Meshes of the Afternoon
9.0
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?Meshes of the Afternoon (1943) is the most important film in the history of American avant-garde...
The Bigamist
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Directed by the actor/film-maker Ida Lupino, The Bigamist (1953) is the story of Harry Graham, a...
Mulholland Drive
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Beloved by film and art aficionados and fans of neo-noir cinema, Mulholland Drive is one of the most...
Dean (6927 KP) rated Reminiscence (2021) in Movies
Sep 2, 2021 (Updated Sep 2, 2021)
A noir style film set in the near future of a world that's largely flooded, including the location of Miami. Where the rich have built huge dams to keep their area dry while the poor are in flooded areas. So people pay to relive their memories of happier times to experience again with the technology available. The owner of this technology then tries to track down a mysterious woman who has gone missing.
Huge potential which in the main part is not explored at all. Some nice Sfx in places and sets of the flooded Miami but even the setting could have been used more.
The script is basic and what starts as quite an intricate plot becomes rather simple before the ending. The cast is pretty good, although Cliff Curtis is miscast as a tough guy, villian. It's stylish in places and fans of noir, detective films will enjoy it more but others may find it very slow going especially at the start.
A missed opportunity overall, one that might be more popular once available on the small screen. Although not a film many will reminisce about.
BankofMarquis (1832 KP) rated Nightmare Alley (2021) in Movies
Feb 4, 2022
This film looked like it had all the right elements for a fantastic, adult film. A neo-noir thriller with a distinctive period look, helmed by a first rate director and featuring an A-List cast that are (for the most part) perfectly cast in their roles.
So why doesn’t this film rise above ordinary?
Ultimately, it is because this type of film, a neo-noir crime thriller where none of the characters are likeable or are easy to root for, is a tricky tightrope walk and, in this instance, Director del Toro opted to play it safe, focusing on mood and atmosphere, while strapping his talented cast with characters (and, ultimately, performances) that are middle-of-the road.
Bradley Cooper is the right performer in today’s world to play Stanton Carlisle, the drifter that becomes a carney that becomes a a con-man “Mentalist” who is drawn into a sinister plot by the mysterious Dr. Lilith Ritter (Cate Blanchett - also the right performer in today’s world to play this part). These 2 have decent (but not great) chemistry with each other, for you know (they way del Toro has Directed Blanchett’s performance) that she is up to something, thus keeping us at arm’s length.
But I am getting ahead of myself, for that is the 2nd half of this film, I haven’t even touched on the first half - which is part of the issue here as well.
The first hour of this 2 1/2 hour film is all set up as we follow Cooper’s character as he is introduced into a Circus sideshow of the 1940’s - and all of the characters therein. This is an interesting - if kind of slow - setup as we are treated to some interesting character building performances by some pretty terrific actors - Toni Colette, Ron Perlman, David Strathairn and, of course, the always good Willem DaFoe.
Oh, and I haven’t even mentioned Rooney Mara who is sort of the “through-line” between the 2 halves of this film, but her character is so vanilla, that one forgets her character event exists.
But…after an hour of setting up this world and these characters - the film pivots away from this area and goes to a whole different world…and a different plot. It is like a SuperHero Origin film where the first 1/2 of the film is the Origin and the 2nd half is the first adventure of said SuperHero.
And this just doesn’t work all that well in this film (even with a callback at the end), it is jarring and creates 2 different movies, neither of which rises above the average.
I lay the blame for all of this on Director Guillermo del Toro who appeared to be more interested in the look of this film (and the look is AMAZING) and just let the actors act, but not get in the way. The direction is bland, the performances are bland and the plot just doesn’t hold together.
Which is very disappointing, considering what “could have been”.
Letter Grade: B
7 stars out of 10 and you can take that to the Bank(ofMarquis)
Eduardo Sanchez recommended Blade Runner (1982) in Movies (curated)
Dean (6927 KP) rated Anon (2018) in Movies
May 12, 2018 (Updated May 12, 2018)
The technology ideas are very impressive and clearly touch on current issues around personal data and privacy laws. Despite this it doesn't have a big blockbuster feel to the film. The Sfx are kept quite simple overall. The film does have a certain visual style to it, including some impressive sets and locations.
A very interesting film that touches on some current issues whilst also being an enjoyable thriller. Short of being excellent but possibly a future cult classic!
The Kettering Incident
8.5
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When two girls mysteriously disappear in identical circumstances in the wilds of Tasmania 15 years...
Wheelman (2017)
6.7
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Frank Grillo (Kingdom, Captain America: Civil War) stars as the wheelman, a getaway driver thrust...
Wheelman
