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Rachel King (13 KP) rated Fragile Eternity (Wicked Lovely, #3) in Books
Feb 11, 2019
At first I was really excited that this book was picking up on Seth and Aislinn from where the first book left off. Sorcha's court is very interesting and uniquely different from the other three courts, and I think that it is the court I would most likely fit into. I like how Marr fashions each court by a different set of rules, so that something that one court has the power to accomplish another court cannot necessarily duplicate. This makes the plot less predictable and allows the monarchs of each court to become more memorable and unique to the reader.
Keenan is just as much of an arse as he is in the other books - I see the least character growth with him, despite how much he is not getting what he wants. Aislinn is obviously still relatively naive about him. Despite how hard she works to be a good queen, she still appears to be an amateur, based on how easily everyone keeps secrets from her. I really like how hard Seth works to be a good boyfriend, but I love how the reader gets to see him in his weaker moments. This makes him more humane and believeable. His courage and determination are quite commendable, but I can hardly believe that he missed that very important detail about Faerie when he makes his bargain with Sorcha. As much reading as he has supposedly done on the subject, it isn't very likely that he would not read about the time differences. I was so disappointed when I realized that Seth had essentially become a "momma's boy" when Sorcha makes him her Faerie son. While this seems to benefit Sorcha, I really don't see how this will benefit Seth - and every other fairy, except for Bananach, seems to agree with this.
As for Bananach, while what she sees is focused on her goals of War, by the end of this book, I don't see how there could be any other outcome. Each of the monarchs are too focused on protecting and strengthening his or her own courts to care about the fate of the fairy world as a whole, which the real world has proven can only have one outcome. While the romantic in me just wants to see each of the monarchs find mates and a happily ever after, I like how Marr deviates from this typical theme and produces books that thrive on unpredictability. I look forward to getting my hands on the next book, Radiant Shadows (Wicked Lovely).
Keenan is just as much of an arse as he is in the other books - I see the least character growth with him, despite how much he is not getting what he wants. Aislinn is obviously still relatively naive about him. Despite how hard she works to be a good queen, she still appears to be an amateur, based on how easily everyone keeps secrets from her. I really like how hard Seth works to be a good boyfriend, but I love how the reader gets to see him in his weaker moments. This makes him more humane and believeable. His courage and determination are quite commendable, but I can hardly believe that he missed that very important detail about Faerie when he makes his bargain with Sorcha. As much reading as he has supposedly done on the subject, it isn't very likely that he would not read about the time differences. I was so disappointed when I realized that Seth had essentially become a "momma's boy" when Sorcha makes him her Faerie son. While this seems to benefit Sorcha, I really don't see how this will benefit Seth - and every other fairy, except for Bananach, seems to agree with this.
As for Bananach, while what she sees is focused on her goals of War, by the end of this book, I don't see how there could be any other outcome. Each of the monarchs are too focused on protecting and strengthening his or her own courts to care about the fate of the fairy world as a whole, which the real world has proven can only have one outcome. While the romantic in me just wants to see each of the monarchs find mates and a happily ever after, I like how Marr deviates from this typical theme and produces books that thrive on unpredictability. I look forward to getting my hands on the next book, Radiant Shadows (Wicked Lovely).
Phil Leader (619 KP) rated Half a War (Shattered Sea, Book 3) in Books
Nov 14, 2019
This is the third book of the Shattered Sea trilogy and takes place a couple of years after the previous book, Half the World. The long forecast war between Gettland and the High King commences with the High King's champion, Bright Yilling, invading Throvenland. Princess Skara manages to escape to Gettland where she joins the allies so that she can take her homeland back from the invaders.
Father Yarvi is also determined to strike back, to carry out the oath of vengeance he swore against his father's killers. To do this he must defeat Bright Yilling and his army and then take on the High King himself. But just how far is he prepared to go in order to secure victory?
I actually can't say too much in detail about this book without giving anything away. Much like the previous book, this one seems like a fairly conventional epic fantasy style story for a good half. But then Abercrombie starts to twist the knife as the reader's expectations based on the usual fantasy tropes are knocked down one by one.
Certainly there is much here that is unconventional in many ways and I confess to having a rather mad smile on my face at one point due to the utter craziness of what is going on - but Abercrombie handles it well having laid the groundwork well in advance. It is never clear who is going live and who is going to die, and who is going to win and who is going to lose.
After the first two books, which have quite a lot of conversations and philosophy, this is essentailly one long drawn out battle against various parties in various locations. Some battles are fought with swords and others with words, but both are just as deadly for the loser. The fight scenes are very violent and as expected it's pretty grim and dark at times.
There is plenty of scope left at the end for more stories set in the world of the Shattered Sea and these would be welcome but it also clear that the story of Yarvi and his revenge has been completed.
Not the best of the series, the first half is probably too conventional but the second half turns so much on its head it redeems the book completely.
Rating: Lots of violent battles and deaths, some scatalogical phrases and some non-explict sexual scenes. Young Adult but more at the Adult than Young end of that spectrum
Father Yarvi is also determined to strike back, to carry out the oath of vengeance he swore against his father's killers. To do this he must defeat Bright Yilling and his army and then take on the High King himself. But just how far is he prepared to go in order to secure victory?
I actually can't say too much in detail about this book without giving anything away. Much like the previous book, this one seems like a fairly conventional epic fantasy style story for a good half. But then Abercrombie starts to twist the knife as the reader's expectations based on the usual fantasy tropes are knocked down one by one.
Certainly there is much here that is unconventional in many ways and I confess to having a rather mad smile on my face at one point due to the utter craziness of what is going on - but Abercrombie handles it well having laid the groundwork well in advance. It is never clear who is going live and who is going to die, and who is going to win and who is going to lose.
After the first two books, which have quite a lot of conversations and philosophy, this is essentailly one long drawn out battle against various parties in various locations. Some battles are fought with swords and others with words, but both are just as deadly for the loser. The fight scenes are very violent and as expected it's pretty grim and dark at times.
There is plenty of scope left at the end for more stories set in the world of the Shattered Sea and these would be welcome but it also clear that the story of Yarvi and his revenge has been completed.
Not the best of the series, the first half is probably too conventional but the second half turns so much on its head it redeems the book completely.
Rating: Lots of violent battles and deaths, some scatalogical phrases and some non-explict sexual scenes. Young Adult but more at the Adult than Young end of that spectrum
Close to Shore: The Terrifying Shark Attacks of 1916
9.0
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Combining rich historical detail and a harrowing, pulse-pounding narrative, Close to Shore...
Looking for the Outsider: Albert Camus and the Life of a Literary Classic
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The Outsider is a rite of passage for readers around the world. Since its publication in France in...
Tom Turner (388 KP) rated The Magician's Apprentice (Black Magician, #0.5) in Books
Apr 30, 2021
I would like to say I loved this book, but there is part of me resisting that solely because I didn't feel satisfied by its ending. It felt to me that it wasn't tied up properly. It kind of felt there should have been a couple more pages. I also thought that seeing as Tessia is the title and main character of the book that it was a shame the final scene (though mentioning her) doesn't feature her.
I have picked up copies of Trudi Canavan's books in shops a number of times over the years, but I never bought one because I didn't want to invest in a trilogy if I wasn't completely "with it". So when I realised that this book was a stand-alone novel, but was set in the world (albeit a few hundred years before!) some of her other books I jumped at the chance of reading it.
From my first paragraph you'll probably think I ended up disappointed, but you'd be wrong. Until the very end I really really enjoyed this. The characters were well formed and it was lovely to have a story of war where you see both sides of said war, and the juxtaposition of Stara and Tessia's stories was intriguing but perhaps not played to its full potential. The two different cultures were very well constructed, and by having the Stara strand meant you never fully demonised the Sachakans, making them a more fully constructed culture - one that is eerily familiar.
My mind keeps wondering while I felt disappointed, and I guess I felt I needed more, and maybe this is because Canavan is more used to writing trilogies, maybe this is what is needed, I'd love to read a story of Tessia and Jayan as they built the Guild with the others. I feel there could be a whole book in that alone. It would have been nice to have at least got a glimpse of it. Given that it is a central part of the Black Magician trilogy I feel that could have been nice. Maybe all these niggles I'm feeling will be sorted when I read said trilogy, and I certainly will do, and maybe I'd have felt more satisfied if I'd read this in publication order. Who knows I may come back one day and re- review this book after re-reading it following reading the other six book set in this world.
I'm glad to have read this book, and I am excited to read more Trudi Canavan. I guess me saying that when I don't have the butterflies in the stomach I get at the end of reading a book is something in itself.
I have picked up copies of Trudi Canavan's books in shops a number of times over the years, but I never bought one because I didn't want to invest in a trilogy if I wasn't completely "with it". So when I realised that this book was a stand-alone novel, but was set in the world (albeit a few hundred years before!) some of her other books I jumped at the chance of reading it.
From my first paragraph you'll probably think I ended up disappointed, but you'd be wrong. Until the very end I really really enjoyed this. The characters were well formed and it was lovely to have a story of war where you see both sides of said war, and the juxtaposition of Stara and Tessia's stories was intriguing but perhaps not played to its full potential. The two different cultures were very well constructed, and by having the Stara strand meant you never fully demonised the Sachakans, making them a more fully constructed culture - one that is eerily familiar.
My mind keeps wondering while I felt disappointed, and I guess I felt I needed more, and maybe this is because Canavan is more used to writing trilogies, maybe this is what is needed, I'd love to read a story of Tessia and Jayan as they built the Guild with the others. I feel there could be a whole book in that alone. It would have been nice to have at least got a glimpse of it. Given that it is a central part of the Black Magician trilogy I feel that could have been nice. Maybe all these niggles I'm feeling will be sorted when I read said trilogy, and I certainly will do, and maybe I'd have felt more satisfied if I'd read this in publication order. Who knows I may come back one day and re- review this book after re-reading it following reading the other six book set in this world.
I'm glad to have read this book, and I am excited to read more Trudi Canavan. I guess me saying that when I don't have the butterflies in the stomach I get at the end of reading a book is something in itself.
Ivana A. | Diary of Difference (1171 KP) rated The One And Only in Books
Aug 20, 2018
When bio-terrorism threatens to obscure humanity, one woman has the power to restore hope.
Ruby Spencer is a wife and a mother. She also happens to be the only person that could save the people on Earth from dying! In moments when she is planning to resign from the U.S. Special Warfare Council, Ruby and her husband Clay are sent to one last mission.
With the last assignment being a low-risk mission to Taiwan where they need to analyze the zombie infection and consult with scientists, it seems like they are about to go on a long-deserved mini honeymoon.
But everything goes wrong! They get kidnapped, the biggest world powers all plan a war ahead, and it seems that only the ones that have Ruby are likely to win the war. They all fight over her, and she has no clue why. What makes her so special?
Review:
First of all, I have to thank the author, Julia Ash, for sending over this amazing book to me, in exchange for an honest review!
The beginning of The One and Only is extremely breathtaking! I believe that the beginning might be the best part of the book, actually! The flow of the story is well-thought, and I especially loved the scenes where the author refers to the past, and made me feel like there was another book before that. It is quite easy to catch up with the beginning and the brief details of the past, but if in the future there is a prequel that explains it all – I would love to be the first one to know about it!
Now, the characters are probably the reason that made the book the way it is! We have Ruby, who is our heroine, a brave lady, ready to give all the love, courage and wisdom in the world. She is a mother, a wife, and a brave fighter that never gives up and is never afraid to stand up against evil.
On the other hand, we have her husband – Clay. He was… alright. I suppose? His love for Ruby and their daughter is incredible, but somehow, I could think of him as a manly enough figure in their relationship. He was smart and brave, but not as smart and brave as Ruby.
I couldn’t somehow connect with him.
The character that intrigued me the most is Ox. I loved how Julia has shown us the psychological profile of this man, and the way he thinks. It was lovely reading about his part of his story, and even though he was on the wrong side, it is what he believes in. And the way it is written in so extraordinary, that at times I could see myself giving him an excuse.
The only part that I couldn’t agree with, and I am refusing to accept is – THE ENDING! I will withdraw myself from spoilers, but that’s not how things should have ended! That is not the ending I wanted, that is not the ending I was hoping for. No, no, no. It made me upset, and angry, and I wanted to break something very bad! That was a huge disappointment for me and it changed my whole perception of the story and the book itself.
If you ever get the chance to read this book – you should expect a lot of twists, a lot of ups and downs, and if you are like me and are trying hard to not bite your nails – well, you’re about to fail. This is not your typical book about zombie apocalypse. This is not your usual book about a heroine being kidnapped. This is not your usual book of how a person saves the world. This will be nothing like you expected, and everything you hoped for.
Ruby Spencer is a wife and a mother. She also happens to be the only person that could save the people on Earth from dying! In moments when she is planning to resign from the U.S. Special Warfare Council, Ruby and her husband Clay are sent to one last mission.
With the last assignment being a low-risk mission to Taiwan where they need to analyze the zombie infection and consult with scientists, it seems like they are about to go on a long-deserved mini honeymoon.
But everything goes wrong! They get kidnapped, the biggest world powers all plan a war ahead, and it seems that only the ones that have Ruby are likely to win the war. They all fight over her, and she has no clue why. What makes her so special?
Review:
First of all, I have to thank the author, Julia Ash, for sending over this amazing book to me, in exchange for an honest review!
The beginning of The One and Only is extremely breathtaking! I believe that the beginning might be the best part of the book, actually! The flow of the story is well-thought, and I especially loved the scenes where the author refers to the past, and made me feel like there was another book before that. It is quite easy to catch up with the beginning and the brief details of the past, but if in the future there is a prequel that explains it all – I would love to be the first one to know about it!
Now, the characters are probably the reason that made the book the way it is! We have Ruby, who is our heroine, a brave lady, ready to give all the love, courage and wisdom in the world. She is a mother, a wife, and a brave fighter that never gives up and is never afraid to stand up against evil.
On the other hand, we have her husband – Clay. He was… alright. I suppose? His love for Ruby and their daughter is incredible, but somehow, I could think of him as a manly enough figure in their relationship. He was smart and brave, but not as smart and brave as Ruby.
I couldn’t somehow connect with him.
The character that intrigued me the most is Ox. I loved how Julia has shown us the psychological profile of this man, and the way he thinks. It was lovely reading about his part of his story, and even though he was on the wrong side, it is what he believes in. And the way it is written in so extraordinary, that at times I could see myself giving him an excuse.
The only part that I couldn’t agree with, and I am refusing to accept is – THE ENDING! I will withdraw myself from spoilers, but that’s not how things should have ended! That is not the ending I wanted, that is not the ending I was hoping for. No, no, no. It made me upset, and angry, and I wanted to break something very bad! That was a huge disappointment for me and it changed my whole perception of the story and the book itself.
If you ever get the chance to read this book – you should expect a lot of twists, a lot of ups and downs, and if you are like me and are trying hard to not bite your nails – well, you’re about to fail. This is not your typical book about zombie apocalypse. This is not your usual book about a heroine being kidnapped. This is not your usual book of how a person saves the world. This will be nothing like you expected, and everything you hoped for.
Gareth von Kallenbach (980 KP) rated How to Train Your Dragon 2 (2014) in Movies
Aug 6, 2019
In 2010, the most unlikely Viking proved that dragons and humans can co-exist in the first How To Train Your Dragon film. Set five years after the original movie, How to Train Your Dragon 2 opens up on the Village of Berk where Vikings and dragons have developed a fond relationship. Hiccup (Jay Baruchel), the nerdy chieftain’s son, is now a few years older and has made himself a winged suit and spends his days soaring the skies with his beloved dragon, Toothless. This film brings together the original gang of friends, Astrid (America Ferrera), Fishlegs (Christopher Mintz-Plasse), Snotlout (Jonah Hill), and twins Ruffnut and Tuffnut (Kristen Wiig and TJ Miller). Still at odds with his expectations, Hiccup’s father Stoick (Gerard Butler) demands that he begins the preparations and training to follow in his footsteps and become chief of their Village. This is not the future Hiccup sees for himself, he and Toothless flee the Village and explore the world and stumble upon a cave full of dragons and encounter a Mysterious Dragon Rider (Cate Blanchett), with a similar affinity for dragons. Hiccup has realized that war still exists between dragons and men beyond the borders of his Village. He attempts to negotiate peace with dragon-hunter Drago (Djimon Hounsou), who is threatening to invade the village with his army.
Writer/director Dean DeBlois helms the reins on this one; he has opened up the story without losing the tone of the original. The true delight is in the details, the visual effects are stunning; a prime example of how much computer generated animation has progressed in such a short amount of time. From the diverse landscapes to the design of the characters were absolutely breathtaking. Even the most minute details, such as the texture from the armor, to the scales on the dragons, even the battles scars on the soldiers are so vividly expressed, they assisted in creating the most dramatic and heartfelt moments.
The overall theme has matured from the first film with a continually surprising plot. In the first go around, Hiccup learned to be himself; in this installment Hiccup is taught to become a better version of himself when those unbreakable bonds are tested, and the line between good vs. evil is skewed.
I wouldn’t say there is much training in the sequel, however there is still a wonderful message of friendship, love, and loyalty. Some of the material may be a little too dark, and there were moments that spent way too much time developing the characters which can be pretty taxing for young children.
A worthy follow up….
Writer/director Dean DeBlois helms the reins on this one; he has opened up the story without losing the tone of the original. The true delight is in the details, the visual effects are stunning; a prime example of how much computer generated animation has progressed in such a short amount of time. From the diverse landscapes to the design of the characters were absolutely breathtaking. Even the most minute details, such as the texture from the armor, to the scales on the dragons, even the battles scars on the soldiers are so vividly expressed, they assisted in creating the most dramatic and heartfelt moments.
The overall theme has matured from the first film with a continually surprising plot. In the first go around, Hiccup learned to be himself; in this installment Hiccup is taught to become a better version of himself when those unbreakable bonds are tested, and the line between good vs. evil is skewed.
I wouldn’t say there is much training in the sequel, however there is still a wonderful message of friendship, love, and loyalty. Some of the material may be a little too dark, and there were moments that spent way too much time developing the characters which can be pretty taxing for young children.
A worthy follow up….
Hazel (1853 KP) rated A Notable Woman: The Romantic Journals of Jean Lucey Pratt in Books
May 25, 2017
Looooong
I received this book for free through Goodreads First Reads.
Whilst researching a previous book, Simon Garfield came across the diaries of Jean Lucey Pratt amongst journals collected during the Second World War for Mass Observation. Intrigued by her observations and character, Garfield became determined to learn more about her. After eventually receiving permission from Jean’s niece, he was able to read all forty-five of her diaries, edit them, and produce this huge manuscript for publication: A Notable Woman.
Jean began writing her journals in the April of 1925 at the young age of fifteen. Although she did not write everyday, she continued putting down her thoughts and experiences up until her death in 1986. Jean Lucey Pratt was not a celebrity, although she did write an, unfortunately, unsuccessful book; nor did she achieve anything spectacular during her lifetime. What makes her diaries worth publishing is the fact that she was “ordinary,” a woman who wrote not to impress other people, but to honestly express her emotions and opinions.
For the majority of her life Jean lived on her own in Burnham Beeches, Buckinghamshire, where she yearned for a husband. Her dreams of finding the perfect man yet only attracting a handful of lovers is both amusing and saddening. The most interesting part of her written records, however, has got to be the experiences of war. Unlike other diarist such as Anne Frank, who feared for their lives, or those that experienced the fighting up front, Jean provides the perspective of the average British citizen. She comments on the rationing, the blackout curtains as well as the political propaganda, providing her own opinions, which often changed as the war progressed. Jean amuses the reader by revealing she often slept through an air raid, only waking up at the sound of the All Clear.
The war ends midway through the book, thus delivering accounts of the latter half of her life, from career to ill health, incorporating in family events and, of course, her enormous horde of cats. Although a rather introverted, lonely individual, Jean’s relationship and love for her brother is often heartwarming. Separated by oceans and only seeing him every so many years, it is clear that the siblings are strongly supportive of each other. Jean often refers to her brother as Pooh (as in Winnie the Pooh), to which he responds by calling her Piglet.
Initially Jean did not intend to let anyone read her diaries but later began to imagine how other people would react to what she had written. She toyed with the idea of posthumous publication, but presumed only family and friends would read them – how wrong she was! Regardless of whether her diaries were to be viewed by outsiders or not, Jean usually referred to people by their initials. Whether she did this for a particular reason or merely to save time when writing remains debatable, however it does cause a bit of confusion when reading. Helpfully the editor, Garfield, has provided a character list that can be referred back to as needed.
Simon Garfield has done a magnificent job of compiling the diary entries together to produce an interesting, moving and occasionally amusing story about life during the 1900s. He has painstakingly sorted through handwritten entries, deciding what bits to omit and conducting further research in order to explain in footnotes the sections or references that would not make sense if left alone. Garfield has made the majority of Jean’s journals flow like a novel, only becoming erratic towards the end of her life when she would only write once every few months.
A Notable Woman gives a fantastic insight into the lives of ordinary people during an era of hardship and change. Readers are more likely to read an accurate description of the war and subsequent years in this book than in any emotionally detached textbook or biased account. Without a doubt this book is worth a read, although do not expect to be able to rush through it as some may do with a work of fiction. Garfield if highly praised for his efforts, and one hopes that Jean would be proud to finally have a writing success.
Whilst researching a previous book, Simon Garfield came across the diaries of Jean Lucey Pratt amongst journals collected during the Second World War for Mass Observation. Intrigued by her observations and character, Garfield became determined to learn more about her. After eventually receiving permission from Jean’s niece, he was able to read all forty-five of her diaries, edit them, and produce this huge manuscript for publication: A Notable Woman.
Jean began writing her journals in the April of 1925 at the young age of fifteen. Although she did not write everyday, she continued putting down her thoughts and experiences up until her death in 1986. Jean Lucey Pratt was not a celebrity, although she did write an, unfortunately, unsuccessful book; nor did she achieve anything spectacular during her lifetime. What makes her diaries worth publishing is the fact that she was “ordinary,” a woman who wrote not to impress other people, but to honestly express her emotions and opinions.
For the majority of her life Jean lived on her own in Burnham Beeches, Buckinghamshire, where she yearned for a husband. Her dreams of finding the perfect man yet only attracting a handful of lovers is both amusing and saddening. The most interesting part of her written records, however, has got to be the experiences of war. Unlike other diarist such as Anne Frank, who feared for their lives, or those that experienced the fighting up front, Jean provides the perspective of the average British citizen. She comments on the rationing, the blackout curtains as well as the political propaganda, providing her own opinions, which often changed as the war progressed. Jean amuses the reader by revealing she often slept through an air raid, only waking up at the sound of the All Clear.
The war ends midway through the book, thus delivering accounts of the latter half of her life, from career to ill health, incorporating in family events and, of course, her enormous horde of cats. Although a rather introverted, lonely individual, Jean’s relationship and love for her brother is often heartwarming. Separated by oceans and only seeing him every so many years, it is clear that the siblings are strongly supportive of each other. Jean often refers to her brother as Pooh (as in Winnie the Pooh), to which he responds by calling her Piglet.
Initially Jean did not intend to let anyone read her diaries but later began to imagine how other people would react to what she had written. She toyed with the idea of posthumous publication, but presumed only family and friends would read them – how wrong she was! Regardless of whether her diaries were to be viewed by outsiders or not, Jean usually referred to people by their initials. Whether she did this for a particular reason or merely to save time when writing remains debatable, however it does cause a bit of confusion when reading. Helpfully the editor, Garfield, has provided a character list that can be referred back to as needed.
Simon Garfield has done a magnificent job of compiling the diary entries together to produce an interesting, moving and occasionally amusing story about life during the 1900s. He has painstakingly sorted through handwritten entries, deciding what bits to omit and conducting further research in order to explain in footnotes the sections or references that would not make sense if left alone. Garfield has made the majority of Jean’s journals flow like a novel, only becoming erratic towards the end of her life when she would only write once every few months.
A Notable Woman gives a fantastic insight into the lives of ordinary people during an era of hardship and change. Readers are more likely to read an accurate description of the war and subsequent years in this book than in any emotionally detached textbook or biased account. Without a doubt this book is worth a read, although do not expect to be able to rush through it as some may do with a work of fiction. Garfield if highly praised for his efforts, and one hopes that Jean would be proud to finally have a writing success.
Movie Metropolis (309 KP) rated War Horse (2011) in Movies
Jun 11, 2019
Steven Spielberg is undoubtedly one of the world’s most loved directors and is without question, the king of blockbuster cinema. He thrilled us with dinosaurs in 1993’s blockbuster Jurassic Park, had us in tears with E.T. and had our hearts pumping out of our chests with the Indiana Jones series.
However, here, the ‘king’ relaxes a little and delves into proper old fashioned story telling with the emotional rollercoaster that is War Horse. Teaming up with John Williams once again, the duo delivers a beautiful score to accompany a beautifully shot film.
Jeremy Irvine stars alongside a full roster of celebrities including Harry Potter’s David Thewlis and Thor’s Tom Hiddlestone in what can only be described as one of Spielberg’s greatest films.
The film opens with some awe inspiring shots of the Devon countryside, with Albert Narracott (Jeremy Irvine) staring, masterfully at two horses in a field. Fast forward a few years and his alcoholic father Ted, played wonderfully by Peter Mullen purchases one of them in an auction, hoping to turn it into a plough horse. This horse becomes the focus of the entire film and is nicknamed Joey by Irvine’s character.
After the usual, Spielberg sentimentality, Joey is summoned to help the English army in the First World War. Obviously, this doesn’t go down too well with Albert and he promises that one day, they will find each other. It’s hard to describe just how heart-breaking these scenes are, as Joey is led away by his new trainer (Tom Hiddlestone) and all Albert can do is watch.
After being defeated by the Germans in a deadly ambush, Albert is informed that Hiddlestone’s character, Captain Nicholls has been killed in battle. Assuming the worst, Albert starts to prepare to either reunite with his beloved steed, or discover whether or not he has perished.
Spielberg has created a shockingly beautiful film as Joey loses Captain Nicholls and roams the countryside unmanned trying to escape the clutches of the German army. Unfortunately, on occasion, he runs right into them and becomes an artillery horse, pulling canons and other weapons.
The shots of no-man’s land as the horse time and time again escapes are breath-taking and show the scale of the destruction like nothing I’ve ever seen. Spielberg has a knack for scale and in War Horse, this is exceptionally poignant; shots of a horse graveyard and the grey barren landscape are examples of fine film-making. To say you’ll be in tears is somewhat of an understatement as Joey, terrified from the ordeal he is being taken through loses comrades, crashes through barbed wire and nearly gives up on life.
This coupled with John Williams best score since Jurassic Park ensures that this is a subtle blockbuster to be enjoyed by all.
However, the film isn’t perfect. On occasion, it delves into unnecessary sentimentality and Spielberg must’ve had a book of movie clichés with him at some points during the shoot, like the cheesy sunset ending and the token pulling through in the face of adversity. These are, however, small points in a film which is a spectacle to behold.
The animals no doubt steal the show, but their human counterparts do well in their roles. Jeremy Irvine is fabulous and was an unusual but totally justified choice for the part. David Thewlis shows how versatile he really is as an actor, playing the heartless landlord, ready to ship the Narracott family out of their farm.
War Horse is a film which hits with a huge dose of emotion. John Williams and Steven Spielberg are an unstoppable combination and what the film does best is show off its directors prowess as an artist, not a film-maker. The special effects are sparse because the story doesn’t require them, but when they are there, such as in the battle scenes, they help the story along, instead of hindering it.
It may not quite match the dizzy heights of Schindler’s List and Jurassic Park as Spielberg’s best, but it fits in between excellent Spielberg and spectacular Spielberg. Take some tissues and prepare yourself and you’ll be all set.
https://moviemetropolis.net/2012/01/22/review-war-horse-2012/
However, here, the ‘king’ relaxes a little and delves into proper old fashioned story telling with the emotional rollercoaster that is War Horse. Teaming up with John Williams once again, the duo delivers a beautiful score to accompany a beautifully shot film.
Jeremy Irvine stars alongside a full roster of celebrities including Harry Potter’s David Thewlis and Thor’s Tom Hiddlestone in what can only be described as one of Spielberg’s greatest films.
The film opens with some awe inspiring shots of the Devon countryside, with Albert Narracott (Jeremy Irvine) staring, masterfully at two horses in a field. Fast forward a few years and his alcoholic father Ted, played wonderfully by Peter Mullen purchases one of them in an auction, hoping to turn it into a plough horse. This horse becomes the focus of the entire film and is nicknamed Joey by Irvine’s character.
After the usual, Spielberg sentimentality, Joey is summoned to help the English army in the First World War. Obviously, this doesn’t go down too well with Albert and he promises that one day, they will find each other. It’s hard to describe just how heart-breaking these scenes are, as Joey is led away by his new trainer (Tom Hiddlestone) and all Albert can do is watch.
After being defeated by the Germans in a deadly ambush, Albert is informed that Hiddlestone’s character, Captain Nicholls has been killed in battle. Assuming the worst, Albert starts to prepare to either reunite with his beloved steed, or discover whether or not he has perished.
Spielberg has created a shockingly beautiful film as Joey loses Captain Nicholls and roams the countryside unmanned trying to escape the clutches of the German army. Unfortunately, on occasion, he runs right into them and becomes an artillery horse, pulling canons and other weapons.
The shots of no-man’s land as the horse time and time again escapes are breath-taking and show the scale of the destruction like nothing I’ve ever seen. Spielberg has a knack for scale and in War Horse, this is exceptionally poignant; shots of a horse graveyard and the grey barren landscape are examples of fine film-making. To say you’ll be in tears is somewhat of an understatement as Joey, terrified from the ordeal he is being taken through loses comrades, crashes through barbed wire and nearly gives up on life.
This coupled with John Williams best score since Jurassic Park ensures that this is a subtle blockbuster to be enjoyed by all.
However, the film isn’t perfect. On occasion, it delves into unnecessary sentimentality and Spielberg must’ve had a book of movie clichés with him at some points during the shoot, like the cheesy sunset ending and the token pulling through in the face of adversity. These are, however, small points in a film which is a spectacle to behold.
The animals no doubt steal the show, but their human counterparts do well in their roles. Jeremy Irvine is fabulous and was an unusual but totally justified choice for the part. David Thewlis shows how versatile he really is as an actor, playing the heartless landlord, ready to ship the Narracott family out of their farm.
War Horse is a film which hits with a huge dose of emotion. John Williams and Steven Spielberg are an unstoppable combination and what the film does best is show off its directors prowess as an artist, not a film-maker. The special effects are sparse because the story doesn’t require them, but when they are there, such as in the battle scenes, they help the story along, instead of hindering it.
It may not quite match the dizzy heights of Schindler’s List and Jurassic Park as Spielberg’s best, but it fits in between excellent Spielberg and spectacular Spielberg. Take some tissues and prepare yourself and you’ll be all set.
https://moviemetropolis.net/2012/01/22/review-war-horse-2012/
Hazel (1853 KP) rated A Notable Woman: The Romantic Journals of Jean Lucey Pratt in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Whilst researching a previous book, Simon Garfield came across the diaries of Jean Lucey Pratt amongst journals collected during the Second World War for Mass Observation. Intrigued by her observations and character, Garfield became determined to learn more about her. After eventually receiving permission from Jean’s niece, he was able to read all forty-five of her diaries, edit them, and produce this huge manuscript for publication: <i>A Notable Woman</i>.
Jean began writing her journals in the April of 1925 at the young age of fifteen. Although she did not write everyday, she continued putting down her thoughts and experiences up until her death in 1986. Jean Lucey Pratt was not a celebrity, although she did write an, unfortunately, unsuccessful book; nor did she achieve anything spectacular during her lifetime. What makes her diaries worth publishing is the fact that she was “ordinary,” a woman who wrote not to impress other people, but to honestly express her emotions and opinions.
For the majority of her life Jean lived on her own in Burnham Beeches, Buckinghamshire, where she yearned for a husband. Her dreams of finding the perfect man yet only attracting a handful of lovers is both amusing and saddening. The most interesting part of her written records, however, has got to be the experiences of war. Unlike other diarist such as Anne Frank, who feared for their lives, or those that experienced the fighting up front, Jean provides the perspective of the average British citizen. She comments on the rationing, the blackout curtains as well as the political propaganda, providing her own opinions, which often changed as the war progressed. Jean amuses the reader by revealing she often slept through an air raid, only waking up at the sound of the All Clear.
The war ends midway through the book, thus delivering accounts of the latter half of her life, from career to ill health, incorporating in family events and, of course, her enormous horde of cats. Although a rather introverted, lonely individual, Jean’s relationship and love for her brother is often heartwarming. Separated by oceans and only seeing him every so many years, it is clear that the siblings are strongly supportive of each other. Jean often refers to her brother as Pooh (as in <i>Winnie the Pooh</i>), to which he responds by calling her Piglet.
Initially Jean did not intend to let anyone read her diaries but later began to imagine how other people would react to what she had written. She toyed with the idea of posthumous publication, but presumed only family and friends would read them – how wrong she was! Regardless of whether her diaries were to be viewed by outsiders or not, Jean usually referred to people by their initials. Whether she did this for a particular reason or merely to save time when writing remains debatable, however it does cause a bit of confusion when reading. Helpfully the editor, Garfield, has provided a character list that can be referred back to as needed.
Simon Garfield has done a magnificent job of compiling the diary entries together to produce an interesting, moving and occasionally amusing story about life during the 1900s. He has painstakingly sorted through handwritten entries, deciding what bits to omit and conducting further research in order to explain in footnotes the sections or references that would not make sense if left alone. Garfield has made the majority of Jean’s journals flow like a novel, only becoming erratic towards the end of her life when she would only write once every few months.
<i>A Notable Woman</i> gives a fantastic insight into the lives of ordinary people during an era of hardship and change. Readers are more likely to read an accurate description of the war and subsequent years in this book than in any emotionally detached textbook or biased account. Without a doubt this book is worth a read, although do not expect to be able to rush through it as some may do with a work of fiction. Garfield if highly praised for his efforts, and one hopes that Jean would be proud to finally have a writing success.
Whilst researching a previous book, Simon Garfield came across the diaries of Jean Lucey Pratt amongst journals collected during the Second World War for Mass Observation. Intrigued by her observations and character, Garfield became determined to learn more about her. After eventually receiving permission from Jean’s niece, he was able to read all forty-five of her diaries, edit them, and produce this huge manuscript for publication: <i>A Notable Woman</i>.
Jean began writing her journals in the April of 1925 at the young age of fifteen. Although she did not write everyday, she continued putting down her thoughts and experiences up until her death in 1986. Jean Lucey Pratt was not a celebrity, although she did write an, unfortunately, unsuccessful book; nor did she achieve anything spectacular during her lifetime. What makes her diaries worth publishing is the fact that she was “ordinary,” a woman who wrote not to impress other people, but to honestly express her emotions and opinions.
For the majority of her life Jean lived on her own in Burnham Beeches, Buckinghamshire, where she yearned for a husband. Her dreams of finding the perfect man yet only attracting a handful of lovers is both amusing and saddening. The most interesting part of her written records, however, has got to be the experiences of war. Unlike other diarist such as Anne Frank, who feared for their lives, or those that experienced the fighting up front, Jean provides the perspective of the average British citizen. She comments on the rationing, the blackout curtains as well as the political propaganda, providing her own opinions, which often changed as the war progressed. Jean amuses the reader by revealing she often slept through an air raid, only waking up at the sound of the All Clear.
The war ends midway through the book, thus delivering accounts of the latter half of her life, from career to ill health, incorporating in family events and, of course, her enormous horde of cats. Although a rather introverted, lonely individual, Jean’s relationship and love for her brother is often heartwarming. Separated by oceans and only seeing him every so many years, it is clear that the siblings are strongly supportive of each other. Jean often refers to her brother as Pooh (as in <i>Winnie the Pooh</i>), to which he responds by calling her Piglet.
Initially Jean did not intend to let anyone read her diaries but later began to imagine how other people would react to what she had written. She toyed with the idea of posthumous publication, but presumed only family and friends would read them – how wrong she was! Regardless of whether her diaries were to be viewed by outsiders or not, Jean usually referred to people by their initials. Whether she did this for a particular reason or merely to save time when writing remains debatable, however it does cause a bit of confusion when reading. Helpfully the editor, Garfield, has provided a character list that can be referred back to as needed.
Simon Garfield has done a magnificent job of compiling the diary entries together to produce an interesting, moving and occasionally amusing story about life during the 1900s. He has painstakingly sorted through handwritten entries, deciding what bits to omit and conducting further research in order to explain in footnotes the sections or references that would not make sense if left alone. Garfield has made the majority of Jean’s journals flow like a novel, only becoming erratic towards the end of her life when she would only write once every few months.
<i>A Notable Woman</i> gives a fantastic insight into the lives of ordinary people during an era of hardship and change. Readers are more likely to read an accurate description of the war and subsequent years in this book than in any emotionally detached textbook or biased account. Without a doubt this book is worth a read, although do not expect to be able to rush through it as some may do with a work of fiction. Garfield if highly praised for his efforts, and one hopes that Jean would be proud to finally have a writing success.