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Hadley (567 KP) rated The Woman in Black in Books
Jan 1, 2020
Great paranormal aspect (1 more)
Good narrative
Overuse of some words (1 more)
Some scenes that could have been written better
In Susan Hill's novel, "The Woman in Black," she puts a small twist on an urban legend that is widely known to most - - - 'the lady in white,' which if you haven't heard of it, it's a spectral woman that is seen throughout the world, dressed all in white, only to show up in places of tragic events. This novel only has one main character, Arthur Kipps, a 23-year-old young man who is a lawyer in late 1800's England. He usually takes care of the conveyance of property leases, but one day, when his boss, Mr. Bentley, hands over a case and responsibility of finding a newly deceased's Last Will and Testament for their lawfirm, Kipp graciously accepts the new adventure without knowing that what is ahead will haunt him the rest of his life.
As Kipp soon finds out after traveling to the town just outside of the deceased's home, there is more to this woman, Alice Drablow, than just an old hermit- - - anytime her name is mentioned, people fall silent; the same goes for her home: Eel Marsh House. Kipp doesn't allow this to put him off from doing his job, but when he finds out about the marshes the house lives on, he is told that there are only certain times of the day that he can cross before the marshes become too flooded to cross. 'The Woman in Black' has spine-chilling moments and great descriptive details to make this a quick ghost story to be enjoyed.
Before Kipp heads off to the Eel Marsh House, he must attend Mrs. Drablow's funeral; he is accompanied by a man named Mr. Jerome, an agent that had dealt with Mrs. Drablow's property and land business while she was alive. While at the church, only one other person turns up for the funeral: a woman dressed all in black. Kipp takes note that this woman does not look well and, being the gentleman that he is, tells himself that he will offer his arm to her for stability after the funeral, but when they are leaving the church yard, the woman is suddenly gone. Kipp brings this up to Mr. Jerome, but he merely states that they were the only ones at the funeral.
The best scene to come is Kipp's first night at Eel Marsh House, where he experiences his first real scare in the ruins close by the house that is a dilapidated cemetery. " Suddenly conscious of the cold and the extreme bleakness and eeriness of the spot and of the gathering dusk of the November afternoon, and not wanting my spirits to become so depressed that I might begin to be affected by all sorts of morbid fancies, I was about to leave, and walk briskly back to the house, where I intended to switch on a good many lights and even light a small fire if it were possible, before beginning my preliminary work on Mrs. Drablow's papers. But, as I turned away, I glanced once again round the burial ground and then I saw again the woman with the wasted face, who had been at Mrs. Drablow's funeral. She was at the far end of the plot, close to one of the few upright headstones, and she wore the same clothing and bonnet, but it seemed to have slipped back so that I could make out her face a little more clearly. "
Over the entire course of the book, Kipp only visits the house one more time after this incident. The book has a good story, but it isn't flawless; first, there is the overuse of the word 'estuary,' which is practically used on every page whenever Kipp is at the Eel Marsh House or discussing it. It gets very tiresome. There is also instances of bad writing, where I feel that Hill could have delivered the scenes better than she did: Kipp changing his mind the very next sentence (if you read my reviews pretty regularly, you will realize that I can't stand it when a character contradicts themselves within a page or two), and then Kipp saying he can't do something, than directly after, does it. When you read this book, you will realize that Kipp is not the type of character that would change his mind on a whim.
Kipp is also an interesting character for a male set in this era. Most men in the late 1800's were stoic and refused to show an ounce of emotion in public, but Kipp is not afraid to have other men see him fall apart, and he is also very considerate of other people. There isn't much of a backstory on where Kipp came from or how his parents raised him, but it wasn't really needed for this story. Yet, we meet Kipp's step-children and his first and second wife, without too much of a story about them, so when certain things happen (to not give a spoiler), it doesn't really leave an impression.
There isn't much I can say that wouldn't give away what makes this story enjoyable to read. Overall, this is a good and quick ghost story that may cause shivers for some, but even if it doesn't, the Woman in Black is a must-read for lovers of the paranormal. To me, this seems like a good book to read while traveling because it's easy to pick up and set down without getting lost as to what was going on.
As Kipp soon finds out after traveling to the town just outside of the deceased's home, there is more to this woman, Alice Drablow, than just an old hermit- - - anytime her name is mentioned, people fall silent; the same goes for her home: Eel Marsh House. Kipp doesn't allow this to put him off from doing his job, but when he finds out about the marshes the house lives on, he is told that there are only certain times of the day that he can cross before the marshes become too flooded to cross. 'The Woman in Black' has spine-chilling moments and great descriptive details to make this a quick ghost story to be enjoyed.
Before Kipp heads off to the Eel Marsh House, he must attend Mrs. Drablow's funeral; he is accompanied by a man named Mr. Jerome, an agent that had dealt with Mrs. Drablow's property and land business while she was alive. While at the church, only one other person turns up for the funeral: a woman dressed all in black. Kipp takes note that this woman does not look well and, being the gentleman that he is, tells himself that he will offer his arm to her for stability after the funeral, but when they are leaving the church yard, the woman is suddenly gone. Kipp brings this up to Mr. Jerome, but he merely states that they were the only ones at the funeral.
The best scene to come is Kipp's first night at Eel Marsh House, where he experiences his first real scare in the ruins close by the house that is a dilapidated cemetery. " Suddenly conscious of the cold and the extreme bleakness and eeriness of the spot and of the gathering dusk of the November afternoon, and not wanting my spirits to become so depressed that I might begin to be affected by all sorts of morbid fancies, I was about to leave, and walk briskly back to the house, where I intended to switch on a good many lights and even light a small fire if it were possible, before beginning my preliminary work on Mrs. Drablow's papers. But, as I turned away, I glanced once again round the burial ground and then I saw again the woman with the wasted face, who had been at Mrs. Drablow's funeral. She was at the far end of the plot, close to one of the few upright headstones, and she wore the same clothing and bonnet, but it seemed to have slipped back so that I could make out her face a little more clearly. "
Over the entire course of the book, Kipp only visits the house one more time after this incident. The book has a good story, but it isn't flawless; first, there is the overuse of the word 'estuary,' which is practically used on every page whenever Kipp is at the Eel Marsh House or discussing it. It gets very tiresome. There is also instances of bad writing, where I feel that Hill could have delivered the scenes better than she did: Kipp changing his mind the very next sentence (if you read my reviews pretty regularly, you will realize that I can't stand it when a character contradicts themselves within a page or two), and then Kipp saying he can't do something, than directly after, does it. When you read this book, you will realize that Kipp is not the type of character that would change his mind on a whim.
Kipp is also an interesting character for a male set in this era. Most men in the late 1800's were stoic and refused to show an ounce of emotion in public, but Kipp is not afraid to have other men see him fall apart, and he is also very considerate of other people. There isn't much of a backstory on where Kipp came from or how his parents raised him, but it wasn't really needed for this story. Yet, we meet Kipp's step-children and his first and second wife, without too much of a story about them, so when certain things happen (to not give a spoiler), it doesn't really leave an impression.
There isn't much I can say that wouldn't give away what makes this story enjoyable to read. Overall, this is a good and quick ghost story that may cause shivers for some, but even if it doesn't, the Woman in Black is a must-read for lovers of the paranormal. To me, this seems like a good book to read while traveling because it's easy to pick up and set down without getting lost as to what was going on.
Kris Karcher (10 KP) rated Nashville (1975) in Movies
Jan 11, 2018
A landmark film
Nashville is a very difficult film to pin down. It refuses to be pigeonholed into a genre. (IMDB has it listed as a comedy, Google as Drama/Political Drama, and Wikipedia labels the film a Musical Comedy-Drama. In my opinion, Nashville is all of those things and maybe some more. It would be more beneficial to talk about Nashville, not in terms of how similar it is to any other film, but instead, explore how it is unique and entirely different from almost everything that came before it. Robert Altman attempted to subvert audience expectations in ways never before seen in Hollywood. Where most films try and limit the number of main characters the audience has to follow, Altman instead chose to populate his country music narrative with over 20 different protagonists. Each of these protagonists has their own story to tell and all of these stories are only loosely connected together. This may sound familiar to contemporary audiences who have seen films like Crash, Babel, and Magnolia fresh on their minds, but to a 1975 audience, this was all but unheard of. Altman furthers this sense of chaos by constantly overlapping dialogue tracks throughout the film. This tactic forces viewers to engage more closely to what they can hear during the scenes because it’s not always obvious what you should be listening to. Sometimes that choice is even quite subjective as in most cases there is no clear plot line that stands out as primary. One of the joys of this film comes from the choice you have as a spectator to focus on whatever interests you most. To a certain extent, this film lends itself to multiple viewings that could produce slightly different results each time. Something that might have slipped your attention the first time might stand out upon repeated viewings and that has the possibility to add to the story in interesting and unique ways. In dealing with over 20 characters Altman runs the risk of underdeveloped characters and unsatisfying conclusions to their stories. Not everyone has a satisfying payoff but some characters will surprise you during the final few scenes. Henry Gibson’s Haven rises above what was previously a one-note character of a person and responds to the climax in a surprisingly moving way. All in all, Nashville is an important piece of American cinema history. It may not be everyone’s cup of tea so it’s best to temper your expectations going into a viewing, but if you can keep your eyes and ears intently listening for the full two and a half hour film you will not be disappointed in the humanity you spot in each of these stories. This is a film that rewards an invested viewing.
Whatchareadin (174 KP) rated The Secrets We Keep in Books
May 10, 2018
Kit Stitski is dead. He fell into the quarry during a party and drowned and ever since June no one has been able to come forward to say what really happened to him. Now that school has started, his mother is making a plea with the students to come forward with what they know. Was it just a tragic accident or did someone do something to Kit? Clementine was there, she spoke with Kit and sent him off to the bushes when he said he had to go to the bathroom. Ellie was there too, she is keeping Clementine's secret, but does she have a secret of her own? Jake was there, in fact, Kit followed him to the party. And Mac was there with Ellie, did he do something to Kit?
As a new school year starts, everyone is reflecting on the tragic night at the end of the previous school year. They've had the whole summer to think about it and now that school is back in session, Ms. Stitski wants answers and closure about what happened with her son. When she shows up for the first day of school, Jake, Clementine, Ellie, and Mac are all on edge because they feel they are responsible for Kit's death. They can't imagine that this was just an accident, something must of happened to him when he was out of their sight. But is that possible?
I really enjoyed this YA novel by Deb Loughead. I was a quick read that kept me engrossed the entire time. The author never really mentions where the story is set, and it could be any town in any country. Kids will be kids and will do what they want despite the rules set by their parents. None of the kids should have been at the quarry that night. It's a dangerous place and even more so when it is dark. Kit was mentally challenged, but loved by all in the school. The students recall happy moments with Kit that help his family to heal after this difficult situation. This is a story you could see in today's news stories. A tragic accident that took the life of an innocent person.
I think people of all ages will enjoy this book. I think it is especially important for youth to read. It has a message of honesty in the book. About being able to talk to your parents about the things that are going on in your world. The book has a strong family focus and includes diverse family structures that are seen today. I recommend this book for anyone who is looking for a good novel to read.
Thank you to NetGalley and Dundurn for the opportunity to review this book.
As a new school year starts, everyone is reflecting on the tragic night at the end of the previous school year. They've had the whole summer to think about it and now that school is back in session, Ms. Stitski wants answers and closure about what happened with her son. When she shows up for the first day of school, Jake, Clementine, Ellie, and Mac are all on edge because they feel they are responsible for Kit's death. They can't imagine that this was just an accident, something must of happened to him when he was out of their sight. But is that possible?
I really enjoyed this YA novel by Deb Loughead. I was a quick read that kept me engrossed the entire time. The author never really mentions where the story is set, and it could be any town in any country. Kids will be kids and will do what they want despite the rules set by their parents. None of the kids should have been at the quarry that night. It's a dangerous place and even more so when it is dark. Kit was mentally challenged, but loved by all in the school. The students recall happy moments with Kit that help his family to heal after this difficult situation. This is a story you could see in today's news stories. A tragic accident that took the life of an innocent person.
I think people of all ages will enjoy this book. I think it is especially important for youth to read. It has a message of honesty in the book. About being able to talk to your parents about the things that are going on in your world. The book has a strong family focus and includes diverse family structures that are seen today. I recommend this book for anyone who is looking for a good novel to read.
Thank you to NetGalley and Dundurn for the opportunity to review this book.
graveyardgremlin (7194 KP) rated The Christmas Killer in Books
Feb 15, 2019
The Christmas Killer (aka The Dream Killer) was a Point Horror book I missed out reading when I was younger, so decided to pick it up to enjoy this holiday season (yes, I am sick). Rosecleer Potter is a normal, everyday fifteen-year-old girl who has a twin brother, Jerram, and loves to dance. She also just happens to have developed the ability to talk, through dreams, to the recently departed, which starts when an acquaintance disappears and whose body turns up murdered in the woods. Now, as the body count rises, Rose has to figure out how to use her power before the killer gets to her.
The first paragraph almost caused me to rethink my expectations of enjoyment I'd get from the book. The sentences were short and choppy, and if the whole book had been written this way, I don't think I'd have managed to get through it. Fortunately for me, it didn't turn out that way at all. Although there were more short, fragmented sentences, they were few and far between and seemed more of a style choice than anything else.
Rose was a good choice as a lead and had both positive and negative attributes to her personality. She was generally nice but could have moments of cattiness or where her temper got the best of her, which made her more believable. I can't say any of the characters are over-developed, but they are described enough to get a rough sketch of who they are as a person, and there are moments of truth in many of their actions, e.g. the mother's freaking out, the father's clamming up, and the brother's withdrawal and secretiveness. The atmosphere is done extremely well. Even though I don't remember many actual descriptions, I got the feeling of a small town, its claustrophobia, and sense of impending doom all the same.
I have to admit this book surprised me. I went in expecting more of the slasher-type YA horrors I read as a youngster, and was handed a more mature, psychological suspense horror read instead. The plot flows well and has enough clues and red herrings to keep most readers interested. As someone who has read a lot of mysteries, I did figure it out, but it could have gone many ways and still have been satisfying. The ending is the only weak point as it was a bit abrupt and maybe too open-ended, but that's a minor niggle and didn't affect my enjoyment much. As far as I've been able to tell, there is no sequel, which might be for the best. The Christmas Killer was a quick and easy chiller that kept me entertained throughout and I'd recommend it for those who like creepy teen reads.
Originally Reviewed: December 29, 2012
Received: Library
The first paragraph almost caused me to rethink my expectations of enjoyment I'd get from the book. The sentences were short and choppy, and if the whole book had been written this way, I don't think I'd have managed to get through it. Fortunately for me, it didn't turn out that way at all. Although there were more short, fragmented sentences, they were few and far between and seemed more of a style choice than anything else.
Rose was a good choice as a lead and had both positive and negative attributes to her personality. She was generally nice but could have moments of cattiness or where her temper got the best of her, which made her more believable. I can't say any of the characters are over-developed, but they are described enough to get a rough sketch of who they are as a person, and there are moments of truth in many of their actions, e.g. the mother's freaking out, the father's clamming up, and the brother's withdrawal and secretiveness. The atmosphere is done extremely well. Even though I don't remember many actual descriptions, I got the feeling of a small town, its claustrophobia, and sense of impending doom all the same.
I have to admit this book surprised me. I went in expecting more of the slasher-type YA horrors I read as a youngster, and was handed a more mature, psychological suspense horror read instead. The plot flows well and has enough clues and red herrings to keep most readers interested. As someone who has read a lot of mysteries, I did figure it out, but it could have gone many ways and still have been satisfying. The ending is the only weak point as it was a bit abrupt and maybe too open-ended, but that's a minor niggle and didn't affect my enjoyment much. As far as I've been able to tell, there is no sequel, which might be for the best. The Christmas Killer was a quick and easy chiller that kept me entertained throughout and I'd recommend it for those who like creepy teen reads.
Originally Reviewed: December 29, 2012
Received: Library
Sassy Brit (97 KP) rated Write Yourself Happy: The Art of Positive Journalling in Books
Jun 5, 2019
With the book Write Yourself Happy: The Art of Positive Journalling, Megan C. Hayes reveals just how we can use practical and scientifically proven methods to increase our happiness through journalling. She’s an academic in Positive Psychology and Creative Writing, and that shows via her knowledge and understanding in this well-written and enlightening book.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
Sassy Brit (97 KP) rated Every Wicked Man in Books
Jun 5, 2019
With the book Write Yourself Happy: The Art of Positive Journalling, Megan C. Hayes reveals just how we can use practical and scientifically proven methods to increase our happiness through journalling. She’s an academic in Positive Psychology and Creative Writing, and that shows via her knowledge and understanding in this well-written and enlightening book.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
Debbiereadsbook (1582 KP) rated Animal Attraction (San Francisco Dragons #2) in Books
Jun 6, 2019
a Nice easy read!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
6 months ago, Maggie’s dog, Kirby, goes missing. Her friend Jade finds him, and Maggie goes to the door of hockey player Spencer to get him back. But Kirby is looking after Spencer’s elderly dog, Lulu, who has perked up since Spencer found Kirby by the side of the road and he doesn’t want Lulu to go yet. Sharing the dog for the short term seemed the best idea. But as they get closer, secrets threaten to drive them apart.
If you follow my reviews, you’ll know I have a particular dislike of the N word for a book, but sometimes, that bloody word gets stuck in my throat and I cannot shift it, no matter what.
So, this was a NICE book. A good nice, easy read, that wiled away a few hours this morning before work.
Maggie finds herself in deep quick with Spencer, and vice versa but Maggie can’t give Spencer what he wants and when his ex turns up with news, she walks away. Spencer doesn’t want the ex though, and he must find a way to get Maggie back.
It’s well written, with both Maggie and Spencer having a say in the third person. Both voices are clear, concise and consistent through the book, although Spencer I found a little jumpy in his narrative. He seemed to flit about a bit, not really paying much attention to Maggie, until she wasn’t there!
It's not especially high on the heat level, or maybe I just read books with a MUCH higher level, but I didn’t mind it here. I do prefer my books high up that scale, in general, but I felt the level that this book gets to was hot enough for Maggie and Spencer. It IS sexy, though, don’t get me wrong! Just not super hot.
There isn’t any real drama, but there is a good deal of emotions involved, especially on Maggie’s part. Dealing what she did all those years ago must have been devastating and to not have told her best friend all of it? Too painful to think about.
I got what the ex was doing, very quickly! But again, Spencer couldn’t see that!
This is book 2 in the San Francisco Dragons series, and I have not read book one. I didn’t feel I was missing anything by not reading it, but from reading the blurb, the main character does pop up here, as a member of Spencer’s team. Some interesting characters on this team, too, and I would like to catch up with them all as they fall and fall hard.
First I’ve read by Ms Willoughby, I’d like to read more.
4 solid stars
**same worded review will appear elsewhere**
6 months ago, Maggie’s dog, Kirby, goes missing. Her friend Jade finds him, and Maggie goes to the door of hockey player Spencer to get him back. But Kirby is looking after Spencer’s elderly dog, Lulu, who has perked up since Spencer found Kirby by the side of the road and he doesn’t want Lulu to go yet. Sharing the dog for the short term seemed the best idea. But as they get closer, secrets threaten to drive them apart.
If you follow my reviews, you’ll know I have a particular dislike of the N word for a book, but sometimes, that bloody word gets stuck in my throat and I cannot shift it, no matter what.
So, this was a NICE book. A good nice, easy read, that wiled away a few hours this morning before work.
Maggie finds herself in deep quick with Spencer, and vice versa but Maggie can’t give Spencer what he wants and when his ex turns up with news, she walks away. Spencer doesn’t want the ex though, and he must find a way to get Maggie back.
It’s well written, with both Maggie and Spencer having a say in the third person. Both voices are clear, concise and consistent through the book, although Spencer I found a little jumpy in his narrative. He seemed to flit about a bit, not really paying much attention to Maggie, until she wasn’t there!
It's not especially high on the heat level, or maybe I just read books with a MUCH higher level, but I didn’t mind it here. I do prefer my books high up that scale, in general, but I felt the level that this book gets to was hot enough for Maggie and Spencer. It IS sexy, though, don’t get me wrong! Just not super hot.
There isn’t any real drama, but there is a good deal of emotions involved, especially on Maggie’s part. Dealing what she did all those years ago must have been devastating and to not have told her best friend all of it? Too painful to think about.
I got what the ex was doing, very quickly! But again, Spencer couldn’t see that!
This is book 2 in the San Francisco Dragons series, and I have not read book one. I didn’t feel I was missing anything by not reading it, but from reading the blurb, the main character does pop up here, as a member of Spencer’s team. Some interesting characters on this team, too, and I would like to catch up with them all as they fall and fall hard.
First I’ve read by Ms Willoughby, I’d like to read more.
4 solid stars
**same worded review will appear elsewhere**
Bong Mines Entertainment (15 KP) rated The Art of Letting Go by Mauwe in Music
Jun 7, 2019
Mauwe (Portia & Jay) is a Bristol-based indie-pop duo. Not too long ago, they released their debut EP, entitled, “The Art of Letting Go”.
The 5-track project is a chronicle of love lessons that Mauwe learned in life. Also, hopefulness is the common theme throughout the EP.
“That’s All”
That’s All wishes an old flame the best. Nothing more nothing less. The song is sung from a female’s point of view, where the woman in question is thinking about her ex-boyfriend.
She knows their relationship is over. Plus, she’s dealing with the fact that he has moved on with another woman. But that doesn’t stop her from telling him that she’s thinking about him.
“Smoked a Pack”
Smoke a Pack is an edgy song about a woman that’s waiting for a phone call from a man she regrets being in a relationship with. While waiting, she realizes she should have never gotten into a relationship with him in the first place.
The woman is thinking about her friends warning her not to get into the relationship and other regretful actions. The situation is nerve-racking so she smokes a pack of cigarettes. She’s trying to release her stress and anger the cheapest way she knows how.
“Gold”
Gold is an apprehensive song about falling for someone new. The song places a woman that’s drunk in love with a man that makes her feel like gold.
The woman compares her current state of drunken love to someone who is on drink number three. Depending on what that person is drinking, probably means she’s feeling good inside.
“Walls”
Walls is an emotional R&B/Soul ballad. It’s about a woman who’s losing her mind. Although she’s out of a broken relationship, her heart is still imprisoned there.
The woman is going insane trying to forget her ex’s name. She used to have control, but since he let her go, she writes on the walls to past time. Sometimes, love is a pretty gloomy thing isn’t it?
“Strangers”
If you’ve ever taken the time to look back at some of life’s more challenging moments, accompanied by a tub of Ben & Jerry’s or a bottle of wine, you’ll probably relate to Strangers.
The song is built on the sereneness of solitary thought. On moments that give us the clarity needed to see things how they really were.
Mauwe’s songwriting directions have a clear lineage to what they were influenced by prior to their formation.
Jay outlines contemporary folk and electronica as his staples growing up.
In conclusion, we highly recommend that you listen to Mauwe’s debut EP, entitled, “The Art of Letting Go”.
https://www.bongminesentertainment.com/mauwe-art-letting-go/
The 5-track project is a chronicle of love lessons that Mauwe learned in life. Also, hopefulness is the common theme throughout the EP.
“That’s All”
That’s All wishes an old flame the best. Nothing more nothing less. The song is sung from a female’s point of view, where the woman in question is thinking about her ex-boyfriend.
She knows their relationship is over. Plus, she’s dealing with the fact that he has moved on with another woman. But that doesn’t stop her from telling him that she’s thinking about him.
“Smoked a Pack”
Smoke a Pack is an edgy song about a woman that’s waiting for a phone call from a man she regrets being in a relationship with. While waiting, she realizes she should have never gotten into a relationship with him in the first place.
The woman is thinking about her friends warning her not to get into the relationship and other regretful actions. The situation is nerve-racking so she smokes a pack of cigarettes. She’s trying to release her stress and anger the cheapest way she knows how.
“Gold”
Gold is an apprehensive song about falling for someone new. The song places a woman that’s drunk in love with a man that makes her feel like gold.
The woman compares her current state of drunken love to someone who is on drink number three. Depending on what that person is drinking, probably means she’s feeling good inside.
“Walls”
Walls is an emotional R&B/Soul ballad. It’s about a woman who’s losing her mind. Although she’s out of a broken relationship, her heart is still imprisoned there.
The woman is going insane trying to forget her ex’s name. She used to have control, but since he let her go, she writes on the walls to past time. Sometimes, love is a pretty gloomy thing isn’t it?
“Strangers”
If you’ve ever taken the time to look back at some of life’s more challenging moments, accompanied by a tub of Ben & Jerry’s or a bottle of wine, you’ll probably relate to Strangers.
The song is built on the sereneness of solitary thought. On moments that give us the clarity needed to see things how they really were.
Mauwe’s songwriting directions have a clear lineage to what they were influenced by prior to their formation.
Jay outlines contemporary folk and electronica as his staples growing up.
In conclusion, we highly recommend that you listen to Mauwe’s debut EP, entitled, “The Art of Letting Go”.
https://www.bongminesentertainment.com/mauwe-art-letting-go/
Movie Metropolis (309 KP) rated Ted 2 (2015) in Movies
Jun 11, 2019
The bear is back
The success of Ted was completely unexpected. I doubt even director Seth McFarlane knew just how popular it would go on to become.
From special DVD’s to limited edition cuddly (or not so cuddly) toys, Ted has become something of a phenomenon. A sequel was always going to be on the cards and after three years perfecting it, McFarlane returns with Ted 2. But is it as funny as its predecessor?
Ted 2 follows the titular bear as he embarks on a relationship with Tami-Lynn and continues his friendship with John, the ever-watchable Mark Wahlberg in another great performance.
Unfortunately for Ted, his rights have been challenged by the US government and he must fight to be recognised as a ‘person’, rather than just someone’s ‘property’.
What ensues is a film which whilst being as funny as its predecessor, manages to be somewhat disappointing with a serious shortage of plot. This becomes evident as McFarlane uses Family Guy-esque cut-scenes and incredibly long dance numbers.
The cast, on the whole, is fantastic. Amanda Seyfried takes over from Mila Kunis as John’s love interest and Ted’s lawyer, Samantha. As usual she is a joy to watch but her inexperience in the offensive comedy genre is evident – scenes of her taking drugs just don’t sit right.
Morgan Freeman is sorely underused as a civil rights attorney, though a quick reference to his silky-smooth voice is more than welcome. Giovanni Ribisi also makes a surprising return as Ted’s nemesis Donny.
An absolutely brilliant cameo from Liam Neeson is one of the highlights in a film packed with gags which generally hit the spot – but they’re certainly not for the feint-hearted.
Ted 2 is louder, more obnoxious and much more offensive than its predecessor with numerous scenes involving sperm banks and an endless supply of drug-related comedy.
Unfortunately, all these highs are brought crashing back down to Earth as the story continuously runs out of steam and picks up again. It’s such a shame that a film less than two hours long has such a plot problem.
Thankfully, the original Ted wasn’t a masterpiece and MacFarlane manages to shoot the film well with a real eye for the finer details. His love of movies is apparent with Star Wars references being used well.
Overall, Ted 2 is very close to the standard of its predecessor, despite the excess story-padding that occurs throughout the film. The comedic elements are cracking with Liam Neeson’s cameo being a laugh-out-loud moment – it’s worth a watch, but only if you’re a fan of the first.
https://moviemetropolis.net/2015/07/12/the-bear-is-back-ted-2-review/
From special DVD’s to limited edition cuddly (or not so cuddly) toys, Ted has become something of a phenomenon. A sequel was always going to be on the cards and after three years perfecting it, McFarlane returns with Ted 2. But is it as funny as its predecessor?
Ted 2 follows the titular bear as he embarks on a relationship with Tami-Lynn and continues his friendship with John, the ever-watchable Mark Wahlberg in another great performance.
Unfortunately for Ted, his rights have been challenged by the US government and he must fight to be recognised as a ‘person’, rather than just someone’s ‘property’.
What ensues is a film which whilst being as funny as its predecessor, manages to be somewhat disappointing with a serious shortage of plot. This becomes evident as McFarlane uses Family Guy-esque cut-scenes and incredibly long dance numbers.
The cast, on the whole, is fantastic. Amanda Seyfried takes over from Mila Kunis as John’s love interest and Ted’s lawyer, Samantha. As usual she is a joy to watch but her inexperience in the offensive comedy genre is evident – scenes of her taking drugs just don’t sit right.
Morgan Freeman is sorely underused as a civil rights attorney, though a quick reference to his silky-smooth voice is more than welcome. Giovanni Ribisi also makes a surprising return as Ted’s nemesis Donny.
An absolutely brilliant cameo from Liam Neeson is one of the highlights in a film packed with gags which generally hit the spot – but they’re certainly not for the feint-hearted.
Ted 2 is louder, more obnoxious and much more offensive than its predecessor with numerous scenes involving sperm banks and an endless supply of drug-related comedy.
Unfortunately, all these highs are brought crashing back down to Earth as the story continuously runs out of steam and picks up again. It’s such a shame that a film less than two hours long has such a plot problem.
Thankfully, the original Ted wasn’t a masterpiece and MacFarlane manages to shoot the film well with a real eye for the finer details. His love of movies is apparent with Star Wars references being used well.
Overall, Ted 2 is very close to the standard of its predecessor, despite the excess story-padding that occurs throughout the film. The comedic elements are cracking with Liam Neeson’s cameo being a laugh-out-loud moment – it’s worth a watch, but only if you’re a fan of the first.
https://moviemetropolis.net/2015/07/12/the-bear-is-back-ted-2-review/
Kristy H (1252 KP) rated Goodbye, Vitamin in Books
Jan 21, 2018
Funny (2 more)
Sweet moments
Well-written
Lovely, touching read
After a rough breakup with her fiance, Ruth reluctantly accepts her mother's request to return home and help care for her father, Howard, who is suffering from Alzheimer's disease. Once home, Ruth realizes that Howard--an extremely well-respected professor of history--has his good days and bad days, while her mother has stopped cooking (blaming the aluminum in cookware for Howard's illness). Floundering at first, Ruth eventually steps up, cooking for her family, helping her father, and generally trying to regain her footing. But even she cannot ignore that her father's condition is worsening.
This is an interesting novel, told in short bits and pieces, as if Ruth is talking to her father and describing their days. It covers one year after she comes to stay and comes across almost as if a diary, with a very conversational tone (interspersed with her random thoughts). It's oddly compelling and often humorous, despite the serious subject matter. Occasionally, we get a few snippets from a journal Ruth's father kept during her childhood, chronicling funny things she did or said as a child.
As for Ruth, there's a lightness to many of her stories and observations, but also a sadness: she's watching her beloved, intelligent father fall prey to Alzheimer's; there is a darkness as well, as she grapples with finding out imperfections about her parents' marriage and life. The character list is limited, but all we need, including Ruth's younger brother, Linus; Howard's former teaching assistant, Theo; and a few of Ruth's friends. Ruth comes across as a very real person: she doesn't have it all together, but that's okay. A few pieces of the overall story path are predictable, but do not detract from your overall enjoyment of the book.
The few portions we get from Howard's journal regarding young Ruth are amazing: they humanize him and definitely capture parenthood perfectly. They also so well illustrate how Ruth and Howard are slowly switching roles from child to parent, as Ruth almost begins to have similar observations about her own failing father. The way Khong depicts the sadness and poignancy in these moments is just beautiful and brilliant.
In the end, this is a different kind of book: you have to have the patience for it. It doesn't necessarily tell a story in a full arc, but it's sweet and moving. I very much liked Ruth and the novel (even I did wonder how both Ruth and eventually Linus could afford to stay with their parents, while jobless, but oh well.). Lovely and touching - certainly worth picking up.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review
This is an interesting novel, told in short bits and pieces, as if Ruth is talking to her father and describing their days. It covers one year after she comes to stay and comes across almost as if a diary, with a very conversational tone (interspersed with her random thoughts). It's oddly compelling and often humorous, despite the serious subject matter. Occasionally, we get a few snippets from a journal Ruth's father kept during her childhood, chronicling funny things she did or said as a child.
As for Ruth, there's a lightness to many of her stories and observations, but also a sadness: she's watching her beloved, intelligent father fall prey to Alzheimer's; there is a darkness as well, as she grapples with finding out imperfections about her parents' marriage and life. The character list is limited, but all we need, including Ruth's younger brother, Linus; Howard's former teaching assistant, Theo; and a few of Ruth's friends. Ruth comes across as a very real person: she doesn't have it all together, but that's okay. A few pieces of the overall story path are predictable, but do not detract from your overall enjoyment of the book.
The few portions we get from Howard's journal regarding young Ruth are amazing: they humanize him and definitely capture parenthood perfectly. They also so well illustrate how Ruth and Howard are slowly switching roles from child to parent, as Ruth almost begins to have similar observations about her own failing father. The way Khong depicts the sadness and poignancy in these moments is just beautiful and brilliant.
In the end, this is a different kind of book: you have to have the patience for it. It doesn't necessarily tell a story in a full arc, but it's sweet and moving. I very much liked Ruth and the novel (even I did wonder how both Ruth and eventually Linus could afford to stay with their parents, while jobless, but oh well.). Lovely and touching - certainly worth picking up.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review