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Ivana A. | Diary of Difference (1171 KP) rated Pale Blue Scratch in Books
Aug 21, 2018
Full review can be found on: diaryofdifference.com/2018/06/18/pale-blue-scratch-jay-dinitto-book-review/
I was lucky enough to be approached by Jay DiNitto himself, and he sent me a copy of his first novel - Pale Blue Scratch in exchange for an honest review. This is a book unlike anything else I have ever read, and it left me impressed. I dearly enjoyed it, and maybe you will too.
As mentioned above, this is a book unlike any other that I have read. It is a great mix of fiction / action / fast-paced scenes / philosophy / psychology and a little bit of time-travelling.
Even though we have two main characters - Elizabeth and Vincent, this book focused more on Elizabeth, for various reasons.
<img src="https://images.gr-assets.com/books/1455591169l/28919161.jpg"/>;
There were times when the scenes were slow, and somewhat a bit dull, but there were also times when there were fast-paced scenes that make me bite my nails. Though, as a whole, I found the story to not quite fit my taste. It felt like Elizabeth didn’t have a great or a strong enough reason to do this adventure.
Elizabeth’s character - now this is something quite amusing! I have never met a character like this - so twisted in a cute hippocrytical way. A nun with an adorable sense of humor, that goes around on a mission to make a time-travel machine, and happens to hurt people on her way… I loved her character in a very weird way (don’t judge!)
Now Vincent didn’t quite hit the mark. He seemed more of a plain character, like a little copy of someone else, somewhere, once upon a time. He gave the impression of a person that, unlike Elizabeth, didn’t quite knew where he belonged and what he’s doing. It felt like it didn’t bother him at all. And that’s alright. The moment when this started to hurt me was at the end - when he didn’t change a bit.
Even though a bit disappointed that I didn’t get to read much about time-travelling as I would want to, this book was quite amusing and it covered various random topics that I quite liked. I loved that variety when one moment you talk about religion, the other moment a great action scene happens, and then here we are again, discussing life philosophy.
All in all, to sum it all up - I greatly enjoyed this book! It was definitely unusual read, and unique in every single way. And if you love fiction / action / a bit of time-travelling / humor and philosophy, this might be easily your new favourite book!
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I was lucky enough to be approached by Jay DiNitto himself, and he sent me a copy of his first novel - Pale Blue Scratch in exchange for an honest review. This is a book unlike anything else I have ever read, and it left me impressed. I dearly enjoyed it, and maybe you will too.
As mentioned above, this is a book unlike any other that I have read. It is a great mix of fiction / action / fast-paced scenes / philosophy / psychology and a little bit of time-travelling.
Even though we have two main characters - Elizabeth and Vincent, this book focused more on Elizabeth, for various reasons.
<img src="https://images.gr-assets.com/books/1455591169l/28919161.jpg"/>;
There were times when the scenes were slow, and somewhat a bit dull, but there were also times when there were fast-paced scenes that make me bite my nails. Though, as a whole, I found the story to not quite fit my taste. It felt like Elizabeth didn’t have a great or a strong enough reason to do this adventure.
Elizabeth’s character - now this is something quite amusing! I have never met a character like this - so twisted in a cute hippocrytical way. A nun with an adorable sense of humor, that goes around on a mission to make a time-travel machine, and happens to hurt people on her way… I loved her character in a very weird way (don’t judge!)
Now Vincent didn’t quite hit the mark. He seemed more of a plain character, like a little copy of someone else, somewhere, once upon a time. He gave the impression of a person that, unlike Elizabeth, didn’t quite knew where he belonged and what he’s doing. It felt like it didn’t bother him at all. And that’s alright. The moment when this started to hurt me was at the end - when he didn’t change a bit.
Even though a bit disappointed that I didn’t get to read much about time-travelling as I would want to, this book was quite amusing and it covered various random topics that I quite liked. I loved that variety when one moment you talk about religion, the other moment a great action scene happens, and then here we are again, discussing life philosophy.
All in all, to sum it all up - I greatly enjoyed this book! It was definitely unusual read, and unique in every single way. And if you love fiction / action / a bit of time-travelling / humor and philosophy, this might be easily your new favourite book!
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
Heather Cranmer (2721 KP) rated One of us is Lying in Books
Sep 6, 2018
The Pacings (2 more)
The Plot
The Characters
A Great Read!
I forgot how I came across One of Us Is Lying by Karen M. McManus, but I'm really glad I did. This story pulled me in right from the start and never let go!
The pacing for One of Us Is Lying is fantastic. I was fully immersed in the story as soon as I read the first sentence. Never did the pacing falter. It was quick and enjoyable. This was one of those books where I wished real life could have left me alone so I could have finished it in one sitting.
I found the plot for One of Us Is Lying to be very interesting. I enjoyed how it kind of felt like The Breakfast Club movie, but it was much much more interesting. It was good to see a group of kids from different backgrounds coming together instead of blaming each other for once. Usually in young adult novels, there's so much bickering. That wasn't the case in One of Us Is Lying. There are a few plot twists. I did figure out who the murderer was very early in the book. I felt like it was kind of obvious. However, there was one major plot twist I didn't predict. I feel like this book does tie up all loose ends.
The world building was done very well. I thought the author, Karen M. McManus, did a great job in writing about a high school setting as well as a criminal setting. Everything felt very real. I felt like I was one of the teens being accused of murder. Everything felt personal to me which is definitely a good thing. I've never been interrogated by the police, but McManus made me feel like I was in the interrogation room each time was of the teens was questioned. I can't fault the world building one bit. It is solid.
I loved the characters in One of Us is Lying. I also loved how diverse a lot of the characters were. I think my favorite character, overall, was Cooper. Maybe it's because we're both southern, but I just loved him. He seemed so caring and sweet. I also enjoyed the other characters of Nate, Bronwyn, and Addy as well. It was nice to see the homecoming princess as not just a one dimensional person. All of the characters were thoroughly fleshed out. Character development was spot on.
Trigger warnings include death, drugs, some violence, and swearing.
All in all, One of Us Is Lying was such a fantastic read. I enjoyed it more than I thought I was going to. It's got a great cast of characters, an interesting plot, and the world building is fantastic. I would definitely recommend One of Us Is Lying by Karen M. McManus to everyone aged 14+.
The pacing for One of Us Is Lying is fantastic. I was fully immersed in the story as soon as I read the first sentence. Never did the pacing falter. It was quick and enjoyable. This was one of those books where I wished real life could have left me alone so I could have finished it in one sitting.
I found the plot for One of Us Is Lying to be very interesting. I enjoyed how it kind of felt like The Breakfast Club movie, but it was much much more interesting. It was good to see a group of kids from different backgrounds coming together instead of blaming each other for once. Usually in young adult novels, there's so much bickering. That wasn't the case in One of Us Is Lying. There are a few plot twists. I did figure out who the murderer was very early in the book. I felt like it was kind of obvious. However, there was one major plot twist I didn't predict. I feel like this book does tie up all loose ends.
The world building was done very well. I thought the author, Karen M. McManus, did a great job in writing about a high school setting as well as a criminal setting. Everything felt very real. I felt like I was one of the teens being accused of murder. Everything felt personal to me which is definitely a good thing. I've never been interrogated by the police, but McManus made me feel like I was in the interrogation room each time was of the teens was questioned. I can't fault the world building one bit. It is solid.
I loved the characters in One of Us is Lying. I also loved how diverse a lot of the characters were. I think my favorite character, overall, was Cooper. Maybe it's because we're both southern, but I just loved him. He seemed so caring and sweet. I also enjoyed the other characters of Nate, Bronwyn, and Addy as well. It was nice to see the homecoming princess as not just a one dimensional person. All of the characters were thoroughly fleshed out. Character development was spot on.
Trigger warnings include death, drugs, some violence, and swearing.
All in all, One of Us Is Lying was such a fantastic read. I enjoyed it more than I thought I was going to. It's got a great cast of characters, an interesting plot, and the world building is fantastic. I would definitely recommend One of Us Is Lying by Karen M. McManus to everyone aged 14+.
Chris Sawin (602 KP) rated Mongol (2008) in Movies
Jun 19, 2019
Mongul tells the story of Temudjin, the boy who grows up and eventually becomes Genghis Khan. At the age of nine, Temudjin's father(Esugei), the khan at the time, shows him how to pick a wife. After doing so, the plan is for them to get married in five years. After Esugei is poisoned however, he dies and the Mongols he was travelling with take matters into their own hands. Pillaging and doing whatever they see fit. Temudjin becomes a slave and sets out to find his brother, Jamukha, who he feels is the only one who can help him. A few years pass. Temudjin, now a man, sets off to claim his wife. He winds up going through a lot of hardships in the process, but what doesn't kill you will only make you stronger. It is said that all Mongols are afraid of thunder, but what if they don't have a place to hide? They become one of the greatest Mongols in history and greatness comes to those who take it.
This movie is shot beautifully. Every shot is filled with vibrant colors and seems to be shot in a unique way. There are quite a few first person perspectives during battle sequences that are quite stunning. Seeing the blood splatter all over the camera is always a plus, in my eyes. The battle scenes are where the film truly shines. The way they're shot make you feel like you're in the middle of it all. The perspective on a lot of the angles during not only the battle sequences, but in the movie as a whole, are impressive in their own right. The music also lends a helping hand in making this movie incredible. While some of it wasn't to my liking, the majority of it fit the film like a glove and only enhanced what was going on in the film and what the characters were going through.
The main reason I checked out this movie was because of Tadanobu Asano. I've mentioned my admiration of his acting in the past, but I had heard that this was possibly the most physical role he ever had. That peaked my interest. Well that and the fact that he was headlining the film. He definitely doesn't disappoint in this and he only seems to impress me more with each film I see that he's involved with.
Mongol may not be as action packed as the trailer leads you to believe. There are a handful of really impressive action scenes, but there's a lot of character development in this as well. The acting is top notch and as I mentioned, the visuals will have your eyes glued to the screen the entire time. I think the last twenty minutes or so make this film worth seeing alone. While it isn't action packed for two hours straight, I like to think that if you're a fan of movies like 300 then you'll probably enjoy this. This is just a bit more story driven.
This movie is shot beautifully. Every shot is filled with vibrant colors and seems to be shot in a unique way. There are quite a few first person perspectives during battle sequences that are quite stunning. Seeing the blood splatter all over the camera is always a plus, in my eyes. The battle scenes are where the film truly shines. The way they're shot make you feel like you're in the middle of it all. The perspective on a lot of the angles during not only the battle sequences, but in the movie as a whole, are impressive in their own right. The music also lends a helping hand in making this movie incredible. While some of it wasn't to my liking, the majority of it fit the film like a glove and only enhanced what was going on in the film and what the characters were going through.
The main reason I checked out this movie was because of Tadanobu Asano. I've mentioned my admiration of his acting in the past, but I had heard that this was possibly the most physical role he ever had. That peaked my interest. Well that and the fact that he was headlining the film. He definitely doesn't disappoint in this and he only seems to impress me more with each film I see that he's involved with.
Mongol may not be as action packed as the trailer leads you to believe. There are a handful of really impressive action scenes, but there's a lot of character development in this as well. The acting is top notch and as I mentioned, the visuals will have your eyes glued to the screen the entire time. I think the last twenty minutes or so make this film worth seeing alone. While it isn't action packed for two hours straight, I like to think that if you're a fan of movies like 300 then you'll probably enjoy this. This is just a bit more story driven.
Gareth von Kallenbach (980 KP) rated Halloween (2018) in Movies
Jun 19, 2019
“Halloween” has long been considered by many to have been the film that started the “Slasher” subculture. The independent movie became a box office smash and made Michael Myers a cultural icon ever since its debut in 1978.
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Everyone is constantly reminded to never judge a book by its cover. The book jacket designer of Steven Camden’s contemporary novel <i>Tape</i> has done an excellent job using colour and hand-rendered images to capture people’s attention; the story, however, remained rather dull in comparison.
The novel is split into two time periods, twenty years apart. In 2013, Ameliah is struggling to cope with the sudden loss of her mother, and shortly after her father, whilst she moves in with her Nan. In the spare bedroom lies a mammoth job of boxes to sort out containing all of her parents’ belongings. Ameliah first discovers an ancient boom box along with a large collection of music tapes. Amongst these is an unlabeled one, and when she plays it she can hear a young boy talking to her – he also says her mother’s name, “Eve”.
Twenty years earlier it is 1993 and thirteen-year-old Ryan is keeping a verbal diary as he records himself talking to his mother who has unfortunately passed away. His father has remarried and Ryan also has to struggle to live with stepbrother Nathan who seems to be determined to create a scene at every given opportunity. On a day out with his best friend Liam, he meets an Irish girl named Eve who he instantly falls in love with, but is devastated to learn that she will be returning home to Ireland soon.
It is clear from the beginning that Ryan and the voice on Ameliah’s tape are one and the same person; but the question is how are they connected? The connection is emphasized by the similarities in the lives of these two youngsters. Ryan meets a girl… Ameliah meets a boy… They both have to learn to deal with certain people being in their lives. For Ryan that is Nathan but for Ameliah that is a stranger who turns up one day claiming that he was a friend of her father.
After a while the storyline becomes predictable, and despite suspecting a plot twist, there is not one. The characters come across as a bit childish and annoying, which makes them difficult to relate to - although that may not be an issue with younger readers. Twelve and thirteen are far too young to be thinking about romantic relationships, especially for a boy in the early nineties: a flaw in the storyline.
Camden has done well to reduce the potential confusion of changing from one character and decade to another by using two different typefaces, so there is no issue there. But, overall it was rather disappointing. It was a great idea for a narrative with so much potential, however it fell flat and dreary through the writing.
Everyone is constantly reminded to never judge a book by its cover. The book jacket designer of Steven Camden’s contemporary novel <i>Tape</i> has done an excellent job using colour and hand-rendered images to capture people’s attention; the story, however, remained rather dull in comparison.
The novel is split into two time periods, twenty years apart. In 2013, Ameliah is struggling to cope with the sudden loss of her mother, and shortly after her father, whilst she moves in with her Nan. In the spare bedroom lies a mammoth job of boxes to sort out containing all of her parents’ belongings. Ameliah first discovers an ancient boom box along with a large collection of music tapes. Amongst these is an unlabeled one, and when she plays it she can hear a young boy talking to her – he also says her mother’s name, “Eve”.
Twenty years earlier it is 1993 and thirteen-year-old Ryan is keeping a verbal diary as he records himself talking to his mother who has unfortunately passed away. His father has remarried and Ryan also has to struggle to live with stepbrother Nathan who seems to be determined to create a scene at every given opportunity. On a day out with his best friend Liam, he meets an Irish girl named Eve who he instantly falls in love with, but is devastated to learn that she will be returning home to Ireland soon.
It is clear from the beginning that Ryan and the voice on Ameliah’s tape are one and the same person; but the question is how are they connected? The connection is emphasized by the similarities in the lives of these two youngsters. Ryan meets a girl… Ameliah meets a boy… They both have to learn to deal with certain people being in their lives. For Ryan that is Nathan but for Ameliah that is a stranger who turns up one day claiming that he was a friend of her father.
After a while the storyline becomes predictable, and despite suspecting a plot twist, there is not one. The characters come across as a bit childish and annoying, which makes them difficult to relate to - although that may not be an issue with younger readers. Twelve and thirteen are far too young to be thinking about romantic relationships, especially for a boy in the early nineties: a flaw in the storyline.
Camden has done well to reduce the potential confusion of changing from one character and decade to another by using two different typefaces, so there is no issue there. But, overall it was rather disappointing. It was a great idea for a narrative with so much potential, however it fell flat and dreary through the writing.
Gareth von Kallenbach (980 KP) rated My Super Ex-Girlfriend (2006) in Movies
Aug 14, 2019
William Shakespeare once wrote that “Hell Hath No Fury Like A Woman Scorned”. Never was a phrase more prophetic than in the case of the new Ivan Reitman comedy My “Super-Ex Girlfriend” which is a clever twist on the obsessive lover genre made popular by films such as “Fatal Attraction”.
The film stars Luke Wilson as Matt Saunders, an easy going guy who works with a architecture firm and who is on the rebound after becoming single from what his friends refer to as a crazy woman.
Since Matt has been single for six months, he at the urging of his friend Vaughn (Rain Wilson), approaches a woman on the subway, who is at first very icy towards him. Fate steps in and soon the two decide to setup a date.
Soon after Matt meets up with his new acquaintance Jenny Johnson (Uma Thurman) and the two begin to see each other despite the concern Matt has that something is different about Jenny.
In time, Jenny reveals to Matt that she is in fact the super heroine G-Girl which is a huge ego stroke to Matt and convinces him that is why he is getting an odd vibe from Jenny due to the train of hiding her real identity from the world.
Since Matt is the only person Jenny has ever told about her secret, she believes that this is a huge step in their relationship which will help them become closer and fall deeply in love.
That does not happen as Jenny soon becomes very Jealous of Matt and his friendship with perky co-worker Hannah (Anna Faris). Soon things begin to deteriorate for Matt as Jenny is becoming very obsessive, needy and psychotic, which forces Matt at the urging of Vaughn to call things off with Jenny.
This decision by Matt turns out to be a big mistake as the emotionally unbalanced Jenny decides to use her super abilities to make like hell for Matt who before he knows what hit him, has every aspect of his life and career under assault from the vindictive G-Girl.
As if this was not enough trouble for Matt, he realizes that he is falling for Hannah, all of which only adds to the fury and wrath brought on By G-Girl.
Further complications arise when Professor Bedlam (Eddie Izzard) enters the scene as the arch-nemesis for G-Girl. The two become wary allies and the comedic aftermath that follows is packed with light hearted fun.
The film is thin on plot and character development by the leads work well with one another as does Wanda Sykes as an over zealous office manager. While some may dismiss the inane and lightweight nature of the film, others may see this as charming, which in the end is how I found this film, lightweight, but a fun diversion.
The film stars Luke Wilson as Matt Saunders, an easy going guy who works with a architecture firm and who is on the rebound after becoming single from what his friends refer to as a crazy woman.
Since Matt has been single for six months, he at the urging of his friend Vaughn (Rain Wilson), approaches a woman on the subway, who is at first very icy towards him. Fate steps in and soon the two decide to setup a date.
Soon after Matt meets up with his new acquaintance Jenny Johnson (Uma Thurman) and the two begin to see each other despite the concern Matt has that something is different about Jenny.
In time, Jenny reveals to Matt that she is in fact the super heroine G-Girl which is a huge ego stroke to Matt and convinces him that is why he is getting an odd vibe from Jenny due to the train of hiding her real identity from the world.
Since Matt is the only person Jenny has ever told about her secret, she believes that this is a huge step in their relationship which will help them become closer and fall deeply in love.
That does not happen as Jenny soon becomes very Jealous of Matt and his friendship with perky co-worker Hannah (Anna Faris). Soon things begin to deteriorate for Matt as Jenny is becoming very obsessive, needy and psychotic, which forces Matt at the urging of Vaughn to call things off with Jenny.
This decision by Matt turns out to be a big mistake as the emotionally unbalanced Jenny decides to use her super abilities to make like hell for Matt who before he knows what hit him, has every aspect of his life and career under assault from the vindictive G-Girl.
As if this was not enough trouble for Matt, he realizes that he is falling for Hannah, all of which only adds to the fury and wrath brought on By G-Girl.
Further complications arise when Professor Bedlam (Eddie Izzard) enters the scene as the arch-nemesis for G-Girl. The two become wary allies and the comedic aftermath that follows is packed with light hearted fun.
The film is thin on plot and character development by the leads work well with one another as does Wanda Sykes as an over zealous office manager. While some may dismiss the inane and lightweight nature of the film, others may see this as charming, which in the end is how I found this film, lightweight, but a fun diversion.
Gareth von Kallenbach (980 KP) rated The Wedding Date (2005) in Movies
Aug 14, 2019
The first romantic comedy of the year has arrived and sadly, it is likely to do about as much for romantics as the Black Plaque did for European Travel. The film stars Debra Messing stars as Kat Ellis, a successful career woman who is about to travel to England for the wedding of her younger sister.
Sadly for Kat, her ex is the best man at the wedding, and since he left Kat high and dry with only an engagement ring and no explanation. Desperate to get back at her ex, Kat hires a male escort named Nick (Dermot Mulrony), to pose as her boyfriend.
One would think that with a premise such as this, there would be amble opportunity for laughter, romance, and drama; sadly there is precious little of any of this in the film. Messing tries her best but there is nothing in the material for her to work with. The characters are so weak and one dimensional, that you never really connect with them nor care for their plight.
Mulrony is wasted in the film as he generally seems bored and generates zero chemistry with his co star. He is forced to drift from one scene to another without the benefit of well placed transitions or build up, making the film come across as desperately in search of a direction.
Further complicating the film was an apparent overabundance of editing as scenes concluded only to be followed by scenes that took place much later without the benefit of any transition. As if this matter was not bad enough, references to the past scene and events that were not shown to the audience are constant throughout the film.
While all this could be excused, what can’t be excused is the bizarre lack of humor and romance in the film. It does not take a rocket scientist to see where the film is going, but we never get to see the how and why the characters came to this decision. Nick is a professional escort, and as such, it would stand to reason that he would have hard and fast rules about becoming involved with his clients on a serious basis. Yet, for reasons unknown, he is ready to pledge his undying love in just a couple of days to a person he has spent precious little time with, and seems to have next to zero chemistry with.
Some viewers may also take issue with the notion that a career woman feels the need to parade a man around to show her worth and value, and the fact that she had to hire one as she is seemingly incapable of getting and keeping one on her own.
Somewhere along the way, a good concept for a film went horribly wrong, as The Wedding Date is a clich filled effort that is lacking heart and warmth leaving you wanting more.
Sadly for Kat, her ex is the best man at the wedding, and since he left Kat high and dry with only an engagement ring and no explanation. Desperate to get back at her ex, Kat hires a male escort named Nick (Dermot Mulrony), to pose as her boyfriend.
One would think that with a premise such as this, there would be amble opportunity for laughter, romance, and drama; sadly there is precious little of any of this in the film. Messing tries her best but there is nothing in the material for her to work with. The characters are so weak and one dimensional, that you never really connect with them nor care for their plight.
Mulrony is wasted in the film as he generally seems bored and generates zero chemistry with his co star. He is forced to drift from one scene to another without the benefit of well placed transitions or build up, making the film come across as desperately in search of a direction.
Further complicating the film was an apparent overabundance of editing as scenes concluded only to be followed by scenes that took place much later without the benefit of any transition. As if this matter was not bad enough, references to the past scene and events that were not shown to the audience are constant throughout the film.
While all this could be excused, what can’t be excused is the bizarre lack of humor and romance in the film. It does not take a rocket scientist to see where the film is going, but we never get to see the how and why the characters came to this decision. Nick is a professional escort, and as such, it would stand to reason that he would have hard and fast rules about becoming involved with his clients on a serious basis. Yet, for reasons unknown, he is ready to pledge his undying love in just a couple of days to a person he has spent precious little time with, and seems to have next to zero chemistry with.
Some viewers may also take issue with the notion that a career woman feels the need to parade a man around to show her worth and value, and the fact that she had to hire one as she is seemingly incapable of getting and keeping one on her own.
Somewhere along the way, a good concept for a film went horribly wrong, as The Wedding Date is a clich filled effort that is lacking heart and warmth leaving you wanting more.
Kristy H (1252 KP) rated Burying the Honeysuckle Girls in Books
Jun 21, 2019
Althea Bell returns home after (another) stint in rehab to find her father further stricken by Alzheimer's and her older brother--who is running for political office--fully entrenched in the seat of power in the family. Wynn doesn't want Althea and her sketchy past to ruin his chances at political fame and fortune. Even worse, Althea is shocked when she learns that the women in her family have a history of mental illness, which seems to come on around age 30--and Althea is just a few weeks away from her own birthday. Althea's mother passed away at that age, and Althea is determined to discover what happened to her. But doing so will dredge up family secrets that it seems Wynn wants hidden--and he'll do anything to keep Althea from shaming the family name
This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!
This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.
Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!
This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.
Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
Kristy H (1252 KP) rated The Favorite Daughter in Books
Jun 21, 2019
A year ago, Jane Harris' daughter, Mary, died tragically. Ever since, Jane has been lost in a cloud of grief and anti-depressants. But with a ceremony celebrating Mary's life coming up, Jane feels it's time for her to reemerge and reengage with her family: husband David and daughter, Betsy, who is about to graduate from high school. The family lives in a gorgeous house in Orange County, California. But Jane quickly realizes that David is always busy--with work or the gym he claims--and Betsy is distant and angry. Jane adored Mary, her eldest, who had finished her first year of college before she died. But at the ceremony for Mary, she receives a note, claiming Mary's death wasn't an accident. Does someone know what happened to her daughter--and are they right? Was Mary's death not an accident?
"After a year of grieving, it's time to step back into my family, or what remains of it and that's precisely my plan."
So this review is going to be a little unpopular, perhaps, based on others I've seen. I'd like to point out that it's not a negative review, per se, just not a gushing review as so many others seem to be. I just felt a little let down by this one; it left me a little flat. I found a lot of the twists predictable and while I found the book a very compelling read, there was just something "off" that didn't make it a "wow" read.
Still, as mentioned, this is a very readable book, and it will keep you engaged. Jane is an interesting character, to say the least, even if I sometimes found her more clueless than diabolical. She is, of course, an unreliable narrator, and we are only allowed to learn things as Jane reveals them to us. As a result, we're left a little confused, never quite sure where we stand. One of the things I liked most about this book was how easy it is to get sucked into Jane's delusional world as the novel is told in a very conversational style, with her sometimes speaking directly to the reader. She's also a pretty terrible person and yet oddly fascinating.
"Without Mary to place my biggest hopes and dreams on, I'm left with Betsy."
Her relationship with her daughters is pretty messed up, to say the least, and as a result, the book can be pretty creepy and bizarre. It's definitely quite a wild ride. Still, I was a little disappointed at how much I figured out ahead of time; I would have liked to have been more surprised.
Overall, this is a quick read and it's pretty intriguing. You'll get caught up in Jane's delusions pretty easily, even if some of them are fairly easily telegraphed. Others really rave about this one, so hopefully you'll enjoy it even more than me. I still recommend it; it's an interesting read. 3 stars.
"After a year of grieving, it's time to step back into my family, or what remains of it and that's precisely my plan."
So this review is going to be a little unpopular, perhaps, based on others I've seen. I'd like to point out that it's not a negative review, per se, just not a gushing review as so many others seem to be. I just felt a little let down by this one; it left me a little flat. I found a lot of the twists predictable and while I found the book a very compelling read, there was just something "off" that didn't make it a "wow" read.
Still, as mentioned, this is a very readable book, and it will keep you engaged. Jane is an interesting character, to say the least, even if I sometimes found her more clueless than diabolical. She is, of course, an unreliable narrator, and we are only allowed to learn things as Jane reveals them to us. As a result, we're left a little confused, never quite sure where we stand. One of the things I liked most about this book was how easy it is to get sucked into Jane's delusional world as the novel is told in a very conversational style, with her sometimes speaking directly to the reader. She's also a pretty terrible person and yet oddly fascinating.
"Without Mary to place my biggest hopes and dreams on, I'm left with Betsy."
Her relationship with her daughters is pretty messed up, to say the least, and as a result, the book can be pretty creepy and bizarre. It's definitely quite a wild ride. Still, I was a little disappointed at how much I figured out ahead of time; I would have liked to have been more surprised.
Overall, this is a quick read and it's pretty intriguing. You'll get caught up in Jane's delusions pretty easily, even if some of them are fairly easily telegraphed. Others really rave about this one, so hopefully you'll enjoy it even more than me. I still recommend it; it's an interesting read. 3 stars.
Natacha (374 KP) rated The Beauty of Darkness (The Remnant Chronicles #3) in Books
Jul 9, 2019 (Updated Jul 13, 2019)
Contains spoilers, click to show
That was one of the hardest books I had to rate and review. The reason is that the adult part of me had very specific expectations while my young teenager self was reminding me that this is a YA book. More details.
Things that I liked:
-Lia is taking control of her destiny and do everything she can to save her people. As with the previous books is a strong female character, with personality and a big heart.
- We keep seeing how Lia is still attached to Venda and is also willing to help them. Is not just about saving her people but it's also about saving the people of Venda from their tyrant.
-Nice twists regarding Kaden past.
-Nice twists regarding Lia family
-I liked Lia's and her family dynamic.
Things my teenager self liked:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending.
Things I didn't like:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending... As an adult, I really didn't like that. First of all, if you have a love triangle and for two books you are telling us how much both Rafe and Kaden are sooooo deeply in love with Lia you don't get to just make Kaden fall in love with Pauline out of the blue and forget about Lia and just be besties. NO. I want my heart to be broken. I had mentally prepared myself for him to die or at the end to de like "I can be around you if you are not mine" and just leave. The author had an amazing opportunity to break our hearts but not... It's a YA book we can't do that. I sound like a crazy person I know...
-I felt this book was slower than it should have been. I was 40 pages from the end and this big battle between the ferocious army of Venda haven't even started. We had a big build-up from the previous book and I wanted an epic battle with twists and turns but it didn't happen.
-For 3 book we were told that Lia would have to "sacrifice" herself for the greater good. Well, that didn't happen either. Well, she "sacrificed" because she became the queen of Venda and couldn't be with Rafe. Ok, I can deal with that but then at the end, Lia and Rafe are "we love each other so we'll make it work", sooo... where is the sacrifice? Again a great opportunity to break our hearts but no... we went with the happy ending.
As I said this is a YA book so I'm perfectly aware of the author choices and I respect them. As a teenager, this would have probably been a 10/10. But if this final book was written for an adult audience it could have been heartbreaking and amazing.
Things that I liked:
-Lia is taking control of her destiny and do everything she can to save her people. As with the previous books is a strong female character, with personality and a big heart.
- We keep seeing how Lia is still attached to Venda and is also willing to help them. Is not just about saving her people but it's also about saving the people of Venda from their tyrant.
-Nice twists regarding Kaden past.
-Nice twists regarding Lia family
-I liked Lia's and her family dynamic.
Things my teenager self liked:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending.
Things I didn't like:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending... As an adult, I really didn't like that. First of all, if you have a love triangle and for two books you are telling us how much both Rafe and Kaden are sooooo deeply in love with Lia you don't get to just make Kaden fall in love with Pauline out of the blue and forget about Lia and just be besties. NO. I want my heart to be broken. I had mentally prepared myself for him to die or at the end to de like "I can be around you if you are not mine" and just leave. The author had an amazing opportunity to break our hearts but not... It's a YA book we can't do that. I sound like a crazy person I know...
-I felt this book was slower than it should have been. I was 40 pages from the end and this big battle between the ferocious army of Venda haven't even started. We had a big build-up from the previous book and I wanted an epic battle with twists and turns but it didn't happen.
-For 3 book we were told that Lia would have to "sacrifice" herself for the greater good. Well, that didn't happen either. Well, she "sacrificed" because she became the queen of Venda and couldn't be with Rafe. Ok, I can deal with that but then at the end, Lia and Rafe are "we love each other so we'll make it work", sooo... where is the sacrifice? Again a great opportunity to break our hearts but no... we went with the happy ending.
As I said this is a YA book so I'm perfectly aware of the author choices and I respect them. As a teenager, this would have probably been a 10/10. But if this final book was written for an adult audience it could have been heartbreaking and amazing.