
American Showman: Samuel Roxy Rothafel and the Birth of the Entertainment Industry, 1908-1935
Book
Samuel "Roxy" Rothafel (1882-1936) built an influential and prolific career as film exhibitor, stage...

Army Wives: From Crimea to Afghanistan: The Real Lives of the Women Behind the Men in Uniform
Book
Most families have an army wife somewhere in their past. Over the centuries they have followed their...
The Shared Society: A Vision for the Global Future of Latin America
Book
Latin America has gone through a major transformation in the past two decades. According to the...

What Money Can't Buy: The Moral Limits of Markets
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What Money Can't Buy is the Top Ten Sunday Times Bestseller from 'the superstar philosopher',...

Will Africa Feed China?
Book
Is China building a new empire in rural Africa? Over the past decade, China's meteoric rise on the...

Disruptive Power: The Crisis of the State in the Digital Age
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Anonymous. WikiLeaks. The Syrian Electronic Army. Edward Snowden. Bitcoin. The Arab Spring. Five...
Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies
Dennis Austin Britton and Melissa Walter
Book
This book asks new questions about how and why Shakespeare engages with source material, and about...

Damned Nation: Hell in America from the Revolution to Reconstruction
Book
Among the pressing concerns of Americans in the first century of nationhood were day-to-day...

Food Power: The Rise and Fall of the Postwar American Food System
Book
In Food Power, Bryan L. McDonald brings together the history of food, agriculture, and foreign...

Kirk Bage (1775 KP) rated Waltz With Bashir (2008) in Movies
Mar 11, 2021
I saw this when working at The Cameo Cinema in Edinburgh on release. It was the kind of thing I loved to discover that I wouldn’t normally have paid to see. Its impact on me was immediate, and I went back to see it 3 more times. When it was released on DVD in 2009, it became my go to movie to gift to people who I knew would love it but may not have even heard of it, due to its low profile arthouse origins. It was nominated in the Best Foreign Language Film category at the Oscars, but otherwise went under the radar in many ways. I still doubt it has been seen by a quarter of the people who would immediately say it was one of the most amazing films they had ever seen.
The animation may seem gimmicky at first, but once you identify its utility in this context and understand this is not a film for children, it becomes a transcendent trip of vibrant colour, emotion and… humanity. I would call it as indispensable an antiwar movie as Apocalypse Now, and in many ways so much more moving than that classic. If you have yet to see it, do yourself a favour, pick a time you can reflect and allow the dreamlike quality to carry you away.