorize is using the memories to control the population through never ending surveillance of a person’s memories. There are also individuals who have absorbed too many memories and have become mutated as a result.
The result of this is the rise of a resistance movement named Errorists who strive to bring down Memorize.
Players play as a female character named Nilin who escapes from Memorize detention before the last of her memories can be wiped away. Blessed with a gift to steal and remix memories, Nilin becomes part of a plan to capture the head of Memorize in an effort to alter his memories and save society.
Being able to replay and modify memories is a big part of the game as well as combat which can be upgraded from a Combo Lab to upgrade various fighting moves and styles.
With thousands of possible combos, being able to customize a style that works best for you is one of the great aspects of the game.
The platforming and combat in the game may become a bit repetitive for some and others may find it a bit frustrating. There are at times issues with save games as death can remove progress earned between save points.
The game has solid graphics and is to be praised for taking a new narrative to the genre and the introduction of memory manipulations was a nice touch. I also loved the characters in the game that despite some uneven writing and storylines stood out. In the end, Remember Me is a fun game and a great concept but falls short of being a classic due to several issues mentioned previously as well as camera and control issues.
http://sknr.net/2013/06/11/remember-me/
Hazel (1853 KP) rated The Moon Field in Books
Dec 17, 2018
<b>My rating: 3.5</b>
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Moon Field</i> is an historical romance novel set during the First World War. It focuses mainly on two people: George and Violet, although there is a wide range of characters.
Split into three parts the novel begins with George, an 18 year old postman planning on telling Miss Violet of his feelings for her, only to find out that she is already engaged. He runs off feeling jealous and ends up enlisting for the army. At first I thought the description of George made him seem more like a child than a young adult and this annoyed me a little, however this helped to emphasise the changes he undergoes as a result of the war.
Part two is mostly set in Flanders where George is involved in the fighting resulting in deaths of certain other characters for which George blames himself despite it not really being his fault. This section ends with George being hurt himself and part three begins with him being returned to a hospital in England where he begins to recover although is now deformed. Throughout this final part George suffers with depression and thinks that he is now a freak. He has to deal with lots of rejection but, thankfully, the novel ends with a more positive outlook for his future.
Knowing in advance that romance was to be involved, it appeared at first that there might be some romantic attachment developed between George and Violet. From the very beginning I personally did not want this to happen. It did not feel right particularly as they were of different social classes, which at that time was quite important. Fortunately this did not happen and I was fairly pleased with the ending.
I think that Allnatt’s writing is extremely good and reflects the time period well. I quite often find when reading historical novels that authors use words or phrases that are too modern to have actually been said at that time. There was none of that problem with <i>The Moon Field</i>. Allnatt had also researched extremely well to get across the experiences of the soldiers on the Western Front. She mentions in her acknowledgements that she read many soldiers accounts of their experiences in the Great War. All her research defiantly paid off!
All in all it is a great historical novel.
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Moon Field</i> is an historical romance novel set during the First World War. It focuses mainly on two people: George and Violet, although there is a wide range of characters.
Split into three parts the novel begins with George, an 18 year old postman planning on telling Miss Violet of his feelings for her, only to find out that she is already engaged. He runs off feeling jealous and ends up enlisting for the army. At first I thought the description of George made him seem more like a child than a young adult and this annoyed me a little, however this helped to emphasise the changes he undergoes as a result of the war.
Part two is mostly set in Flanders where George is involved in the fighting resulting in deaths of certain other characters for which George blames himself despite it not really being his fault. This section ends with George being hurt himself and part three begins with him being returned to a hospital in England where he begins to recover although is now deformed. Throughout this final part George suffers with depression and thinks that he is now a freak. He has to deal with lots of rejection but, thankfully, the novel ends with a more positive outlook for his future.
Knowing in advance that romance was to be involved, it appeared at first that there might be some romantic attachment developed between George and Violet. From the very beginning I personally did not want this to happen. It did not feel right particularly as they were of different social classes, which at that time was quite important. Fortunately this did not happen and I was fairly pleased with the ending.
I think that Allnatt’s writing is extremely good and reflects the time period well. I quite often find when reading historical novels that authors use words or phrases that are too modern to have actually been said at that time. There was none of that problem with <i>The Moon Field</i>. Allnatt had also researched extremely well to get across the experiences of the soldiers on the Western Front. She mentions in her acknowledgements that she read many soldiers accounts of their experiences in the Great War. All her research defiantly paid off!
All in all it is a great historical novel.
Hazel (1853 KP) rated The Winner's Crime (The Winner's Trilogy, #2) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
The second book in <i>The Winner’s Trilogy</i> continues with the story of Kestrel and Arin, two characters from totally different backgrounds. In <i>The Winner’s Crime</i>, Kestrel is engaged to Prince Verex and in line to rule the Valorian Empire. Arin, however, is in Herran and no longer has anything to do with Kestrel.
Previously in <i>The Winner’s Curse</i> some sort of relationship seemed to be building between the two teenagers despite their contrasting lives. However with Kestrel now being someone of importance it is impossible for the two to be together. Kestrel denies her feelings for Arin and, although she does not wish to marry the prince, goes along with the emperor’s plans. Arin on the other hand believes Kestrel is acting this way because she wants to and so grows to despise her.
As the story goes on the reader gets to experience both Kestrel and Arin’s point of views on the situation. Kestrel secretly tries to side with the Herrani, however Arin misunderstands her motives. But with such a powerful Emperor in charge, everything Kestrel does is at a great risk of her own life and can only end badly.
I must admit that I had forgotten a lot of what occurred in <i>The Winner’s Curse</i> and therefore it was difficult at first to understand what was happening in the book. Personally I think <i>The Winner’s Crime</i> was the better of the two books so far as it was clearer from the readers point of view what was happening in the lead up to Kestrel and Prince Verex’s wedding. It was the characters that were misunderstanding each other, but who slowly began to realize each other’s intentions towards the end of the novel. The book ended on a cliffhanger and hopefully the two main characters will view each other in a better light in the next in the series.
Overall this series has not gripped me in the way that I would have hoped. The setting is similar to books set in the distant past however women appear to have similar rights to men, such as fighting in the army, which makes it difficult to get your head around as the two ideas conflict with themselves. <i>Goodreads</i> has the series listed as fantasy, however this is slightly misleading as there are none of the typical feature associated with this genre – e.g. magic.
The second book in <i>The Winner’s Trilogy</i> continues with the story of Kestrel and Arin, two characters from totally different backgrounds. In <i>The Winner’s Crime</i>, Kestrel is engaged to Prince Verex and in line to rule the Valorian Empire. Arin, however, is in Herran and no longer has anything to do with Kestrel.
Previously in <i>The Winner’s Curse</i> some sort of relationship seemed to be building between the two teenagers despite their contrasting lives. However with Kestrel now being someone of importance it is impossible for the two to be together. Kestrel denies her feelings for Arin and, although she does not wish to marry the prince, goes along with the emperor’s plans. Arin on the other hand believes Kestrel is acting this way because she wants to and so grows to despise her.
As the story goes on the reader gets to experience both Kestrel and Arin’s point of views on the situation. Kestrel secretly tries to side with the Herrani, however Arin misunderstands her motives. But with such a powerful Emperor in charge, everything Kestrel does is at a great risk of her own life and can only end badly.
I must admit that I had forgotten a lot of what occurred in <i>The Winner’s Curse</i> and therefore it was difficult at first to understand what was happening in the book. Personally I think <i>The Winner’s Crime</i> was the better of the two books so far as it was clearer from the readers point of view what was happening in the lead up to Kestrel and Prince Verex’s wedding. It was the characters that were misunderstanding each other, but who slowly began to realize each other’s intentions towards the end of the novel. The book ended on a cliffhanger and hopefully the two main characters will view each other in a better light in the next in the series.
Overall this series has not gripped me in the way that I would have hoped. The setting is similar to books set in the distant past however women appear to have similar rights to men, such as fighting in the army, which makes it difficult to get your head around as the two ideas conflict with themselves. <i>Goodreads</i> has the series listed as fantasy, however this is slightly misleading as there are none of the typical feature associated with this genre – e.g. magic.
Goddess in the Stacks (553 KP) rated Toil & Trouble: 15 Tales of Women & Witchcraft in Books
Dec 22, 2018
Toil & Trouble was a much-hyped anthology of YA stories, and I think it lived up to that hype. I really enjoyed almost every story in this book - only one or two of them were less than awesome. And they still weren't bad! Anthologies like this keep introducing me to yet more authors that I want to read, and just keep growing my TBR list! Some of the authors in this book I was familiar with; while I hadn't read her work yet, I met Zoraida Córdova at the Baltimore Book Festival, and she was amazing. I'm familiar with Brandy Colbert's work, and have not yet read Anna-Marie McLemore but desperately want to, and her story in this work (Love Spell) only increases that need.
I read this book just before Halloween, and it was a perfect choice. I'm not a fan of actual horror novels, which seem to be what everyone else is reading this time of year. Give me my strong witchy women! The stories in this book are all young women - teens to early adulthood - learning to rely on themselves. They embrace what family traditions mean to them, or break free of them entirely if they're the wrong path. They break social taboos and fall in love where they will. They FIGHT for what they want.
I think my favorite story in this book involved a woman whose powers had been bound by her coven until she was old enough to use them wisely, but had to watch her father die in an accident when she could have healed him if she'd had access to her magic. She went to an ancient place of power in the mountains and broke the binding, horrifying her coven. The story is actually about her defying them further in refusing her destined soul mate for the girl she's been in love with since she was a child, and Fate's punishment for that. The two girls fighting for each other and for their own magic was amazing. (The Heart in Her Hands, Tess Sharpe.) Unfortunately it doesn't look like it's part of a larger story, I was hoping for more in that world!
As far as I can tell, only one of the stories is part of something larger - I'm pretty sure Zoraida Córdova's story is part of her Brooklyn Brujas world. Other than that, they all appear to be standalones, which is a little sad as I'd like to see more of many of these worlds!
Toil & Trouble is an outstanding anthology of magical women, and I loved it.
You can find all my reviews at http://goddessinthestacks.com
I read this book just before Halloween, and it was a perfect choice. I'm not a fan of actual horror novels, which seem to be what everyone else is reading this time of year. Give me my strong witchy women! The stories in this book are all young women - teens to early adulthood - learning to rely on themselves. They embrace what family traditions mean to them, or break free of them entirely if they're the wrong path. They break social taboos and fall in love where they will. They FIGHT for what they want.
I think my favorite story in this book involved a woman whose powers had been bound by her coven until she was old enough to use them wisely, but had to watch her father die in an accident when she could have healed him if she'd had access to her magic. She went to an ancient place of power in the mountains and broke the binding, horrifying her coven. The story is actually about her defying them further in refusing her destined soul mate for the girl she's been in love with since she was a child, and Fate's punishment for that. The two girls fighting for each other and for their own magic was amazing. (The Heart in Her Hands, Tess Sharpe.) Unfortunately it doesn't look like it's part of a larger story, I was hoping for more in that world!
As far as I can tell, only one of the stories is part of something larger - I'm pretty sure Zoraida Córdova's story is part of her Brooklyn Brujas world. Other than that, they all appear to be standalones, which is a little sad as I'd like to see more of many of these worlds!
Toil & Trouble is an outstanding anthology of magical women, and I loved it.
You can find all my reviews at http://goddessinthestacks.com
Gareth von Kallenbach (980 KP) rated The Birth of a Nation (2016) in Movies
Jul 15, 2019
America was not born with the landing of the Mayflower. It was not born at Jamestown. It was not born with the Declaration of Independence or Treaty of Paris. It wasn’t born on the battlefields of the Civil War, nor was it born with D.W. Griffith’s Birth of a Nation in 1915. America was born in the fire and spilt blood from the institution of slavery and revolts by slaves seeking to break free. Nat Turner’s revolt was an omen to America signifying that human beings would no longer tolerate being subjugated, dehumanized, brutalized, and degraded without some form of pushback.
Nate Parker’s The Birth of a Nation tells a full story of Nat Turner and does not simply rely on the revolt to convey his message of a call for equality and fighting injustice. It is emblematic of resistance to the many sins this nation has committed. The film and story are a punch to the gut reminding Americans that there is much left unfinished with respect to telling the full story of slavery and American history as a whole. There is much of our past that we must reconcile with no matter how uncomfortable. Parker’s film demonstrates the power film has as historical record and permitting audiences to have a greater idea and picture of the past.
The Birth of A Nation allows audiences to become consumed with the horrors of slavery, but it is not limited to that aspect. It humanizes the slaves and demonstrates cultural aspects and relationships that have often gone ignored or overlooked with previous films. It does not rely on sensationalizing events in order to drive the points home. There is subtlety and honesty in the portrayal of the events and circumstances.
This is a film that will have audiences speechless at the end as the come to terms with their emotions about events as they unfold and coming to terms with what the witnessed onscreen. There is nothing that can prepare audiences for this film. It is a work of art that you cannot help but feel compelled to reflect on what you witnessed.
There are those who will not see the film due to the subject matter. There are others who won’t see it because of the sexual assault allegations against Nate Parker. There are many who won’t see it out of a pure lack of interest. Regardless of your stance, this is a film that needs to be seen. It is essential to telling a more complete story about America.
Nate Parker’s The Birth of a Nation tells a full story of Nat Turner and does not simply rely on the revolt to convey his message of a call for equality and fighting injustice. It is emblematic of resistance to the many sins this nation has committed. The film and story are a punch to the gut reminding Americans that there is much left unfinished with respect to telling the full story of slavery and American history as a whole. There is much of our past that we must reconcile with no matter how uncomfortable. Parker’s film demonstrates the power film has as historical record and permitting audiences to have a greater idea and picture of the past.
The Birth of A Nation allows audiences to become consumed with the horrors of slavery, but it is not limited to that aspect. It humanizes the slaves and demonstrates cultural aspects and relationships that have often gone ignored or overlooked with previous films. It does not rely on sensationalizing events in order to drive the points home. There is subtlety and honesty in the portrayal of the events and circumstances.
This is a film that will have audiences speechless at the end as the come to terms with their emotions about events as they unfold and coming to terms with what the witnessed onscreen. There is nothing that can prepare audiences for this film. It is a work of art that you cannot help but feel compelled to reflect on what you witnessed.
There are those who will not see the film due to the subject matter. There are others who won’t see it because of the sexual assault allegations against Nate Parker. There are many who won’t see it out of a pure lack of interest. Regardless of your stance, this is a film that needs to be seen. It is essential to telling a more complete story about America.
MaryAnn (14 KP) rated Seeing Angels: How to Recognize and Interact with Your Heavenly Messengers in Books
Nov 4, 2019
A recent study found that 57 percent of Catholics, 66 percent of Evangelical Protestants, and 10 percent of Jews have reported having a personal experience with a guardian angel. And 20 percent of those who identified themselves as having no religion also claimed having encountered an angel.
Seeing Angels is one of the most in depth examinations of angelic ministry by one of the cutting-edge charismatic leaders in the church today. Joshua Mills goes beyond the usual takes on angels regarding spiritual warfare and explores who they are, how to recognize them, and what they do.
Part I, Understanding Your Angels, is all about understanding who angels are, exploring why they are necessary and how different angels minister comfort, healing, love, prosperity. It reveals who they carry out specific geographic assignments for cities and nations, as well as the more unique and extraordinary assignments they receive.
Part II, Discerning Your Angels, explains how to become more aware of the unseen heavenly realm, as well as how to recognize divine intervention when it does reveal itself to human sight. Such manifestations include random strangers, visions, or signs and messengers that believers receive. Joshua also explains the way he has interacted with visions of radiant light, swirling colors, and what he describes as atmospheric shifts. All of this is intended to make believers become more aware of both invisible and revealed spiritual realities.
Part III, Working with Your Angels, deals specifically with how to minister alongside these heavenly messengers as they stand watch, provide protection, and administer strength and comfort. This includes recognizing their movements and how to effectively pray for angelic encounters to take place.
With a foreword by Patricia King, Seeing Angels is among the most comprehensive teachings on recognizing angelic beings and understanding how to partner with them in ministry.
My Thoughts: This is an engaging book that will be of certain value to those who are interested in angels. We must remember that there are angels all around us fighting a spiritual battle for us. In his book, Joshua Mills not only identifies and explains angels to us but also assists us to see angels for ourselves.
This is an engaging book, and very insightful. We must remember in Hebrews 13:2 "y some have entertained angels unawares." I am certain that we all have and will someday entertain angels in one form or another.
An exciting book for those who are interested in angels.
Seeing Angels is one of the most in depth examinations of angelic ministry by one of the cutting-edge charismatic leaders in the church today. Joshua Mills goes beyond the usual takes on angels regarding spiritual warfare and explores who they are, how to recognize them, and what they do.
Part I, Understanding Your Angels, is all about understanding who angels are, exploring why they are necessary and how different angels minister comfort, healing, love, prosperity. It reveals who they carry out specific geographic assignments for cities and nations, as well as the more unique and extraordinary assignments they receive.
Part II, Discerning Your Angels, explains how to become more aware of the unseen heavenly realm, as well as how to recognize divine intervention when it does reveal itself to human sight. Such manifestations include random strangers, visions, or signs and messengers that believers receive. Joshua also explains the way he has interacted with visions of radiant light, swirling colors, and what he describes as atmospheric shifts. All of this is intended to make believers become more aware of both invisible and revealed spiritual realities.
Part III, Working with Your Angels, deals specifically with how to minister alongside these heavenly messengers as they stand watch, provide protection, and administer strength and comfort. This includes recognizing their movements and how to effectively pray for angelic encounters to take place.
With a foreword by Patricia King, Seeing Angels is among the most comprehensive teachings on recognizing angelic beings and understanding how to partner with them in ministry.
My Thoughts: This is an engaging book that will be of certain value to those who are interested in angels. We must remember that there are angels all around us fighting a spiritual battle for us. In his book, Joshua Mills not only identifies and explains angels to us but also assists us to see angels for ourselves.
This is an engaging book, and very insightful. We must remember in Hebrews 13:2 "y some have entertained angels unawares." I am certain that we all have and will someday entertain angels in one form or another.
An exciting book for those who are interested in angels.
Phil Leader (619 KP) rated The Grim Company in Books
Nov 14, 2019
The Grim Company aims to deliver a swords and sorcery tail in the epic mould while being gritty, grimy and dirty in detail. And to a very large extent it suceeds, managing to tell a tale of war between city states from the point of view of some of the characters cauught up in it.
One thing that is always hard to do when starting out on a new story is to get used to the characters. The author must balance the need to ensure that enough time is spent to flesh out each character as they are introduced without overwhelming the reader and Scull is adept at this, the first few chapters detailing some of the misadventures, goals and dreams of the main characters.
And what characters they are. Cole is a young hero with a magical blade, who's destiny is to free the city of Dorminia from the tyrant Salazar, while at the same time being a real catch for any pretty girls. Or so he sees himself. To everyone else he is vain, boastful and arrogant. Jerek is a barbarian who has the market cornered in foul language, pithy insults and scowling at everything. Also good is Barandas, head of the elite guard of the city who is just trying to do his job.
The obvious author to compare Scull to is Joe Abercrombie, and the comparison is a fair one although (in this book) Scull doesn't quite manage to create the depth and range in Abercrombie's characters and situations. So although they aren't really classic fantasy archetypes, they are still close and don't subvert them. What Scull does bring is a little less cynicism than Abercrombie. Here it is worth fighting for what you believe is right, and honour still has value. This gives it a rather refreshing feeling.
The book also has strength in being the first of a series so it doesn't have to be a stand alone story and can leave enough threads for the next book to pick up. This allows the end, after a frenetic climactic battle, to relax into telling the aftermath rather than spending too much time trying to tie up all the loose ends.
Overall a good book for the fantasy lover. Not as grim or dark as 'grimdark' but still with enough spit and sawdust to add an underbelly to the reliable fantasy concepts it should appeal to a wide audience.
Rated: Strong language, bloody violence and some sexual references throughout
One thing that is always hard to do when starting out on a new story is to get used to the characters. The author must balance the need to ensure that enough time is spent to flesh out each character as they are introduced without overwhelming the reader and Scull is adept at this, the first few chapters detailing some of the misadventures, goals and dreams of the main characters.
And what characters they are. Cole is a young hero with a magical blade, who's destiny is to free the city of Dorminia from the tyrant Salazar, while at the same time being a real catch for any pretty girls. Or so he sees himself. To everyone else he is vain, boastful and arrogant. Jerek is a barbarian who has the market cornered in foul language, pithy insults and scowling at everything. Also good is Barandas, head of the elite guard of the city who is just trying to do his job.
The obvious author to compare Scull to is Joe Abercrombie, and the comparison is a fair one although (in this book) Scull doesn't quite manage to create the depth and range in Abercrombie's characters and situations. So although they aren't really classic fantasy archetypes, they are still close and don't subvert them. What Scull does bring is a little less cynicism than Abercrombie. Here it is worth fighting for what you believe is right, and honour still has value. This gives it a rather refreshing feeling.
The book also has strength in being the first of a series so it doesn't have to be a stand alone story and can leave enough threads for the next book to pick up. This allows the end, after a frenetic climactic battle, to relax into telling the aftermath rather than spending too much time trying to tie up all the loose ends.
Overall a good book for the fantasy lover. Not as grim or dark as 'grimdark' but still with enough spit and sawdust to add an underbelly to the reliable fantasy concepts it should appeal to a wide audience.
Rated: Strong language, bloody violence and some sexual references throughout
Phil Leader (619 KP) rated IA: Initiate in Books
Nov 15, 2019
Naz seems like a normal boy. Both his parents have died and the only family he has is his younger sister Meri. Moving from foster home to foster home in the ghetto for the disadvantaged called the Exclave, earning spare money running errands for local shopkeepers.
But Naz is not a normal boy. He can remember nothing before waking up in hospital three years previously following the car crash in which his father died. And he hears voices in his head, or rather one voice which seems familiar although he does not recognise it.
Following an apparently random act of gang violence on the way to his his first day at high school, his life begins to change and he starts to question exactly who he is and what makes him the way he is.
Told from Naz's point of view the reader is drawn into his tale of discovery as he goes about is every day life of school and afterwards in the Exclave. Naz is a very likeable character, concerned for the safety of his sister above all else and suspicious of strangers. He is clever and quick witted but doesn't really use his talents, drifting through school and life in general with the minimum of effort, generally happy with his lot until he is forced to re-evaluate his life as events unfold around him.
The story is paced well with periods of Naz leading his life and going to school, which is made interesting by his observations on everything around him, interspersed with things that Naz does or sees, or that other people say and do, that really make the reader realise that there is 'something else' going on, a bigger picture that Naz is unable to put together, although he gets glimpses. There are also chapters at the start of each section describing a lecture given by Naz's father which adds some more clues.
The ideas here are certainly interesting - this is science fiction of a subtle kind, where only the edges of Naz's life are visible to both him and us, with outsiders often recognising that there is more to him, more that he can achieve. The supporting cast works well, from the hard-pressed merchants fighting the big multiple chain stores to the menacing gang members and other more eccentric inhabitants of the Exclave.
Overall a fascinating and thought provoking read, with plenty of questions left to draw the reader to the next in the series.
But Naz is not a normal boy. He can remember nothing before waking up in hospital three years previously following the car crash in which his father died. And he hears voices in his head, or rather one voice which seems familiar although he does not recognise it.
Following an apparently random act of gang violence on the way to his his first day at high school, his life begins to change and he starts to question exactly who he is and what makes him the way he is.
Told from Naz's point of view the reader is drawn into his tale of discovery as he goes about is every day life of school and afterwards in the Exclave. Naz is a very likeable character, concerned for the safety of his sister above all else and suspicious of strangers. He is clever and quick witted but doesn't really use his talents, drifting through school and life in general with the minimum of effort, generally happy with his lot until he is forced to re-evaluate his life as events unfold around him.
The story is paced well with periods of Naz leading his life and going to school, which is made interesting by his observations on everything around him, interspersed with things that Naz does or sees, or that other people say and do, that really make the reader realise that there is 'something else' going on, a bigger picture that Naz is unable to put together, although he gets glimpses. There are also chapters at the start of each section describing a lecture given by Naz's father which adds some more clues.
The ideas here are certainly interesting - this is science fiction of a subtle kind, where only the edges of Naz's life are visible to both him and us, with outsiders often recognising that there is more to him, more that he can achieve. The supporting cast works well, from the hard-pressed merchants fighting the big multiple chain stores to the menacing gang members and other more eccentric inhabitants of the Exclave.
Overall a fascinating and thought provoking read, with plenty of questions left to draw the reader to the next in the series.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Prophecy of Shadows (Elementals, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Netgalley/Edelweiss in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Well, then. This is going to be one of the harder reviews to write, isn't it. (And it'll probably come out a little choppy, but um... bear with me.)
Okay, so how about I start with this: <i>The Prophecy of Shadows</i> is great, but the only thing working against the book is the instalove between Nicole and Blake. But even the instalove isn't much of a bother Nicole is attracted to Blake from the get go, but she's not as <em>obsessed</em> as Danielle, who would threaten anyone in Blake's proximity. Yet?
Anyways, the first book in the <i>Elementals</i> series brings yet a new idea to the <a title="Mythology" href="http://www.bookwyrmingthoughts.com/search/label/Mythology"; target="_blank" rel="noopener">mythology</a> genre, sort of following in <a title="Raye Wagner" href="http://www.bookwyrmingthoughts.com/search/label/Raye%20Wagner"; target="_blank" rel="noopener">Raye Wagner's</a> footsteps. When Nicole first moves to a new school, she is quickly thrown into the world of witches, people who are descended from Greek gods but not exactly demigods. Witches in Madow's newest series are those not directly descended from a Greek god (basically, a generation or two later...?) and their powers are mostly based off of color theory (definitely not getting into the specifics of that one). Nicole is weirded out and dismisses the entire idea at first, but quickly has a change of heart.
The book is also a little slow on the pacing side, especially for those who like constant action. Madow spends approximately half the book setting up the plot and introducing the world of witches, and I personally think that in itself is good enough without being overwhelming. Even though the witches in the <i>Elementals</i> series are similar to witches in general, I enjoyed learning how each color corresponds to a particular emotion or talent. Any particular legendary creature fighting comes later on in the book.
It'll be interesting to see how Madow takes the series with the sequels, and I'll be looking forward to the sequels (which, by the way, have extremely interesting and adventurous titles).
<a href="https://bookwyrmingthoughts.com/arc-review-the-prophecy-of-shadows-by-michelle-madow/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Well, then. This is going to be one of the harder reviews to write, isn't it. (And it'll probably come out a little choppy, but um... bear with me.)
Okay, so how about I start with this: <i>The Prophecy of Shadows</i> is great, but the only thing working against the book is the instalove between Nicole and Blake. But even the instalove isn't much of a bother Nicole is attracted to Blake from the get go, but she's not as <em>obsessed</em> as Danielle, who would threaten anyone in Blake's proximity. Yet?
Anyways, the first book in the <i>Elementals</i> series brings yet a new idea to the <a title="Mythology" href="http://www.bookwyrmingthoughts.com/search/label/Mythology"; target="_blank" rel="noopener">mythology</a> genre, sort of following in <a title="Raye Wagner" href="http://www.bookwyrmingthoughts.com/search/label/Raye%20Wagner"; target="_blank" rel="noopener">Raye Wagner's</a> footsteps. When Nicole first moves to a new school, she is quickly thrown into the world of witches, people who are descended from Greek gods but not exactly demigods. Witches in Madow's newest series are those not directly descended from a Greek god (basically, a generation or two later...?) and their powers are mostly based off of color theory (definitely not getting into the specifics of that one). Nicole is weirded out and dismisses the entire idea at first, but quickly has a change of heart.
The book is also a little slow on the pacing side, especially for those who like constant action. Madow spends approximately half the book setting up the plot and introducing the world of witches, and I personally think that in itself is good enough without being overwhelming. Even though the witches in the <i>Elementals</i> series are similar to witches in general, I enjoyed learning how each color corresponds to a particular emotion or talent. Any particular legendary creature fighting comes later on in the book.
It'll be interesting to see how Madow takes the series with the sequels, and I'll be looking forward to the sequels (which, by the way, have extremely interesting and adventurous titles).
<a href="https://bookwyrmingthoughts.com/arc-review-the-prophecy-of-shadows-by-michelle-madow/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (980 KP) rated The Hobbit: The Battle of the Five Armies (2014) in Movies
Aug 6, 2019
It’s been thirteen years since Director Peter Jackson first took us to middle earth and showed movie
audiences that large scale fantasy could be done right on film with The Lord of the Rings Trilogy. And
now the final trek through middle earth is here with the third and final film in the Hobbit series.
Picking up at the climatic conclusion of 2013’s The Desolation of Smaug, The Battle of the Five Armies is
less about the journey and more about the war between the various armies of middles earth over the
massive riches in the mountain home they journeyed to reclaim. After the exciting beginning that serves
to tie up the previous film and sets to table for this one, we begin to see the brotherhood between the
dwarfs, a wizard, a few elves and a Hobbit that focuses on the bonds of friendship and loyalty. This
builds on itself as it leads to the climactic battle of the five armies. The battle is on the grand scale you
would come to expect from these middle earth films, only at times this battle seems to rely on a bit too
much CGI and thus almost plays out cartoonish. Granted, this is a fantasy world were Dwarfs, Elves and
Men are fighting Orcs so it is really not that hard to suspend disbelief in the first place. Thus the film is
entertaining in its own right as it wraps up one trilogy and bridges to another.
This bridge is what surprised me most. We received a bit more insight to some of the higher beings and
their understanding that villain in the Lord of the Rings trilogy is slowly returning to power. These
sequences are entertaining and great for fan service, but they seem to be handled a bit to simply as it
makes us wonder, if they knew this dark figure was alive, why did they wait so long (The Lord of the
Rings Trilogy) to do something about it. Still, it is nice to see the story wrapped up into one complete
adventure that viewer could connect all the way through.
In the end, those fans of the books and previous films will be pleased with the action, pace and way this
film wraps everything up. Other than the sequence of Bilbo’s interaction with Smaug in the last film, The
Hobbit: The Battle of the Five Armies is the best film in the Hobbit Series.
audiences that large scale fantasy could be done right on film with The Lord of the Rings Trilogy. And
now the final trek through middle earth is here with the third and final film in the Hobbit series.
Picking up at the climatic conclusion of 2013’s The Desolation of Smaug, The Battle of the Five Armies is
less about the journey and more about the war between the various armies of middles earth over the
massive riches in the mountain home they journeyed to reclaim. After the exciting beginning that serves
to tie up the previous film and sets to table for this one, we begin to see the brotherhood between the
dwarfs, a wizard, a few elves and a Hobbit that focuses on the bonds of friendship and loyalty. This
builds on itself as it leads to the climactic battle of the five armies. The battle is on the grand scale you
would come to expect from these middle earth films, only at times this battle seems to rely on a bit too
much CGI and thus almost plays out cartoonish. Granted, this is a fantasy world were Dwarfs, Elves and
Men are fighting Orcs so it is really not that hard to suspend disbelief in the first place. Thus the film is
entertaining in its own right as it wraps up one trilogy and bridges to another.
This bridge is what surprised me most. We received a bit more insight to some of the higher beings and
their understanding that villain in the Lord of the Rings trilogy is slowly returning to power. These
sequences are entertaining and great for fan service, but they seem to be handled a bit to simply as it
makes us wonder, if they knew this dark figure was alive, why did they wait so long (The Lord of the
Rings Trilogy) to do something about it. Still, it is nice to see the story wrapped up into one complete
adventure that viewer could connect all the way through.
In the end, those fans of the books and previous films will be pleased with the action, pace and way this
film wraps everything up. Other than the sequence of Bilbo’s interaction with Smaug in the last film, The
Hobbit: The Battle of the Five Armies is the best film in the Hobbit Series.