"It's not just an album to me; it's like a movie. It's a whole story—there's cruel, tragic storytelling. I listened to it for the first time in Berlin. Sometimes when I travel, I like to find things that relate to where I am. So I listened to this, and for the whole afternoon, I was like, Oh man. How am I going to leave the apartment? Something changed after I listened to this album. I love Lou Reed, because his voice sounds like your inner conscience. When I read a book, it's Lou Reed's voice narrating it. It's very intimate. I can't really listen to this album casually. It's like going to a museum and seeing a painting that really means something to you—a sacred moment. I don't have many albums that do that for me."

"First up, Touki Bouki. It’s such a raw experimental work. I love its visual honesty and color palette. It also speaks to such an interesting experience within the diaspora – the idea of feeling sort of alienated by your own home. By Djibril Diop Mambéty, it speaks on a ton of things: cultural domination, neocolonialism, how you can feel alienated from your own culture. A visceral and brutal film made in the ’70s in Senegal. It starts with this beautiful wide static shot. We [the audience] are on sticks looking out as this herd starts to approach, and the color palette is insane. Like I said, it was made in the early ’70s, and they don’t shy away from showing anything. I don’t want to go too deep into what they don’t shy away from, because it’s a lot."