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Sassy Brit (97 KP) rated In the Mouth of the Wolf in Books

Jun 5, 2019

In this short book, “In the Mouth of the Wolf” , we’re privy to fascinating insights into the life of children’s fiction author Michael Morpurgo’s Uncle Francis who narrates in the first person at the age of ninety years, reminiscing about his life. It is a heartfelt TRUE story (hence the reason why this has made into my non-fiction category over at Goodreads) and one that is aimed at kids and young adults, but adults will get plenty from this, too.

The artwork within is tremendously well-done by award-winning artist Barroux, and set against a backdrop of World War Two. You’ll find it packs an emotion punch, whilst being a fast-paced read filled with outstanding wartime courage and love. Brotherly love, too.

What a treat this was to discover, since it reads like an fictional story, yet has some intriguing, real people pictures at the back of the book, so you can meet the real characters of these true events. It’s no wonder Morpurgo is such a talented storyteller if he’s heard family stories like this.

In fact, this is such a lovely story, it brought tears to my eyes on more than on occasion. Damn you, Micheal Morpurgo and your wonderfully tear-inducing story-telling skills!

Kudos

Awix (3310 KP) rated Godzilla (1954) in Movies

Mar 24, 2018 (Updated Mar 24, 2018)

Godzilla (1954)

1954 | Sci-Fi

7.9

(15 Ratings)

Movie Rating

The very first Godzilla movie is essentially an unlicensed remake of Eugene Lourie's The Beast from 20,000 Fathoms, with a prehistoric monster roused by atomic testing and going on the rampage - but being a bit worried about atom bombs is clearly not the same thing as actually having them used on your country, for this movie has a dark, traumatised quality to it completely absent from American monster movies.

The sequences with the human characters have that slightly melodramatic, soap-opera-ish feel to them common to many B-movies, but the actual monster attacks are astonishingly bleak and explicit about the massive body-count left in Godzilla's wake. You get a strong sense of a country left reeling, struggling to come to terms with why this catastrophe has been visited on them (the movie reflects the widespread Japanese belief that the country was a victim of the second world war, not an aggressor).

It's quite hard to compare this to most of the subsequent films, for this is obviously a much more serious parable. Some of the melodramatic plotting lets it down a bit, and the climax is rather disappointing given the strength of the earlier set pieces. But it's clear why people are still making movies about Godzilla nearly sixty-five years later.