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    Muse

    Jonathan Galassi

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    Paul Dukach is heir apparent at Purcell & Stern, one of the last independent publishing houses in...

Star Trek: First Contact (1996)
Star Trek: First Contact (1996)
1996 | Action, Sci-Fi
It’s a close run thing with “Wrath of Khan”, but this tops it as my favourite Trek film. There are so many memorable scenes:

The dramatic opening shots of Picard strapped into the Borg ship (and the subsequent jolts x 2!);
The comical drinking scene between Troi (Marina Sirtis) and Cochrane (James Cromwell);
The “Big Sleep” style holodeck sequence;
The spectacular entrance of the Borg Queen (Alice Krige);
The first warp flight;
The first contact scene, framed by Jerry Goldsmith‘s spectacular theme.
We’re up to the Enterprise-E in this one, and even that gets a self-destruct sequence! These movies must be playing havoc with their insurance premiums!

There are some nice touches for Trek fans in here: the first appearance of Robert Picardo‘s holographic doctor (before he became a regular on Star Trek: Voyager); and Dwight Schultz reprising his role from the TNG series as the nerdy fan-boy Lieutenant Barclay. In addition, the whole cast (including Gates McFadden’s Crusher) get a fairer share of the air time under Jonathan Frake’s direction.

Once again, the time travel (particularly the return journey!) is just a bit too trite and convenient. But other than that, this is a top-notch Trek movie. It features (in Alfre Woodard, just BAFTA nominated) a strong role for a female of colour. And it provides a great chance to showcase Stewart’s acting talents, as he wrestles with his own ‘great white whale’.

Given my love for the movie, I was tempted to give this one 5*s. The one thing holding me back is just a single line of dialogue. Do you know the one? Zephram Cochrane’s line…

“So, you’re astronauts? On some kind of a star trek?”.

It is just SO UTTERLY CRASS that I manage to throw up a little in my mouth as that scene happens. WHY WRITERS, WHY???
  
Freaks (2018)
Freaks (2018)
2018 | Drama, Sci-Fi, Thriller
A young girl is seing looking through the window, everything looks to be at a stand still including the birds in the sky which appear to be paused mid flight. Her dad stops her and tells her that being seen would not be safe. Their house appears run down, there's no electricity and chloe and her dad keep practicing random scenarios on staying safe. There's not much going on but clearly something isn't right.
One day a young girl called Harper brings chloe an ice cream, but because she somehow knew chloes name, chloes dad assumed she had been outside and punishes her by locking her in the closet where chloe seemingly now has harper as an imaginary friend.
Chloes dad promises to get her ice cream if she never opens the door again, but when he returns he is injured and passes out. Chloe takes this opportunity to leave the house and befriends the ice cream man parked outside who turns out to be her grandfather, he informs chloe that she is special and her and him are going to try and bring her mum back.
From then on the movie gets weirder and weirder, chloe keeps seing different people in her closet including a sleep over at harpers House, and her mum chained up, she is also able to get inside peoples heads and force them to do things.
I found the movie took far too long to get to a point, 40 minutes to find out what freaks were and about an hour to find out about the powers and what they're capable of, and the ending...... Well I don't even understand what was going on there. If you don't like your brain to hurt during a movie I would stay clear.
  
First Man (2018)
First Man (2018)
2018 | Biography, Drama, History
GREAT, Visceral Space Scenes - Boring, Soap-Opera-ish Earth Scenes
Get to the largest screen you can find with the best sound system and check out FIRST MAN. The visceral spectacle of space travel is expertly captured and needs to be seen on the BIG screen while your chair vibrates from the sound. You, the audience, fwill eel like you are in the spaceship with Neil Armstrong on his way to the moon.

Too bad the Earth-bound moments of this film don't go to the same heights.

Directed by Damien Chazelle in his follow-up to his Oscar winning Directorial stint with LA LA LAND, FIRST MAN tells the story of Neil Armstrong in the 1960s, going from test pilot to the First Man who stepped foot on the moon.

As I stated earlier, the times that we are in the space capsule, or flight plane or test simulator with Armstrong are a visceral experience not to be missed. Chazelle puts his camera close in, often times seeing what Armstrong is seeing - most of that time with loud, shimming and shaking noises and shimming and shaking cameras that left me wonder how these Pioneers of Space Flight ever made it to the Moon and back safely. These scenes - and especially the last 1/2 hour of the film when Armstrong & Co. go to the moon - are worth the price of admission alone. Add on top of that a driving, visceral (there's that word again) score by Chazelle's musical collaborator Justin Hurwitz (Oscar winner for the music for LA LA LAND) and your heart will be thumping loudly in your chest during these exhilarating scenes.

And that is good, for Chazelle and screenwriter Josh Singer (SPOTLIGHT) try to squeeze in a Soap-Opera-esque plot and motivation for Armstrong throughout this film that just didn't work for me. They tried too hard to give Armstrong some "personal" motivations for being stoic, pragmatic and driven to his vision.

As for the acting, Ryan Gosling is...well...stoic, pragmatic and driven to his vision as Armstrong. Do you see that look on Gosling/Armstrong's face in the picture that is accompanying this review? You get that 90% of the time with him. Most of the other actors - Jason Clarke, Kyle Chandler, Pablo Schreiber, Ethan Embry, Lukas Haas - all give the same stoic, pragmatic performance, so there is no real personality here. Even the great Ciaran Hinds - who normally can chew scenery with the best of them - was toned way down to stoic, pragmatic proportions.

This made the performance of Corey Stoll as Buzz Aldrin all the more jarring for he bursts into this film at about the halfway point, cracking jokes and having a personality. Unfortunately, this was annoying at this point, rather than refreshing and I ended up thinking what a jerk Aldrin is.

Add to that Claire Foy (THE CROWN) as Armstrong's wife who has a constant pained expression on her face. She will get an Oscar nomination, for she had the big "Oscars" speech as the worried wife and mother - a speech where Gosling/Armstrong looked at her pragmatically and with solid stoicism.

Fortunately, what saves this movie is that these Earth-bound scenes of fairly boring people in cliched situations are quickly wiped away with awe-inspiring action pieces - they really are worth the price of admission - even the higher price you will need to pay to see it in IMAX with a kick-butt sound system.

Letter Grade: B+

7 1/2 (out of 10) stars - have I mentioned how great the space scenes in this film are?

And you can take that to the Bank(ofMarquis)