"And number five, I’m going to say Smokey and the Bandit. I’m back on the comedy. It’s between Smokey and the Bandit and OSS 117, which is a French movie — it’s sort of like their version of the Naked Gun movies, but their agent’s really good; he’s actually very good at many things. He just happens to be a complete moron. But he’s a lover, he knows many languages… Anyway, Smokey and the Bandit, Jackie Gleason’s performance and Sally Field’s; she was amazing. It’s also a good snapshot of America when being a truck driver was cool. [laughs] Being an 18-wheeler truck driver was like, “That’s a good job.” I mean, they were badasses, and you don’t really think of that now; they don’t have that same mystique. But Jackie Gleason as Buford T. Justice… He has his own f***ing entrance music; every time he shows up, they’ve got this tuba playing, he’s there on the scene, and he’s doing his schtick, doing the best stuff. He’s another character, like the Joe Gideon character in All That Jazz, who’s despicable. He’s a racist, he’s a terrible father, he’s a sh**y cop, and you just can’t wait for him to get back on the screen. He has a line in there, talking about Sally Field, who runs off, and she’s a dancer, and he says, “That’s what you get for poontangin’ around with a bunch of hippie show folk.” [laughs] That is the quality of stuff he’s doing in that movie; it’s just so brilliant."

"Grunge was the first kind of music I discovered for myself without my parents. They were not very keen [laughs]. I was fifteen, the perfect age, when Nirvana broke, and I still listen to this record. I still listen to Pearl Jam, Alice in Chains and Soundgarden too, but this still feels fresh to me, and has a real power. They captured that anarchy and rebelliousness of youth, but had songs that were like sing-a-longs, which really spoke to me. Plus the rhythms were incredible, like in ‘Breed'. I love the aggression of ‘Breed'. The rhythms of lots of metal, grunge and rock all really get me, actually. Adrian and I quite often used to come out of folk festivals and get into the car and stick Faith No More on. Like a cleanse!

Nirvana were different to the other bands around then because there was such a sad reflectiveness to them. ‘Something In The Way' particularly – Kurt's voice, and the way the song moves. Nirvana also remind me of being at the school disco. I had a friend that DJd at them, and me and my friends would be sitting down at the side, not interested, but he'd let us pick three songs to play. We'd always pick something off this album, get on the dancefloor for three minutes of headbanging, then sit down again [laughs]. I think the songs you loved as a teenager are songs you'll always have an emotional attachment to, as well. You're formed along with them."