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The Performance of European Business in the Twentieth Century
Youssef Cassis, Andrea Colli and Harm G. Schroter
Book
This book originated from the idea that performance is what really matters in business and thus in...
Lee (2222 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Nov 12, 2018
It's Victorian London, Christmas time, and a family mourning the recent loss of their mother is preparing to go to a Christmas party. Their father hands out some gifts left to them by their mother and eldest daughter Clara (Mackenzie Foy) receives an egg shaped box, locked and with the keys whereabouts unknown. Disappointed, they head off to the lavish Christmas party hosted by Claras godfather (Morgan Freeman) and while there, Clara discovers a hidden world consisting of four realms. War is brewing and in the absence of her mother, who discovered this world and became its queen, it's up to Clara to bring everyone together once more.
First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!
It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!
It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
Amelia Peabody's Egypt: A Compendium
Elizabeth Peters and Kristen Whitbread
8.0
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Book
The Egypt that so enticed and enchanted intrepid archaeologist-sleuth Amelia Peabody in the late...
We Served With Honor: Memoirs of the Men Who Served the 91st Strategic Reconnaissance Wing
Linda Rios Bromley, James F. Bard and Frank T. Hayes
Book
The 91st Bombardment Group, the forerunner of the 91st Strategic Reconnaissance Wing, arrived in...
Cochabamba!: Water Rebellion in Bolivia
Book
Many of the wars of this [20th] century were about oil, but the wars of the next century will be...
The Ordeal of Elizabeth Marsh: How a Remarkable Woman Crossed Seas and Empires to Become Part of World History
Book
From the author of 'Britons', the story of the exceptional life of the intrepid Elizabeth Marsh - an...
Into the Cosmos: Space Exploration and Soviet Culture
James T. Andrews and Asif A. Siddiqi
Book
The launch of the Sputnik satellite in October 1957 changed the course of human history. In the span...
Sarah (7800 KP) rated Ghosts of War (2020) in Movies
Nov 9, 2020
The ending is worth it
Ghosts of War follows a group of American soldiers as they make their way to take up post at a French chateau towards the end of the Second World War, and encounter much more than they bargained for in this slightly above average B movie.
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.
Ivana A. | Diary of Difference (1171 KP) rated The Night Raid in Books
Aug 21, 2018
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If you are a fan of drama, history, romance, World War II related books, heartwarming read and words that will make you laugh and cry at the same time - The Night Raid from Clare Harvey is the perfect book for you.
In the time of the World War II, in a factory in England, women work their way to earn a bit of money for themselves and their families. All of these women have their own stories and their own secrets.
When a woman comes to the factory to paint the ladies working the night shift, a lot of secrets will reveal itself. The stories of love, broken hearts, never-haves, hopes and dreams for the future will be painted on that canvas.
Full with passion, mystery, warmness and moments that will stay with you forever, Clare Harvey captures all of these and more in this amazing book.
She describes the characters in a unique way, she gives them life and meaning, and in a page or two you will already be inside their world, going through their happiness and pain.
This book was quite fast paced - in the meaning of, the story goes on smoothly, and there aren’t any sideway streets where you can get lost into. It was easy to keep track of what is happening from the very first beginning and easy to stay on track as well.
Clare managed to capture the World War II period in England quite well. I would never know how it was then, of course, but by reading the book, I could find myself being there, stuck in that time, stuck with those principles that we don’t believe in now. Stuck in a time where people believed that if a woman becomes pregnant during her working time, she has to either give up the baby, or live in a house full of other women that ended up the same way as her. Stuck in a time where gender equality is not a thing, and how could it be?
I would definitely recommend this book to every one of you, because it is a perfect blend of history and romance, of sadness and happiness, and of such powerful women that fought against all odds to survive and achieve in what they believed in!
If you are a fan of drama, history, romance, World War II related books, heartwarming read and words that will make you laugh and cry at the same time - The Night Raid from Clare Harvey is the perfect book for you.
In the time of the World War II, in a factory in England, women work their way to earn a bit of money for themselves and their families. All of these women have their own stories and their own secrets.
When a woman comes to the factory to paint the ladies working the night shift, a lot of secrets will reveal itself. The stories of love, broken hearts, never-haves, hopes and dreams for the future will be painted on that canvas.
Full with passion, mystery, warmness and moments that will stay with you forever, Clare Harvey captures all of these and more in this amazing book.
She describes the characters in a unique way, she gives them life and meaning, and in a page or two you will already be inside their world, going through their happiness and pain.
This book was quite fast paced - in the meaning of, the story goes on smoothly, and there aren’t any sideway streets where you can get lost into. It was easy to keep track of what is happening from the very first beginning and easy to stay on track as well.
Clare managed to capture the World War II period in England quite well. I would never know how it was then, of course, but by reading the book, I could find myself being there, stuck in that time, stuck with those principles that we don’t believe in now. Stuck in a time where people believed that if a woman becomes pregnant during her working time, she has to either give up the baby, or live in a house full of other women that ended up the same way as her. Stuck in a time where gender equality is not a thing, and how could it be?
I would definitely recommend this book to every one of you, because it is a perfect blend of history and romance, of sadness and happiness, and of such powerful women that fought against all odds to survive and achieve in what they believed in!
Bill Clinton: New Gilded Age President
Book
Of the original Gilded Age, historian Richard Hofstadter wrote: "There is no other period in the...