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Bob Mann (459 KP) rated Christine (2016) in Movies
Sep 29, 2021
If it bleeds, it leads.
Life is precious. Bad times always get good again eventually. Winter turns to spring and you feel the warmth of the sun on your face again. So what drives someone – anyone – to the point of despair sufficient for them to ignore all of the potential upturns and to take their own life?
Christine tells the tragic tale of Florida TV news reporter Christine Chubbuck who committed suicide live on air in 1974. Yes, this is a spoiler, but since most people have some sense of what a film is about before they go to see it, it’s not really a big one. And I think in this case, knowing the outcome is pretty essential since otherwise you will likely spend 2 hours getting increasingly irritated by the erratic behaviour of the lead character and may possibly turn it off. With this movie, the telling is in the journey – not the destination.
London-born Rebecca Hall (“The Town”) plays the 30 year old virgin Christine; a damaged article with past mental issues, she has been moved by her mother Peg (J Smith-Cameron) from Boston to Florida to make a fresh start. But the station is struggling and Christine’s insistence on pursuing dull but worthy stories, such as zoning disputes, isn’t helping: she is driving her boss (Tracy Letts) to distraction. Despite her spiky demeanour and unapproachable nature, her colleagues including Jean (Maria Dizzia), the show’s anchor (and potential deflowerer) George (Michael C Hall) and weatherman Steve (Timothy Simons from “Veep”) all do their best to support her. It is part of the true tragedy of the piece that her downward spiral continues despite their best efforts.
Hall is outstanding in the role. She portrays the crazily compulsive behaviour of Chubbuck extremely well: perfectionism gone wild as she attempts to edit out 3 seconds off a clip while the film is already in the machine. At times the other-worldliness and creepiness of her character become extremely unsettling; an excruciating scene with a married couple in a bar being a case in point. Overall it’s an extremely thoughtful portrayal that is as quiet and unassuming as Ruth Negga’s in “Loving” (but without the smiles or the charm). I would like to think that after the Oscars team picked the ‘obvious contenders’ of Portman, Stone and Huppert, and with a place ‘reserved’ for Streep, they were left with Negga and Hall and had a “dammit, we can only pick 1 out of 2 here” moment.
Letts as the crotchety station chief also delivers a fine performance, and it’s a shame that the script never gave us the chance to see his post-shooting reactions, since the ‘if only’ ramifications for him in particular must have been huge.
In retrospect, Chubbuck’s actions were bizarre: taking her life in such a public way (and insisting the show be recorded for her “reels”) strikes of narcissism and a bitter revenge. While the film is no doubt based on the true recollections of the real-life participants, the screenplay by Craig Shilowich, in an impressive writing debut, for me never quite closed that loop: why this way rather that a car and a hosepipe?
Directed by Antonio Campos, this is never an easy watch. It’s a bit like watching a car crash in ultra-slow motion, and pretty much mandates that you watch an episode of “Father Ted” afterwards to cheer yourself up! But it’s a fascinating study in mental decline, and it’s a useful reminder that it behoves all of us to pay more attention to others around us and reach out with real help if needed before the worst can happen.
Christine tells the tragic tale of Florida TV news reporter Christine Chubbuck who committed suicide live on air in 1974. Yes, this is a spoiler, but since most people have some sense of what a film is about before they go to see it, it’s not really a big one. And I think in this case, knowing the outcome is pretty essential since otherwise you will likely spend 2 hours getting increasingly irritated by the erratic behaviour of the lead character and may possibly turn it off. With this movie, the telling is in the journey – not the destination.
London-born Rebecca Hall (“The Town”) plays the 30 year old virgin Christine; a damaged article with past mental issues, she has been moved by her mother Peg (J Smith-Cameron) from Boston to Florida to make a fresh start. But the station is struggling and Christine’s insistence on pursuing dull but worthy stories, such as zoning disputes, isn’t helping: she is driving her boss (Tracy Letts) to distraction. Despite her spiky demeanour and unapproachable nature, her colleagues including Jean (Maria Dizzia), the show’s anchor (and potential deflowerer) George (Michael C Hall) and weatherman Steve (Timothy Simons from “Veep”) all do their best to support her. It is part of the true tragedy of the piece that her downward spiral continues despite their best efforts.
Hall is outstanding in the role. She portrays the crazily compulsive behaviour of Chubbuck extremely well: perfectionism gone wild as she attempts to edit out 3 seconds off a clip while the film is already in the machine. At times the other-worldliness and creepiness of her character become extremely unsettling; an excruciating scene with a married couple in a bar being a case in point. Overall it’s an extremely thoughtful portrayal that is as quiet and unassuming as Ruth Negga’s in “Loving” (but without the smiles or the charm). I would like to think that after the Oscars team picked the ‘obvious contenders’ of Portman, Stone and Huppert, and with a place ‘reserved’ for Streep, they were left with Negga and Hall and had a “dammit, we can only pick 1 out of 2 here” moment.
Letts as the crotchety station chief also delivers a fine performance, and it’s a shame that the script never gave us the chance to see his post-shooting reactions, since the ‘if only’ ramifications for him in particular must have been huge.
In retrospect, Chubbuck’s actions were bizarre: taking her life in such a public way (and insisting the show be recorded for her “reels”) strikes of narcissism and a bitter revenge. While the film is no doubt based on the true recollections of the real-life participants, the screenplay by Craig Shilowich, in an impressive writing debut, for me never quite closed that loop: why this way rather that a car and a hosepipe?
Directed by Antonio Campos, this is never an easy watch. It’s a bit like watching a car crash in ultra-slow motion, and pretty much mandates that you watch an episode of “Father Ted” afterwards to cheer yourself up! But it’s a fascinating study in mental decline, and it’s a useful reminder that it behoves all of us to pay more attention to others around us and reach out with real help if needed before the worst can happen.
Phillip McSween (751 KP) rated Gifted (2017) in Movies
Jan 13, 2019
Good Stuff
After the death of his sister, Frank (Chris Evans) opts to take in his extremely intelligent niece Mary (McKenna Grace) and raise her like he thought his sister would have wanted. His hope is to protect her from growing up too fast, particularly from ending up in the clutches of his mom Evelyn (Lindsay Duncan) who would prefer to hole Mary up in a private institution.
Acting: 10
Beginning: 10
Characters: 10
When I look at characters and how they impact a movie, it’s not just about how intriguing they are, but also about how real they are. I love characters that are flawed and you get that with Frank. He’s just trying to do the right thing by his sister and his niece while still trying to live his own life as well. There are oftentimes where he’s wondering if he’s making the right decision and you’re wondering right along with him. I really appreciate the relationship between him and Mary as it wasn’t all rainbows and lollipops. They’ve clearly had some disagreements, but they love each other through it.
The supporting characters helped to hold the movie up as well. Bonnie (Jenny Slate) was probably my personal favorite as the warm caring teacher who genuinely wants the best for Mary. Both encouraging and sweet, she is another character whose story you get to unpack more and more as the movie progresses.
Cinematography/Visuals: 7
Great imagery and shots of a sleepy town in coastal Florida. There isn’t much to blow you away in the way of cinematography, but I appreciate the consistency at the very least. They keep the scenery fresh throughout which was good enough for me.
Conflict: 8
Genre: 7
Memorability: 8
Pace: 10
Plot: 10
Resolution: 8
Overall: 88
I’ve seen Gifted quite a few times, whether all the way through or in bits and pieces. Everytime I watch it, I find someting different to appreciate it. Solid surprise of a movie.
Acting: 10
Beginning: 10
Characters: 10
When I look at characters and how they impact a movie, it’s not just about how intriguing they are, but also about how real they are. I love characters that are flawed and you get that with Frank. He’s just trying to do the right thing by his sister and his niece while still trying to live his own life as well. There are oftentimes where he’s wondering if he’s making the right decision and you’re wondering right along with him. I really appreciate the relationship between him and Mary as it wasn’t all rainbows and lollipops. They’ve clearly had some disagreements, but they love each other through it.
The supporting characters helped to hold the movie up as well. Bonnie (Jenny Slate) was probably my personal favorite as the warm caring teacher who genuinely wants the best for Mary. Both encouraging and sweet, she is another character whose story you get to unpack more and more as the movie progresses.
Cinematography/Visuals: 7
Great imagery and shots of a sleepy town in coastal Florida. There isn’t much to blow you away in the way of cinematography, but I appreciate the consistency at the very least. They keep the scenery fresh throughout which was good enough for me.
Conflict: 8
Genre: 7
Memorability: 8
Pace: 10
Plot: 10
Resolution: 8
Overall: 88
I’ve seen Gifted quite a few times, whether all the way through or in bits and pieces. Everytime I watch it, I find someting different to appreciate it. Solid surprise of a movie.
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Dianne Robbins (1738 KP) rated We Drink and We Know Things in Podcasts
Oct 18, 2020 (Updated Oct 26, 2020)
The hosts: Andrea and Tom. (6 more)
The variety of topics.
Keeps my interests throughout.
The humor.
The coolness factor.
Not over-produced or over-commercialized.
Homegrown in Kentucky
Doused in alcohol and lit with knowledge.
I am an avid podcast listener. We're talking up to 12 hours a day, sometimes more, so I'm always looking for something good to feed my ears. I heard a We Drink and We Know Things promo on one of the podcasts in my usual rotation and was so taken by the hosts' personalities and rapport that I paused my usual podcast and went to WDAWKT and immediately dove into their latest podcast. It was so much fun, so interesting, and intriguing that I had to hear more! So for the next three days, I binged their podcast.
To say it's delightful may seem weird to some, considering the topics they cover, but nonetheless, it's true. It made me very happy to hear that they are from my home state of Kentucky because we have such interesting stories from here that need to be told, though that is not the focus of the podcast. Married hosts, Andrea and Tom, are charming, funny, authentic, and real, and their thirst for knowledge cannot be quenched. For that, I am grateful as it means they will never run out of material for their podcast and I'll get to listen to them every week.
Some of the topics they've covered are true crime, ghosts, haunted locations, paranormal, aliens, UFOs, cryptids, urban legends, conspiracies, weird science, strange historical events, and more, and regular episodes Florida Man Friday, Let's Not Meet stories, and Creepypastas.
I have several paranormal stories to share with them so maybe one day, you'll hear my story on one of their episodes.
If these kinds of topics interest you, give this podcast a try. I think you'll like it.
To say it's delightful may seem weird to some, considering the topics they cover, but nonetheless, it's true. It made me very happy to hear that they are from my home state of Kentucky because we have such interesting stories from here that need to be told, though that is not the focus of the podcast. Married hosts, Andrea and Tom, are charming, funny, authentic, and real, and their thirst for knowledge cannot be quenched. For that, I am grateful as it means they will never run out of material for their podcast and I'll get to listen to them every week.
Some of the topics they've covered are true crime, ghosts, haunted locations, paranormal, aliens, UFOs, cryptids, urban legends, conspiracies, weird science, strange historical events, and more, and regular episodes Florida Man Friday, Let's Not Meet stories, and Creepypastas.
I have several paranormal stories to share with them so maybe one day, you'll hear my story on one of their episodes.
If these kinds of topics interest you, give this podcast a try. I think you'll like it.
Mark @ Carstairs Considers (2346 KP) rated Fashionably Late in Books
Sep 20, 2019
I’m Late Reading This Book, But I Enjoyed It
It all starts with a fashion show. It’s fashion week in Milano – Milano, Florida, that is, and Summer Smythe has snagged tickets for herself and her friend Dorothy Westin to the luncheon and fashion show that are kicking things off. However, things take a strange turn when Angelica Downs, one of the models, asks them for help before the show starts. When they try to track her down, they find her dead body. Angelica’s mother, Frankie, is living in the part of their senior center for those with memory issues, and Dorothy and Summer are worried that Frankie might be next. However, when they go to talk to Frankie, that only leaves them with more questions. Is a killer after Frankie? Who killed Angelica? Can Dorothy and Summer figure out what is really going on?
Having read the previous two books in this series, I knew what to expect, and I wasn’t disappointed. The plot starts off strongly. We don’t seem to be gathering any clues right off the bat, but there is still plenty happening to keep our interest. Naturally, much of that comes back into play as the book leads us to the logical conclusion. The climax was a tad rushed, but it was also fun and answered all of our questions. The characters range from fairly realistic, like Dorothy, to less so, like Summer, to outright wacky. The mix works for this book. We care enough to want to see justice done, but we also are having fun laughing and smiling as things go along. The book is set in December, but the holidays only color events a little. Instead, this is more about the fashion shows and the events happening in connection with them. If you are looking for a delightful book, this is definitely one to pick up.
Having read the previous two books in this series, I knew what to expect, and I wasn’t disappointed. The plot starts off strongly. We don’t seem to be gathering any clues right off the bat, but there is still plenty happening to keep our interest. Naturally, much of that comes back into play as the book leads us to the logical conclusion. The climax was a tad rushed, but it was also fun and answered all of our questions. The characters range from fairly realistic, like Dorothy, to less so, like Summer, to outright wacky. The mix works for this book. We care enough to want to see justice done, but we also are having fun laughing and smiling as things go along. The book is set in December, but the holidays only color events a little. Instead, this is more about the fashion shows and the events happening in connection with them. If you are looking for a delightful book, this is definitely one to pick up.