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JT (287 KP) rated The Intouchables (2012) in Movies
Mar 17, 2020
Beautifully acted (2 more)
Well-directed
Heart warming
A foreign film that everyone should watch
I don’t think there has been one foreign film that I have watched that I have not liked or one that has not moved me in some way. It’s good to be able to pull away from mainstream Hollywood films and delve into another language.
This time I went for a heartwarming tale about a French aristocrat and a man from the projects who form an unlikely bond. Driss (Omar Sy) struggles in life, he lives at home with a large extended family and does his best to make ends meet.
Looking to show the benefits office that he is trying to find work so he can claim is not the easiest way to make money. On the other side, Philippe (François Cluzet) is dependent on everyone in his life, since a paragliding accident left him paralyzed from the neck down.
During an interview process to find his next carer in which Driss applies for the pair seemingly hit it off, and so begins a wonderful and awe-inspiring story. Driss who has never really needed to take responsibility after being pushed out on the street by his Aunt finds a new companion in Philippe.
Philippe too has found someone to share a smile with again, a laugh and most importantly someone that does not pity him which he feels is the most important. There is no particular story in this to adhere to, it’s about the growing relationship between two different people from opposite ends of the financial spectrum and how important they realise they are to each other.
Driss has to come to grips with the lifestyle that Philippe leads, how he has to be on call at every hour of the day, but living inside the large Parisian mansion he gets a taste of what his life is like to be wealthy and to seemingly have it all.
When Driss discovers that Philippe has an epistolary relationship with a woman he forces him to speak to her on the phone as opposed to the continual writing of letters, even going so far as to set him up on a date. Dris and Philippe force each other to step out of their comfort zones and to realize there is so much more in life.
The film’s serious nature is broken in parts by some beautiful light-hearted comedy, Driss realizing what the rubber gloves are for, and that foot cream is not shampoo. It’s been a while since I genuinely laughed out loud at any film.
When Philippe and Driss decide it is time to part ways there is a deflating sense of sadness that their relationship is over, but both men soon discover that they need each other in their life more than ever. Based on a true story it’s a brilliantly written and well-directed film that tugs at the heartstrings but will have you smiling all the way through.
This time I went for a heartwarming tale about a French aristocrat and a man from the projects who form an unlikely bond. Driss (Omar Sy) struggles in life, he lives at home with a large extended family and does his best to make ends meet.
Looking to show the benefits office that he is trying to find work so he can claim is not the easiest way to make money. On the other side, Philippe (François Cluzet) is dependent on everyone in his life, since a paragliding accident left him paralyzed from the neck down.
During an interview process to find his next carer in which Driss applies for the pair seemingly hit it off, and so begins a wonderful and awe-inspiring story. Driss who has never really needed to take responsibility after being pushed out on the street by his Aunt finds a new companion in Philippe.
Philippe too has found someone to share a smile with again, a laugh and most importantly someone that does not pity him which he feels is the most important. There is no particular story in this to adhere to, it’s about the growing relationship between two different people from opposite ends of the financial spectrum and how important they realise they are to each other.
Driss has to come to grips with the lifestyle that Philippe leads, how he has to be on call at every hour of the day, but living inside the large Parisian mansion he gets a taste of what his life is like to be wealthy and to seemingly have it all.
When Driss discovers that Philippe has an epistolary relationship with a woman he forces him to speak to her on the phone as opposed to the continual writing of letters, even going so far as to set him up on a date. Dris and Philippe force each other to step out of their comfort zones and to realize there is so much more in life.
The film’s serious nature is broken in parts by some beautiful light-hearted comedy, Driss realizing what the rubber gloves are for, and that foot cream is not shampoo. It’s been a while since I genuinely laughed out loud at any film.
When Philippe and Driss decide it is time to part ways there is a deflating sense of sadness that their relationship is over, but both men soon discover that they need each other in their life more than ever. Based on a true story it’s a brilliantly written and well-directed film that tugs at the heartstrings but will have you smiling all the way through.
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Rachel King (13 KP) rated Doctor Margaret's Sea Chest in Books
Feb 11, 2019
EDIT: This author has repeatedly harassed, belittled, and criticized me for the contents of my review in email, despite my insistence that this is my opinion. Be warned.
The synopsis on the back of the book confused me before I began reading, as it seemed to tell me the plot for the entire trilogy, instead of just this first book. I also struggled with staying interested in the book, as every page is saturated with foreign words and expressions that I needed to look up in the Glossary at the end of the book if I wanted to understand anything. It was quickly apparent that the history of India also played a major role in the plot of this book, as the author spends large chunks of time teaching the reader about India through the thoughts and conversations of the characters.
I felt like the plot really dragged its heels in progressing, and I often got lost in the details, unsure of what I was supposed to be focusing on the most.
In short, I simply could not progress with the book. I stalled on page 72, and I never picked it back up. Maybe I was not in the right frame of mind to read it, maybe it was too intimidating, I don't know, but if I feel like I am forcing myself to read the book when I struggle to stay focused after only a page, then the book is not for me.
The synopsis on the back of the book confused me before I began reading, as it seemed to tell me the plot for the entire trilogy, instead of just this first book. I also struggled with staying interested in the book, as every page is saturated with foreign words and expressions that I needed to look up in the Glossary at the end of the book if I wanted to understand anything. It was quickly apparent that the history of India also played a major role in the plot of this book, as the author spends large chunks of time teaching the reader about India through the thoughts and conversations of the characters.
I felt like the plot really dragged its heels in progressing, and I often got lost in the details, unsure of what I was supposed to be focusing on the most.
In short, I simply could not progress with the book. I stalled on page 72, and I never picked it back up. Maybe I was not in the right frame of mind to read it, maybe it was too intimidating, I don't know, but if I feel like I am forcing myself to read the book when I struggle to stay focused after only a page, then the book is not for me.
Awix (3310 KP) rated The Legend of the 7 Golden Vampires (1974) in Movies
Feb 7, 2018 (Updated Feb 9, 2018)
Chop Sucky
One of those movies where a bunch of very talented people get together and somehow manage to produce something not all that great. The famous British horror movie studio Hammer gets together with Hong Kong's Shaw Brothers to produce a Gothic horror kung fu movie that also manages to pastiche The Magnificent Seven (et al).
You want to know the plot? Well, a gaggle of Chinese vampires feel they aren't getting the respect they deserve, and so they recruit Dracula as a sort of foreign signing to help with their brand awareness, or something. However, also on a lecture tour of China is Dracula's nemesis Van Helsing (Peter Cushing, using all his powers to elevate deeply suspect material), even though they've apparently never met before, and he sets off with a gang of local kung fu experts to sort the problem out. Cushing is not required to do any kung fu, the Chinese cast are not required to say 'Transylvania' more often than is absolutely necessary, and Christopher Lee flatly refuses to participate (Dracula, who appears to be overdoing his make-up, is played by another actor).
Nevertheless this is still schlocky good fun, although the script doesn't even make sense on its own terms and credited director Roy Ward Baker doesn't seem quite sure of what to do with the kung fu genre. One of the most bonkers of the late-period Hammer horror movies, not that this is necessarily a bad thing.
You want to know the plot? Well, a gaggle of Chinese vampires feel they aren't getting the respect they deserve, and so they recruit Dracula as a sort of foreign signing to help with their brand awareness, or something. However, also on a lecture tour of China is Dracula's nemesis Van Helsing (Peter Cushing, using all his powers to elevate deeply suspect material), even though they've apparently never met before, and he sets off with a gang of local kung fu experts to sort the problem out. Cushing is not required to do any kung fu, the Chinese cast are not required to say 'Transylvania' more often than is absolutely necessary, and Christopher Lee flatly refuses to participate (Dracula, who appears to be overdoing his make-up, is played by another actor).
Nevertheless this is still schlocky good fun, although the script doesn't even make sense on its own terms and credited director Roy Ward Baker doesn't seem quite sure of what to do with the kung fu genre. One of the most bonkers of the late-period Hammer horror movies, not that this is necessarily a bad thing.
This book is best for young teens or preteens (this is my opinion only). I truthfully can't remember when I first read this book, I do still like it and did remember liking mostly because it is the why's and hows why was the breast cursed how did he live? The fact that this from the Beast's pov. He is a Persian prince who is Muslim. That the author peppered the book with many foreign languages. And except for a few (mostly the Latin) she says what it means in English. I find I dislike first person present tense (person opinion) and at times find it can be stilted, however, I do respect a writer that can attempt it and succeed. Most of the story about 3/4 of it tells about the before meeting of Belle. It is not a fast paced book. And the ending is kinda abrupt. Not a bad "summer" read besides the multiple languages it is not a difficult read. A very unique book about a devout Persian Muslim whose thick headedness and pride get him cursed and his faith that he might be forgiven.
"And I've forgotten my prayers. How can I expect the Merciful One to remember me if I forget Him? I go out side and perform the wudhu. Then I pray.
I hear horse hooves.
This is not the way prayers work."---Beast
"And I've forgotten my prayers. How can I expect the Merciful One to remember me if I forget Him? I go out side and perform the wudhu. Then I pray.
I hear horse hooves.
This is not the way prayers work."---Beast
Andy K (10823 KP) rated Cronos (1994) in Movies
Jul 27, 2019
A Vampire film?
Contains spoilers, click to show
The feature film debut of now Academy Award winning director Guillermo del Toro does not disappoint!
A mysterious scarab is found after 400+ years in hiding by an old man. He decided to use the device which activates and attached to his skin. He initial pain is followed by the man starting to feel and look younger.
The situation deteriorates as the man continues to look worse and worse but gain in strength becoming able to withstand pain that would slay a normal man.
I really enjoyed the tone and look of this film. Even though it was low budget, del Toro made the most of it and it never felt cheap or the special effects look fake. The scarab was an interesting device and reminded me of the puzzle box in Hellraiser or the flying silver balls in Phantasm.
I liked the slow developing degenerative story and it never really says it is a vampire film although it feels more and more like that as the story develops.
Whenever you are watching a great foreign film, the subtitles just go away and it feels like you are watching an English speaking movie.
It's too bad there was never a sequel to this as I would've liked to see where the story went once the movie ended.
Highly recommended. Thanks @Erika
A mysterious scarab is found after 400+ years in hiding by an old man. He decided to use the device which activates and attached to his skin. He initial pain is followed by the man starting to feel and look younger.
The situation deteriorates as the man continues to look worse and worse but gain in strength becoming able to withstand pain that would slay a normal man.
I really enjoyed the tone and look of this film. Even though it was low budget, del Toro made the most of it and it never felt cheap or the special effects look fake. The scarab was an interesting device and reminded me of the puzzle box in Hellraiser or the flying silver balls in Phantasm.
I liked the slow developing degenerative story and it never really says it is a vampire film although it feels more and more like that as the story develops.
Whenever you are watching a great foreign film, the subtitles just go away and it feels like you are watching an English speaking movie.
It's too bad there was never a sequel to this as I would've liked to see where the story went once the movie ended.
Highly recommended. Thanks @Erika
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