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Midsommar (2019)
Midsommar (2019)
2019 | Drama, Horror, Mystery
I'm A Believer
Midsommar is a modern day folklore fairytale masterpiece that's traumatizing, intoxicating, stomach churning & deeply hypnotic. If you've seen Raw or the Witch & enjoyed them Midsommar is easily on par standard wise & comparability wise to them. A tale of love, passion, grievance, trauma, connection, communion, religion, celebration, purity & punishment. Filled with folklore, depth, symbolisum, metaphores & small visual clues Midsommar is one giant puzzle box & for everyone paying close attention there are entire multiple layers hidden in everything. Be it the pictures hung on the walls in the background, dialog, music cues, camera angles, subbtle special effects, screen transitions, facial expressions & props. Most people watching this film will leave wondering what strange horror movie they just saw & while technically it is a horror as the film played out I began to realise its intentions thus seeing its beauty & messages clearly. For instance like how if we all united as one unity & learnt to love rather than hate we could live in perfect harmony with nature. Acting is jaw dropping especially from the lead actress & sound design realises that creating tension doesn't necessarily need any sound at all. Visually its vibrant & striking with subtle effects like things pulsing & warping as if reality its self is an illusion. Midsommar made me feel quezy, disturbed, intreagued & so happy with chills going up & down my spine frequently as I also couldn't shake this feeling of dread the entire time. When violence hits it hits hard & sickeningly rough but as the last scene played out & the perfect ending hit I was smiling the most I have during a film in a long time. What an intelligent, thought provoking look at how a trauma in life can make us more susceptible & easily lead, how guilt/trauma manifests in us, how innocence & purity thrives above deceit & selfishness, but most importantly how we could all live way happier & more for filling lives as if we all respected each other & the world around us experiencing both pain & pleasure as one. Go see it sit in the front row & let Midsommar embrace & absorb you in the best experience of the year so far by far.
  
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Andy K (10823 KP) Jul 5, 2019

Really want to see this!

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Neon's Nerd Nexus (360 KP) Jul 5, 2019

Man you simply have to

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**✿❀ Maki ❀✿** (7 KP) rated Lore in Podcasts

May 3, 2018 (Updated May 3, 2018)  
Lore
Lore
Society & Culture
7
8.8 (35 Ratings)
Podcast Rating
interesting stories (1 more)
amazingly atmospheric background music
can get repetitive (1 more)
"it seems"
I really like the premise of Lore. I'm endlessly fascinated by folklore, and the narrative structure of the podcast works for me. They're the perfect length to keep my attention, and the background music helps set the mood for the stories.

I only really have two small issues with Lore:

First, there's the somewhat repetitive nature of the subject matter (before every episode, my husband and I place bets on whether or not the episode is going to mention vampires, pooka, or H.H. Holmes - and lately - the Fox Sisters or Arthur Conan Doyle.) I do realize there's really only so many stories Menke can tell before he runs out of stories though, especially with the North American/UK-centric slant of the show.

And second, I don't mean to nitpick, but sometimes, it seems, Menke tends to overuse "it seems" as an interjection. It seems.

I apologize in advance if you can never unhear that writing quirk.
  
Never Let Me Go
Never Let Me Go
Kazuo Ishiguro | 2010 | Essays
8
8.1 (17 Ratings)
Book Rating
Grim reading, but completely unexpected
For readers of Kazuo Ishiguro's other books, this will come as another surprise. While Remains of the Day is a period drama, and the Buried Giant is folklore, this novel reads as a dystopian fiction. What this shows is the author's incredible versatility at writing different themes, each as good as the other.

The story follows Kathy H., a carer to dying patients, and her mysterious upbringing alongside her charges at a secluded boarding school. From the beginning, we are introduced to the concept of 'donors', and it only becomes apparent after some time what it truly means. As a child, her and her fellow classmates were urged to be overly health-conscious with a special focus on artwork, which is said to be taken away to a gallery if exceptional. But when the students begin to question about its necessity, they understand that not all is what it seems.

From cloning to transplants, this book is both daring and alarming - and perhaps one of my favourite Ishiguro novels so far.