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Haley Mathiot (9 KP) rated Battlemage in Books
Apr 27, 2018
Battlemage was so exciting. It held on tight and didn’t let go. I was hooked from the very first few sentences from the first chapter and from there it just got better. It was everything I’d hoped it would be. It had an exciting, well thought-out plot, complex and interesting characters, good writing, great humor, and amazing war-time magic. It had an interesting (subtle) religious and political commentary running through it that added dimension to the world. It made it more real. And it had a character that I had to really think about, really pay attention to, to figure out his true identity! I love that. I love a book that makes me think, and that surprises me.
I love good-guy/bad-guy magic. Magic that can take you to higher levels of selflessness and servant-hood and kindness, and that same magic can be used to pull you and everyone around you into filth and degradation. The Source is so powerful that, if used in the wrong hands, can completely break and ruin a person. And we see that in the battlemages. That’s my favorite kind of magic.
The narration was very good. Addis created a perfect voice for the personalities of the characters. He has superb accents and articulation, spoke clearly at a good pace, and took a book that was at 100% great and made it 200% great (which is exactly what the narrator should do! Add to the experience, not take away from it.)
The only thing about Battlemage I thought was slightly lacking was the very end. It was a little abrupt and open. Open in a good way, meaning it immediately demands a sequel. But I felt like the author was like “Hah! It’s over! bwahahahah!” rather than the kind of gentile ease away that leaves the reader feeling satisfied but still excited for what is to come. However I was still highly satisfied with the story, would totally read/listen to it again, and recommend it to anyone 18+.
I love good-guy/bad-guy magic. Magic that can take you to higher levels of selflessness and servant-hood and kindness, and that same magic can be used to pull you and everyone around you into filth and degradation. The Source is so powerful that, if used in the wrong hands, can completely break and ruin a person. And we see that in the battlemages. That’s my favorite kind of magic.
The narration was very good. Addis created a perfect voice for the personalities of the characters. He has superb accents and articulation, spoke clearly at a good pace, and took a book that was at 100% great and made it 200% great (which is exactly what the narrator should do! Add to the experience, not take away from it.)
The only thing about Battlemage I thought was slightly lacking was the very end. It was a little abrupt and open. Open in a good way, meaning it immediately demands a sequel. But I felt like the author was like “Hah! It’s over! bwahahahah!” rather than the kind of gentile ease away that leaves the reader feeling satisfied but still excited for what is to come. However I was still highly satisfied with the story, would totally read/listen to it again, and recommend it to anyone 18+.
BookwormMama14 (18 KP) rated Siren's Fury in Books
Jan 2, 2019
**Please note that this is the second book in The Storm Siren Series. While I always strive to keep my reviews spoiler-FREE, if you have not read the first book, you MAY encounter unknown information in this review**
Mary Weber's unique world is completely incredible. Rich with colorful descriptions and details, I feel like this is a real place I would read about in my history books. Granted...the magical elements kind of give it away as being fiction.
One thing that I have come to appreciate in Young Adult Fiction is the use of symbolism. Reminds me a lot of Ted Dekker's circle trilogy. The evil and darkness vs. The good and pure. The struggle that can occur when we open ourselves to the darkness...And the power that it can have over us IF WE LET IT! Ahh! SO GOOD!!!! And this story just keeps getting more and more intense. This book has a much more steam punk feel to it vs the first book. Different country, different culture, different feel. I LOVE IT!
I do enjoy a book series that continues the story line because it gives the author a chance to develop the characters and thicken the plot. And also makes me glad that I usually wait till these books are all released before I dive into them...So I can, you know...BINGE READ!!!
As Nym continues on her journey of harnessing her powers and stopping a war before it starts...We meet a few new characters and a few old ones tag along. Forget everything you think you know.......And be prepared to be enchanted by this tale of good vs. evil. Make sure you have book 3 ready to go before you start this one...TRUST ME...You are going to want to keep reading.
I found Siren's Fury at my local library. I was not required to write a review. All opinions expressed are mine alone.
Mary Weber's unique world is completely incredible. Rich with colorful descriptions and details, I feel like this is a real place I would read about in my history books. Granted...the magical elements kind of give it away as being fiction.
One thing that I have come to appreciate in Young Adult Fiction is the use of symbolism. Reminds me a lot of Ted Dekker's circle trilogy. The evil and darkness vs. The good and pure. The struggle that can occur when we open ourselves to the darkness...And the power that it can have over us IF WE LET IT! Ahh! SO GOOD!!!! And this story just keeps getting more and more intense. This book has a much more steam punk feel to it vs the first book. Different country, different culture, different feel. I LOVE IT!
I do enjoy a book series that continues the story line because it gives the author a chance to develop the characters and thicken the plot. And also makes me glad that I usually wait till these books are all released before I dive into them...So I can, you know...BINGE READ!!!
As Nym continues on her journey of harnessing her powers and stopping a war before it starts...We meet a few new characters and a few old ones tag along. Forget everything you think you know.......And be prepared to be enchanted by this tale of good vs. evil. Make sure you have book 3 ready to go before you start this one...TRUST ME...You are going to want to keep reading.
I found Siren's Fury at my local library. I was not required to write a review. All opinions expressed are mine alone.
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The Complete Short Stories: Volume One: Volume one
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The Complete Short Stories of Roald Dahl in the first of two unsettling and sinister volumes. 'They...
RəX Regent (349 KP) rated Godzilla (1954) in Movies
Feb 25, 2019
The beginning was inspired...
Contains spoilers, click to show
I was first introduced to Godzilla in cartoon form in the 1980′s as a child, but it wasn't until 1998, with Roland Emmerich's blockbuster reboot that I had seen the infamous beast on the pearl screen. I had also seem bits and bobs of the many original sequels as a child and they had made absolutely no impact on me what so ever! But I became aware of the significance of this, the original, only recently and it was due to this discovery that I hunted down the best copy available.
I ended up with the 2005 Region 1 release, which also includes the U.S. reworking from 1956, Godzilla: King Of The Monsters!. I could not have imagined that a the 1954 version of Godzilla, or more literally, Gojira, could have been so mature, so sombre, or so tempered with its sledgehammer philosophising. Produced just nine years after the devastating nuclear bombings of Hiroshima and Nagasaki, which effectively ended the Second World War, Gojira takes up the mantle on doing what Science Fiction does best, and created the cypher in the form of Godzilla, to represent the devastation left over from the nuking of these cities.
Godzilla is a nuclear beast, affected by U.S. nuclear tests and is now toxically radioactive and upon landfall on Tokyo, rains down, literally, nuclear destruction up on the city, in a manner not dissimilar too that levied upon either of the cities, Hiroshima or Nagasaki. But its not just about that. It about the creation of the next WMD which would ultimately be used against Godzilla but poses and moral dilemma that Robert Oppenheimer himself would appreciate, as to whether such a creation should be allowed to be developed. It also looks quite seriously into establishing the potential evolution of a creature such as Godzilla and uses plausible palaeontological arguments to justify his existence.
The pacing was good and though Godzilla strikes from almost the opening frame, there is a sense of an ongoing crisis rather than an impending apocalypse, with news outlets reporting throughout as plans, both military and civilian are sited.
All in all, this is not just the birth of the massive and largely corny and cheap Godzilla series, it is a striking, intelligent, moving and incredibly well judged masterpiece of 50′s cinema. But I should have known. Most rubbish franchises began with an inspired first movie, something to break the mould and this does the job perfectly.
But it isn't without its flaws. The special effects, though not all bad, are below par even for the time, but effective as for telling the story, some were very good with ALL being well conceived and ambitious. Some were very poor though, such as the model ships, which were unnecessarily below the standards and look like bath toys. But the cinematography was wonderful, with Honda shooting this in a classically manner. Tension was built brilliantly and the action rose to several crescendos and the excellent score by Akira Ifukube was not overused but brought to perfect effect when needed.
The acting was first-rate as well, proving Japanese cinemas reputation. But this was my first real foray into Japanese cinema, and what a treat it was. Many would look at this and see a cheap old film and others will see a film that whist let down by some less that brilliant visual effects and the fact that a lot of people, certainly in the U.K. find subtitles difficult, as a masterpiece not only of Eastern cinema but of cinema full stop. Truly realising its narrative and spirit, its cause and message. This was about a county in mourning not only for the hundreds of thousands lost by Fat Man and Little Boy, but for the war full stop. The 1950′s were a time of great political fear and reconstruction after WW2, and this is a film which taps into the brewing Cold War and fear of annihilation from human behemoths which once released can never be returned.
HIGHLY recommended but not for children as they will bore, miss the point, get put off by the subtitles, black and white and quite frankly its a mature and bleak film and not the 1998 remake. And thank God or Godzilla for that!
I ended up with the 2005 Region 1 release, which also includes the U.S. reworking from 1956, Godzilla: King Of The Monsters!. I could not have imagined that a the 1954 version of Godzilla, or more literally, Gojira, could have been so mature, so sombre, or so tempered with its sledgehammer philosophising. Produced just nine years after the devastating nuclear bombings of Hiroshima and Nagasaki, which effectively ended the Second World War, Gojira takes up the mantle on doing what Science Fiction does best, and created the cypher in the form of Godzilla, to represent the devastation left over from the nuking of these cities.
Godzilla is a nuclear beast, affected by U.S. nuclear tests and is now toxically radioactive and upon landfall on Tokyo, rains down, literally, nuclear destruction up on the city, in a manner not dissimilar too that levied upon either of the cities, Hiroshima or Nagasaki. But its not just about that. It about the creation of the next WMD which would ultimately be used against Godzilla but poses and moral dilemma that Robert Oppenheimer himself would appreciate, as to whether such a creation should be allowed to be developed. It also looks quite seriously into establishing the potential evolution of a creature such as Godzilla and uses plausible palaeontological arguments to justify his existence.
The pacing was good and though Godzilla strikes from almost the opening frame, there is a sense of an ongoing crisis rather than an impending apocalypse, with news outlets reporting throughout as plans, both military and civilian are sited.
All in all, this is not just the birth of the massive and largely corny and cheap Godzilla series, it is a striking, intelligent, moving and incredibly well judged masterpiece of 50′s cinema. But I should have known. Most rubbish franchises began with an inspired first movie, something to break the mould and this does the job perfectly.
But it isn't without its flaws. The special effects, though not all bad, are below par even for the time, but effective as for telling the story, some were very good with ALL being well conceived and ambitious. Some were very poor though, such as the model ships, which were unnecessarily below the standards and look like bath toys. But the cinematography was wonderful, with Honda shooting this in a classically manner. Tension was built brilliantly and the action rose to several crescendos and the excellent score by Akira Ifukube was not overused but brought to perfect effect when needed.
The acting was first-rate as well, proving Japanese cinemas reputation. But this was my first real foray into Japanese cinema, and what a treat it was. Many would look at this and see a cheap old film and others will see a film that whist let down by some less that brilliant visual effects and the fact that a lot of people, certainly in the U.K. find subtitles difficult, as a masterpiece not only of Eastern cinema but of cinema full stop. Truly realising its narrative and spirit, its cause and message. This was about a county in mourning not only for the hundreds of thousands lost by Fat Man and Little Boy, but for the war full stop. The 1950′s were a time of great political fear and reconstruction after WW2, and this is a film which taps into the brewing Cold War and fear of annihilation from human behemoths which once released can never be returned.
HIGHLY recommended but not for children as they will bore, miss the point, get put off by the subtitles, black and white and quite frankly its a mature and bleak film and not the 1998 remake. And thank God or Godzilla for that!
Charles Williams: The Third Inkling
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This is the first full biography of Charles Williams (1886-1945), an extraordinary and controversial...
Making Marie Curie: Intellectual Property and Celebrity Culture in an Age of Information
Eva Hemmungs Wirten and Evelyne Grossman
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In many ways, Marie Curie represents modern science. Her considerable lifetime achievements the...