"This title never comes through the spell check unscathed. I love director William Greaves’s bravery for making this outrageously fascinating experimental feature that pushes the boundaries of what’s traditionally accepted in film. There are actually two films here. The first one, which he made in the late sixties, was somehow denied a proper release, and the sequel (of sorts) he made over thirty-five years later. Part one was my favorite discovery at Sundance 1992, and I was proud and honored to have worked on the second installment. More to come, Bill?"

"I have friends who never read books, and so when they ask me what they should pick up first, I always give them this one. I tell them there are some books that are like drugs, and will give you a quick hit, but if you want something that will stay with you and resonate for a long while afterward, then try this. I read it for school, and it speaks to the power of the book that I could analyze the bugger out of it and still not fall out of love with it."

"I’m a gigantic music fan. I love fifties rock‘n’roll, Chess, Sun, Motown. All the Merseybeat bands, Sixties girl groups, folk. This is just so cool: it’s a combination of the way it’s produced, the cool pop/R&B sound, and Freda’s voice. Its kinda kitschy in a way – y’know, it’s got a really up-tempo tune – and, the first few times I heard it, I was, like, totally into the coolness of the song. It was only on the third or fourth listen I realised the lyrics were so fucking heartbreaking"

"I normally wouldn’t find myself reading a Young Adult novel, but when something is as suspenseful and well written as this one, why not? The story is about a 17-year-old girl named Zoe who’s still in shock from a year’s worth of traumatic events. She gets involved with someone she’s not supposed to, and it makes her question whether she should or shouldn’t take a gamble on what might be perfect love. I’m sure they’ll make a movie about this eventually, but read the book first!"

"Do I have to say anything? I don’t know if I’ve ever met anyone who didn’t love this film. There’s a reason it ran for over a year in one theater near me growing up in New York (as well as a reason its distributors tried to dump it, since it was so resolutely odd and unique . . . and wonderful). Having Bud Cort do a cameo in my first feature was a private dream come true. A film to live by, this affected and inspired me as much as a person as as a filmmaker."

"That hits home for my sci-fi nerd self side of myself. I love the first one, A New Hope — that’s where it all started. But, Empire was just so awesome. I always remember watching Empire and being like, “Man, this movie is awesome from top to bottom.” So many good battles between Luke and Vader. Luke getting his arm chopped off — it’s a cold blooded movie. Return of the Jedi is awesome too. But, without Empire Strikes Back, I don’t know if Jedi would’ve even been a thing. So much Billy Dee Williams, too."

"My introduction to Cassvettes. It’s an opus. I liked it but I did not love it the first time I saw it. The movie takes patience but then you realize that’s the genius of it, the imitative way it puts the audience in a kind of narrative stupor. And once you’re there, it runs you through every emotion. So good luck with that. Also, Gena Rowlands is a goddess who walks among us. Of all the tributes to Cassavetes, this is surely the most minor but . . . my cat is named Mabel. Similar behavior."

"My daughter Tyson and I went to hear Allende talk in Stockholm at Kulturhuset, which was great. I love her so much, and often think about her telling us how in the first days of January every year she starts a new book. I adore the picture of her always dressed up to the nines in heels and makeup, walking out to her shed in back of her garden... like a warrior going into battle... and then giving like people me a chance to fly with those tales... “Daughter of Fortune” is a fantastic adventure."