Search
Search results
ClareR (5674 KP) rated The Burning Chambers (The Burning Chambers #1) in Books
Jan 26, 2021
This book is an immersive experience! I found myself drawn in to the world of 16th Century France - and to be fair, it was all pretty exciting stuff! Historical fiction is one of my favourite genres, one of my ‘go-to’s’, and this did not disappoint one bit. It’s a story of religion, conflict, ambition, with a bit of a love story thrown in for good measure.
It’s all history that I know little about - my history education being that of the carefully selected English type. I’ve always tried to find out more about European history (ahem, German degree) and further afield if I can, and historical fiction makes it a bit more interesting than a dry history book. This book taught me a lot about the tensions between the catholic majority, and the Huguenot minority.
Minou is the 19 year old daughter of a bookseller, and lives in Carcassonne with her family. She meets Piet, a Huguenot convert, and helps him to escape from the town. Later, in Toulouse, they meet again in far more dangerous circumstances. They become trapped in a city at war - Catholic against Huguenot - and someone that Piet believes is a friend is very far from that. In Puivert, the chatelaine of the castle has a secret that she wants to keep hidden, and the only way to do that is for her to find Minou.
First, the most obvious thing: this is one big book. It’s the kind of book that I would buy on my kindle, because at 600+ pages, it definitely won’t fit in my handbag! The Pigeonhole is great for these circumstances!
Secondly, although this book is a serious whopper, it didn’t feel that way when I was reading it. It’s an exciting, fast-paced, delight of a read. It has it all: action, history, romance. Everything that makes for a compulsive read! The heroes and heroines are good, and the villains are thoroughly bad, and I loved them all!
It’s all history that I know little about - my history education being that of the carefully selected English type. I’ve always tried to find out more about European history (ahem, German degree) and further afield if I can, and historical fiction makes it a bit more interesting than a dry history book. This book taught me a lot about the tensions between the catholic majority, and the Huguenot minority.
Minou is the 19 year old daughter of a bookseller, and lives in Carcassonne with her family. She meets Piet, a Huguenot convert, and helps him to escape from the town. Later, in Toulouse, they meet again in far more dangerous circumstances. They become trapped in a city at war - Catholic against Huguenot - and someone that Piet believes is a friend is very far from that. In Puivert, the chatelaine of the castle has a secret that she wants to keep hidden, and the only way to do that is for her to find Minou.
First, the most obvious thing: this is one big book. It’s the kind of book that I would buy on my kindle, because at 600+ pages, it definitely won’t fit in my handbag! The Pigeonhole is great for these circumstances!
Secondly, although this book is a serious whopper, it didn’t feel that way when I was reading it. It’s an exciting, fast-paced, delight of a read. It has it all: action, history, romance. Everything that makes for a compulsive read! The heroes and heroines are good, and the villains are thoroughly bad, and I loved them all!
Bob Mann (459 KP) rated The Dig (2021) in Movies
Jan 31, 2021
Acting from Fiennes and Mulligan - top notch (1 more)
Cinematography is gorgeous
Why make it so "man heavy" when history was otherwise? (1 more)
Found the asynchronous editing irritating
Archaeology with no fedora required
It’s 1939, and as World War 2 approaches, widower Edith Pretty (Carey Mulligan) hires rough and ready excavator Basil Brown (Ralph Fiennes) to dig into one of the ancient earth mounds on her property at the site that will become famous as Sutton Hoo in Suffolk. Requesting the help of her cousin Rory Lomax (Johnny Flynn) to photograph the effort, the site slowly gives up its Anglo-Saxon treasures attracting the attention of first the Ipswich museum and then the pompous Charles Phillips (Ken Stott) of the British Museum. A battle is on for both the control of the site and the resting place for the treasures found.
Against this backdrop there is a critical illness emerging, a son (Archie Barnes) and his attachment to the father figure of Brown and a potential romance between Rory and archaeologist Peggy Piggott, trapped in a loveless marriage.
Talent:
Starring: Carey Mulligan, Ralph Fiennes, Johnny Flynn, Lily James, Archie Barnes, Ken Stott, Monica Donlan.
Directed by: Simon Stone.
Written by: Moira Buffini (from the novel by John Preston).
Bullet points of my thoughts:
+ Superb acting by Mulligan and Fiennes – Oscar noms for both?
+ Young Archie Barnes impresses as the son Robert
+ Cinematography by Mike Eley shows the open Suffolk skies at their best
+ Based on fact, a fascinating historical record of the real excitement of uncovering the past
o The script deftly melds the archeology with the love story subplot: but was the latter really necessary?
– Curious “man heavy” script, replacing some of the historical female characters with men and making Peggy Piggott (Lily James) a bit of a klutz
– Asynchronous editing decision I found to be distracting and unnecessary.
For my full review, please see the video at https://youtu.be/m8Ad8B8dkSY .
Against this backdrop there is a critical illness emerging, a son (Archie Barnes) and his attachment to the father figure of Brown and a potential romance between Rory and archaeologist Peggy Piggott, trapped in a loveless marriage.
Talent:
Starring: Carey Mulligan, Ralph Fiennes, Johnny Flynn, Lily James, Archie Barnes, Ken Stott, Monica Donlan.
Directed by: Simon Stone.
Written by: Moira Buffini (from the novel by John Preston).
Bullet points of my thoughts:
+ Superb acting by Mulligan and Fiennes – Oscar noms for both?
+ Young Archie Barnes impresses as the son Robert
+ Cinematography by Mike Eley shows the open Suffolk skies at their best
+ Based on fact, a fascinating historical record of the real excitement of uncovering the past
o The script deftly melds the archeology with the love story subplot: but was the latter really necessary?
– Curious “man heavy” script, replacing some of the historical female characters with men and making Peggy Piggott (Lily James) a bit of a klutz
– Asynchronous editing decision I found to be distracting and unnecessary.
For my full review, please see the video at https://youtu.be/m8Ad8B8dkSY .
Environmental Transformations: A Geography of the Anthropocene
Book
From the depths of the oceans to the highest reaches of the atmosphere, the human impact on the...
Lottie disney bookworm (1056 KP) rated Adele: The Forgotten Sister of Fred Astaire in Books
May 16, 2020
Thank you to Booksirens for sending me an advance review copy for free. I am leaving this review voluntarily.
I was intrigued by Adele when I first applied for an ARC: it isn't my usual kind of read but although I have heard of Fred Astaire (mainly from my grandma) I didn't know anything about his sister Adele, so I decided to give the book a go. Wow I am glad I did!
Nicola Cassidy brings the Astaires to life through her amazing writing. The majority of the novel is told from Adele's perspective: starting from when she is just a child. Cassidy, in turn, writes in a childish, conversationalist prose with this becoming steadily more mature along with our protagonist . By presenting Adele's life through her own eyes the reader feels her pain intensely: particularly towards the end of the novel. I'm not ashamed to say I was openly weeping at certain points.
Some critics may say that anyone can take a universally emotive topic and make you cry during a story. Well Cassidy goes one step further: through the character of Adele's father and the contrasting relationship she has with her mother and brother, the reader also witnesses the overwhelming feeling of absence- almost numbness towards the patriarchal figure. Similarly we also feel apprehension when we can recognise history repeating itself before Adele does: we can predict that this ending will not be an altogether happy one and it is this foresight and empathy that Nicola Cassidy creates which is unparalleled with any other book I have read recently.
Adele (the novel and the character) has glitz, glamour, heartache and inspiration. However, the novel has a steadying undertone with the changing effect of World War Two and the presence of several working class, dedicated women at the heart of the story.
Nowadays, it may be Fred Astaire who springs to mind but it was Adele who paved the way: it's about time she was given the chance to step out from her brother's shadow and regain the spotlight once again.
I was intrigued by Adele when I first applied for an ARC: it isn't my usual kind of read but although I have heard of Fred Astaire (mainly from my grandma) I didn't know anything about his sister Adele, so I decided to give the book a go. Wow I am glad I did!
Nicola Cassidy brings the Astaires to life through her amazing writing. The majority of the novel is told from Adele's perspective: starting from when she is just a child. Cassidy, in turn, writes in a childish, conversationalist prose with this becoming steadily more mature along with our protagonist . By presenting Adele's life through her own eyes the reader feels her pain intensely: particularly towards the end of the novel. I'm not ashamed to say I was openly weeping at certain points.
Some critics may say that anyone can take a universally emotive topic and make you cry during a story. Well Cassidy goes one step further: through the character of Adele's father and the contrasting relationship she has with her mother and brother, the reader also witnesses the overwhelming feeling of absence- almost numbness towards the patriarchal figure. Similarly we also feel apprehension when we can recognise history repeating itself before Adele does: we can predict that this ending will not be an altogether happy one and it is this foresight and empathy that Nicola Cassidy creates which is unparalleled with any other book I have read recently.
Adele (the novel and the character) has glitz, glamour, heartache and inspiration. However, the novel has a steadying undertone with the changing effect of World War Two and the presence of several working class, dedicated women at the heart of the story.
Nowadays, it may be Fred Astaire who springs to mind but it was Adele who paved the way: it's about time she was given the chance to step out from her brother's shadow and regain the spotlight once again.
Austerity
Book
Governments today in both Europe and the United States have succeeded in casting government spending...
Accidental Presidents
Book
This New York Times bestselling "deep dive into the terms of eight former presidents is chock-full...
Modern Combat 4: Zero Hour
Games and Entertainment
App
The #1 FPS is back on smartphone with a new chapter to push the boundaries of mobile gaming even...
The Science Behind Alien Encounters
10.0
Rate It
Book
Astronomers agree the universe has more stars in it then there are grains of sand on Earth. Even...
Phillip McSween (751 KP) rated Saving Private Ryan (1998) in Movies
Apr 13, 2020
One of the GOATS
At the time of this writing, Saving Private Ryan is sitting at fourteen on my all-time list. It is one of those once-in-a-lifetime movies that doesn’t come along too often. The story revolves around an army captain in WWII taking his men on a suicide mission to rescue a private before he is killed in action. Private Ryan’s three brothers have already been killed in action and the military wants to get the remaining Ryan home so his mother won’t have lost all of her children in one war.
Acting: 10
Where do I start? With Tom Hanks and his brilliant performance as Captain John Miller? Vin Diesel in probably one of his best roles as Private Caparzo. Tom Sizemore…Matt Damon…There are so many amazing performances that contributed to the greatness of this movie. You usually see it in glimpses as each character doesn’t get much in the way of their own screen time. The movie is packed with so many of those glimpse moments from these stellar actors, it’s hard to forget each of their roles.
Beginning: 10
Boasts one of the best opening twenty minutes in movie history. It’s violent, touching, and sucks you right in to the meat of the movie. There is so much intensity here, from the raucous sounds to the visceral feel of everything, that it’s hard to catch your breath afterwards.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
If you want knock-your-socks-off action from beginning to end, Saving Private Ryan is absolutely the movie for you. The battles are amazing giving you a front row seat to World War II. Steven Spielberg relies on a number of different camera angles to give you the full effect. Every scene is heartstopping as you realize the stakes and understand that no one is safe in this ultimate battle to stay alive. This movie has more action in the first twenty minutes than most films do through their entirety.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
For the most part, the story is pretty linear. There is a mission. Go and complete the mission. The end. However, there are two existing twists within the movie that definitely make things more interesting and entertaining. Those small tweaks were enough to satisfy my craving for originality.
Resolution: 10
Overall: 100
There is a scene on the beach where the camera shoots from underwater then repeatedly rises and falls in the water showing the grit of everything happening. This is one of a number of shots that makes Saving Private Ryan one of the all-time movies to ever exist in cinema. This movie is flat out amazing.
Acting: 10
Where do I start? With Tom Hanks and his brilliant performance as Captain John Miller? Vin Diesel in probably one of his best roles as Private Caparzo. Tom Sizemore…Matt Damon…There are so many amazing performances that contributed to the greatness of this movie. You usually see it in glimpses as each character doesn’t get much in the way of their own screen time. The movie is packed with so many of those glimpse moments from these stellar actors, it’s hard to forget each of their roles.
Beginning: 10
Boasts one of the best opening twenty minutes in movie history. It’s violent, touching, and sucks you right in to the meat of the movie. There is so much intensity here, from the raucous sounds to the visceral feel of everything, that it’s hard to catch your breath afterwards.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
If you want knock-your-socks-off action from beginning to end, Saving Private Ryan is absolutely the movie for you. The battles are amazing giving you a front row seat to World War II. Steven Spielberg relies on a number of different camera angles to give you the full effect. Every scene is heartstopping as you realize the stakes and understand that no one is safe in this ultimate battle to stay alive. This movie has more action in the first twenty minutes than most films do through their entirety.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
For the most part, the story is pretty linear. There is a mission. Go and complete the mission. The end. However, there are two existing twists within the movie that definitely make things more interesting and entertaining. Those small tweaks were enough to satisfy my craving for originality.
Resolution: 10
Overall: 100
There is a scene on the beach where the camera shoots from underwater then repeatedly rises and falls in the water showing the grit of everything happening. This is one of a number of shots that makes Saving Private Ryan one of the all-time movies to ever exist in cinema. This movie is flat out amazing.
Gareth von Kallenbach (977 KP) rated Watchmen (2009) in Movies
Aug 14, 2019
In an alternate 1985, where Nixon is president, The U.S. won the Vietnam War, and costumed heroes have been banned by an act of the Senate, a superhero is killed. The death of the mercurial entity known as The Comedian (Jeffrey Dean Morgan) sets a string of events into motion that will soon see the world poised on the edge of nuclear annihilation, and the few remaining heroes locked in a life or death race against time to save the world. In the gritty and compelling new movie “Watchmen” by Director Zack Snyder, a clever blend of film noir and gumshoe style films of old combined with action and adventure as well as a deep examination of human frailties to create a film like no other.
No sooner has the death of the Comedian hit the streets (literally), when the edgy vigilante Rorschach (Jackie Earle Haley), begins to suspect that there is a larger and far more sinister plot in effect, one that has targeted the few remaining costumed avengers of New York City. Rorschach’s theory is disbelieved by his former associate Dan (Patrick Wilson), who prowled the streets as Night Owl and is now content to keep to himself, with his days of costumed glory behind him. He keeps his social circle limited to the first Night Owl and visiting with Laurie Jupiter ( Malin Akerman), and her husband, Dr. Manhattan (Billy Crudup).
With his concerns being dismissed, Rorschach is left to do the legwork on the mystery which soon shifts into high gear when he is framed for a murder he actually did not commit and an attempt is made on the life of the other former Watchmen, Ozymandias (Matthew Goode). With Rorschach in prison and surrounded by enemies, Dr. Manhattan, the all powerful and blue skinned being, is forced to take refuge on Mars after Laurie leaves him and a series of accusations are levied against him at a press conference .
It soon becomes clear to all that the death of The Comedian was not a random act of violence or a simple act of revenge, but rather the first salvo in a war against costumed heroes. With the former team in chaos, Laurie to take up residence with Dan, who has long held a torch for her, to defy the government order and suit up again. After saving a group of people from a fire, Laurie and Dan find the passion and purpose that has been missing from their post-hero lives and passionately unite and set out to free Rorschach and get to the bottom of the conspiracy before it is to late.
The film is an amazing mix of comic book action and mystery that includes a suprising amount of mature material that examines everything from humanity’s ultimate destiny to the inner psyche of tortured and flawed individuals. The characters all have their flaws and traumas and compensate by donning masks and taking on new personas. The deeply troubled Rorschach is filled in by some horrific and disturbing flashbacks that show how he became the disturbed and deeply dangerous crusader for justice that he is, so extreme in his measures that he is wanted by the police for his actions. Dan and Laurie try to move on from their past, but find that they are more comfortable in their costumed personas than they are in their day-to-day lives. Dr. Manhattan is perhaps the most dysfunctional of all as he has shut himself off from his wife, humanity, and joy. He has evolved beyond caring for anything but his experiments.
Snyder keeps the nearly three hour film moving at a brisk pace and deftly captures the look and tone of the graphic novel on which the film is based. The opening segment that shows alternate versions of great moments in history is amazing, as is the well choreographed action sequences. Despite being a superhero film, “Watchmen” is a superb mystery and drama that is loaded with interesting characters and clever social commentary. The cast is very strong, and Haley is remarkable as Rorschach. He is utterly captivating whenever he is on the screen and has crafted a true modern anti-hero for the masses.
Some may find the graphic violence and sex in the film a bit extreme, but in order to fully capture the duality of the characters and the dark world that they dwell in, it was in many ways restrained from what is actually implied by the source material. “Watchmen”, is a true marvel and is one of the most entertaining, diverse, and original action films in memory.
No sooner has the death of the Comedian hit the streets (literally), when the edgy vigilante Rorschach (Jackie Earle Haley), begins to suspect that there is a larger and far more sinister plot in effect, one that has targeted the few remaining costumed avengers of New York City. Rorschach’s theory is disbelieved by his former associate Dan (Patrick Wilson), who prowled the streets as Night Owl and is now content to keep to himself, with his days of costumed glory behind him. He keeps his social circle limited to the first Night Owl and visiting with Laurie Jupiter ( Malin Akerman), and her husband, Dr. Manhattan (Billy Crudup).
With his concerns being dismissed, Rorschach is left to do the legwork on the mystery which soon shifts into high gear when he is framed for a murder he actually did not commit and an attempt is made on the life of the other former Watchmen, Ozymandias (Matthew Goode). With Rorschach in prison and surrounded by enemies, Dr. Manhattan, the all powerful and blue skinned being, is forced to take refuge on Mars after Laurie leaves him and a series of accusations are levied against him at a press conference .
It soon becomes clear to all that the death of The Comedian was not a random act of violence or a simple act of revenge, but rather the first salvo in a war against costumed heroes. With the former team in chaos, Laurie to take up residence with Dan, who has long held a torch for her, to defy the government order and suit up again. After saving a group of people from a fire, Laurie and Dan find the passion and purpose that has been missing from their post-hero lives and passionately unite and set out to free Rorschach and get to the bottom of the conspiracy before it is to late.
The film is an amazing mix of comic book action and mystery that includes a suprising amount of mature material that examines everything from humanity’s ultimate destiny to the inner psyche of tortured and flawed individuals. The characters all have their flaws and traumas and compensate by donning masks and taking on new personas. The deeply troubled Rorschach is filled in by some horrific and disturbing flashbacks that show how he became the disturbed and deeply dangerous crusader for justice that he is, so extreme in his measures that he is wanted by the police for his actions. Dan and Laurie try to move on from their past, but find that they are more comfortable in their costumed personas than they are in their day-to-day lives. Dr. Manhattan is perhaps the most dysfunctional of all as he has shut himself off from his wife, humanity, and joy. He has evolved beyond caring for anything but his experiments.
Snyder keeps the nearly three hour film moving at a brisk pace and deftly captures the look and tone of the graphic novel on which the film is based. The opening segment that shows alternate versions of great moments in history is amazing, as is the well choreographed action sequences. Despite being a superhero film, “Watchmen” is a superb mystery and drama that is loaded with interesting characters and clever social commentary. The cast is very strong, and Haley is remarkable as Rorschach. He is utterly captivating whenever he is on the screen and has crafted a true modern anti-hero for the masses.
Some may find the graphic violence and sex in the film a bit extreme, but in order to fully capture the duality of the characters and the dark world that they dwell in, it was in many ways restrained from what is actually implied by the source material. “Watchmen”, is a true marvel and is one of the most entertaining, diverse, and original action films in memory.