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To Kill A Mockingbird (1962)
To Kill A Mockingbird (1962)
1962 | Classics, Drama
8.8 (24 Ratings)
Movie Favorite

"Thinking about my upbringing, this was actually one of the first movies I saw. I was about 15. I was always told that films were evil and such, but I started to realise what a load of crap it was that something this good should be forbidden. I had been allowed to read as much as I wanted when I was younger, so I recognised great art when I saw it, I just didn’t realise it would be at the cinema as well. And so I walked away from that. To Kill a Mockingbird was so important because it was such adult film-making – to see something that dealt with such an important issue and had such an enlightened outlook on the world.”"

Source
  
Worth It (Forbidden Men, #6)
Worth It (Forbidden Men, #6)
Linda Kage | 2015
8
8.0 (1 Ratings)
Book Rating
Not as good as some of the others

This series is a must buy for me. I've loved all of them so far, some more than others, admittedly, but none less than four stars.

This one didn't hook me as much as the others but I still felt a lot of emotion when it came to Knox. The poor guy. I wanted to equally hug him and slap him through out the present parts of the story.

I really like how the stories are inter twining. Cousins, brothers, best friends, school friends...its a little complicated at times but I like it.

My favourite Forbidden man has got to be Ten, still, but they're all really great. I can't wait to read Asher's story next!
  
    Chess+ AR

    Chess+ AR

    Games and Entertainment

    (0 Ratings) Rate It

    App

    Play to chess and its main variants in augmented reality! Only on iOS 11. == Classic chess == The...

A Touch of Darkness (Hades & Persephone #1)
A Touch of Darkness (Hades & Persephone #1)
Scarlett St. Clair | 2019 | Romance, Science Fiction/Fantasy
9
9.0 (1 Ratings)
Book Rating
86 of 235
Book
A Touch of Darkness ( Hades x Persephone 1)
By Scarlett St.Clair
⭐️⭐️⭐️⭐️⭐️

"Let me worship you," he said.

She remembered the words she had whispered to him in the back of the limo after La Rose. "You will worship me, and I won't even have to order you." His request felt sinful and devious, and she reveled in it.

She answered, "Yes."

Persephone is the Goddess of Spring in title only. Since she was a little girl, flowers have only shriveled at her touch. After moving to New Athens, she hoped to lead an unassuming life disguised as a mortal journalist. All of that changes when she sits down in a forbidden nightclub to play a hand of cards with a hypnotic and mysterious stranger.

Hades, God of the Dead, has built a gambling empire in the mortal world and his favorite bets are rumored to be impossible. But nothing has ever intrigued him as much as the goddess offering him a bargain he can't resist.

After her encounter with Hades, Persephone finds herself in a contract with the God of the Dead, and his terms are impossible: Persephone must create life in the Underworld or lose her freedom forever. The bet does more than expose Persephone's failure as a goddess, however. As she struggles to sow the seeds of her freedom, love for the God of the Dead grows—a love that is both captivating and forbidden.

Loved it!!! I’m a huge fan of Hades so I was hopeful about this one. I couldn’t put it down. It’s definitely a series I can’t wait to read more of.
  
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Awix (3310 KP) rated Ikarie XB-1 (1963) in Movies

Jun 23, 2019 (Updated Jun 23, 2019)  
Ikarie XB-1 (1963)
Ikarie XB-1 (1963)
1963 | Sci-Fi
6
6.0 (1 Ratings)
Movie Rating
One of those movies which has clearly been influential but remains relatively little-seen, certainly in the original version. XB-1 and its crew (mostly good-looking young people, a few rugged old character actors, and a fairly dreadful robot prop) blast off for Alpha Centauri but must come to terms with the strains of long-haul spaceflight and various dangers (radiation, dangerous derelicts, and so on).

Arguably the missing link between Forbidden Planet and 2001: A Space Odyssey (yes, that's a bold claim), with a strange mixture of pulp SF tropes but also downbeat psychological realism. Notably good and interesting sets, photography, and a memorable avant-garde musical score too. The story is a bit episodic and not exactly pacey, but the rest of the film makes up for this.