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Ivana A. | Diary of Difference (1171 KP) rated The Temple House Vanishing in Books
Feb 3, 2020
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<b><i>Twenty-five years ago, a sixteen-year-old schoolgirl and her charismatic teacher disappeared without trace…</i></b>
The Temple House Vanishing left me with a tiny scar in my soul after reading it. It is intriguing and mysterious, it is real and delusional. The next time when I mention a special mystery, with a cruel end – this will be the first book that pops in my mind.
Louisa and Victoria are two friends that study in a Catholic girls’ boarding school. Both of them have something unique about themselves. They can both see the world in a different light and disobey the rules slightly.
They both also manage to become intrigued with their young, bohemian teacher and act in silly ways when they are around him. Until, one night, he and Louisa suddenly disappear.
Twenty-five years later, one journalist dives into the story again, hoping to finally find out the truth. The search for truth will uncover many buried secrets and a suppressed desire. It will break hearts and lay a lost soul to rest.
This novel might be the most intense novel I have read in 2019, right next to The Silent Patient. And The Devil Aspect. To witness the life of Louisa, and be aware of what is happening around her is quite intense. As soon as she meets Victoria, they click, and they both know they will become best friends. But even Louisa can feel that there is something odd about Victoria. After all, her last best friend left the school and no one knows what happened.
<b><i>On that subject – why didn’t we find out what happened to this girl?</i></b>
One friendship, and a very interestingly weird love triangle. I felt so bad for Louisa, because all she ever cared about was Victoria. And all she ever wanted to do is to help in any way. She loved Victoria, but she should’ve said something. If she spoke – everything would now be different.
The teacher reminded me of one of my high-school teachers. The type of person that will show you that the world isn’t how you’ve always known it. There is a meaning behind it all, and there is a purpose for everything. My teacher, she could make me feel like I was able to achieve everything. Anything was possible, if we only followed the right path. Mr Lavelle made all the girls feel like this, and counting his beautiful face as well, it’s no surprise that most of them fell in love with him. But he encouraged them, in his own subtle way. Sweet look in the eyes, gentle touch on the shoulder, and that is all it takes to confuse a teenage girl.
What I loved most in this book was the fact that I had so many theories whilst reading it. I was certain I knew how it all ended. But I was wrong. I didn’t have a clue on what was actually happening until the very end, and I was still surprised. After finishing the book and having a little think, as I always do with books that amaze me – I realised something. The clues were there from the very beginning. But unless you already know the ending I doubt you will notice them. And that is the great masterpiece of writing. And for that, I salute you, Rachel Donohue.
<b><i>If you love mysteries, thrillers, disappearances and unpredictable endings – I will guarantee you will love this book. And not only that, but you will also devour it in a day!</i></b>
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/11/The-Temple-House-Vanishing.jpg?resize=768%2C432&ssl=1"/>;
<b><i>Thank you to the team at LoveReading UK, for letting me part of the Ambassador Book Buzz and sending me an ARC copy of this book in exchange for an honest review. Check out the other amazing bloggers too! </i></b>
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<b><i>Twenty-five years ago, a sixteen-year-old schoolgirl and her charismatic teacher disappeared without trace…</i></b>
The Temple House Vanishing left me with a tiny scar in my soul after reading it. It is intriguing and mysterious, it is real and delusional. The next time when I mention a special mystery, with a cruel end – this will be the first book that pops in my mind.
Louisa and Victoria are two friends that study in a Catholic girls’ boarding school. Both of them have something unique about themselves. They can both see the world in a different light and disobey the rules slightly.
They both also manage to become intrigued with their young, bohemian teacher and act in silly ways when they are around him. Until, one night, he and Louisa suddenly disappear.
Twenty-five years later, one journalist dives into the story again, hoping to finally find out the truth. The search for truth will uncover many buried secrets and a suppressed desire. It will break hearts and lay a lost soul to rest.
This novel might be the most intense novel I have read in 2019, right next to The Silent Patient. And The Devil Aspect. To witness the life of Louisa, and be aware of what is happening around her is quite intense. As soon as she meets Victoria, they click, and they both know they will become best friends. But even Louisa can feel that there is something odd about Victoria. After all, her last best friend left the school and no one knows what happened.
<b><i>On that subject – why didn’t we find out what happened to this girl?</i></b>
One friendship, and a very interestingly weird love triangle. I felt so bad for Louisa, because all she ever cared about was Victoria. And all she ever wanted to do is to help in any way. She loved Victoria, but she should’ve said something. If she spoke – everything would now be different.
The teacher reminded me of one of my high-school teachers. The type of person that will show you that the world isn’t how you’ve always known it. There is a meaning behind it all, and there is a purpose for everything. My teacher, she could make me feel like I was able to achieve everything. Anything was possible, if we only followed the right path. Mr Lavelle made all the girls feel like this, and counting his beautiful face as well, it’s no surprise that most of them fell in love with him. But he encouraged them, in his own subtle way. Sweet look in the eyes, gentle touch on the shoulder, and that is all it takes to confuse a teenage girl.
What I loved most in this book was the fact that I had so many theories whilst reading it. I was certain I knew how it all ended. But I was wrong. I didn’t have a clue on what was actually happening until the very end, and I was still surprised. After finishing the book and having a little think, as I always do with books that amaze me – I realised something. The clues were there from the very beginning. But unless you already know the ending I doubt you will notice them. And that is the great masterpiece of writing. And for that, I salute you, Rachel Donohue.
<b><i>If you love mysteries, thrillers, disappearances and unpredictable endings – I will guarantee you will love this book. And not only that, but you will also devour it in a day!</i></b>
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/11/The-Temple-House-Vanishing.jpg?resize=768%2C432&ssl=1"/>;
<b><i>Thank you to the team at LoveReading UK, for letting me part of the Ambassador Book Buzz and sending me an ARC copy of this book in exchange for an honest review. Check out the other amazing bloggers too! </i></b>
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Ivana A. | Diary of Difference (1171 KP) rated Dear Edward in Books
Feb 3, 2020
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<b><i>Dear Edward by Ann Napolitano is one of the few books that instantly captures your heart, then shatters it into hundred pieces and teaches you many life lessons at the same time.</i></b>
"A reporter holds up a copy of The New York Times to a camera, to show a huge block headline, the kind normally reserved for presidential elections and moonwalks. It reads:
191 DIE IN PLANE CRASH; 1 SURVIVOR
The relatives have only one question when the press briefing comes to close; they all lean toward it like a window in a dark room:
"How is the boy?"</i>
Dear Edward features a boy called Edward, who is flying with his family to move across states. This is their chance of a new life, a brand new start. When the plane crashes, he is the only survivor.
The author tells the story through two different timelines; during the flight and after the plane crash. We follow Edward's life and how he is coping with the loss of everything he knew. We also see how he is struggling to cope with the unwanted celebrity title he has now.
I have always been intrigued by planes and plane crashes. I used to watch every single episode of the documentary on Discovery Channel back in the days. And today, I like to listen to the Plane Crash Podcast by Michael Bauer. I have had some bad experiences while flying, and have always wanted to understand what exactly happens when a plane crashes, and what aviation does to prevent this from happening in the future. This book contains amazing details about the crash, and my hidden mystery person inside me was deeply satisfied by all those pilot dialogues and explanations.
Edward's grief and growing up journey is so painful. He survived, but everyone he loved and cared about in his life died. He is lucky to have survived, but why does he then feel guilty? Why did he swap places with his brother on the flight? If they didn't - his brother would still be alive now. The brother relationship was written so perfectly. The love and the bond they shared for each other was so strong.
Despite the fact that Edward is the main character in this story, we also get to meet so many other characters, the people who lost their lives in the crash. Through flashbacks and "during flight" scenes, as well as encounters from their families, we get to see all the wishes that will never come through, all the hopes and dreams buried under the plane ash.
And that is why Edward's journey is so difficult. He doesn't have to only carry to guilt for his own family, but all those other lives as well. Edward receives letters from the families asking him to do all these things that these people would do. He is asked to become a musician, a doctor, a teacher, to travel around the world, learn knitting, etc, and Edward feels obligated to do all of these things, to give peace to the families.
<a href="https://www.instagram.com/p/B5QrV56gmZi/">View this post on Instagram</a>
<img src="https://scontent.flhr4-1.fna.fbcdn.net/v/t1.0-9/78070730_2837573906254210_1110262175731023872_o.jpg?_nc_cat=107&_nc_ohc=i_DJ97h122QAQkKa2ZjxLPKo29PJKCSylYSTgWVXCvjS6YCTQzZ35Wt8g&_nc_ht=scontent.flhr4-1.fna&oh=baa75c6360fd9a085bce261040b8a027&oe=5E836DB6"/>;
<b><i>I knew this book would stay with me forever from the moment I started reading the first few pages. It is so harshly real and painful, but what it does it remind us how every day is special and we should be thankful for it! We may not get a tomorrow, but that's why we have today. Let's make the best of it!</i></b>
Thank you to the team at Penguin Random House for sending me a copy of this book in exchange for my honest review. Also thank you to the team at LoveReading UK, for allowing me to be their Super Ambassador of this book for the month of November.
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<img src="https://diaryofdifference.com/wp-content/uploads/2019/11/Book-Review-Banner-28.png"/>;
<b><i>Dear Edward by Ann Napolitano is one of the few books that instantly captures your heart, then shatters it into hundred pieces and teaches you many life lessons at the same time.</i></b>
"A reporter holds up a copy of The New York Times to a camera, to show a huge block headline, the kind normally reserved for presidential elections and moonwalks. It reads:
191 DIE IN PLANE CRASH; 1 SURVIVOR
The relatives have only one question when the press briefing comes to close; they all lean toward it like a window in a dark room:
"How is the boy?"</i>
Dear Edward features a boy called Edward, who is flying with his family to move across states. This is their chance of a new life, a brand new start. When the plane crashes, he is the only survivor.
The author tells the story through two different timelines; during the flight and after the plane crash. We follow Edward's life and how he is coping with the loss of everything he knew. We also see how he is struggling to cope with the unwanted celebrity title he has now.
I have always been intrigued by planes and plane crashes. I used to watch every single episode of the documentary on Discovery Channel back in the days. And today, I like to listen to the Plane Crash Podcast by Michael Bauer. I have had some bad experiences while flying, and have always wanted to understand what exactly happens when a plane crashes, and what aviation does to prevent this from happening in the future. This book contains amazing details about the crash, and my hidden mystery person inside me was deeply satisfied by all those pilot dialogues and explanations.
Edward's grief and growing up journey is so painful. He survived, but everyone he loved and cared about in his life died. He is lucky to have survived, but why does he then feel guilty? Why did he swap places with his brother on the flight? If they didn't - his brother would still be alive now. The brother relationship was written so perfectly. The love and the bond they shared for each other was so strong.
Despite the fact that Edward is the main character in this story, we also get to meet so many other characters, the people who lost their lives in the crash. Through flashbacks and "during flight" scenes, as well as encounters from their families, we get to see all the wishes that will never come through, all the hopes and dreams buried under the plane ash.
And that is why Edward's journey is so difficult. He doesn't have to only carry to guilt for his own family, but all those other lives as well. Edward receives letters from the families asking him to do all these things that these people would do. He is asked to become a musician, a doctor, a teacher, to travel around the world, learn knitting, etc, and Edward feels obligated to do all of these things, to give peace to the families.
<a href="https://www.instagram.com/p/B5QrV56gmZi/">View this post on Instagram</a>
<img src="https://scontent.flhr4-1.fna.fbcdn.net/v/t1.0-9/78070730_2837573906254210_1110262175731023872_o.jpg?_nc_cat=107&_nc_ohc=i_DJ97h122QAQkKa2ZjxLPKo29PJKCSylYSTgWVXCvjS6YCTQzZ35Wt8g&_nc_ht=scontent.flhr4-1.fna&oh=baa75c6360fd9a085bce261040b8a027&oe=5E836DB6"/>;
<b><i>I knew this book would stay with me forever from the moment I started reading the first few pages. It is so harshly real and painful, but what it does it remind us how every day is special and we should be thankful for it! We may not get a tomorrow, but that's why we have today. Let's make the best of it!</i></b>
Thank you to the team at Penguin Random House for sending me a copy of this book in exchange for my honest review. Also thank you to the team at LoveReading UK, for allowing me to be their Super Ambassador of this book for the month of November.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Gareth von Kallenbach (977 KP) rated By The Sea (2015) in Movies
Aug 6, 2019
Today, we have yet another film that strays from ‘the norm’. A film that not only stars one of the most beloved celebrity couples on the planet but also harkens back to the Italian dramatic films of the late 1960s/early 70s. It most definitely qualifies as an ‘art house’ film.
Since the world saw Angelina Jolie and Brad Pitt together in ‘Mr. & Mrs. Smith’ it has awaited the day when the couple would appear together again in another film. Although it’s not the sequel to THAT film many had hoped for, it is most definitely and intriguing look at how the couple appear together in a movie in a completely genre with the creative control Angelina had.
‘By the Sea’ stars Angelina Jolie Pitt, Brad Pitt, Mélanie Laurent, Melvil Poupaud, Niels Arestrup, and Richard Bohringer. The film was also written, directed, and co-produced by Angelina with Brad Pitt serving as co-producer.
The film opens in the south of France in the mid-1970s. Roland (Brad Pitt), a writer from New York City and his wife Vannessa (Angelina Jolie Pitt), a former dancer, have traveled to a seaside town to quote,”Get away from it all”. Their marriage is strained and there is a distance between the two that is sometimes obvious to those around them and hidden at other times. The trip is clearly an effort by them to reconnect with one another but they spend much of their time apart once they get settled. Rolland is attempting to write another book but he cannot find anything as inspiration and Vanessa is using drugs and alcohol to numb the pain of a recent trauma. When they’re not spending their time alone they associate with some of the towns more colorful characters including the local barkeeper/cafe owner, the hotel manager, and a newlywed couple who are spending their honeymoon not only in the same town but in the room next door. One night, just when it seems like the strain of their marriage will finally snap a bizarre occurrence in their hotel room leads to a reconnection despite its volatile nature.
First off, I have not seen all the films that Angelina and Brad have appeared in but I must say I the both of them were almost completely unrecognizable in the way they portray the characters. Second, I believe this is Angelina’s second run as director and if this film and her previous film ‘Unbroken’ are any Indiction I believe we’ll see her directing movies in the future more than acting.
This film was a true homage the the Italian dramatic films of the 1970s I mentioned earlier.
The only way I believe they could’ve ‘replicated’ that so precisely would be to have filmed the movie with the cameras and equipment available to film makers during that period. Christian Berger the film’s cinematographer used mostly natural light throughout the filming process which was also one of the most impressive qualities of the movie which is not done nearly enough with modern film in my opinion.
Not everyone is going to like this film. It’s quite unique when put side by side with ‘modern day American movies’. Even if you are a die hard fan of either Angelina and or Brad’s work that alone might not save the film in your eyes. Some critics are calling this film a ‘vanity project’ on the part of Jolie and Pitt. I find that to be ridiculous. No sane person would’ve made that accusation against Humphrey Bogart and Lauren Bacall. Everyone’s been screaming for Angelina and Brad to make another film together. Big deal if they want to have creative control over it too. They’re both accomplished actors and decided to put together a film themselves and and get other accomplished cast and crew members to sign on for the project. Honestly what the hell more do the critics want? If you are a fan of foreign movies or curious about the second acting collaboration between the husband and wife power couple though you should see it. I’d actually recommend checking out one or two films from the genre/era it represents before going to see this one.
The film is rated R and clocks in at 132 minutes. I’d recommend catching it at a small indie or art house theater and make sure you grab some snacks and a drink for this one. It opens in all the major theaters Friday the 18th of November but you can catch in those smaller theaters now.
It’s not my normal ‘cup of coffee’ but I will give the film 4 stars.
Since the world saw Angelina Jolie and Brad Pitt together in ‘Mr. & Mrs. Smith’ it has awaited the day when the couple would appear together again in another film. Although it’s not the sequel to THAT film many had hoped for, it is most definitely and intriguing look at how the couple appear together in a movie in a completely genre with the creative control Angelina had.
‘By the Sea’ stars Angelina Jolie Pitt, Brad Pitt, Mélanie Laurent, Melvil Poupaud, Niels Arestrup, and Richard Bohringer. The film was also written, directed, and co-produced by Angelina with Brad Pitt serving as co-producer.
The film opens in the south of France in the mid-1970s. Roland (Brad Pitt), a writer from New York City and his wife Vannessa (Angelina Jolie Pitt), a former dancer, have traveled to a seaside town to quote,”Get away from it all”. Their marriage is strained and there is a distance between the two that is sometimes obvious to those around them and hidden at other times. The trip is clearly an effort by them to reconnect with one another but they spend much of their time apart once they get settled. Rolland is attempting to write another book but he cannot find anything as inspiration and Vanessa is using drugs and alcohol to numb the pain of a recent trauma. When they’re not spending their time alone they associate with some of the towns more colorful characters including the local barkeeper/cafe owner, the hotel manager, and a newlywed couple who are spending their honeymoon not only in the same town but in the room next door. One night, just when it seems like the strain of their marriage will finally snap a bizarre occurrence in their hotel room leads to a reconnection despite its volatile nature.
First off, I have not seen all the films that Angelina and Brad have appeared in but I must say I the both of them were almost completely unrecognizable in the way they portray the characters. Second, I believe this is Angelina’s second run as director and if this film and her previous film ‘Unbroken’ are any Indiction I believe we’ll see her directing movies in the future more than acting.
This film was a true homage the the Italian dramatic films of the 1970s I mentioned earlier.
The only way I believe they could’ve ‘replicated’ that so precisely would be to have filmed the movie with the cameras and equipment available to film makers during that period. Christian Berger the film’s cinematographer used mostly natural light throughout the filming process which was also one of the most impressive qualities of the movie which is not done nearly enough with modern film in my opinion.
Not everyone is going to like this film. It’s quite unique when put side by side with ‘modern day American movies’. Even if you are a die hard fan of either Angelina and or Brad’s work that alone might not save the film in your eyes. Some critics are calling this film a ‘vanity project’ on the part of Jolie and Pitt. I find that to be ridiculous. No sane person would’ve made that accusation against Humphrey Bogart and Lauren Bacall. Everyone’s been screaming for Angelina and Brad to make another film together. Big deal if they want to have creative control over it too. They’re both accomplished actors and decided to put together a film themselves and and get other accomplished cast and crew members to sign on for the project. Honestly what the hell more do the critics want? If you are a fan of foreign movies or curious about the second acting collaboration between the husband and wife power couple though you should see it. I’d actually recommend checking out one or two films from the genre/era it represents before going to see this one.
The film is rated R and clocks in at 132 minutes. I’d recommend catching it at a small indie or art house theater and make sure you grab some snacks and a drink for this one. It opens in all the major theaters Friday the 18th of November but you can catch in those smaller theaters now.
It’s not my normal ‘cup of coffee’ but I will give the film 4 stars.
Gareth von Kallenbach (977 KP) rated Spotlight (2015) in Movies
Aug 6, 2019
Greetings & Salutations Fellow Movie Fanatics!
We’ve definitely got a serious drama film for you this time around. Not for the faint of heart but
one that discusses a serious controversy that shook the foundations of the Catholic community
not only in the city of Boston but also America and the rest of the world.
Directed by Thomas McCarthy (The Station Agent, The Visitor, Up, Win Win, Million Dollar Arm,
and The Cobbler) and co-written by McCarthy and Josh Singer (The West Wing, Law &
Order:SVU) ‘Spotlight’ follows the Boston Globe’s investigation and coverage of the
Massachusetts Catholic sex abuse scandal which was brought to the public’s attention in early
2002 after nearly a year of investigation and research by the Boston Globe’s ‘Spotlight Team’
the oldest continuously running newspaper investigative group in the United States.
Starring Mark Ruffalo, Michael Keaton, Rachel McAdams, and Brian d’Arcy James, as reporters
Michael Rezendes, Walter “Robby” Robinson, Sacha Pfeiffer, and Matt Carroll, the movie
begins just after the Globe’s new editor Marty Baron’s (Liev Schreiber) arrival in Boston. At a
time when more and more people are going to the Internet to get their news the Globe is like
many other large newspapers around the country facing declining revenue and possible job
losses. What appears to be an isolated case involving one priest soon evolves into something
much bigger than one church or one diocese and the Spotlight Team sets out to uncover a
conspiracy within the church hide an epidemic of abuse which has been covered up for
decades.
To say that this scandal is horrifying to think about is an understatement. Knowing it was
covered up for so many years is even worse. I remember when I first started seeing the news
stories about it how sick it made me feel. In a day and age where the news is now more about
ratings and how many news organizations have become compromised and biased beyond
belief, the truth no matter how bad it might be is a rare thing. This film is basically a dramatic,
well written, and well acted account of the reporter’s investigation into the scandal … the
complete and true story and its scope … and bring it to the public’s attention. So that the people
would know what happened and also perhaps, help bring some sort of closure to the victims.
The film helps to put the whole scandal and its scope in perspective.
With an excellent supporting cast including Gene Amoroso, John Slattery, Liev Schreiber,
Jamey Sheridan, Stanley Tucci, Billy Crudup, Maureen Keiller, Paul Guilfoyle, Len Cariou,
Neal Huff, and Michael Cyril Creighton, ‘Spotlight’ is a film certainly worthy of mention. It shows
that sometimes even in this world of ‘instant news’ that sometimes, the most important stories
are brought to light they way they were brought to our attention before the Internet, before
computers, before satellites. By honest reporters who wanted the public to know the truth.
I’m giving this film 4 out of 5 stars. As I mentioned earlier, it puts the whole scandal in
perspective and allows you to see it theoretically from the perspective of the reporters and the
situations it sometimes places them in in their public and personal lives.
On behalf of my fellows at ‘Skewed & Reviewed’ i’d like to say Thanks For Reading’ and we’ll
see you at the movies
Review By Lauren Dove
The movie all together was slower than I thought it might be. Coming from a person that enjoys conspiracy theories, I enjoyed the movie. However, someone who is not interested in the plot line I don’t think would enjoy it.
I think the movie could have added a little more drama, in order to draw in more people. I would watch this movie when comes out on dvd, probably would not pay money to see in a movie theater. I think the facts themselves were shocking to a lot people although it wasn’t surprising for me. A large powerful group such as the church I would expect some corruption.
I feel like the plot line built up and was expecting this grand finally that never came. I was expecting this to go a lot farther than it did. It really didn’t tell us what happened to the people themselves who were found guilty. Or what was done or not done to change after all the victims came forward with all these accusations of being sexually abused by priest in the Catholic Church. I would give this movie 3 out of 5 stars.
We’ve definitely got a serious drama film for you this time around. Not for the faint of heart but
one that discusses a serious controversy that shook the foundations of the Catholic community
not only in the city of Boston but also America and the rest of the world.
Directed by Thomas McCarthy (The Station Agent, The Visitor, Up, Win Win, Million Dollar Arm,
and The Cobbler) and co-written by McCarthy and Josh Singer (The West Wing, Law &
Order:SVU) ‘Spotlight’ follows the Boston Globe’s investigation and coverage of the
Massachusetts Catholic sex abuse scandal which was brought to the public’s attention in early
2002 after nearly a year of investigation and research by the Boston Globe’s ‘Spotlight Team’
the oldest continuously running newspaper investigative group in the United States.
Starring Mark Ruffalo, Michael Keaton, Rachel McAdams, and Brian d’Arcy James, as reporters
Michael Rezendes, Walter “Robby” Robinson, Sacha Pfeiffer, and Matt Carroll, the movie
begins just after the Globe’s new editor Marty Baron’s (Liev Schreiber) arrival in Boston. At a
time when more and more people are going to the Internet to get their news the Globe is like
many other large newspapers around the country facing declining revenue and possible job
losses. What appears to be an isolated case involving one priest soon evolves into something
much bigger than one church or one diocese and the Spotlight Team sets out to uncover a
conspiracy within the church hide an epidemic of abuse which has been covered up for
decades.
To say that this scandal is horrifying to think about is an understatement. Knowing it was
covered up for so many years is even worse. I remember when I first started seeing the news
stories about it how sick it made me feel. In a day and age where the news is now more about
ratings and how many news organizations have become compromised and biased beyond
belief, the truth no matter how bad it might be is a rare thing. This film is basically a dramatic,
well written, and well acted account of the reporter’s investigation into the scandal … the
complete and true story and its scope … and bring it to the public’s attention. So that the people
would know what happened and also perhaps, help bring some sort of closure to the victims.
The film helps to put the whole scandal and its scope in perspective.
With an excellent supporting cast including Gene Amoroso, John Slattery, Liev Schreiber,
Jamey Sheridan, Stanley Tucci, Billy Crudup, Maureen Keiller, Paul Guilfoyle, Len Cariou,
Neal Huff, and Michael Cyril Creighton, ‘Spotlight’ is a film certainly worthy of mention. It shows
that sometimes even in this world of ‘instant news’ that sometimes, the most important stories
are brought to light they way they were brought to our attention before the Internet, before
computers, before satellites. By honest reporters who wanted the public to know the truth.
I’m giving this film 4 out of 5 stars. As I mentioned earlier, it puts the whole scandal in
perspective and allows you to see it theoretically from the perspective of the reporters and the
situations it sometimes places them in in their public and personal lives.
On behalf of my fellows at ‘Skewed & Reviewed’ i’d like to say Thanks For Reading’ and we’ll
see you at the movies
Review By Lauren Dove
The movie all together was slower than I thought it might be. Coming from a person that enjoys conspiracy theories, I enjoyed the movie. However, someone who is not interested in the plot line I don’t think would enjoy it.
I think the movie could have added a little more drama, in order to draw in more people. I would watch this movie when comes out on dvd, probably would not pay money to see in a movie theater. I think the facts themselves were shocking to a lot people although it wasn’t surprising for me. A large powerful group such as the church I would expect some corruption.
I feel like the plot line built up and was expecting this grand finally that never came. I was expecting this to go a lot farther than it did. It really didn’t tell us what happened to the people themselves who were found guilty. Or what was done or not done to change after all the victims came forward with all these accusations of being sexually abused by priest in the Catholic Church. I would give this movie 3 out of 5 stars.
Heather Cranmer (2721 KP) rated Marionette (Dark Carousel #3) in Books
Nov 15, 2020
I have definitely taken a shine to the Dark Carousel series by Anya Allyn. There's something about it that has definitely reeled me in. As soon as I finished reading Paper Dolls, I dove right into reading Marionette, the third book in the Dark Carousel series. This one definitely had a lot of action going on!
Cassie and Molly are prisoners in Balthazar's castle as its inhabitants try to find the second book of The Mirrored Tree. Cassie and Molly desperately search for a way to leave the castle so she can be reunited with her family and with Ethan. However, things take a turn for the worst when Cassie learns her fate of which she can not escape if she wants to save her world and all of its occupants.
I find that the plot of each book in the Dark Carousel series gets weirder and weirder. The plot in Marionette so much different to the one that first started it all in Dollhouse. However, Marionette was a fast paced read, in fact, in some parts, it was a little too fast paced. There were times I was left feeling confused about what was going on. Luckily, that only happened a few times, and the rest of the plot felt solid. Marionette was quite a page turner, and I kept wanting to know what would happen next. Marionette definitely has more action in it than Paper Dolls did. It seemed like there was always something happening in Marionette. This book focused more on Cassie and somewhat on Ethan. We learn more about the different worlds (which has me confused) and more about the ice world which Cassie is from. We also learn more about Zack, Viola, Emerson, and Parker as well as the castle itself. I do wish the worlds weren't as confusing. It's hard to keep up with all the different worlds and what happens when you see your copy on that world. I wish it was better explained or that there was some kind of appendix or something in the book to help explain it. I also don't understand why the bad people need Molly. I sort of understand why they want Cassie, but I don't see what use Molly is to them as she has no powers or anything of the sort. There were a few plot twists that I didn't see coming. This book didn't really end in a cliffhanger, but I will still read the last book in the series to complete the story.
As always, Anya Allyn did a fantastic job with her characters. Cassie puts up a good fight and tries to protect everyone. I was really routing for her throughout Marionette. Molly is written well, but I feel like she's sort of a useless character. I wish I knew more about why Aisha decided to just give in to the Batistes, so more backstory there would have been nice. I am hoping there will be more backstory on Lacey as well so I can know why she sometimes speaks in third person. I know it was sort of explained that she went crazy after everything went down at the end of Dollhouse, but I'd like to know a bit more. Perhaps all of these things will be explained in the last book of the series. One character I felt bad for was Zack. I felt like he was sort of a prisoner in all of this too, yet he's very protective and sweet towards Cassie. I get why Cassie was angry at him, but he had no choice. I really wished Cassie was a bit nicer towards him in the book. I was saddened that there was hardly any Jessamine in Marionette. Jessamine is my favorite character, yet she's only in the book for the beginning for a little bit. I'm hoping she'll be featured more in the next book.
Trigger warnings for Marionette include death, murder, rape and attempted rape of a minor (not graphic), mentions of sex (not graphic), the occult, violence, alcohol, and imprisonment.
Despite the fast pacing in places, Marionette is still a great read. With great characters and lots of action, this book definitely holds one's attention throughout. I would definitely recommend Marionette by Anya Allyn to those aged 16+ who like a bit of science fiction with their supernatural horror. Now on to the next and final book in the Dark Carousel series entitled Music Box.
Cassie and Molly are prisoners in Balthazar's castle as its inhabitants try to find the second book of The Mirrored Tree. Cassie and Molly desperately search for a way to leave the castle so she can be reunited with her family and with Ethan. However, things take a turn for the worst when Cassie learns her fate of which she can not escape if she wants to save her world and all of its occupants.
I find that the plot of each book in the Dark Carousel series gets weirder and weirder. The plot in Marionette so much different to the one that first started it all in Dollhouse. However, Marionette was a fast paced read, in fact, in some parts, it was a little too fast paced. There were times I was left feeling confused about what was going on. Luckily, that only happened a few times, and the rest of the plot felt solid. Marionette was quite a page turner, and I kept wanting to know what would happen next. Marionette definitely has more action in it than Paper Dolls did. It seemed like there was always something happening in Marionette. This book focused more on Cassie and somewhat on Ethan. We learn more about the different worlds (which has me confused) and more about the ice world which Cassie is from. We also learn more about Zack, Viola, Emerson, and Parker as well as the castle itself. I do wish the worlds weren't as confusing. It's hard to keep up with all the different worlds and what happens when you see your copy on that world. I wish it was better explained or that there was some kind of appendix or something in the book to help explain it. I also don't understand why the bad people need Molly. I sort of understand why they want Cassie, but I don't see what use Molly is to them as she has no powers or anything of the sort. There were a few plot twists that I didn't see coming. This book didn't really end in a cliffhanger, but I will still read the last book in the series to complete the story.
As always, Anya Allyn did a fantastic job with her characters. Cassie puts up a good fight and tries to protect everyone. I was really routing for her throughout Marionette. Molly is written well, but I feel like she's sort of a useless character. I wish I knew more about why Aisha decided to just give in to the Batistes, so more backstory there would have been nice. I am hoping there will be more backstory on Lacey as well so I can know why she sometimes speaks in third person. I know it was sort of explained that she went crazy after everything went down at the end of Dollhouse, but I'd like to know a bit more. Perhaps all of these things will be explained in the last book of the series. One character I felt bad for was Zack. I felt like he was sort of a prisoner in all of this too, yet he's very protective and sweet towards Cassie. I get why Cassie was angry at him, but he had no choice. I really wished Cassie was a bit nicer towards him in the book. I was saddened that there was hardly any Jessamine in Marionette. Jessamine is my favorite character, yet she's only in the book for the beginning for a little bit. I'm hoping she'll be featured more in the next book.
Trigger warnings for Marionette include death, murder, rape and attempted rape of a minor (not graphic), mentions of sex (not graphic), the occult, violence, alcohol, and imprisonment.
Despite the fast pacing in places, Marionette is still a great read. With great characters and lots of action, this book definitely holds one's attention throughout. I would definitely recommend Marionette by Anya Allyn to those aged 16+ who like a bit of science fiction with their supernatural horror. Now on to the next and final book in the Dark Carousel series entitled Music Box.
Purple Phoenix Games (2266 KP) rated Trust Me, I'm a Doctor in Tabletop Games
Oct 13, 2020
Did you know that in olden days doctors and traveling alchemist frauds would prescribe cocaine for various illnesses and maladies? It’s true. Also were you aware that fecal transfusions could cure a multitude of sicknesses? You know, taking feces from one person and injecting it into the intestines of another can cure LOTS of bad stuff. Like excessively odorous gas expelations. Well, that one may or may not be true, but if you think you can sell that cure to your friends, you are ready to play Trust Me, I’m a Doctor.
In Trust Me, I’m a Doctor (which I guess I will just call Trust Me from here on out) players will be taking the mantles of traveling salespeople hawking their wares or old timey doctors prescribing ridiculous cures for what ails their patients. Players will be using the tried and true model of Apples to Apples with a twist to throw out their cure to the patient and hope their solution earns the vote from the patient as the best of the lot. The player with the most earned Ailments cards at the end of the game will be the winning shyster or quack this side of the Mississippi!
To setup, each player will receive a hand of Cure cards. A first patient is decided, who will flip the top card of the Ailments deck. The game can now begin in earnest. Or Earnest, if that’s the persona the patient wishes to take.
On the Ailment card will be the particular malady and one or more icons pertaining to the cures that can be played upon it. The non-patients now must choose a Cure card containing a matching icon to the Ailment and begin preparing their pitch. Once all players have submitted their Cures face-down, each quack will then explain to the patient why they must choose their particular Cure by convincing them of its success rate and process. The patient then chooses the best Cure, and the winning player will collect the Ailment card as a VP. Once the game is over the player with the most VP Ailment cards is the winner!
Components. This game is a bunch of cards. That’s it. Even the rules are printed on the backs of two cards (so really it’s one card if the rules had been printed on front and back). The cards are good quality, and I appreciate the thematic art on each card. The one issue I have with the components is the choice of font for the title of each card. I get that the game is trying to convey that old timey feeling, but the font makes each card a little different and sometimes too scrunched up for my tastes. Other than that, I dig everything else. Oh, the inside of the box is even printed, much like the Tiny Epic games. Cool decision there.
So do I enjoy this one? You know, I do. I don’t have Snake Oil, but this is similar in that you’re trying to sell your opponents on choosing your card. So, if you’re a good salesperson then you will do super well here. Unfortunately for me my father-in-law is a retired car salesman so he mops the floor with us. But I mean, check out the example in the photo above. To cure Cannibalism an appropriately played card is POWERFUL LAXATIVES. Seriously? Poop out your desire to eat other people? I mean, if you have the sales skills to pull that one off, well I applaud you. Obviously the best answer goes something like this, “The power of prayer heals all. Even your taste for others.”
Now, I just gave you a pretty PG-rated response to something that could go VERY R-rated VERY quickly. Please note: this game is NSFW and I wouldn’t play it with anyone under 18 even though the box says 12+. There are some touchy cards in there that I wouldn’t want to upset little Bobby with at family game night. All in all this is a good little game to get the party started or to break in new gamers. The Apples to Apples mechanics work well and there is enough ridiculousness to make everyone laugh, or even chortle. So check this one out if you need a little card game that will get people in the mood to game, with hints of adult-ness and impossibility thrown in for good measure. And don’t forget to suggest leeches for your game-mates that don’t enjoy this. They suck the grumpiness right outta you.
In Trust Me, I’m a Doctor (which I guess I will just call Trust Me from here on out) players will be taking the mantles of traveling salespeople hawking their wares or old timey doctors prescribing ridiculous cures for what ails their patients. Players will be using the tried and true model of Apples to Apples with a twist to throw out their cure to the patient and hope their solution earns the vote from the patient as the best of the lot. The player with the most earned Ailments cards at the end of the game will be the winning shyster or quack this side of the Mississippi!
To setup, each player will receive a hand of Cure cards. A first patient is decided, who will flip the top card of the Ailments deck. The game can now begin in earnest. Or Earnest, if that’s the persona the patient wishes to take.
On the Ailment card will be the particular malady and one or more icons pertaining to the cures that can be played upon it. The non-patients now must choose a Cure card containing a matching icon to the Ailment and begin preparing their pitch. Once all players have submitted their Cures face-down, each quack will then explain to the patient why they must choose their particular Cure by convincing them of its success rate and process. The patient then chooses the best Cure, and the winning player will collect the Ailment card as a VP. Once the game is over the player with the most VP Ailment cards is the winner!
Components. This game is a bunch of cards. That’s it. Even the rules are printed on the backs of two cards (so really it’s one card if the rules had been printed on front and back). The cards are good quality, and I appreciate the thematic art on each card. The one issue I have with the components is the choice of font for the title of each card. I get that the game is trying to convey that old timey feeling, but the font makes each card a little different and sometimes too scrunched up for my tastes. Other than that, I dig everything else. Oh, the inside of the box is even printed, much like the Tiny Epic games. Cool decision there.
So do I enjoy this one? You know, I do. I don’t have Snake Oil, but this is similar in that you’re trying to sell your opponents on choosing your card. So, if you’re a good salesperson then you will do super well here. Unfortunately for me my father-in-law is a retired car salesman so he mops the floor with us. But I mean, check out the example in the photo above. To cure Cannibalism an appropriately played card is POWERFUL LAXATIVES. Seriously? Poop out your desire to eat other people? I mean, if you have the sales skills to pull that one off, well I applaud you. Obviously the best answer goes something like this, “The power of prayer heals all. Even your taste for others.”
Now, I just gave you a pretty PG-rated response to something that could go VERY R-rated VERY quickly. Please note: this game is NSFW and I wouldn’t play it with anyone under 18 even though the box says 12+. There are some touchy cards in there that I wouldn’t want to upset little Bobby with at family game night. All in all this is a good little game to get the party started or to break in new gamers. The Apples to Apples mechanics work well and there is enough ridiculousness to make everyone laugh, or even chortle. So check this one out if you need a little card game that will get people in the mood to game, with hints of adult-ness and impossibility thrown in for good measure. And don’t forget to suggest leeches for your game-mates that don’t enjoy this. They suck the grumpiness right outta you.
Kara Skinner (332 KP) rated Hart Broken (Cale & Mickey #1) in Books
Sep 10, 2019
Genre: Contemporary
Goodreads Rating: 4.75/5 stars
My rating: 4/5 stars
Mickey Hart doesn’t do one-night stands. Until she wakes up in a luxury penthouse. With nothing but a t-shirt. And no idea who it belongs to.
Enter Cale Windermere. Driven. Ambitious. Successful. And so gorgeous he could’ve walked straight out of a romance novel…
Except he can’t walk. Not that it ever stops him from getting what he wants. And he wants Mickey. Even if she’s keeping secrets from him.
This book…
Where do I even begin? It has a strong start and it stays strong. Mickey is awkward and funny. She starts out at the perfect chick lit character.
“Cale Windermere,” he said, sticking out his hand.
“C-Cale?”
“Yeah. Like the leafy green, just take off the K and replace with a C.”
Oh. My. God.
“And you are?”
“Uh…”
Cale raised an eyebrow, chuckling lightly.
Say something, Mickey.
“I-l’m, uh…”
Something intelligent. And preferably English.
With the help of a mental slap, Mickey willed herself to take his hand and shake it, a bit too eagerly. “I-I’m Mickey.”
It’s difficult not to like her. I like even more that she doesn’t really care Cale’s in a wheelchair and she doesn’t do anything stupid and awkward like kneel down so they’re eye level or act as if he’s an invalid. Even though she does notice the wheelchair, she is easily distracted by how attractive he is.
Carefully taking a sip, Mickey did a once over of the man sitting in front of her. Cale’s shirt was just fitted enough to show off the remarkably solid build of his upper torso. She jotted down a mental list of all his attractive attributes thus far.
Thick, unruly chocolate locks. Gorgeous emerald eyes. Award-winning smile.
And he had a long list of greats.
Great back. Great shoulders. Great chest. Great arms.
Really great arms.
She ran her nails over the hot ceramic.
You’d never think that something was wrong with him.
She wondered if he had great abs too.
So I love Mickey. And the farther I got into the book, the more complex she became. I found myself really wanting to know why she was so commitment shy and found it difficult to sleep in the same bed as someone.
I love Cale a lot too, although not as much as Mickey. He’s charismatic, sexy, and very much in love with Mickey. He’s everything you’d expect in a love interest. So much so, he’s a bit of a cliche. Just because he can’t walk doesn’t mean he’s not a stereotypical billionaire love interest.
Cale gets self-conscious about his disability at times, and he has a lot of emotional baggage from that and his ex wife. But he’s pretty easy to get, and I don’t feel the same complexity with him I do with Mickey. That being said, he does have flaws, and I love that. He gets mad at Mickey and fed up with her unwillingness to share.
“Essentially, you’re more than happy to fuck my brains out but you won’t stay by my side. How am I doing so far, Mickey?”
“Cale…”
“So I understand, okay? Well, I wouldn’t exactly call it understanding,” he corrected himself wryly. “But I get it. I get that you need your space. It didn’t take a fucking genius to figure that one out. And I’ve tried my best to respect that…”
True.
“And be patient…”
True.
“And understanding.”
All painfully true.
He suddenly looked exhausted. And he suddenly sounded exhausted, “But Jesus, Mickey.” Shaking his head slowly, Cale blew the hair out of his eyes and sighed, “You need to throw a guy a bone eventually.”
Gotta love that he’s human and isn’t an eternal patience machine. So Cale’s all right. However, the chapters from his point of view are really weird.
They’re short, in first person, and melodramatic. A lot of the time the reader doesn’t get to see where he is or what he’s doing. Instead, they just hear his internal thoughts about Mickey. That’s it. And they’re melodramatic and repetitive, especially in the beginning of the book. The farther into the book, the more fleshed out the chapters get. But a full star is knocked off for those earlier chapters.
Despite that, I definitely recommend reading this book. It’s darker than most contemporary romances, which is very refreshing, but it has plenty of light and hilarious moments. Definitely worth the read.
If you liked this review, or know someone who might like Hart Broken, then I’d definitely appreciate it if you shared this post with your friends. Thank you, and have a great day!
Goodreads Rating: 4.75/5 stars
My rating: 4/5 stars
Mickey Hart doesn’t do one-night stands. Until she wakes up in a luxury penthouse. With nothing but a t-shirt. And no idea who it belongs to.
Enter Cale Windermere. Driven. Ambitious. Successful. And so gorgeous he could’ve walked straight out of a romance novel…
Except he can’t walk. Not that it ever stops him from getting what he wants. And he wants Mickey. Even if she’s keeping secrets from him.
This book…
Where do I even begin? It has a strong start and it stays strong. Mickey is awkward and funny. She starts out at the perfect chick lit character.
“Cale Windermere,” he said, sticking out his hand.
“C-Cale?”
“Yeah. Like the leafy green, just take off the K and replace with a C.”
Oh. My. God.
“And you are?”
“Uh…”
Cale raised an eyebrow, chuckling lightly.
Say something, Mickey.
“I-l’m, uh…”
Something intelligent. And preferably English.
With the help of a mental slap, Mickey willed herself to take his hand and shake it, a bit too eagerly. “I-I’m Mickey.”
It’s difficult not to like her. I like even more that she doesn’t really care Cale’s in a wheelchair and she doesn’t do anything stupid and awkward like kneel down so they’re eye level or act as if he’s an invalid. Even though she does notice the wheelchair, she is easily distracted by how attractive he is.
Carefully taking a sip, Mickey did a once over of the man sitting in front of her. Cale’s shirt was just fitted enough to show off the remarkably solid build of his upper torso. She jotted down a mental list of all his attractive attributes thus far.
Thick, unruly chocolate locks. Gorgeous emerald eyes. Award-winning smile.
And he had a long list of greats.
Great back. Great shoulders. Great chest. Great arms.
Really great arms.
She ran her nails over the hot ceramic.
You’d never think that something was wrong with him.
She wondered if he had great abs too.
So I love Mickey. And the farther I got into the book, the more complex she became. I found myself really wanting to know why she was so commitment shy and found it difficult to sleep in the same bed as someone.
I love Cale a lot too, although not as much as Mickey. He’s charismatic, sexy, and very much in love with Mickey. He’s everything you’d expect in a love interest. So much so, he’s a bit of a cliche. Just because he can’t walk doesn’t mean he’s not a stereotypical billionaire love interest.
Cale gets self-conscious about his disability at times, and he has a lot of emotional baggage from that and his ex wife. But he’s pretty easy to get, and I don’t feel the same complexity with him I do with Mickey. That being said, he does have flaws, and I love that. He gets mad at Mickey and fed up with her unwillingness to share.
“Essentially, you’re more than happy to fuck my brains out but you won’t stay by my side. How am I doing so far, Mickey?”
“Cale…”
“So I understand, okay? Well, I wouldn’t exactly call it understanding,” he corrected himself wryly. “But I get it. I get that you need your space. It didn’t take a fucking genius to figure that one out. And I’ve tried my best to respect that…”
True.
“And be patient…”
True.
“And understanding.”
All painfully true.
He suddenly looked exhausted. And he suddenly sounded exhausted, “But Jesus, Mickey.” Shaking his head slowly, Cale blew the hair out of his eyes and sighed, “You need to throw a guy a bone eventually.”
Gotta love that he’s human and isn’t an eternal patience machine. So Cale’s all right. However, the chapters from his point of view are really weird.
They’re short, in first person, and melodramatic. A lot of the time the reader doesn’t get to see where he is or what he’s doing. Instead, they just hear his internal thoughts about Mickey. That’s it. And they’re melodramatic and repetitive, especially in the beginning of the book. The farther into the book, the more fleshed out the chapters get. But a full star is knocked off for those earlier chapters.
Despite that, I definitely recommend reading this book. It’s darker than most contemporary romances, which is very refreshing, but it has plenty of light and hilarious moments. Definitely worth the read.
If you liked this review, or know someone who might like Hart Broken, then I’d definitely appreciate it if you shared this post with your friends. Thank you, and have a great day!
Ivana A. | Diary of Difference (1171 KP) rated His and Hers in Books
Aug 3, 2020
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With His and Hers by Alice Feeney, prepare to jump on a ride where one murder will open up the gates of the past, and expose a lot of people in a very brutal way.
I am extremely happy and proud I can be part of the blog tour for this book!
<b><i>Synopsis:</i></b>
When a woman is murdered in Blackdown village, Anna Andrews needs to go there to cover the story. However, her hometown brings back a lot of unwanted memories.
Her ex-husband, DCI Jack Harper is investigating the murder and is very suspicious of Anna's involvement. That is, until he becomes a suspect himself.
<b><i>My Thoughts: </i></b>
I have to admit, at the beginning I though this will be a domestic thriller, and I am not too keen on them. I enjoy them, but I prefer psychological thrillers more. It turned out that His and Hers is not only a psychological thriller, but also a very well written one. I have only read one book from Alice Feeney before,<a href="https://www.goodreads.com/review/show/2798981407?book_show_action=false&from_review_page=1">I Know Who You Are</a>, and I also enjoyed it, so I was expecting to enjoy this one as well.
<b><i>The chapters are split into three points of view.</i></b>
The first one is Her - Anna's point of view. The second one is Him - Jack's story. The third one is the point of view of the killer, who has their own thoughts and explanations. And the beautiful thing about the third point of view is that we don't know who it might be until the very end of the book. That point of view is so well written, that I kept guessing who it might be, and kept changing my mind. At the end, the answer was so surprising and satisfying in the end. And once I knew who the killer is, I went back and read those pages again, and they had a completely another meaning for me. Kudos to Alice for making this possible, as I know not everyone can manage to do this!
<b><i>"And I pay attention to the little things, because they are often the biggest clues to who a person really is. People rarely see themselves the way others do; we all carry broken mirrors."
Dementia</i></b>
The book also briefly focuses on Dementia, and we get to experience the moment Anna realises her mother is ill. For me, this had a special meaning, having experience working with people suffering from dementia, and the writing of the symptoms was very accurate. The reaction of Anna was quite accurate as well, in terms of how hard it was to notice, but also how much harder is to actually accept this fact.
<b><i>"Mum doesn't always remember that I'm thirty-six and live in London. She frequently forgets that I have a job, and that I used to have a husband and a child of my own. She didn't even seem to know that it was my birthday. There was no card this year, or last, but it's not her fault. Time is something my mother has forgotten how to tell. It moves differently for her now, often backwards instead of forwards. Dementia stole time from my mother, and stole my mother from me."</i></b>
If you get to read His and Hers, prepare for many twists, many mysteries, a lot of drama and betrayals. The ending was the most satisfying part for me, but I enjoyed this book all the way through and struggled to put it down. I recommend it to everyone that is in love with mystery thrillers, especially the ones that focus on the psychological aspect.
<b><i>"Youth fools us into thinking there are infinite paths to choose from in life; maturity tricks us into thinking there is only one."</i></b>
Thank you to the HQ Team, for sending me an ARC copy of this book in exchange for an honest review!
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With His and Hers by Alice Feeney, prepare to jump on a ride where one murder will open up the gates of the past, and expose a lot of people in a very brutal way.
I am extremely happy and proud I can be part of the blog tour for this book!
<b><i>Synopsis:</i></b>
When a woman is murdered in Blackdown village, Anna Andrews needs to go there to cover the story. However, her hometown brings back a lot of unwanted memories.
Her ex-husband, DCI Jack Harper is investigating the murder and is very suspicious of Anna's involvement. That is, until he becomes a suspect himself.
<b><i>My Thoughts: </i></b>
I have to admit, at the beginning I though this will be a domestic thriller, and I am not too keen on them. I enjoy them, but I prefer psychological thrillers more. It turned out that His and Hers is not only a psychological thriller, but also a very well written one. I have only read one book from Alice Feeney before,<a href="https://www.goodreads.com/review/show/2798981407?book_show_action=false&from_review_page=1">I Know Who You Are</a>, and I also enjoyed it, so I was expecting to enjoy this one as well.
<b><i>The chapters are split into three points of view.</i></b>
The first one is Her - Anna's point of view. The second one is Him - Jack's story. The third one is the point of view of the killer, who has their own thoughts and explanations. And the beautiful thing about the third point of view is that we don't know who it might be until the very end of the book. That point of view is so well written, that I kept guessing who it might be, and kept changing my mind. At the end, the answer was so surprising and satisfying in the end. And once I knew who the killer is, I went back and read those pages again, and they had a completely another meaning for me. Kudos to Alice for making this possible, as I know not everyone can manage to do this!
<b><i>"And I pay attention to the little things, because they are often the biggest clues to who a person really is. People rarely see themselves the way others do; we all carry broken mirrors."
Dementia</i></b>
The book also briefly focuses on Dementia, and we get to experience the moment Anna realises her mother is ill. For me, this had a special meaning, having experience working with people suffering from dementia, and the writing of the symptoms was very accurate. The reaction of Anna was quite accurate as well, in terms of how hard it was to notice, but also how much harder is to actually accept this fact.
<b><i>"Mum doesn't always remember that I'm thirty-six and live in London. She frequently forgets that I have a job, and that I used to have a husband and a child of my own. She didn't even seem to know that it was my birthday. There was no card this year, or last, but it's not her fault. Time is something my mother has forgotten how to tell. It moves differently for her now, often backwards instead of forwards. Dementia stole time from my mother, and stole my mother from me."</i></b>
If you get to read His and Hers, prepare for many twists, many mysteries, a lot of drama and betrayals. The ending was the most satisfying part for me, but I enjoyed this book all the way through and struggled to put it down. I recommend it to everyone that is in love with mystery thrillers, especially the ones that focus on the psychological aspect.
<b><i>"Youth fools us into thinking there are infinite paths to choose from in life; maturity tricks us into thinking there is only one."</i></b>
Thank you to the HQ Team, for sending me an ARC copy of this book in exchange for an honest review!
Bob Mann (459 KP) rated A Star Is Born (2018) in Movies
Sep 28, 2021
Dullsville Arizona.
It’s unusual for the illustrious Mrs. Movie-Man and I to disagree over our opinion of a movie. Sure, she doesn’t like some genres like horror and sci-fi that I do, and I will often go to them alone. But in the main if we sit there together then we tend to have the same general view as to whether we liked it or not. (I guess that’s why we’ve been such a good match for nearly 40 years!). Not so though with this film.
The story has been filmed three times before: in 1937 (with Janet Gaynor and Fredric March); 1954 (with Judy Garland and James Mason) and 1976 (with Barbra Streisand and Kris Kristofferson). In all of these films the story has been the same: an alcoholic and over-the-hill actor (or with Kris Kristofferson, rock star) finds a young talented ingenue to love and develop into a superstar.
The modern day remake is a little different in that Jackson Maine, our older star (now played by Bradley Cooper), is a stadium-filling mega-rock-star, recognised and idolised in every bar he goes into…. and he frequents a LOT of bars. Maine mixes the cocktail with drugs in this version meaning that as one star is ascending, his seems destined to be heading into a black hole.
At its heart, this is a good story of having self-confidence in your own abilities, no matter how people around you try to put you down. Gaga’s Ally is one such person; a waitress who is constantly being told, especially by her blue-collar dad and his boozy friends, that although she has a great voice she’s “never going to make it” because of the way she looks. In chilled fashion she meets Jackson Maine, who hears her sing and thinks she might be on the edge of glory. Not worried about her big nose, he appreciates she was born that way: in fact he likes her so much he wants to poke her face. (Sorry… couldn’t resist it).
I appreciate from the IMDB rating that I am probably in a minority here. (At the time of writing this – pre-general release – it is a ridiculously high – and I suspect artificially pumped up – 8.8). But for me, I found the whole thing a dull affair. I can’t remember the last time I went to a film when I actively looked at my watch… but 1 hour 45 into this, I did (it had another 30 minutes to run).
For one thing, I just didn’t believe Bradley Cooper as the rock star character. He just came across as totally false and unbelievable to me. I had more resonance with Gaga’s Ally. Even though she is a novice actor (and it showed at times) in general I thought she did a creditable job. But given these two factors together, there are long and indulgent exchanges between the pair that seemed to me to go on in–ter–min–ably. Best actor in the film for me was Sam Elliott as Jackson’s brother Bobby. The mellowing of the brothers is a scene that I found genuinely touching.
I’d also like a glance at the original script, since there are some passages (the “boyfriend/husband” lines is a case in point) where it felt like one of them made an script mistake and, instead of Cooper (as director) shouting “cut”, they kept it going as some sort of half-arsed improv.
What is impressive is that they got to film at live concerts (including at Glastonbury), although most of this footage is of the hand-held nausea-inducing variety. There is zero doubt that Gaga can belt out a song better than anyone. But I didn’t get that same feeling about Bradley Cooper’s singing: like a lot of this film (with Cooper as co-producer, co-screenwriter AND director) it felt to me like a self-indulgent piece of casting.
I know music is extremely subjective, and “country” isnt really my think anyway. But the songs by Gaga and Lukas Nelson were – “Shallow” aside – for me rather forgetable.
Overall, in a couple of years that have brought us some great musicals – “La La Land“; “Sing Street“; “The Greatest Showman” – here’s a film about the music industry that did nothing for me I’m afraid.
But with my new user-rating system (this is the first post on the new web site) you have a chance to have YOUR say, so vote away!
The story has been filmed three times before: in 1937 (with Janet Gaynor and Fredric March); 1954 (with Judy Garland and James Mason) and 1976 (with Barbra Streisand and Kris Kristofferson). In all of these films the story has been the same: an alcoholic and over-the-hill actor (or with Kris Kristofferson, rock star) finds a young talented ingenue to love and develop into a superstar.
The modern day remake is a little different in that Jackson Maine, our older star (now played by Bradley Cooper), is a stadium-filling mega-rock-star, recognised and idolised in every bar he goes into…. and he frequents a LOT of bars. Maine mixes the cocktail with drugs in this version meaning that as one star is ascending, his seems destined to be heading into a black hole.
At its heart, this is a good story of having self-confidence in your own abilities, no matter how people around you try to put you down. Gaga’s Ally is one such person; a waitress who is constantly being told, especially by her blue-collar dad and his boozy friends, that although she has a great voice she’s “never going to make it” because of the way she looks. In chilled fashion she meets Jackson Maine, who hears her sing and thinks she might be on the edge of glory. Not worried about her big nose, he appreciates she was born that way: in fact he likes her so much he wants to poke her face. (Sorry… couldn’t resist it).
I appreciate from the IMDB rating that I am probably in a minority here. (At the time of writing this – pre-general release – it is a ridiculously high – and I suspect artificially pumped up – 8.8). But for me, I found the whole thing a dull affair. I can’t remember the last time I went to a film when I actively looked at my watch… but 1 hour 45 into this, I did (it had another 30 minutes to run).
For one thing, I just didn’t believe Bradley Cooper as the rock star character. He just came across as totally false and unbelievable to me. I had more resonance with Gaga’s Ally. Even though she is a novice actor (and it showed at times) in general I thought she did a creditable job. But given these two factors together, there are long and indulgent exchanges between the pair that seemed to me to go on in–ter–min–ably. Best actor in the film for me was Sam Elliott as Jackson’s brother Bobby. The mellowing of the brothers is a scene that I found genuinely touching.
I’d also like a glance at the original script, since there are some passages (the “boyfriend/husband” lines is a case in point) where it felt like one of them made an script mistake and, instead of Cooper (as director) shouting “cut”, they kept it going as some sort of half-arsed improv.
What is impressive is that they got to film at live concerts (including at Glastonbury), although most of this footage is of the hand-held nausea-inducing variety. There is zero doubt that Gaga can belt out a song better than anyone. But I didn’t get that same feeling about Bradley Cooper’s singing: like a lot of this film (with Cooper as co-producer, co-screenwriter AND director) it felt to me like a self-indulgent piece of casting.
I know music is extremely subjective, and “country” isnt really my think anyway. But the songs by Gaga and Lukas Nelson were – “Shallow” aside – for me rather forgetable.
Overall, in a couple of years that have brought us some great musicals – “La La Land“; “Sing Street“; “The Greatest Showman” – here’s a film about the music industry that did nothing for me I’m afraid.
But with my new user-rating system (this is the first post on the new web site) you have a chance to have YOUR say, so vote away!
Hadley (567 KP) rated The Haunting of Hill House in Books
Apr 19, 2019
Strong writing (1 more)
Good characters
Run-on sentences (1 more)
No explanations for paranormal activity
Contains spoilers, click to show
If you're looking for a scary story, 'The Haunting of Hill House' just doesn't add up.
The story is still worth reading because Jackson's story telling is something that is missing in literature today. The reader is introduced to characters that are different enough to be interesting; their development is just right that it leaves the reader satisfied. The story moves along well enough that the pace keeps us from getting bored. And each turn of the page keeps the reader guessing what is going to happen next- a must for any ghost story.
In 'The Haunting of Hill House,' Jackson mostly focuses on the character Eleanor - a woman who recently lost the sickly mother she had taken care of for years, to receiving an invitation for a paranormal experiment at the infamous Hill House. Eleanor also seems to be the main character affected by the house, not only having her name written on a wall, but also having her named called out by spirits during an automatic writing session with them.
Our first introduction to the Hill House happens as Eleanor arrives: "No Human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in , not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until it was destroyed."
We never see Hill House through any other character's eyes, and the viewpoints mostly come from Eleanor (a missed opportunity,I think). Everyone who arrives at the house feels uneasy about it: doors and curtains close on their own, unexplained banging noises down the hallways(only at night), the chattering and laughter of children, and with an oddly placed cold spot. Yet,to the reader's dismay, nothing is fully explained by the end of the story - no apparitions show up, no one seems harmed by anything unseen (although, the character, Luke, suddenly shows up with a bruised face that is never discussed), and the reader ends up wondering if this really is a product of mass psychosis. It almost seems like Jackson ended the story abruptly just to finish it(the book is only a little under 200 pages). She set up wonderful scenarios, but without explanations, we're left with a very empty feeling.
Nearing the end of the book, the doctor, John Montague, who has ran the entire experiment, has his wife,Mrs. Montague,arrive a few days later, who seems to know more about contacting spirits than he does: "The library? I think it might do; books are frequently very good carriers, you know. Materializations are often best produced in rooms where there are books. I cannot think of any time when materialization was in any way hampered by the presence of books." And with the arrival of Dr. Montague's wife, we get one of the major experiences in the entire book. Although her character is quite annoying- even seen through the eyes of other characters- she brings some of the most ghost story elements, one of which is her automatic writing sessions: "Planchette felt very strongly about a nun, John. Perhaps something of the sort- a dark, vague figure, even- has been seen in the neighborhood? Villagers terrified when staggering home late at night?" None of the characters, besides Mrs. Montague's companion, Arthur, believe her automatic writing sessions are real, even after Eleanor's name is brought up during one. As I stated before, without any explanations, the reader is even led to believe that nothing was meant to come of these sessions whatsoever.
The ghost story elements may not have been strong in the story, but the characters make up for them. They constantly question what they are experiencing and/or seeing, they question their surroundings, and they question each other -Jackson does an amazing job weaving paranoia into the story line.
One of the more shocking and unbelievable scenes is when Eleanor is suddenly not fearful of the house anymore: "And here I am, she thought. Here I am inside. It was not cold at all, but deliciously, fondly warm. It was light enough for her to see the iron stairway curving around and around up to the tower, and the little door at the top. Under her feet the stone floor moved caressingly, rubbing itself against the soles of her feet, and all around the soft air touched her, stirring her hair, drifting against her fingers, coming in a light breath across her mouth, and she danced in circles. No stone lions for me, she thought, no oleanders; I have broken the spell of Hill House and somehow come inside. I am home, she thought, and stopped in wonder at the thought. I am home, I am home, she thought; now to climb." It was as if Eleanor was a completely different person in just a few pages.
I do have a couple of problems with 'The Haunting of Hill House,' mostly centering around the use of run-on sentences and extra long paragraphs. The run-on sentences are a waste of time because Jackson seems to merely elaborate on something that could be easily explained or experienced with fewer words. The paragraphs, however, need to be broken up for scene transitioning purposes -when she transitions from one scene to the next, she can confuse the reader with them: one paragraph will have all the characters in the dining area, but in that same paragraph, just a few sentences down, Jackson has the characters suddenly in the parlor,drinking Brandy. Maybe the intention was to make the reader feel paranoid and uneasy like the characters in the book, but it was certainly not needed with the way of Jackson's style of writing.
With all that said, it's easy to see why this book is a popular classic. The writing is strong, using enough descriptions to put the reader in Hill House with all of its paranormal beings. And no matter who you are, you are able to find at least one of the lead characters as a favorite. I feel the book is a must-read for anyone interested in the paranormal, because Jackson brings out the occult interest that was going on around 1959 - when she published 'The Haunting of Hill House;' everything from cold spots to the use of a planchette for automatic writing.
I recommend this book, but if you're looking for scares, you must look elsewhere.
The story is still worth reading because Jackson's story telling is something that is missing in literature today. The reader is introduced to characters that are different enough to be interesting; their development is just right that it leaves the reader satisfied. The story moves along well enough that the pace keeps us from getting bored. And each turn of the page keeps the reader guessing what is going to happen next- a must for any ghost story.
In 'The Haunting of Hill House,' Jackson mostly focuses on the character Eleanor - a woman who recently lost the sickly mother she had taken care of for years, to receiving an invitation for a paranormal experiment at the infamous Hill House. Eleanor also seems to be the main character affected by the house, not only having her name written on a wall, but also having her named called out by spirits during an automatic writing session with them.
Our first introduction to the Hill House happens as Eleanor arrives: "No Human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in , not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until it was destroyed."
We never see Hill House through any other character's eyes, and the viewpoints mostly come from Eleanor (a missed opportunity,I think). Everyone who arrives at the house feels uneasy about it: doors and curtains close on their own, unexplained banging noises down the hallways(only at night), the chattering and laughter of children, and with an oddly placed cold spot. Yet,to the reader's dismay, nothing is fully explained by the end of the story - no apparitions show up, no one seems harmed by anything unseen (although, the character, Luke, suddenly shows up with a bruised face that is never discussed), and the reader ends up wondering if this really is a product of mass psychosis. It almost seems like Jackson ended the story abruptly just to finish it(the book is only a little under 200 pages). She set up wonderful scenarios, but without explanations, we're left with a very empty feeling.
Nearing the end of the book, the doctor, John Montague, who has ran the entire experiment, has his wife,Mrs. Montague,arrive a few days later, who seems to know more about contacting spirits than he does: "The library? I think it might do; books are frequently very good carriers, you know. Materializations are often best produced in rooms where there are books. I cannot think of any time when materialization was in any way hampered by the presence of books." And with the arrival of Dr. Montague's wife, we get one of the major experiences in the entire book. Although her character is quite annoying- even seen through the eyes of other characters- she brings some of the most ghost story elements, one of which is her automatic writing sessions: "Planchette felt very strongly about a nun, John. Perhaps something of the sort- a dark, vague figure, even- has been seen in the neighborhood? Villagers terrified when staggering home late at night?" None of the characters, besides Mrs. Montague's companion, Arthur, believe her automatic writing sessions are real, even after Eleanor's name is brought up during one. As I stated before, without any explanations, the reader is even led to believe that nothing was meant to come of these sessions whatsoever.
The ghost story elements may not have been strong in the story, but the characters make up for them. They constantly question what they are experiencing and/or seeing, they question their surroundings, and they question each other -Jackson does an amazing job weaving paranoia into the story line.
One of the more shocking and unbelievable scenes is when Eleanor is suddenly not fearful of the house anymore: "And here I am, she thought. Here I am inside. It was not cold at all, but deliciously, fondly warm. It was light enough for her to see the iron stairway curving around and around up to the tower, and the little door at the top. Under her feet the stone floor moved caressingly, rubbing itself against the soles of her feet, and all around the soft air touched her, stirring her hair, drifting against her fingers, coming in a light breath across her mouth, and she danced in circles. No stone lions for me, she thought, no oleanders; I have broken the spell of Hill House and somehow come inside. I am home, she thought, and stopped in wonder at the thought. I am home, I am home, she thought; now to climb." It was as if Eleanor was a completely different person in just a few pages.
I do have a couple of problems with 'The Haunting of Hill House,' mostly centering around the use of run-on sentences and extra long paragraphs. The run-on sentences are a waste of time because Jackson seems to merely elaborate on something that could be easily explained or experienced with fewer words. The paragraphs, however, need to be broken up for scene transitioning purposes -when she transitions from one scene to the next, she can confuse the reader with them: one paragraph will have all the characters in the dining area, but in that same paragraph, just a few sentences down, Jackson has the characters suddenly in the parlor,drinking Brandy. Maybe the intention was to make the reader feel paranoid and uneasy like the characters in the book, but it was certainly not needed with the way of Jackson's style of writing.
With all that said, it's easy to see why this book is a popular classic. The writing is strong, using enough descriptions to put the reader in Hill House with all of its paranormal beings. And no matter who you are, you are able to find at least one of the lead characters as a favorite. I feel the book is a must-read for anyone interested in the paranormal, because Jackson brings out the occult interest that was going on around 1959 - when she published 'The Haunting of Hill House;' everything from cold spots to the use of a planchette for automatic writing.
I recommend this book, but if you're looking for scares, you must look elsewhere.