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Suswatibasu (1701 KP) rated Mudbound (2017) in Movies
Jan 3, 2018 (Updated Jan 3, 2018)
Remarkable, excellent, harrowing film
Dee Rees has created a historical epic about two Americas - people living side by side but utterly separated by experiences - that resonates in modern times. Set in the rural American South during World War II, Mudbound is an epic story of two families pitted against one another by a ruthless social hierarchy, yet bound together by the shared farmland of the Mississippi Delta.
Following the McAllan family, they are transplanted from the quiet civility of Memphis and seem unprepared for the harsh demands of farming. Meanwhile, Hap and Florence Jackson - sharecroppers who have worked the land for generations - struggle to build a small dream of their own despite the rigidly enforced racial barriers they face. In between, are the sons of both families, fighting together in a war, and returning together as brothers despite being on different ends of the spectrum. But soon after they face the harsh realities of the Jim Crow laws.
Rees' film is a study of historic division, but it has such a poetically tragic sense of the characters and their limitations that it transcends the setting and location. The cast are entirely remarkable, with standout performances from Carey Mulligan, Jason Mitchell, and Rob Morgan. The last few scenes are climactic, and truly horrifying, leaving you reeling at the end. Mudbound has elevated Netflix's theatrical game.
Following the McAllan family, they are transplanted from the quiet civility of Memphis and seem unprepared for the harsh demands of farming. Meanwhile, Hap and Florence Jackson - sharecroppers who have worked the land for generations - struggle to build a small dream of their own despite the rigidly enforced racial barriers they face. In between, are the sons of both families, fighting together in a war, and returning together as brothers despite being on different ends of the spectrum. But soon after they face the harsh realities of the Jim Crow laws.
Rees' film is a study of historic division, but it has such a poetically tragic sense of the characters and their limitations that it transcends the setting and location. The cast are entirely remarkable, with standout performances from Carey Mulligan, Jason Mitchell, and Rob Morgan. The last few scenes are climactic, and truly horrifying, leaving you reeling at the end. Mudbound has elevated Netflix's theatrical game.
Bookapotamus (289 KP) rated Bella Figura: How to Live, Love, and Eat the Italian Way in Books
May 29, 2018
Must. Move. To Italy. Now.
This is one of those books where you can live vicariously though the author and feel like you are living their life (and truly wishing you could!) Part 'Under the Tuscan Sun', a dash of 'Bridget Jones' Diary' and some hints of "Eat, Pray, Love" I am dreaming of Florence, it's people, it's food, and can easily picture the beautiful scenery after reading this!
Kamin is stuck. Shes in a bit of a rut professionally, personally, and mentally. The stresses of everyday life combined with lingering heartache are wearing down on her immensely and she takes a giant leap of faith and moves to Italy for a year. To write, mostly, but the lessons she ends up learning will change her life forever.
The way this book is structured is my absolute favorite! Every chapter is a month of her new Italian life, and starts with little snippets of the month (Smells, What's in season, Italian phrases learned) and they all end with AMAZING recipes that were talked about in that chapter. I adore how she shares these almost intimate details, and feel as if I'm there with her.
I really enjoyed this book. I can't wait to try some of the recipes, and I aim to embrace "Bella Figura!"
I received a copy of Bella Figura as part of the Penguin First to Read program in exchange for my honest review.
This is one of those books where you can live vicariously though the author and feel like you are living their life (and truly wishing you could!) Part 'Under the Tuscan Sun', a dash of 'Bridget Jones' Diary' and some hints of "Eat, Pray, Love" I am dreaming of Florence, it's people, it's food, and can easily picture the beautiful scenery after reading this!
Kamin is stuck. Shes in a bit of a rut professionally, personally, and mentally. The stresses of everyday life combined with lingering heartache are wearing down on her immensely and she takes a giant leap of faith and moves to Italy for a year. To write, mostly, but the lessons she ends up learning will change her life forever.
The way this book is structured is my absolute favorite! Every chapter is a month of her new Italian life, and starts with little snippets of the month (Smells, What's in season, Italian phrases learned) and they all end with AMAZING recipes that were talked about in that chapter. I adore how she shares these almost intimate details, and feel as if I'm there with her.
I really enjoyed this book. I can't wait to try some of the recipes, and I aim to embrace "Bella Figura!"
I received a copy of Bella Figura as part of the Penguin First to Read program in exchange for my honest review.
Sarah (7798 KP) rated 6 Underground (2019) in Movies
Dec 14, 2019
Dumb fun
It seems like if you put Ryan Reynolds in a film lately, throw in a bit of humour and voiceovers, it’s a decent recipe for a pretty good film and this is exactly what 6 Underground pulls off.
This is an action film that doesn’t take itself too seriously. It’s full of over the top action and lots of off the cuff quips and humour, I’ll readily admit to chuckling quite a lot watching this and this is mainly due to Ryan Reynolds. The rest of the cast are alright, but if it wasn’t Reynolds then this probably wouldn’t have worked very well. The film itself looks good, right from the opening scenes in Florence - I’m a little shocked they managed to get away with filming those scenes in such a historical and old school city, but it was definitely the real place as they couldn’t fake sets that look that identical to the real place! And yes this is a Michael Bay film and you can tell from some of the action and hilariously over the top deaths, but I actually thought that in comparison with some of his earlier films, this is fairly understated for Michael Bay. I do think this drags a little in places (in between the action scenes) and gets a little convoluted at the beginning with the differing time frames, but overall this is a fairly decent action film from Netflix for a change.
This is an action film that doesn’t take itself too seriously. It’s full of over the top action and lots of off the cuff quips and humour, I’ll readily admit to chuckling quite a lot watching this and this is mainly due to Ryan Reynolds. The rest of the cast are alright, but if it wasn’t Reynolds then this probably wouldn’t have worked very well. The film itself looks good, right from the opening scenes in Florence - I’m a little shocked they managed to get away with filming those scenes in such a historical and old school city, but it was definitely the real place as they couldn’t fake sets that look that identical to the real place! And yes this is a Michael Bay film and you can tell from some of the action and hilariously over the top deaths, but I actually thought that in comparison with some of his earlier films, this is fairly understated for Michael Bay. I do think this drags a little in places (in between the action scenes) and gets a little convoluted at the beginning with the differing time frames, but overall this is a fairly decent action film from Netflix for a change.
JT (287 KP) rated Midsommar (2019) in Movies
Mar 10, 2020
As the end credits rolled I sat back and contemplated what I had just witnessed – this was the most fucked up piece of cinema I’d seen in some time. Burdened by a horrific tragedy Dani (Florence Pugh) turns to boyfriend Christian (Jack Reynor) for support, who is unsure himself that their relationship can continue.
Joining a small group of friends they head off to Sweden to attend a mid-summer festival in the hope of rekindling their dying relationship.
The film is disturbing on almost every level and does take time to get going as the group is introduced to an idyllic community where not everything is as it seems. Director Ari Aster has made no illusions of his dislike for jump scares – and you won’t find too many here, well, maybe one. But this is a new age break-up film, not an out an out horror as many people might have expected.
But how do you turn a mild mannered community such as the Harga, into a sinister cult, justifying their ways via ritualistic events and ancient scripture – easy, you do it slowly. Aster builds the story well, introducing subtle clues to the foreboding which is inevitably coming. When it comes, it is a tour de force of shock value.
It’s a solid follow up for Aster whose feature length debut, Hereditary, split audiences – but there is no denying that he has upped his game significantly.
Joining a small group of friends they head off to Sweden to attend a mid-summer festival in the hope of rekindling their dying relationship.
The film is disturbing on almost every level and does take time to get going as the group is introduced to an idyllic community where not everything is as it seems. Director Ari Aster has made no illusions of his dislike for jump scares – and you won’t find too many here, well, maybe one. But this is a new age break-up film, not an out an out horror as many people might have expected.
But how do you turn a mild mannered community such as the Harga, into a sinister cult, justifying their ways via ritualistic events and ancient scripture – easy, you do it slowly. Aster builds the story well, introducing subtle clues to the foreboding which is inevitably coming. When it comes, it is a tour de force of shock value.
It’s a solid follow up for Aster whose feature length debut, Hereditary, split audiences – but there is no denying that he has upped his game significantly.
Lee (2222 KP) rated Midsommar (2019) in Movies
Mar 19, 2020
I haven’t seen such complete and utter nonsense since Hereditary.
The bitter disappointment in Hereditary still lingers to this day. The build up, and all of the hype on film Twitter, got me so excited to see it. And then, I ended up in a cinema full of people, all laughing at the ridiculousness of it all and all coming out saying how truly bad it was.
So when Midsommar came along, and everyone online started reacting in exactly the same way as they did for Hereditary, I wasn’t having any of it. The trailer looked OK, but I didn’t want to waste my time being like the person in the story of the emperors new clothes who pipes up and says “hang on a minute, this is actually complete crap”. So I didn’t bother with it.
But now it’s on Amazon Prime, and cinemas are closed. It’s desperate times, so I gave it a try.
And for the first half, it was OK. But by the end of it, I was disappointed again and I really do feel that it actually does follow the same Hereditary formula, only delivered slightly better -
A first half which plays like a beautifully shot drama.
A gruesome shock during this first half.
A beautifully shot, but ultimately dull, second half which struggles to deliver on the initial setup, decides to descend into a ridiculous and laughable mess instead.
A standout performance (Toni Collette then, Florence Pugh now).
The bitter disappointment in Hereditary still lingers to this day. The build up, and all of the hype on film Twitter, got me so excited to see it. And then, I ended up in a cinema full of people, all laughing at the ridiculousness of it all and all coming out saying how truly bad it was.
So when Midsommar came along, and everyone online started reacting in exactly the same way as they did for Hereditary, I wasn’t having any of it. The trailer looked OK, but I didn’t want to waste my time being like the person in the story of the emperors new clothes who pipes up and says “hang on a minute, this is actually complete crap”. So I didn’t bother with it.
But now it’s on Amazon Prime, and cinemas are closed. It’s desperate times, so I gave it a try.
And for the first half, it was OK. But by the end of it, I was disappointed again and I really do feel that it actually does follow the same Hereditary formula, only delivered slightly better -
A first half which plays like a beautifully shot drama.
A gruesome shock during this first half.
A beautifully shot, but ultimately dull, second half which struggles to deliver on the initial setup, decides to descend into a ridiculous and laughable mess instead.
A standout performance (Toni Collette then, Florence Pugh now).
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