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Sarah (7798 KP) rated Saw: The Final Chapter (2010) in Movies
Dec 22, 2018
They just get worse
I’ve always hated what they did to the Saw films. The first one was fantastic, the second one quite good and then the rest have gone downhill at an alarming rate.
This ‘final chapter’, which actually isn’t as they’ve started making Jigsaw films now, is the worst of the bunch. Not only are the traps actually quite dull and boring (they obviously outdid themselves with the traps in the first film), the special effects and gore look really bad too. Did nobody notice that the blood didn’t look even slightly real? In some scenes it was verging on fuschia. The plot itself is just convoluted as always and they’ve been trying to tie up loose ends with little success. They should’ve just left the original as a stand alone film instead of messing it up with all of Jigsaw’s accomplices in these 6 sequels. And the final twist reveal at the end? Come on, I predicted that from the second film onwards, and I’m sure many other people did too. Such a lame ending.
This ‘final chapter’, which actually isn’t as they’ve started making Jigsaw films now, is the worst of the bunch. Not only are the traps actually quite dull and boring (they obviously outdid themselves with the traps in the first film), the special effects and gore look really bad too. Did nobody notice that the blood didn’t look even slightly real? In some scenes it was verging on fuschia. The plot itself is just convoluted as always and they’ve been trying to tie up loose ends with little success. They should’ve just left the original as a stand alone film instead of messing it up with all of Jigsaw’s accomplices in these 6 sequels. And the final twist reveal at the end? Come on, I predicted that from the second film onwards, and I’m sure many other people did too. Such a lame ending.
Sarah (7798 KP) rated Avengers: Endgame (2019) in Movies
Apr 25, 2019
Emotional and incredibly satisfying
I’ll start my review off by saying that apart from a very short teaser trailer, I have seen no trailers or read any articles about this film. And for me this really helps with my overall enjoyment of a film, especially with one as highly anticipated as this!
I’m going to struggle to say too much about this film without giving away any spoilers, but what I will say is that it is a truly intense experience. It manages to seamlessly tie up some of the loose ends from previous Marvel films in a matter of a few scenes and minutes, and also move the surviving characters on effortlessly from where we last saw them in Infinity War. This film does not play out the way I expected it to (in a good way) especially during the first third, but this could’ve been because I’ve refused to read any theories beforehand. But this for me made it even more enjoyable and I think the way this played out was rather nostalgic and heartwarming in a way. I spent most of this film torn between a mixture of emotions: on the edge of my seat suspense, confusion and sheer wtf moments, and yes I even shed a tear or two. I’ve never felt so gripped and invested before in a film I’ve seen at the cinema, especially one that’s on for over three hours. My only criticism (which explains why it isn’t a 10) is that some of the characters are underused or go missing with not very satisfactory explanations, and while I appreciate that this is a big film with lots of characters, it doesn’t do as much justice to them as Infinity War did. Despite this though, it is an incredibly enjoyable film with a very emotional and satisfying ending.
And this isn’t a spoiler, but don’t bother waiting after the film. There aren’t any post credits scenes.
I’m going to struggle to say too much about this film without giving away any spoilers, but what I will say is that it is a truly intense experience. It manages to seamlessly tie up some of the loose ends from previous Marvel films in a matter of a few scenes and minutes, and also move the surviving characters on effortlessly from where we last saw them in Infinity War. This film does not play out the way I expected it to (in a good way) especially during the first third, but this could’ve been because I’ve refused to read any theories beforehand. But this for me made it even more enjoyable and I think the way this played out was rather nostalgic and heartwarming in a way. I spent most of this film torn between a mixture of emotions: on the edge of my seat suspense, confusion and sheer wtf moments, and yes I even shed a tear or two. I’ve never felt so gripped and invested before in a film I’ve seen at the cinema, especially one that’s on for over three hours. My only criticism (which explains why it isn’t a 10) is that some of the characters are underused or go missing with not very satisfactory explanations, and while I appreciate that this is a big film with lots of characters, it doesn’t do as much justice to them as Infinity War did. Despite this though, it is an incredibly enjoyable film with a very emotional and satisfying ending.
And this isn’t a spoiler, but don’t bother waiting after the film. There aren’t any post credits scenes.
Ross (3282 KP) rated Insidious: Chapter 3 (2015) in Movies
Dec 4, 2017
No attempt to explain the background of ... anyone really (1 more)
No Rose Byrne
"Chapter 3" is a prequel to the first 2 Insidious films and follows a young girl, Quinn attempting to contact her dead mother, who eventually calls in the help of Elise Rainier (a former psychic who since her husband passed away has become a weird cat lady, played by the weird dog lady from There's Something About Mary), a key character of the first 2 films.
Quinn thinks her mother is attempting to respond to her and wants help breaking through, but after she is hit by a car, breaking both legs, she starts to realise it isn't her mother trying to contact her.
The demon in the film clearly has a backstory (tar footprints, breathing apparatus in his mouth, hospital gown) but there is no attempt to explain this at all. One of the best bits of the second film was the exposition of the demon haunting Josh his whole life and what he had been in life. That is completely absent here. Fan theories abound on the internet but these all seem like nonsense and clutching at straws.
This in itself is a half-decent horror film, there is enough atmosphere and the acting is (in places) decent, but for me was quite a disappointment based on the first film (and to a lesser extent the second chapter). It just be me being grumpy having paid for this film (despite having Sky Cinema, Netflix and Amazon Prime) and didn't feel like I got my £3.49 worth, but I felt a little disappointed at the end.
There was an annoying little teaser at the end of the film where the main demon from the first film appears. This was a bit "Prometheus" as it kind of felt like a prequel but didn't really make sense, and Elise seeing this demon should have meant she was expecting it in the first movie, which didn't quite sit right.
There was a similar teaser at the end of the second film which bore no relation to this film, so plenty of pressure on 2018's conclusion to tie up the loose ends!
Quinn thinks her mother is attempting to respond to her and wants help breaking through, but after she is hit by a car, breaking both legs, she starts to realise it isn't her mother trying to contact her.
The demon in the film clearly has a backstory (tar footprints, breathing apparatus in his mouth, hospital gown) but there is no attempt to explain this at all. One of the best bits of the second film was the exposition of the demon haunting Josh his whole life and what he had been in life. That is completely absent here. Fan theories abound on the internet but these all seem like nonsense and clutching at straws.
This in itself is a half-decent horror film, there is enough atmosphere and the acting is (in places) decent, but for me was quite a disappointment based on the first film (and to a lesser extent the second chapter). It just be me being grumpy having paid for this film (despite having Sky Cinema, Netflix and Amazon Prime) and didn't feel like I got my £3.49 worth, but I felt a little disappointed at the end.
There was an annoying little teaser at the end of the film where the main demon from the first film appears. This was a bit "Prometheus" as it kind of felt like a prequel but didn't really make sense, and Elise seeing this demon should have meant she was expecting it in the first movie, which didn't quite sit right.
There was a similar teaser at the end of the second film which bore no relation to this film, so plenty of pressure on 2018's conclusion to tie up the loose ends!
Hitchcock Blonde
4.0
Rate It
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First published to tie-in with the Royal Court Theatre's production in April 2003, with a cast...
David McK (3188 KP) rated The Matrix Reloaded (2003) in Movies
Sep 20, 2020
2003 was billed as the year of the Matrix, with this film, the Animatrix manga, the computer game 'Enter the Matrix' and The Matrix Revolutions all released within the span of that single year.
Most of which, nearly 20 years later, have largely been forgotten, with 'the Matrix sequels' almost becoming a by word for disappointing sequels.
Re-watching this back, it's actually not all bad: yes, there is an element of truth in the charge that this mid entry is over pretentious - especially in The Architect scenes - and that Niobe/Ghost scenes largely exist only to tie into the computer games - but there is also plenty to enjoy here - this is the film that has the 'burly brawl', the Merovingian chateau fight scene, the freeway chase and Neo going full-on Superman!
(And, yes, I used to think that, at the end, they were still in The Matrix, until Revolutions came out)
Most of which, nearly 20 years later, have largely been forgotten, with 'the Matrix sequels' almost becoming a by word for disappointing sequels.
Re-watching this back, it's actually not all bad: yes, there is an element of truth in the charge that this mid entry is over pretentious - especially in The Architect scenes - and that Niobe/Ghost scenes largely exist only to tie into the computer games - but there is also plenty to enjoy here - this is the film that has the 'burly brawl', the Merovingian chateau fight scene, the freeway chase and Neo going full-on Superman!
(And, yes, I used to think that, at the end, they were still in The Matrix, until Revolutions came out)
BankofMarquis (1832 KP) rated The United States vs. Billie Holiday (2021) in Movies
Apr 17, 2021
Strong Central Performance...The Rest Of The Film Is A Scattered Mess
Lee Daniels is a passionate filmmaker and his passion for bringing the story of Billie Holiday to the screen as the embodiment of the African American struggle against White Officials who are trying to mute her is evident in every frame of THE UNITED STATES VS. BILLIE HOLIDAY.
Unfortunately, he tries to do so much with this film, that he accomplishes very little.
Let’s start with what works in this film: the TERRIFIC performance of Andra Day as the titular character. Day embodies the troubled artist strongly and she does all of the singing of this world renowned performer. It is a superb performance and she rightfully deserves her Oscar nomination.
What doesn’t work? Pretty much the rest of the film.
Daniels has so much material to work with - and a terrific actress at the center of it - that he tried to cram EVERYTHING into this film, consequently, the film is scattered and doesn’t know what it wants to be.
Is it a biopic? A look at an artist who overcame a horrific childhood? A look at an artist that is battling demons? A look at an artist that has toxic relationships with men? Or…is it about the United States Government trying to suppress free speech in order to keep the African American from rising up in the 1950’s?
The answer is…it is all of that…and none of that. Just when you think the film has it’s footing in one direction, it pivots in another and rarely gets back to tie off the other.
For example, look at the title of the film - THE UNITED STATES VS. BILLIE HOLIDAY. So, it must be about the United States (in this instance, the Federal Drug Agents) trying to bring Billie Holiday to justice. And…at the beginning it IS about that…namely in the guise of stopping her from singing STRANGE FRUIT and trying to frame her for her drug use. So…you would think that the film will, eventually, get Holiday on stage to sing a triumphant FULL version of Strange Fruit.
You would think that, wouldn’t you.
Now…to be fair to Daniels and this film, there is about a 15 minute portion of this film in the middle that shows Holiday’s heartbreaking childhood, followed by a haunting song sung by Day. It is a very effective portion of the film, and that (and Day’s performance) are worth wading through the “highlights and lowlights” of Holiday’s life that is the rest of this film.
I have not seen the lauded 1972 LADY SINGS THE BLUES that is a more straightforward Bio-pic of the singer (starring Diana Ross), after watching this film, I think I will.
Letter Grade: B- (because of Day’s performance and that 15 minute segment)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Unfortunately, he tries to do so much with this film, that he accomplishes very little.
Let’s start with what works in this film: the TERRIFIC performance of Andra Day as the titular character. Day embodies the troubled artist strongly and she does all of the singing of this world renowned performer. It is a superb performance and she rightfully deserves her Oscar nomination.
What doesn’t work? Pretty much the rest of the film.
Daniels has so much material to work with - and a terrific actress at the center of it - that he tried to cram EVERYTHING into this film, consequently, the film is scattered and doesn’t know what it wants to be.
Is it a biopic? A look at an artist who overcame a horrific childhood? A look at an artist that is battling demons? A look at an artist that has toxic relationships with men? Or…is it about the United States Government trying to suppress free speech in order to keep the African American from rising up in the 1950’s?
The answer is…it is all of that…and none of that. Just when you think the film has it’s footing in one direction, it pivots in another and rarely gets back to tie off the other.
For example, look at the title of the film - THE UNITED STATES VS. BILLIE HOLIDAY. So, it must be about the United States (in this instance, the Federal Drug Agents) trying to bring Billie Holiday to justice. And…at the beginning it IS about that…namely in the guise of stopping her from singing STRANGE FRUIT and trying to frame her for her drug use. So…you would think that the film will, eventually, get Holiday on stage to sing a triumphant FULL version of Strange Fruit.
You would think that, wouldn’t you.
Now…to be fair to Daniels and this film, there is about a 15 minute portion of this film in the middle that shows Holiday’s heartbreaking childhood, followed by a haunting song sung by Day. It is a very effective portion of the film, and that (and Day’s performance) are worth wading through the “highlights and lowlights” of Holiday’s life that is the rest of this film.
I have not seen the lauded 1972 LADY SINGS THE BLUES that is a more straightforward Bio-pic of the singer (starring Diana Ross), after watching this film, I think I will.
Letter Grade: B- (because of Day’s performance and that 15 minute segment)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Larry Eisner (2082 KP) rated Bohemian Rhapsody - The Soundtrack by Queen in Music
Feb 28, 2019
Freddie Freaking Mercury (2 more)
Live Tracks
Excellent Audio Quality
No dialogue tracks or pre-tracks (1 more)
Doing All Right is very meh
Fantastic Album; Mediocre Soundtrack
Preface: I received a copy through the Smashbomb giveaway contest. That said, I’m not going to hold back...
So, Queen...How could anyone ever go wrong with a Queen album? Ever... Truth is you cannot. This album is fantastic and sits proudly alongside the greatest hits albums I already owned. It’s a great compilation of their best studio tracks alongside some rarely released live tracks including nearly the entire Live Aid set.
But what is lacking, most of all, and what I want in a film soundtrack is something I cannot get anywhere else...dialogue snippets from the film that place the tracks with the film itself. The film was a smash success, earring Rami Malek the Best Actor Oscar and rightly so. However, this album is simply that, a Queen album. We don’t get the Rami/Freddy mixes used in the film, we don’t get the sound bytes that tie a song to a moment in the film. So while it’s an awesome album and one I will rock out with in my car often, it’s not any different than a Queen compilation album tied around the film loosely. It may not be a drawback to you, but to me, it’s not worth calling it a soundtrack. It could just as easily been one of those “songs inspired by the film: Bohemian Rhapsody” instead of Official Soundtrack.
Now all that said, it’s a fantastic compilation album. The live tracks especially, are excellently mixed, and through listening, we are once again reminded why Queen and Mercury himself were so amazing... the live tracks demonstrate that despite his crazy moves on stage, the heat of the lights and all, Queen always sounded great. Unlike many modern bands, their live tracks are nearly identical in quality to the studio versions. Even though I knew this going in, I was still amazed.
And no track demonstrated this fact more than the We Will Rock You (Movie Mix) track that seamlessly blended the studio version into the live version used in the film.
Queen’s sound was and is iconic and unique to this day, and this album highlights why so perfectly. I’m just disappointed that the soundtrack didn’t have more throwback to the film itself.
So, Queen...How could anyone ever go wrong with a Queen album? Ever... Truth is you cannot. This album is fantastic and sits proudly alongside the greatest hits albums I already owned. It’s a great compilation of their best studio tracks alongside some rarely released live tracks including nearly the entire Live Aid set.
But what is lacking, most of all, and what I want in a film soundtrack is something I cannot get anywhere else...dialogue snippets from the film that place the tracks with the film itself. The film was a smash success, earring Rami Malek the Best Actor Oscar and rightly so. However, this album is simply that, a Queen album. We don’t get the Rami/Freddy mixes used in the film, we don’t get the sound bytes that tie a song to a moment in the film. So while it’s an awesome album and one I will rock out with in my car often, it’s not any different than a Queen compilation album tied around the film loosely. It may not be a drawback to you, but to me, it’s not worth calling it a soundtrack. It could just as easily been one of those “songs inspired by the film: Bohemian Rhapsody” instead of Official Soundtrack.
Now all that said, it’s a fantastic compilation album. The live tracks especially, are excellently mixed, and through listening, we are once again reminded why Queen and Mercury himself were so amazing... the live tracks demonstrate that despite his crazy moves on stage, the heat of the lights and all, Queen always sounded great. Unlike many modern bands, their live tracks are nearly identical in quality to the studio versions. Even though I knew this going in, I was still amazed.
And no track demonstrated this fact more than the We Will Rock You (Movie Mix) track that seamlessly blended the studio version into the live version used in the film.
Queen’s sound was and is iconic and unique to this day, and this album highlights why so perfectly. I’m just disappointed that the soundtrack didn’t have more throwback to the film itself.
Star Wars
Book
The release of Star Wars in 1977 marked the start of what would become a colossal global franchise....
Gareth von Kallenbach (965 KP) rated Cars (2006) in Movies
Aug 14, 2019
The technical wizards at Pixar are back with a new feature film which continues their domination of the animated film genre.
With the huge success of their films The Incredibles as well as Finding Nemo, Monsters Inc. and the Toy Story films, it would be easy to think that the studio might be at a creative crossroads. When recent news around the industry involved the end of their deal with Disney and subsequent new deal with the company after a period of free agency as well as delays on their new project, some began to wonder what audiences would see if their next outing.
Thankfully Cars continues the amazing run of success for the studio and sets the bar even higher for animated films to follow.
The film follows the exploits of rookie racing car Lightning MC Queen (Owen Wilson), who is the hotshot rookie attempting to be the first rookie in history to win the Piston Cup title.
As Lightening dreams of winning the prize and in doing so, a hefty sponsorship with the big oil company, he decides to ignore the advice of his crew which causes him to end up in a three way tie for the title.
In order to resolve the tie a special race is to be held a week later in California between the three winners. En route, Lightning ignores the advice of his driver Mack (John Ratzenberger), and in a series of mishaps ends up alone in the desolate
town of Radiator Springs. As if this was not enough trouble for Lightning, he is forced by the local judge Doc Hudson (Paul Newman), to perform community service to complete the damage he caused to the road upon his arrival.
Faced with the prospect of losing time needed to get to and prepare for the race, the selfish Lightning does his best to alienate the local townsfolk including the local tow truck Tom Mater (Larry the Cable Guy), who like all the locals do their best to befriend him.
Along the way, Lightning learns the values of friendship, teamwork and community as he attempts to find the true meaning of the term “Winner”.
Graphically the film is amazing as the amount of CGI rendering that went into the film is said to be so extensive, it literally taxed the computers at Pixar to their limits. That is clear as the detail level and complexity of the film is staggering. You fully believe that this world populated entirely by machines exists.
There is a lot of humor in the film as well and more than enough nods that will appeal to older viewers yet may be over the heads of younger viewers.
If I had to find fault in the film, it would be that with a running time of slightly over two hours, it does tend to drag in a few places. My nephew and his friend became restless about 50 minutes into the film which made me think that the running time may be to long for some younger children to sit through and that the film might have been better served by trimming about 30 minutes as there were segments that while visually appealing, did not really need to be there.
That being said, Cars is a true delight and proof that once again, Pixar is the undisputed champion of animated films.
With the huge success of their films The Incredibles as well as Finding Nemo, Monsters Inc. and the Toy Story films, it would be easy to think that the studio might be at a creative crossroads. When recent news around the industry involved the end of their deal with Disney and subsequent new deal with the company after a period of free agency as well as delays on their new project, some began to wonder what audiences would see if their next outing.
Thankfully Cars continues the amazing run of success for the studio and sets the bar even higher for animated films to follow.
The film follows the exploits of rookie racing car Lightning MC Queen (Owen Wilson), who is the hotshot rookie attempting to be the first rookie in history to win the Piston Cup title.
As Lightening dreams of winning the prize and in doing so, a hefty sponsorship with the big oil company, he decides to ignore the advice of his crew which causes him to end up in a three way tie for the title.
In order to resolve the tie a special race is to be held a week later in California between the three winners. En route, Lightning ignores the advice of his driver Mack (John Ratzenberger), and in a series of mishaps ends up alone in the desolate
town of Radiator Springs. As if this was not enough trouble for Lightning, he is forced by the local judge Doc Hudson (Paul Newman), to perform community service to complete the damage he caused to the road upon his arrival.
Faced with the prospect of losing time needed to get to and prepare for the race, the selfish Lightning does his best to alienate the local townsfolk including the local tow truck Tom Mater (Larry the Cable Guy), who like all the locals do their best to befriend him.
Along the way, Lightning learns the values of friendship, teamwork and community as he attempts to find the true meaning of the term “Winner”.
Graphically the film is amazing as the amount of CGI rendering that went into the film is said to be so extensive, it literally taxed the computers at Pixar to their limits. That is clear as the detail level and complexity of the film is staggering. You fully believe that this world populated entirely by machines exists.
There is a lot of humor in the film as well and more than enough nods that will appeal to older viewers yet may be over the heads of younger viewers.
If I had to find fault in the film, it would be that with a running time of slightly over two hours, it does tend to drag in a few places. My nephew and his friend became restless about 50 minutes into the film which made me think that the running time may be to long for some younger children to sit through and that the film might have been better served by trimming about 30 minutes as there were segments that while visually appealing, did not really need to be there.
That being said, Cars is a true delight and proof that once again, Pixar is the undisputed champion of animated films.
Festen
Book
Helge, the patriarch of a chain of restaurants, is celebrating his sixtieth birthday and everyone is...
Christine A. (965 KP) Dec 22, 2018
Sarah (7798 KP) Dec 22, 2018