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Hazel (1853 KP) rated Mirror, Shoulder, Signal in Books
Aug 7, 2017
Danish Literature
I received this book for free through Goodreads First Reads.
Shortlisted for The Man Booker International Prize 2017, Mirror, Shoulder, Signal is a piece of Danish literature by Dorthe Nors, translated into English by Misha Hoekstra. It has a tragicomic nature, introducing the 40-year-old Sonja, a woman who is trying but failing to move in the right direction.
Sonja is the type of character full of flaws that readers will recognise in themselves. Although she has successfully become self-employed, translating crime novels from Swedish into Danish, Sonja feels she has not accomplished anything in life. Despite one unlucky attempt at love, Sonja has remained single, moving to Copenhagen in an attempt to find herself. Determined to earn her driving licence Sonja braves the lessons in the busy city, however, she cannot handle gear changes. In other areas of her life, she tries weekly massage therapy and attempts a meditation exercise. Unfortunately, Sonja remains apathetic to the whole scenario and would rather be somewhere warm eating cake.
Mirror, Shoulder, Signal is a cleverly crafted title that makes repeat appearances throughout the narrative. The three words are instructions that Sonja repeats as a mantra each time she pulls away from the curb in her instructor’s car. The majority of the book takes place during these lessons, or, if not there, face down on Ellen’s massage table.
Sonja’s narration constantly varies between the present and memories from her childhood. A particular focus is the recollection of events involving her sister Kate. They may not have been close when they were young, but now it is almost impossible for Sonja to contact her sister. It is as though Sonja has been alienated from her own family.
Embellished with sexual innuendos, poor attempts at humour fail to bring any excitement to the story. There is no clear plot. At the beginning, readers may wonder if she will earn her driver’s licence – she does not – find love – she does not – find herself – she does not. What, then, was the point of this novel? Apart from a suggestion of future happiness in the final chapter of the book, there is no sense of resolution.
The issue with some translated stories is the loss of original intent and meanings. This does not seem to have been much of a problem in this instance; however, the translator has not been entirely successful in converting the Danish into a naturally flowing English.
Overall, Mirror, Shoulder, Signal is a bit of a disappointment, especially because it has been shortlisted for such a prestigious prize. Since the prize is meant to be awarding the author for continued creativity and contribution to fiction, it makes you wonder what critics saw in this novel to believe it stood a chance at earning the honour.
Shortlisted for The Man Booker International Prize 2017, Mirror, Shoulder, Signal is a piece of Danish literature by Dorthe Nors, translated into English by Misha Hoekstra. It has a tragicomic nature, introducing the 40-year-old Sonja, a woman who is trying but failing to move in the right direction.
Sonja is the type of character full of flaws that readers will recognise in themselves. Although she has successfully become self-employed, translating crime novels from Swedish into Danish, Sonja feels she has not accomplished anything in life. Despite one unlucky attempt at love, Sonja has remained single, moving to Copenhagen in an attempt to find herself. Determined to earn her driving licence Sonja braves the lessons in the busy city, however, she cannot handle gear changes. In other areas of her life, she tries weekly massage therapy and attempts a meditation exercise. Unfortunately, Sonja remains apathetic to the whole scenario and would rather be somewhere warm eating cake.
Mirror, Shoulder, Signal is a cleverly crafted title that makes repeat appearances throughout the narrative. The three words are instructions that Sonja repeats as a mantra each time she pulls away from the curb in her instructor’s car. The majority of the book takes place during these lessons, or, if not there, face down on Ellen’s massage table.
Sonja’s narration constantly varies between the present and memories from her childhood. A particular focus is the recollection of events involving her sister Kate. They may not have been close when they were young, but now it is almost impossible for Sonja to contact her sister. It is as though Sonja has been alienated from her own family.
Embellished with sexual innuendos, poor attempts at humour fail to bring any excitement to the story. There is no clear plot. At the beginning, readers may wonder if she will earn her driver’s licence – she does not – find love – she does not – find herself – she does not. What, then, was the point of this novel? Apart from a suggestion of future happiness in the final chapter of the book, there is no sense of resolution.
The issue with some translated stories is the loss of original intent and meanings. This does not seem to have been much of a problem in this instance; however, the translator has not been entirely successful in converting the Danish into a naturally flowing English.
Overall, Mirror, Shoulder, Signal is a bit of a disappointment, especially because it has been shortlisted for such a prestigious prize. Since the prize is meant to be awarding the author for continued creativity and contribution to fiction, it makes you wonder what critics saw in this novel to believe it stood a chance at earning the honour.
Kristy H (1252 KP) rated The Breakdown in Books
Jan 21, 2018
Predictable (1 more)
Silly plot
Cass is driving home one rainy night--taking the back road to her house--when she sees a woman stopped by the side of the road. Cass pauses to help her, but eventually drives home without making any contact. She feels bad about not assisting, but the crazy storm prevents her from even seeing who is in the car. It's only later that her husband tells her that someone was murdered that night, and Cass realizes that it was the same woman she saw. Eventually Cass realizes it was a woman she knew, Jane, and she feels even worse. After, Cass is consumed by Jane's murder. She feels watched and is convinced the murderer is calling her house repeatedly. She's forgetting things, unable to work her household appliances, and receiving items she swears she never ordered. Is Cass truly going crazy--and is the murderer coming for her next?
This book was a weird one for me. I'm one of the few who didn't read Paris' first novel, but I'd heard all the hype and was curious to try this one. The novel relies on the unreliable narrator trope big time; I was certainly befuddled early on whether Cass was indeed an unreliable narrator going mad, or whether someone was messing with her. The problem, for me, was that I was expecting an amazing thriller, but I found the novel rather predictable from the get-go. I figured things out early on. Still, I have to give it to Paris: I felt compelled to keep reading despite it all. The book is a page-turner, for sure.
However, the plot is based on silly secrets and a lack of communication (both huge pet peeves of mine). Cass won't go to the police about seeing Jane's car simply because she doesn't want to tell her husband she took a shortcut she promised she wouldn't take? Seriously? Her friend's life is worth less than that? Further, she won't tell anyone about her dementia fears and forgetfulness. It was very frustrating and often times, I found myself more baffled than intrigued by the mystery.
In the end, this was an interesting one. I found it very predictable and honestly felt like I'd read this novel already (I swear I've read a book with a very similar plot: something that will drive me crazy forever). Still, it was compulsively readable and easy-to-read. Overall, probably about 2.5 stars for me. However, it seems like most people loved this, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
This book was a weird one for me. I'm one of the few who didn't read Paris' first novel, but I'd heard all the hype and was curious to try this one. The novel relies on the unreliable narrator trope big time; I was certainly befuddled early on whether Cass was indeed an unreliable narrator going mad, or whether someone was messing with her. The problem, for me, was that I was expecting an amazing thriller, but I found the novel rather predictable from the get-go. I figured things out early on. Still, I have to give it to Paris: I felt compelled to keep reading despite it all. The book is a page-turner, for sure.
However, the plot is based on silly secrets and a lack of communication (both huge pet peeves of mine). Cass won't go to the police about seeing Jane's car simply because she doesn't want to tell her husband she took a shortcut she promised she wouldn't take? Seriously? Her friend's life is worth less than that? Further, she won't tell anyone about her dementia fears and forgetfulness. It was very frustrating and often times, I found myself more baffled than intrigued by the mystery.
In the end, this was an interesting one. I found it very predictable and honestly felt like I'd read this novel already (I swear I've read a book with a very similar plot: something that will drive me crazy forever). Still, it was compulsively readable and easy-to-read. Overall, probably about 2.5 stars for me. However, it seems like most people loved this, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Hazel (1853 KP) rated Mirror, Shoulder, Signal in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Shortlisted for The Man Booker International Prize 2017, <i>Mirror, Shoulder, Signal</i> is a piece of Danish literature by Dorthe Nors, translated into English by Misha Hoekstra. It has a tragicomic nature, introducing the 40-year-old Sonja, a woman who is trying but failing to move in the right direction.
Sonja is the type of character full of flaws that readers will recognise in themselves. Although she has successfully become self-employed, translating crime novels from Swedish into Danish, Sonja feels she has not accomplished anything in life. Despite one unlucky attempt at love, Sonja has remained single, moving to Copenhagen in an attempt to find herself. Determined to earn her driving licence Sonja braves the lessons in the busy city, however, she cannot handle gear changes. In other areas of her life, she tries weekly massage therapy and attempts a meditation exercise. Unfortunately, Sonja remains apathetic to the whole scenario and would rather be somewhere warm eating cake.
<i>Mirror, Shoulder, Signal</i> is a cleverly crafted title that makes repeat appearances throughout the narrative. The three words are instructions that Sonja repeats as a mantra each time she pulls away from the curb in her instructor’s car. The majority of the book takes place during these lessons, or, if not there, face down on Ellen’s massage table.
Sonja’s narration constantly varies between the present and memories from her childhood. A particular focus is the recollection of events involving her sister Kate. They may not have been close when they were young, but now it is almost impossible for Sonja to contact her sister. It is as though Sonja has been alienated from her own family.
Embellished with sexual innuendos, poor attempts at humour fail to bring any excitement to the story. There is no clear plot. At the beginning, readers may wonder if she will earn her driver’s licence – she does not – find love – she does not – find herself – she does not. What, then, was the point of this novel? Apart from a suggestion of future happiness in the final chapter of the book, there is no sense of resolution.
The issue with some translated stories is the loss of original intent and meanings. This does not seem to have been much of a problem in this instance; however, the translator has not been entirely successful in converting the Danish into a naturally flowing English.
Overall, <i>Mirror, Shoulder, Signal</i> is a bit of a disappointment, especially because it has been shortlisted for such a prestigious prize. Since the prize is meant to be awarding the author for continued creativity and contribution to fiction, it makes you wonder what critics saw in this novel to believe it stood a chance at earning the honour.
Shortlisted for The Man Booker International Prize 2017, <i>Mirror, Shoulder, Signal</i> is a piece of Danish literature by Dorthe Nors, translated into English by Misha Hoekstra. It has a tragicomic nature, introducing the 40-year-old Sonja, a woman who is trying but failing to move in the right direction.
Sonja is the type of character full of flaws that readers will recognise in themselves. Although she has successfully become self-employed, translating crime novels from Swedish into Danish, Sonja feels she has not accomplished anything in life. Despite one unlucky attempt at love, Sonja has remained single, moving to Copenhagen in an attempt to find herself. Determined to earn her driving licence Sonja braves the lessons in the busy city, however, she cannot handle gear changes. In other areas of her life, she tries weekly massage therapy and attempts a meditation exercise. Unfortunately, Sonja remains apathetic to the whole scenario and would rather be somewhere warm eating cake.
<i>Mirror, Shoulder, Signal</i> is a cleverly crafted title that makes repeat appearances throughout the narrative. The three words are instructions that Sonja repeats as a mantra each time she pulls away from the curb in her instructor’s car. The majority of the book takes place during these lessons, or, if not there, face down on Ellen’s massage table.
Sonja’s narration constantly varies between the present and memories from her childhood. A particular focus is the recollection of events involving her sister Kate. They may not have been close when they were young, but now it is almost impossible for Sonja to contact her sister. It is as though Sonja has been alienated from her own family.
Embellished with sexual innuendos, poor attempts at humour fail to bring any excitement to the story. There is no clear plot. At the beginning, readers may wonder if she will earn her driver’s licence – she does not – find love – she does not – find herself – she does not. What, then, was the point of this novel? Apart from a suggestion of future happiness in the final chapter of the book, there is no sense of resolution.
The issue with some translated stories is the loss of original intent and meanings. This does not seem to have been much of a problem in this instance; however, the translator has not been entirely successful in converting the Danish into a naturally flowing English.
Overall, <i>Mirror, Shoulder, Signal</i> is a bit of a disappointment, especially because it has been shortlisted for such a prestigious prize. Since the prize is meant to be awarding the author for continued creativity and contribution to fiction, it makes you wonder what critics saw in this novel to believe it stood a chance at earning the honour.
Night Reader Reviews (683 KP) rated The Mandore Rose in Books
Jan 9, 2020
The Mandore Rose by Cyril James Morris is set in the early 1950s yet, for the most part, it feels like it could be set in modern-day. It also has a prologue from the 1700s but it takes a while for the connection to be made. This book can easily be read in a day or two.
Just Riley is a young Romany girl who is ordered by her elder to take her caravan and run away. This is not because of anything she has done. She must run in order to protect herself from the man pretending to be her uncle after her mother died just so he can steal from her. Just Riley now has to survive on her own with her horse Pixe and her spirit guide, The Bangled Lady for companions. That is until an accident at the beach puts her in contact with Big Pierre and Rhys.
Rhys teaches her how to hunt for crabs and they quickly become friends. Big Pierre owns and works on a crabbing boat and gives Just Riley some work. When Pierre takes Riley with him one day she meets the Monks and Lady Caldey on their island. The Lady agrees to have an instrument repaired for Just Riley and the two feel a bond right away. After learning to trust one another Just Riley learns that they each have a ring identical to the other. It is with these rings and a little bit of luck that they start on an adventure that may lead them to the truth about who Just Riley really is.
What I liked most was how the main character is called Just Riley. At first, I found this to be annoying and awkward, but after the reason is explained I fund it to be cute, if not a little sad as well. What I did not like was that I wish the book would have explained the difference between Romany and Gypsey. This is because on multiple occasions people in the book confuse the two and Riley seems to be insulted by that. I feel like many people (myself included) do not know the difference and would benefit from the explanation.
People who enjoy historical mysteries would enjoy this book the most. This book is appropriate for just about all readers even those in middle school. It is not too heavily historical that it is not enjoyable. I give this book a 3 out of 4 ratings. While there is not anything wrong with this book I could not give it a perfect score. The book just was not compelling to read. While it is classified as a mystery it really doesn't have a quality that made me curious about what was happening.
https://nightreaderreviews.blogspot.com
https://www.facebook.com/nightreaderreviews/
https://www.austinmacauley.com/book/mandore-rose
Just Riley is a young Romany girl who is ordered by her elder to take her caravan and run away. This is not because of anything she has done. She must run in order to protect herself from the man pretending to be her uncle after her mother died just so he can steal from her. Just Riley now has to survive on her own with her horse Pixe and her spirit guide, The Bangled Lady for companions. That is until an accident at the beach puts her in contact with Big Pierre and Rhys.
Rhys teaches her how to hunt for crabs and they quickly become friends. Big Pierre owns and works on a crabbing boat and gives Just Riley some work. When Pierre takes Riley with him one day she meets the Monks and Lady Caldey on their island. The Lady agrees to have an instrument repaired for Just Riley and the two feel a bond right away. After learning to trust one another Just Riley learns that they each have a ring identical to the other. It is with these rings and a little bit of luck that they start on an adventure that may lead them to the truth about who Just Riley really is.
What I liked most was how the main character is called Just Riley. At first, I found this to be annoying and awkward, but after the reason is explained I fund it to be cute, if not a little sad as well. What I did not like was that I wish the book would have explained the difference between Romany and Gypsey. This is because on multiple occasions people in the book confuse the two and Riley seems to be insulted by that. I feel like many people (myself included) do not know the difference and would benefit from the explanation.
People who enjoy historical mysteries would enjoy this book the most. This book is appropriate for just about all readers even those in middle school. It is not too heavily historical that it is not enjoyable. I give this book a 3 out of 4 ratings. While there is not anything wrong with this book I could not give it a perfect score. The book just was not compelling to read. While it is classified as a mystery it really doesn't have a quality that made me curious about what was happening.
https://nightreaderreviews.blogspot.com
https://www.facebook.com/nightreaderreviews/
https://www.austinmacauley.com/book/mandore-rose
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