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BankofMarquis (1832 KP) rated Top Gun: Maverick (2022) in Movies
Jun 1, 2022
The very definition of "Summer Flick"
There is absolutely no denying it - TOP GUN: MAVERICK is the very definition of a “Summer Blockbuster” movie - the kind of film that will appeal to a wide variety of audiences who want nothing more than to escape into a world of heroes (and villains), good vs. evil, with lots of fast chases and things exploding.
And that is just what you get with the sequel to the 1986 hit - a summer blockbuster, which will do well at the box office - just don’t expect tricky plot developments or in-depth character examinations. The plot and the characters are just there to deliver the blockbuster goods.
Bringing back the main character from the first TOP GUN film, Tom Cruise as Captain Pete “Maverick” Mitchell, TOP GUN: MAVERICK shows Maverick 30 years (or so) after the events of the first film with “just one more” mission to go. Maverick is brought back to train a dozen hot-shot pilots, including one that is the son of his best friend - a friend who’s death Maverick has been traumatized by during the past 30 years.
Cruise, of course, is perfect in this role. He has the right blend of arrogance and charisma to pull of the fine balance needed between these two traits. Jennifer Connelly is on board as the requisite love interest and she more than holds her own with Cruise in what is an underwritten role as are all of the roles in this film by writer Peter Craig (BAD BOYS FOR LIFE) with Direction by Joseph Kosinski (OBLIVION).
Miles Teller (the son of the man who Maverick is mourning, who blames Maverick for his dad’s death), John Hamm (the a-hole boss that thinks that Maverick is “writing checks his body can’t cash”), Glen Powell (the arrogant young hot shot) and the rest are all one-note caricatures that leaves the audience not really caring about their fate.
Only Val Kilmer (reprising his role as “Iceman” from the first movie) comes out of this unscathed for his character is suffering from throat cancer and cannot speak above a whisper (much like Kilmer in real life). It was good to see him on the big screen again.
But…you don’t come to this film for the characters, you come to this picture for the high-flying action sequences, and…in the last part of this film…you get ‘em in spades! Unfortunately, you get way too LITTLE action in the first part of this film, it’s mostly nostalgic fond remembrances of the first film, so I found myself wriggling in my seat waiting for the action that I knew was to come.
It’s the perfect summer movie and one that is far more superior being seen on the big screen. It is the type of flick that one doesn’t have to pay to close attention to, but when it does grab your attention, it does it well…enough.
If you have the need…the need for speed…you can do much worse than TOP GUN: MAVERICK.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that is just what you get with the sequel to the 1986 hit - a summer blockbuster, which will do well at the box office - just don’t expect tricky plot developments or in-depth character examinations. The plot and the characters are just there to deliver the blockbuster goods.
Bringing back the main character from the first TOP GUN film, Tom Cruise as Captain Pete “Maverick” Mitchell, TOP GUN: MAVERICK shows Maverick 30 years (or so) after the events of the first film with “just one more” mission to go. Maverick is brought back to train a dozen hot-shot pilots, including one that is the son of his best friend - a friend who’s death Maverick has been traumatized by during the past 30 years.
Cruise, of course, is perfect in this role. He has the right blend of arrogance and charisma to pull of the fine balance needed between these two traits. Jennifer Connelly is on board as the requisite love interest and she more than holds her own with Cruise in what is an underwritten role as are all of the roles in this film by writer Peter Craig (BAD BOYS FOR LIFE) with Direction by Joseph Kosinski (OBLIVION).
Miles Teller (the son of the man who Maverick is mourning, who blames Maverick for his dad’s death), John Hamm (the a-hole boss that thinks that Maverick is “writing checks his body can’t cash”), Glen Powell (the arrogant young hot shot) and the rest are all one-note caricatures that leaves the audience not really caring about their fate.
Only Val Kilmer (reprising his role as “Iceman” from the first movie) comes out of this unscathed for his character is suffering from throat cancer and cannot speak above a whisper (much like Kilmer in real life). It was good to see him on the big screen again.
But…you don’t come to this film for the characters, you come to this picture for the high-flying action sequences, and…in the last part of this film…you get ‘em in spades! Unfortunately, you get way too LITTLE action in the first part of this film, it’s mostly nostalgic fond remembrances of the first film, so I found myself wriggling in my seat waiting for the action that I knew was to come.
It’s the perfect summer movie and one that is far more superior being seen on the big screen. It is the type of flick that one doesn’t have to pay to close attention to, but when it does grab your attention, it does it well…enough.
If you have the need…the need for speed…you can do much worse than TOP GUN: MAVERICK.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated CODA (2021) in Movies
Feb 25, 2022
Fairly Standard Fare
I am a film completionist, meaning I must see a film through to the end no matter what. At times, I take a break and come back to it (figuring I might not have been in the right mood for the film) but in other times, I fight through whatever emotion I am feeling (most of the time boredom) to keep focused on what the filmmakers are attempting to do in their film - and, at times, I am rewarded for this perseverance.
Such is the case with the Oscar Nominated film CODA. Written and Directed by Sian Heder (who was Oscar Nominated for her Screenplay), CODA tells the tale of Ruby who is a CODA (Child of Deaf Adults), who runs afoul of her family (especially her parents) and their expectations of her.
For the first half of this film it is pretty standard fare - one that has been shown on many, many movie screens throughout the years. Even though this one had the added “plot twist” of Ruby being able to hear while her Parents and Brothers are all deaf, the first half of this film never rose above the ordinary.
But, something happened in the 2nd half of the film, I fell in love with this family and their foibles and was rooting for them all to resolve their issues and for Ruby to get what she wanted.
Credit for this must go to Writer/Director Heder, who is not deaf, who came up with the idea/concept for the film and then felt a strong obligation to “get it right” for the deaf community. And get it right she does.
Her first good move was to cast Oscar Winner Marlee Matlin, a well known deaf performer and advocate for the Deaf Community. She brought instant credibility and star power to this film and she also insisted that the other 2 deaf characters in this film be performed by deaf performers.
Troy Kotsur is Oscar Nominated as Best Supporting Actor for his turn as Ruby’s father and he, for the first 1/2 of this film, acts in black and white - either funny (the comic relief) or angry (the drama) and I was unimpressed by him, but - just like the film - his performance gains some nuance in the 2nd half and he does have the “Oscar Moment” in this part of the movie that makes him a deserving nominee.
Emilia Jones is “just fine” in the lead role of Ruby and Daniel Durant (the other deaf actor in this film who plays her brother) and Lonnie Farmer (who plays her teacher) are also “fine”. Thank goodness we had the star wattage of Matlin to elevate the first half of the film before things got interesting - and nuanced - in the 2nd half.
Kudos to CODA for shining a light on a group that does not normally get the light shone upon it and kudos to the Academy for nominating this Sundance darling in the Best Picture category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with the Oscar Nominated film CODA. Written and Directed by Sian Heder (who was Oscar Nominated for her Screenplay), CODA tells the tale of Ruby who is a CODA (Child of Deaf Adults), who runs afoul of her family (especially her parents) and their expectations of her.
For the first half of this film it is pretty standard fare - one that has been shown on many, many movie screens throughout the years. Even though this one had the added “plot twist” of Ruby being able to hear while her Parents and Brothers are all deaf, the first half of this film never rose above the ordinary.
But, something happened in the 2nd half of the film, I fell in love with this family and their foibles and was rooting for them all to resolve their issues and for Ruby to get what she wanted.
Credit for this must go to Writer/Director Heder, who is not deaf, who came up with the idea/concept for the film and then felt a strong obligation to “get it right” for the deaf community. And get it right she does.
Her first good move was to cast Oscar Winner Marlee Matlin, a well known deaf performer and advocate for the Deaf Community. She brought instant credibility and star power to this film and she also insisted that the other 2 deaf characters in this film be performed by deaf performers.
Troy Kotsur is Oscar Nominated as Best Supporting Actor for his turn as Ruby’s father and he, for the first 1/2 of this film, acts in black and white - either funny (the comic relief) or angry (the drama) and I was unimpressed by him, but - just like the film - his performance gains some nuance in the 2nd half and he does have the “Oscar Moment” in this part of the movie that makes him a deserving nominee.
Emilia Jones is “just fine” in the lead role of Ruby and Daniel Durant (the other deaf actor in this film who plays her brother) and Lonnie Farmer (who plays her teacher) are also “fine”. Thank goodness we had the star wattage of Matlin to elevate the first half of the film before things got interesting - and nuanced - in the 2nd half.
Kudos to CODA for shining a light on a group that does not normally get the light shone upon it and kudos to the Academy for nominating this Sundance darling in the Best Picture category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
mostlyinpyjamas (13 KP) rated It Only Happens in the Movies in Books
Nov 25, 2017
Another cracker by Holly Bourne
The blurb; Audrey is over romance. Since her parents relationship imploded her mother’s been catatonic, so she takes a cinema job to get out of the house. But there she meets wannabe film-maker Harry.
Nobody expects Audrey and Harry to fall in love as hard and fast as they do. But that doesn’t mean things are easy.
Because real love isn’t like the movies…The greatest love story ever told doesn’t feature kissing in the snow, or racing to airports. It features pain and confusion and hope and wonder, and a ban on cheesy clichés. Oh, and Zombies.
~
I’m a huge fan of Holly Bourne, and with It only happens in the movies she has written another cracker!
It only happens in the movies challenges all those cliches from romantic movies, and the message they give about what love and relationships are like.
Audrey is instantly likeable, positive feminist characters are exactly what’s needed and Holly Bourne writes them so well. Audrey is getting over being dumped after having sex for the first time, trying to cope with her mum having a breakdown, and she’s been distant from her friends since her break up, her life is messy – and then she meets Harry.
Harry, with a reputation for being a player! He doesn’t always understand Audrey’s point of view, and he says the wrong things …
‘You’re not like other girls, are you?
but I like Harry. He tries!
In chapter 25, Audrey and her friend Alice talk about first time sex in a refreshingly honest way and this is, in my opinion, such an important thing to see in young adult books. Some girls, for whatever reason, don’t have someone they can talk about these things with, and I feel that it’s such a good thing that authors such as Holly Bourne are putting it out there.
I’ve read a number of feminist YA books this week, and I’m so pleased that they are being written. Conversations about consent, sexism, misogyny and rape culture are so important and these books help to get the message out there.
Excerpt from the book ; Men in films regularly kiss women who don’t want to be kissed. And those are supposed to be the good kisses. Either the woman is taken by surprise, or storming off in a mood, or having a huge go at them, or is engaged to somebody else, or claims she’s just plain Not Interested. And,how do men in movies respond to this clear instruction of “no”? They grab the woman’s face, and kiss her anyway. Roughly. Using their masculine force. And rather than being slapped or even arrested, these movie men are rewarded for their… well… sexual violence. The women “give into” the kiss after a brief moment of fighting it. You see, according to Hollywood, these women wanted to be kissed all along. It was just the male lead’s job to break through the barriers. Barriers like WILFUL CONSENT. Outside Hollywood movies, there is a term for being kissed against your will. This term isn’t “spontaneous” or “romantic” or “passionate”. No, it’s called sexual assault. It’s a crime punishable in the UK by up to ten years in prison.
~
Holly Bourne writes about feminist issues without being patronising and without telling her readers that we should hate all men.
If I’ve made it sound at all like It only happens in the movies is all feminist messages and no story then I must add that it’s entirely not that at all.
I enjoyed the story so much that I read it over a weekend, staying up far too late because I just couldn’t put it down. There’s plenty of drama, humour, and some lovely, touching moments! The ending – although it was perfect – exactly the way this story was meant to end – broke me. I cried actual tears.
Love isn’t just a feeling. Love is a choice too. And you may not be able to help your feelings, but you are responsible for the choices you make about what to do with them. (From It only happens in the movies).
Nobody expects Audrey and Harry to fall in love as hard and fast as they do. But that doesn’t mean things are easy.
Because real love isn’t like the movies…The greatest love story ever told doesn’t feature kissing in the snow, or racing to airports. It features pain and confusion and hope and wonder, and a ban on cheesy clichés. Oh, and Zombies.
~
I’m a huge fan of Holly Bourne, and with It only happens in the movies she has written another cracker!
It only happens in the movies challenges all those cliches from romantic movies, and the message they give about what love and relationships are like.
Audrey is instantly likeable, positive feminist characters are exactly what’s needed and Holly Bourne writes them so well. Audrey is getting over being dumped after having sex for the first time, trying to cope with her mum having a breakdown, and she’s been distant from her friends since her break up, her life is messy – and then she meets Harry.
Harry, with a reputation for being a player! He doesn’t always understand Audrey’s point of view, and he says the wrong things …
‘You’re not like other girls, are you?
but I like Harry. He tries!
In chapter 25, Audrey and her friend Alice talk about first time sex in a refreshingly honest way and this is, in my opinion, such an important thing to see in young adult books. Some girls, for whatever reason, don’t have someone they can talk about these things with, and I feel that it’s such a good thing that authors such as Holly Bourne are putting it out there.
I’ve read a number of feminist YA books this week, and I’m so pleased that they are being written. Conversations about consent, sexism, misogyny and rape culture are so important and these books help to get the message out there.
Excerpt from the book ; Men in films regularly kiss women who don’t want to be kissed. And those are supposed to be the good kisses. Either the woman is taken by surprise, or storming off in a mood, or having a huge go at them, or is engaged to somebody else, or claims she’s just plain Not Interested. And,how do men in movies respond to this clear instruction of “no”? They grab the woman’s face, and kiss her anyway. Roughly. Using their masculine force. And rather than being slapped or even arrested, these movie men are rewarded for their… well… sexual violence. The women “give into” the kiss after a brief moment of fighting it. You see, according to Hollywood, these women wanted to be kissed all along. It was just the male lead’s job to break through the barriers. Barriers like WILFUL CONSENT. Outside Hollywood movies, there is a term for being kissed against your will. This term isn’t “spontaneous” or “romantic” or “passionate”. No, it’s called sexual assault. It’s a crime punishable in the UK by up to ten years in prison.
~
Holly Bourne writes about feminist issues without being patronising and without telling her readers that we should hate all men.
If I’ve made it sound at all like It only happens in the movies is all feminist messages and no story then I must add that it’s entirely not that at all.
I enjoyed the story so much that I read it over a weekend, staying up far too late because I just couldn’t put it down. There’s plenty of drama, humour, and some lovely, touching moments! The ending – although it was perfect – exactly the way this story was meant to end – broke me. I cried actual tears.
Love isn’t just a feeling. Love is a choice too. And you may not be able to help your feelings, but you are responsible for the choices you make about what to do with them. (From It only happens in the movies).
Haley Mathiot (9 KP) rated Before They are Hanged: The First Law: Book Two in Books
Apr 27, 2018
First of all, these were some of the longest books I’ve listened to in a while. I’ve been plugging away on these suckers for over a month. some of the tracks are an hour or longer. So if you like long books, it’s worth the time investment! this is a great series for a long road trip, a summer (winter) vacation, or to play in the background while you attack a major knitting project.
All three books have a part 1 and a part 2. Part 1 of the first book was spent introducing a huge variety of characters that didn’t seem to have anything to do with each other; in fact they didn’t even feel like they were living in the same world. I did put the story down and move away from it a few times, because there wasn’t much plot or connection between them. Even though it was interesting, funny, and well written, that first part seemed very disconnected.
I told myself I’d listen to one more track. So I did, and that one track was the one where everything started falling together. Not only were they in the same world, they would be going on the same adventure and working together to save the world from an evil king, a crazy wizard, and magical zombies.
I love a good war story.
Each story left off with a stunning finish that begged for more. Even the last one; though it was open enough that anything could happen, you’re pretty sure you know. All the loose ends are tied up: bad guys die, people get their revenge, the king gets married, the deserving are promoted, and the drunks get… less drunk than normal.
If you’re into action, adventure, fantasy, or bloody thrillers, this series will keep you busy for a good long time!
Content and Recommendation: Ages 18+. Some sex (I’ll tell you know it’s awkward not great, even worse when you’re listening to it, not reading it). Plenty of language. Lots of violence; war scenes, murder, and cutting off body parts. One of the main characters is a torturer, okay? This one isn’t for the faint of heart. And don’t listen to it while you’re eating.
All three books have a part 1 and a part 2. Part 1 of the first book was spent introducing a huge variety of characters that didn’t seem to have anything to do with each other; in fact they didn’t even feel like they were living in the same world. I did put the story down and move away from it a few times, because there wasn’t much plot or connection between them. Even though it was interesting, funny, and well written, that first part seemed very disconnected.
I told myself I’d listen to one more track. So I did, and that one track was the one where everything started falling together. Not only were they in the same world, they would be going on the same adventure and working together to save the world from an evil king, a crazy wizard, and magical zombies.
I love a good war story.
Each story left off with a stunning finish that begged for more. Even the last one; though it was open enough that anything could happen, you’re pretty sure you know. All the loose ends are tied up: bad guys die, people get their revenge, the king gets married, the deserving are promoted, and the drunks get… less drunk than normal.
If you’re into action, adventure, fantasy, or bloody thrillers, this series will keep you busy for a good long time!
Content and Recommendation: Ages 18+. Some sex (I’ll tell you know it’s awkward not great, even worse when you’re listening to it, not reading it). Plenty of language. Lots of violence; war scenes, murder, and cutting off body parts. One of the main characters is a torturer, okay? This one isn’t for the faint of heart. And don’t listen to it while you’re eating.
Caffeinated Fae (464 KP) rated Falling for the Beast in Books
May 5, 2019
**I Received this book in exchange for an honest review**
Falling for the Beast is the second novella in the “A Modern Fairy Tale Duet.” I rated the first book, Beauty and the Professor, 3 1/2 Caffeinated Stars, and though there were some faults, I was excited to continue on in the series. I love Skye Warren as an author & I’m a huge fan of Beauty and the Beast, so I really thought this duet would be perfect for me. Unfortunately, I really did struggle with this series.
Going into part two, I was hoping for more character development but I never really got that. The characters though likable were not my favorite. I liked that both characters were open and honest with each other, but I also struggled with their relationship. It seemed that every time there was a conflict it was solved by sex. Don’t get me wrong, sex is fantastic, but it shouldn’t be used as the sole way to resolve a conflict.
Something else that struck me as weird and out of place was being blindsided by specific characteristics. We have the entire first novella where PTSD isn’t really mentioned, and then, we’re hit with him having PTSD nightmares. It was a little off-putting to me that we’re just now learning about his nightmares. The same thing can be said about him “holding back” his need for rough sex.
Though I had a few things that I didn’t like about his novella, I had some stuff I loved. I really liked that Blake always had Erin’s back. He constantly wanted to be there for her and supported her in whatever way he could. I loved that though they both had insecurities, their relationship wasn’t one of them. They both were willing to fight for what they had & shut down some of the antagonists in this book.
Even though this book wasn’t perfect, I did enjoy it. I do recommend reading some of Skye Warren’s latest books instead of this series. You can tell that her writing has grown & improved since this book was first released. One of my personal favorites of hers is Prisoner.
Falling for the Beast is the second novella in the “A Modern Fairy Tale Duet.” I rated the first book, Beauty and the Professor, 3 1/2 Caffeinated Stars, and though there were some faults, I was excited to continue on in the series. I love Skye Warren as an author & I’m a huge fan of Beauty and the Beast, so I really thought this duet would be perfect for me. Unfortunately, I really did struggle with this series.
Going into part two, I was hoping for more character development but I never really got that. The characters though likable were not my favorite. I liked that both characters were open and honest with each other, but I also struggled with their relationship. It seemed that every time there was a conflict it was solved by sex. Don’t get me wrong, sex is fantastic, but it shouldn’t be used as the sole way to resolve a conflict.
Something else that struck me as weird and out of place was being blindsided by specific characteristics. We have the entire first novella where PTSD isn’t really mentioned, and then, we’re hit with him having PTSD nightmares. It was a little off-putting to me that we’re just now learning about his nightmares. The same thing can be said about him “holding back” his need for rough sex.
Though I had a few things that I didn’t like about his novella, I had some stuff I loved. I really liked that Blake always had Erin’s back. He constantly wanted to be there for her and supported her in whatever way he could. I loved that though they both had insecurities, their relationship wasn’t one of them. They both were willing to fight for what they had & shut down some of the antagonists in this book.
Even though this book wasn’t perfect, I did enjoy it. I do recommend reading some of Skye Warren’s latest books instead of this series. You can tell that her writing has grown & improved since this book was first released. One of my personal favorites of hers is Prisoner.
Neon's Nerd Nexus (360 KP) rated Deadpool 2 (2018) in Movies
May 14, 2019
Dead waste
#deadpool2 has a bad case of 'bigger doesn't always mean better', its not a bad #film its just a very safe one & the formula is already starting to wear thin. I liked the first #deadpool, it wasn't anything ground breaking but I found it nailed the character & delivered something #superhero films haven't dared do in a while (it also balanced cool action & #fun #comedy well). With deadpool 2 we get more of the same & while the scale, budget & ideas seem to have been upped the films itself feels a tad flat, lifeless & overstuffed. First the good the fight choreography is very well done its fast, brutal & filmed well. #Music & the score is great & compliments the film perfect. #Popculture references & cameos are fun & extremely fun & well done. Sets, costumes & props all look great & have clearly had alot of care, time & detail put into them. #joshbrolin as #cable is tremendous completely stealing the show with his scenes being by far the most entertaining. The bad - with no real unique stand out scenes or anything new to bring to the table I found myself getting bored quite quickly. Story wise its bland/basic too & we are introduced to so many uninteresting characters with uninspiring motives that I just couldn't invest in them at all. Jokes & dialog both come across as forced this time & after a while became tierd & repetitive. Cgi wise its a mess going from good to damn right embarrassing at times (I just dont get some of the decisions to keep some scenes/characters in when they look this bad, it just made the film feel cheap & pulled me out of the experience constantly). Overall its not a bad film its just a very very average & unnecessary one. Id say its not a patch on the first one & that wasnt that amazing either. #Kids will #love it for its crude humour & gratuitous violence & hardcore #marvel fans probably wont have a bad word to say about it but for me I was disappointed & was hoping for a new direction not more of the same old. Definitely watchable but sadly forgettable. #odeonlimitless #odeon #avengers #ryanreynolds #mcu #comic #cinifile #tuesdaythoughts #spiderman #hughjackman #xmen #review #comicon #domino #deadpoolmovie
Carma (21 KP) rated Sweet Home Louisiana (Boys of the Bayou, #2) in Books
Jun 17, 2019
Explosive together, tortured apart. Will Maddie and Owen have the same fiery passion a decade plus later. Reunited on the Bayou can only lead them to rediscover who they were, where their lives have gone and who theyve become. Im loving these Bayou boys and girls.
Maddie left the Bayou about 12 years ago, she never wanted to return but then her brother died. She retunred for the funeral but ran again back to the west coast. It isnt that she hated her hometown, she hated how her hometown made her feel. Wild, unencumbered, no filter, she needed to feel more in control of herself. It didnt help that the bayou had Owen.
Owen is a bayou boy through and through. Maddie was his first real love and they were dangerous together. The passion and fire when the two of them got near each other could set the room on fire, and pretty much did. When Maddie wants to sell her shares of Boys of the Bayou she first must return home for 30 days as per the agreement made years before. Owen sees his chance to remind her whats in her blood, who she is down deep.
Owen and Maddie together are full of passion and spark. You can almost see the flames jumping off the pages when they come together. But will that be enough to get Maddie to want to stay home and run the company with them? She has an investor that is a good fit for the company that wants to jump head first into helping grow the company but the boys arent that open to a new person coming into their tight fold, especially with him having majority ownership along with Sawyer. Kennedy doesnt want Bennett there but for much different reasons (I see a juicy story unfolding).
This series has me dying in between releases. The author has the ability to pull me right into not only the pages and scenes but I can feel the heat of the bayou, the smells the bayou, the noise of the airboats. Sawyer is next up and it is going to be so so good, I can feel that too.
Maddie left the Bayou about 12 years ago, she never wanted to return but then her brother died. She retunred for the funeral but ran again back to the west coast. It isnt that she hated her hometown, she hated how her hometown made her feel. Wild, unencumbered, no filter, she needed to feel more in control of herself. It didnt help that the bayou had Owen.
Owen is a bayou boy through and through. Maddie was his first real love and they were dangerous together. The passion and fire when the two of them got near each other could set the room on fire, and pretty much did. When Maddie wants to sell her shares of Boys of the Bayou she first must return home for 30 days as per the agreement made years before. Owen sees his chance to remind her whats in her blood, who she is down deep.
Owen and Maddie together are full of passion and spark. You can almost see the flames jumping off the pages when they come together. But will that be enough to get Maddie to want to stay home and run the company with them? She has an investor that is a good fit for the company that wants to jump head first into helping grow the company but the boys arent that open to a new person coming into their tight fold, especially with him having majority ownership along with Sawyer. Kennedy doesnt want Bennett there but for much different reasons (I see a juicy story unfolding).
This series has me dying in between releases. The author has the ability to pull me right into not only the pages and scenes but I can feel the heat of the bayou, the smells the bayou, the noise of the airboats. Sawyer is next up and it is going to be so so good, I can feel that too.
Hazel (1853 KP) rated Day 21 (The Hundred, #2) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
In Kass Morgan’s bestselling <i>The 100</i> no one had set foot on Earth for centuries after a devastating war that rendered the planet uninhabitable. One hundred teenagers have been sent from the safety of a gigantic spaceship to test out whether or not it is yet safe to repopulate the Earth. <i>Day 21</i> continues on from the first book and the group is about to discover that they may not be alone.
As with the previous book the story is shared from four different points of view: Wells, Clarke, Bellamy and Glass. It has been three weeks since the hundred crash-landed and there appears to be no sign of radiation poisoning, however some people are falling unwell with unidentifiable illnesses and others have become targets of an unseen enemy. Things take a dramatic turn after the capture of a stranger, a girl who was not from their ship. Is it possible that she is an Earthborn, and therefore how did people manage to survive the Cataclysm?
Back on ship Glass and the rest of the Colony face their own life-threatening problems. Oxygen is running out and it will not be long until there is no air left to breathe. In a mad panic the risk of radiation on Earth is forgotten as the civilians scramble to get onto the remaining drop ships. However there will not be room for everyone.
At first this book did not feel as exciting as <i>The 100</i>. The settings are no longer a new concept to the reader and the love triangle involving some of the key characters was already a little tiresome. Nonetheless once the plot begins to climax once again, it becomes really enjoyable.
Although it is not clear, the ending implies that there will be more to come in this series, which is great as there are a lot of unanswered questions about the characters’ futures. This is a must read for lovers of dystopian literature, however make sure you have read the first book before progressing on to <i>Day 21</i>!
In Kass Morgan’s bestselling <i>The 100</i> no one had set foot on Earth for centuries after a devastating war that rendered the planet uninhabitable. One hundred teenagers have been sent from the safety of a gigantic spaceship to test out whether or not it is yet safe to repopulate the Earth. <i>Day 21</i> continues on from the first book and the group is about to discover that they may not be alone.
As with the previous book the story is shared from four different points of view: Wells, Clarke, Bellamy and Glass. It has been three weeks since the hundred crash-landed and there appears to be no sign of radiation poisoning, however some people are falling unwell with unidentifiable illnesses and others have become targets of an unseen enemy. Things take a dramatic turn after the capture of a stranger, a girl who was not from their ship. Is it possible that she is an Earthborn, and therefore how did people manage to survive the Cataclysm?
Back on ship Glass and the rest of the Colony face their own life-threatening problems. Oxygen is running out and it will not be long until there is no air left to breathe. In a mad panic the risk of radiation on Earth is forgotten as the civilians scramble to get onto the remaining drop ships. However there will not be room for everyone.
At first this book did not feel as exciting as <i>The 100</i>. The settings are no longer a new concept to the reader and the love triangle involving some of the key characters was already a little tiresome. Nonetheless once the plot begins to climax once again, it becomes really enjoyable.
Although it is not clear, the ending implies that there will be more to come in this series, which is great as there are a lot of unanswered questions about the characters’ futures. This is a must read for lovers of dystopian literature, however make sure you have read the first book before progressing on to <i>Day 21</i>!
Darren (64 KP) rated Any Which Way You Can (1980) in Movies
Nov 1, 2019
Right Turn Clyde
Contains spoilers, click to show
This was the first film i ever rented as a kid from the video shop. I was 5 at the time and the cover just drew me to it. My mum bless her let me have this and The Snowman. That was way back in 1985 and i have never lost any love for it.
Clint stars as Philo Bedo a bare knuckle brawler who has decided after his last fight (Which he easily wins) Enough is enough and he no longer wants to fight as, He is getting to enjoy the pain a little too much. When he is offered $25,000 by Patrick Scarfe ( Michael Cavanaugh) to fight Jack Wilson played by B movie great William Smith, Philo finds the offer to tempting to resist and accepts. Meanwhile, Lynn Halsey Taylor (Sondra Locke) returns to town and plays at the local bar in an attempt to reconcile with Philo, who she betrayed in the first film. Add to this, The Black Widows, the notorious and bumbling local biker gang, plan revenge on Philo for previous misdeeds from the first film.
When circumstances lead Philo to reconcile with Lynn, She and Philo's half brother Orville (Geoffrey Lewis) find out that Jack has killed a guy in his previous fight leading no one wanting to fight him. After much pressure, Philo decides not to fight and attempts to give the money back but Scarfe and his partner James Beekman ( Harry Guardino) won't take no for an answer and have Lynn kidnapped so that Philo has no choice but to fight.
Wilson finds out about this and helps Philo get Lynn back with both of them taking down a Beekmans mob guys.. When the fight is called off again because of the under handed tactics of Scarfe and Beekman, Pride between Philo and Wilson makes them wonder who would of won the fight?
Knowing it can't end how it is, Bedo and Wilson have a wild fight through the streets of Jackson to find out, Just who is the best between them.
Clint stars as Philo Bedo a bare knuckle brawler who has decided after his last fight (Which he easily wins) Enough is enough and he no longer wants to fight as, He is getting to enjoy the pain a little too much. When he is offered $25,000 by Patrick Scarfe ( Michael Cavanaugh) to fight Jack Wilson played by B movie great William Smith, Philo finds the offer to tempting to resist and accepts. Meanwhile, Lynn Halsey Taylor (Sondra Locke) returns to town and plays at the local bar in an attempt to reconcile with Philo, who she betrayed in the first film. Add to this, The Black Widows, the notorious and bumbling local biker gang, plan revenge on Philo for previous misdeeds from the first film.
When circumstances lead Philo to reconcile with Lynn, She and Philo's half brother Orville (Geoffrey Lewis) find out that Jack has killed a guy in his previous fight leading no one wanting to fight him. After much pressure, Philo decides not to fight and attempts to give the money back but Scarfe and his partner James Beekman ( Harry Guardino) won't take no for an answer and have Lynn kidnapped so that Philo has no choice but to fight.
Wilson finds out about this and helps Philo get Lynn back with both of them taking down a Beekmans mob guys.. When the fight is called off again because of the under handed tactics of Scarfe and Beekman, Pride between Philo and Wilson makes them wonder who would of won the fight?
Knowing it can't end how it is, Bedo and Wilson have a wild fight through the streets of Jackson to find out, Just who is the best between them.
Sophia (Bookwyrming Thoughts) (530 KP) rated Turned at Dark (Shadow Falls, #0.5) in Books
Jan 23, 2020
As you may know from reading <i>Born at Midnight</i>, the first book of the <i>Shadow Falls</i> series, Della Tsang is Kylie Galen's Vampire friend. Here, we learn how Della was turned into a vampire and how she came about Shadow Falls. We also go into a bit more depth of Della's life before <i>Shadow Falls</i> and a brief history about Supernaturals. Warning though: like <i>Forgotten Lyrics</i> by Amanda Hocking (which I'm currently reading), it's a quick read. Actually, even more quick since it's only 32 pages long.
To be frank, I don't think I was expecting Vampirism to be a virus. I was expecting Della to get bitten by an actual vampire when I first met her in <i>Born at Midnight</i>. And was I so very very wrong at that assumption. The fact that Della had a Vampire virus in her blood was an unexpected twist in the series.
If I were Della's shoes, I probably would've reacted the same way as she did if I found out that *insert spoiler* wasn't actually dead and I was carrying a virus that could turn me into a vampire (It might even be cool). And that the fact blood will taste yummy. o_o
As for Della's issues in real life, I can totally compare my own life to her life. High expectations? yep. Sometimes too high? yep! Super harsh? Harsh, yes, but not like Della's parents in a way. Therefore, Della is now one of my favorite characters from Shadow Falls. Don't worry, there's plenty of room for the rest of them as well. Della just has that "twin-like" quality. :)
Overall, I love the humor that Hunter has woven into this story and find that Turned at Dark is a great prequel to Born at Midnight. It's not necessary to read Born at Midnight first, but if you want to, feel free to do so. I actually enjoyed the series and the shortstory. :)
<a href="https://bookwyrmingthoughts.com/review-turned-at-dark-by-c-c-hunter/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
To be frank, I don't think I was expecting Vampirism to be a virus. I was expecting Della to get bitten by an actual vampire when I first met her in <i>Born at Midnight</i>. And was I so very very wrong at that assumption. The fact that Della had a Vampire virus in her blood was an unexpected twist in the series.
If I were Della's shoes, I probably would've reacted the same way as she did if I found out that *insert spoiler* wasn't actually dead and I was carrying a virus that could turn me into a vampire (It might even be cool). And that the fact blood will taste yummy. o_o
As for Della's issues in real life, I can totally compare my own life to her life. High expectations? yep. Sometimes too high? yep! Super harsh? Harsh, yes, but not like Della's parents in a way. Therefore, Della is now one of my favorite characters from Shadow Falls. Don't worry, there's plenty of room for the rest of them as well. Della just has that "twin-like" quality. :)
Overall, I love the humor that Hunter has woven into this story and find that Turned at Dark is a great prequel to Born at Midnight. It's not necessary to read Born at Midnight first, but if you want to, feel free to do so. I actually enjoyed the series and the shortstory. :)
<a href="https://bookwyrmingthoughts.com/review-turned-at-dark-by-c-c-hunter/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>