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First in the World Somewhere
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Penny Pepper has led an extraordinary life. She is a writer. Poet. Punk. Pioneer. Activist. And she...
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Mountain: A Life on the Rocks
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Steve Backshall has been climbing since his teens and has a genuine love affair with the mountains,...
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My Life on a Plate: Favourite Recipes from Around the World
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Kelis' love affair with food started as a child. A native New Yorker, her mother worked as a chef in...
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Stories of Your Life: And Others
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Soon to be a major motion picture starring Amy Adams. This new edition of Ted Chiang's masterful...
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The End of the Story
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The first and only novel by Lydia Davis, winner of the Man Booker International Prize 2013. 'It...
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Don Alvaro, or the Force of Fate (1835): A Play by Angel De Saavedra, Duke of Rivas
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Don Alvaro, or the Force of Fate by Angel de Saavedra, Duke of Rivas (1791-1865), premiered in 1835...
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Channel 4's Gogglebox is one of the most loved shows on TV. Every week, more than 7 million of us...
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Men are from Mars, Women are from Venus
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The legendary relationships guide that mothers recommend to their daughters, friends give as gifts...
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LeftSideCut (3776 KP) rated The Howling (1981) in Movies
Oct 30, 2020
The plot takes a little while to kick in, but the slow first half actually allows the audience time to get to know the characters. Karen White (Dee Wallace) takes the lead, and is a hugely likable protagonist to carry the story forward. By the time the monstrous shenanigans kick off, you genuinely want her to win. Everyone else is a little disposable, allowing the rest of the focus to go towards werewolf characters, mainly Eddie Quist (Robert Picardo) and Marsha (Elisabeth Brooks), two characters that are sick of hiding their true nature, and want to live free, like wild animals should, feeding in humans and all. Unfortunately, the slow burn first half leaves little time to properly explore this aspect of the narrative.
The transformation effects are fucking great. Do they look dated? Sure, but considering that this released in 1981, the practical effects used are fantastic. I'm a fan of the bubbling effects in particular. When the transformation is complete, the aesthetic mostly avoids looking like a guy in a suit (not completely mind) and this is probably down to the make up work on the faces. The creatures look pretty damn mean.
A solid screenplay, a decent cast, and some great effects work ensure that The Howling stands out in a decade of gratuitous horror. Love it.