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Kyera (8 KP) rated The Progeny (Descendants of the House of Bathory #1) in Books
Feb 1, 2018
What do you do when an ancestor's actions threaten your very existence? You disappear. Emily, or at least that's what her name is now, must begin a quiet, hidden, new life in Maine. It's one of those small towns with a couple of hundred residents, some shops/eating establishments, an unexplained interest to tourists and not much else. The sign must say Greenville, population: a handful of moose.
The beginning just reminds me of home, with the gorgeous trees, lake, the phrase "wicked cool" and Emily's Red Sox cap. The action quickly takes over the plot, as Emily must flee Maine with a man she doesn't know if she can trust.... from a guy who had been following her for years with one goal - to kill her. With her memories gone Emily, or Audra as she finds out, doesn't know who she can trust. Is Luka the one who wants her dead? Or did Rolan lie and he's the real threat?
The unique plot is intriguing and the mystery won't let you put the book down. Danger lurks around every corner and Audra must rediscover what she forced herself to forget, at all costs.
The characters are intriguing and develop over the course of the novel. The Progeny are secretive and with good reason, any knowledge they have of their brethren can be taken upon their deaths. Their minds put countless others at risk unless they keep themselves isolated. While her comrades are decently well described, they don't quite feel like fully realized people. We need to now more of their dreams and fears, history, relationships and motivation.
The "big-bads" are sort of a generic evil villain type that I wished was developed more. What turned him into a zealot? What <i>is</i> his history with Audra's mother? How did he rise in the Court? I know Audra lost her memories, so we're in the dark like her but it just makes the novel feel less realized than it could.
The one relationship that feels authentic is between Audra and Luka. Even though she's not initially sure she can trust him and questions herlself throughout the novel - she still can't imagine going through everything without him/ I'm glad to learn that it isn't one long-running deception. The end of the novel is still completely unexpected in regards to the two of them.
Claudia and Piotrek are so close but he feels like such a mystery. We get to experience some of Claudia's emotions, like her confusion and hurt at being left or her anger about Ivan's death. Piotrek just seems flat in comparison. He's very protective of Claudia and painted a picture once. For all we know, he could have been an artist and it was just one of his many works. Its just as likely that it was the one and only time he attempted to be creative. I wish Piotrek was more develop as I"m very interested to learn more about him.
Audra travels to a number of foreign locations and they are described well enough that you can imagine them beautifully. They may not be the most glamorous villas or rich cities but you want to learn more about them nonetheless.
The book ends with a lot of revelations and so many more questions. Traitors are unmasked. Confessed or accused killers may not have been the murderers after all. Lovers are in peril. And time is running out. I know I can't wait to read the next book and find out what happens.
The beginning just reminds me of home, with the gorgeous trees, lake, the phrase "wicked cool" and Emily's Red Sox cap. The action quickly takes over the plot, as Emily must flee Maine with a man she doesn't know if she can trust.... from a guy who had been following her for years with one goal - to kill her. With her memories gone Emily, or Audra as she finds out, doesn't know who she can trust. Is Luka the one who wants her dead? Or did Rolan lie and he's the real threat?
The unique plot is intriguing and the mystery won't let you put the book down. Danger lurks around every corner and Audra must rediscover what she forced herself to forget, at all costs.
The characters are intriguing and develop over the course of the novel. The Progeny are secretive and with good reason, any knowledge they have of their brethren can be taken upon their deaths. Their minds put countless others at risk unless they keep themselves isolated. While her comrades are decently well described, they don't quite feel like fully realized people. We need to now more of their dreams and fears, history, relationships and motivation.
The "big-bads" are sort of a generic evil villain type that I wished was developed more. What turned him into a zealot? What <i>is</i> his history with Audra's mother? How did he rise in the Court? I know Audra lost her memories, so we're in the dark like her but it just makes the novel feel less realized than it could.
The one relationship that feels authentic is between Audra and Luka. Even though she's not initially sure she can trust him and questions herlself throughout the novel - she still can't imagine going through everything without him/ I'm glad to learn that it isn't one long-running deception. The end of the novel is still completely unexpected in regards to the two of them.
Claudia and Piotrek are so close but he feels like such a mystery. We get to experience some of Claudia's emotions, like her confusion and hurt at being left or her anger about Ivan's death. Piotrek just seems flat in comparison. He's very protective of Claudia and painted a picture once. For all we know, he could have been an artist and it was just one of his many works. Its just as likely that it was the one and only time he attempted to be creative. I wish Piotrek was more develop as I"m very interested to learn more about him.
Audra travels to a number of foreign locations and they are described well enough that you can imagine them beautifully. They may not be the most glamorous villas or rich cities but you want to learn more about them nonetheless.
The book ends with a lot of revelations and so many more questions. Traitors are unmasked. Confessed or accused killers may not have been the murderers after all. Lovers are in peril. And time is running out. I know I can't wait to read the next book and find out what happens.
Louise (64 KP) rated Anna and the French Kiss in Books
Jul 2, 2018
I was pretty late on this band wagon, so late that I almost missed it. I found the delights of booktube this year!( I have been hiding under a rock!) and whenever some one mentioned a book to re read or one that gets you out of slumps etcetera etcetera, This was the one that popped up most of the time or Fangirl by Rainbow Rowell.
I really loved this book, I probably could have read it in one sitting but the fact I had to go to work the next morning made me put it down (I was late for work). I was reading this well into the night as I was unable to put it down, I needed to read more and find out what happened without having a break, to say I was fully invested was an understatement.
Anna is enrolled to go to a College/school in Paris for Americans, she totally doesn't want to be there, but because her dad is a high regarded author in the book world, he wants his daughter to reap the benefits or in Anna's terms... to show off. Being in a foreign country is daunting when there are no familiar people around you and the fact that you have no understanding of the language - Luckily Anna befriends a group of people very quickly, they take her under their wing and help Anna with her French and her way around the city. Among the group is Etienne St Clair, one of the hottest guys at the school - there is an instant mutual attraction, however there is a problem.....HIS GIRLFRIEND!
Anna is a great female protagonist, she starts off naive, shy and comes across as a bit whiney but the great thing as the story goes on you see her develop and act more grown up. I felt sorry for her being forced to school in Paris where she is all alone, when all she wants to do is be at home in Atlanta with her Mum, Seany (brother), Bridgette(best friend) and Toph (Potential love interest).
Etienne St Clair! Well what can I say? He was a complicated character he had so much emotional baggage. He is the heart-throb of the school, everyone wants to be hanging off his arm and there is a lot of bitchiness towards Anna as people notice their closeness. He has this certain aura about him, he has amazing hair, teeth, skin, dresses like a Parisian and not too tall (for some reason this was mentioned a lot) He has a British accent but lives in America and his father is french! He is swoon worthy in short, he blushes, he gets anxious and he isn't a complete douche-bag. He is mature for his age. However his family life is complicated, he's got a girlfriend but he wants Anna.
This book is cute, sweet , fluffy and all the adjectives. The fact that it is set in the City of Love also makes it more romantic. I totally recommend this book if you are a fan of Romance and YA. It is definitely a book you can reread, the writing is so easy to follow and a fast read.
I will be continuing with the trilogy.
I rated this book 5 out of 5 stars
I really loved this book, I probably could have read it in one sitting but the fact I had to go to work the next morning made me put it down (I was late for work). I was reading this well into the night as I was unable to put it down, I needed to read more and find out what happened without having a break, to say I was fully invested was an understatement.
Anna is enrolled to go to a College/school in Paris for Americans, she totally doesn't want to be there, but because her dad is a high regarded author in the book world, he wants his daughter to reap the benefits or in Anna's terms... to show off. Being in a foreign country is daunting when there are no familiar people around you and the fact that you have no understanding of the language - Luckily Anna befriends a group of people very quickly, they take her under their wing and help Anna with her French and her way around the city. Among the group is Etienne St Clair, one of the hottest guys at the school - there is an instant mutual attraction, however there is a problem.....HIS GIRLFRIEND!
Anna is a great female protagonist, she starts off naive, shy and comes across as a bit whiney but the great thing as the story goes on you see her develop and act more grown up. I felt sorry for her being forced to school in Paris where she is all alone, when all she wants to do is be at home in Atlanta with her Mum, Seany (brother), Bridgette(best friend) and Toph (Potential love interest).
Etienne St Clair! Well what can I say? He was a complicated character he had so much emotional baggage. He is the heart-throb of the school, everyone wants to be hanging off his arm and there is a lot of bitchiness towards Anna as people notice their closeness. He has this certain aura about him, he has amazing hair, teeth, skin, dresses like a Parisian and not too tall (for some reason this was mentioned a lot) He has a British accent but lives in America and his father is french! He is swoon worthy in short, he blushes, he gets anxious and he isn't a complete douche-bag. He is mature for his age. However his family life is complicated, he's got a girlfriend but he wants Anna.
This book is cute, sweet , fluffy and all the adjectives. The fact that it is set in the City of Love also makes it more romantic. I totally recommend this book if you are a fan of Romance and YA. It is definitely a book you can reread, the writing is so easy to follow and a fast read.
I will be continuing with the trilogy.
I rated this book 5 out of 5 stars
Hazel (1853 KP) rated Operation: Hail Storm in Books
Dec 14, 2018
<i>I received this eBook for free from the author in exchange for an honest review.</i>
In the near distant future, terrorism is still a major problem throughout the world. Other things may have changed, such as a female president of the United States and cheaper method of producing energy, however, the world is still under threat, particularly from North Korea. After losing his wife and twin daughters in the biggest terrorist attack the world has seen, Physics Nobel Prize winner, Marshall Hail, an industrial billionaire, decides to take matters into his own hands.
<i>Operation: Hail Storm </i>is a work of science fiction, although, as the main character points out, he and his team only work with science and not fiction. With a selection of friends from his MIT days, and a pick of young gamers whose families had been killed in the terrorist attacks, aim to remove everyone listed on the FBI’s top ten terrorist list. After his drones successfully take out the leader of North Korea, Hail finds himself of interest to the CIA and US president.
Hail hopes the CIA would be pleased with him and supply a list and location of the remaining terrorists. Although they are impressed, the CIA is baffled over how Hail managed to assassinate someone in an extremely guarded country. To prove himself, Hail is given the task of blowing up a missile that is heading to North Korea with the potential to destroy half the world. He may do this however he wishes, however, he must have one member of the CIA with him. Enter Kara.
Kara, who is effectively the CIA’s courtesan, tries to use her skills to find out Hail’s secrets and report back to her boss. Naturally, Hail and his team are one step ahead and are monitoring all her phone calls. With a complicated relationship where both parties are pretending to trust each other, they must come together to successfully complete the mission before the CIA put their disastrous backup plan into place.
Although there are a handful of women in high positions, Operation: Hail Storm is more appropriate for the male population. With complicated mathematics and science, the story becomes similar to spy action novels, complete with an attractive woman: Kara. Physical description is reserved for Kara’s character, whose beauty is used to distract men, particularly villains.
Description is something the author, Brett Arquette, struggles with throughout the book. His choice of similes are questionable and may even upset some readers, for example, “It was like a blob of clay the size of a softball that had been worked by an angry mental patient wearing oven gloves.”
As well as scientific jargon, a number of foreign languages enter the narrative. Unfortunately, although it is possible to get the gist of what is being said, the actual phrases are never translated.
<i>Operation: Hail Storm</i> is a cleverly thought out novel with an impressive knowledge of science, drones and explosive devices. Whether these are wholly accurate is undetermined, however, there do not appear to be any discrepancies during throughout the narrative. As for the storyline, it is nothing spectacular or refreshing, instead, it is a typical male-oriented piece of sci-fi with a lot of blowing things up.
In the near distant future, terrorism is still a major problem throughout the world. Other things may have changed, such as a female president of the United States and cheaper method of producing energy, however, the world is still under threat, particularly from North Korea. After losing his wife and twin daughters in the biggest terrorist attack the world has seen, Physics Nobel Prize winner, Marshall Hail, an industrial billionaire, decides to take matters into his own hands.
<i>Operation: Hail Storm </i>is a work of science fiction, although, as the main character points out, he and his team only work with science and not fiction. With a selection of friends from his MIT days, and a pick of young gamers whose families had been killed in the terrorist attacks, aim to remove everyone listed on the FBI’s top ten terrorist list. After his drones successfully take out the leader of North Korea, Hail finds himself of interest to the CIA and US president.
Hail hopes the CIA would be pleased with him and supply a list and location of the remaining terrorists. Although they are impressed, the CIA is baffled over how Hail managed to assassinate someone in an extremely guarded country. To prove himself, Hail is given the task of blowing up a missile that is heading to North Korea with the potential to destroy half the world. He may do this however he wishes, however, he must have one member of the CIA with him. Enter Kara.
Kara, who is effectively the CIA’s courtesan, tries to use her skills to find out Hail’s secrets and report back to her boss. Naturally, Hail and his team are one step ahead and are monitoring all her phone calls. With a complicated relationship where both parties are pretending to trust each other, they must come together to successfully complete the mission before the CIA put their disastrous backup plan into place.
Although there are a handful of women in high positions, Operation: Hail Storm is more appropriate for the male population. With complicated mathematics and science, the story becomes similar to spy action novels, complete with an attractive woman: Kara. Physical description is reserved for Kara’s character, whose beauty is used to distract men, particularly villains.
Description is something the author, Brett Arquette, struggles with throughout the book. His choice of similes are questionable and may even upset some readers, for example, “It was like a blob of clay the size of a softball that had been worked by an angry mental patient wearing oven gloves.”
As well as scientific jargon, a number of foreign languages enter the narrative. Unfortunately, although it is possible to get the gist of what is being said, the actual phrases are never translated.
<i>Operation: Hail Storm</i> is a cleverly thought out novel with an impressive knowledge of science, drones and explosive devices. Whether these are wholly accurate is undetermined, however, there do not appear to be any discrepancies during throughout the narrative. As for the storyline, it is nothing spectacular or refreshing, instead, it is a typical male-oriented piece of sci-fi with a lot of blowing things up.
Emma @ The Movies (1786 KP) rated Everybody Knows (Todos Lo Saben) (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I can guarantee that Everybody Knows was woefully under scheduled in cinemas across the country. I luckily got to see this while I was travelling for work, there's the occasional handy perk!
A certain amount of people find foreign language films a little daunting (I may have said this when I watched the Kobiety Mafii series, if I did, apologies). Everybody Knows certainly has its issues, mainly there are a lot of characters and when you couple this with the subtitles you miss a certain amount of introductions because they're so quick.
Initially the film doesn't really flow well and I was concerned that this might be consistent through the rest, however once we get into it thankfully that changes.
Spanish farmland always seems to offer the opportunity for fantastic scenic shots and they definitely took advantage of this in the early sequences. The drone shots at the wedding were particularly stunning to see from that vantage point.
Laura is an interesting character, she's got complicated relationships all over the place, her husband, Paco and then tensions rise within the family as we progress. Penélope Cruz is incredible in this role, she adapts to every situation as it arises and brings Laura to life with an emotional performance throughout. There's a stark change in her from before to after the wedding, everything adapts to support this, acting, wardrobe, make-up. In a movie full of good things this is probably the best.
Paco, played by Javier Bardem, is a great match for Laura. He's strong, loyal and he has a very clear sense of right and wrong. The connection between the two characters is incredible, which I'm sure is due in part to the fact that they're married in real life. Paco's journey is fraught, there's confusion and frustration through a lot of it. I can' say I was overly happy with how his story ended, but then I guess not everything ends the way you want it to.
I liked the idea behind the main story, it wasn't over complicated which allowed us to connect with the characters more. I was surprised when I came out that the film had been quite so long, at no point did it feel its length, it was incredibly well paced.
Suspicions were formed fairly early on (by me) about the twist. The film presents you with a few options, I'm glad that I didn't guess correctly.
Collectively this film is wonderful, Cruz had me crying like a baby, there were surprising moments of suspense and it had a laid back Spanish attitude to it, nothing was rushed but it still manages to keep you jogging along at a quick pace.
Apart from that initial issue with the flow there is little to quibble about. It's a very enjoyable (I'm not sure that enjoyable is the right word) film. I'm not sure that I could watch it again and get the same fire out of it that I did the first time now that I know what happens.
What you should do
You should absolutely try this one, good story and good acting come together for a tear-filled journey. Cruz will make you feel so many things.
Movie thing you wish you could take home
A vineyard, summer sun, wine made by my own fair hands... *sigh*
A certain amount of people find foreign language films a little daunting (I may have said this when I watched the Kobiety Mafii series, if I did, apologies). Everybody Knows certainly has its issues, mainly there are a lot of characters and when you couple this with the subtitles you miss a certain amount of introductions because they're so quick.
Initially the film doesn't really flow well and I was concerned that this might be consistent through the rest, however once we get into it thankfully that changes.
Spanish farmland always seems to offer the opportunity for fantastic scenic shots and they definitely took advantage of this in the early sequences. The drone shots at the wedding were particularly stunning to see from that vantage point.
Laura is an interesting character, she's got complicated relationships all over the place, her husband, Paco and then tensions rise within the family as we progress. Penélope Cruz is incredible in this role, she adapts to every situation as it arises and brings Laura to life with an emotional performance throughout. There's a stark change in her from before to after the wedding, everything adapts to support this, acting, wardrobe, make-up. In a movie full of good things this is probably the best.
Paco, played by Javier Bardem, is a great match for Laura. He's strong, loyal and he has a very clear sense of right and wrong. The connection between the two characters is incredible, which I'm sure is due in part to the fact that they're married in real life. Paco's journey is fraught, there's confusion and frustration through a lot of it. I can' say I was overly happy with how his story ended, but then I guess not everything ends the way you want it to.
I liked the idea behind the main story, it wasn't over complicated which allowed us to connect with the characters more. I was surprised when I came out that the film had been quite so long, at no point did it feel its length, it was incredibly well paced.
Suspicions were formed fairly early on (by me) about the twist. The film presents you with a few options, I'm glad that I didn't guess correctly.
Collectively this film is wonderful, Cruz had me crying like a baby, there were surprising moments of suspense and it had a laid back Spanish attitude to it, nothing was rushed but it still manages to keep you jogging along at a quick pace.
Apart from that initial issue with the flow there is little to quibble about. It's a very enjoyable (I'm not sure that enjoyable is the right word) film. I'm not sure that I could watch it again and get the same fire out of it that I did the first time now that I know what happens.
What you should do
You should absolutely try this one, good story and good acting come together for a tear-filled journey. Cruz will make you feel so many things.
Movie thing you wish you could take home
A vineyard, summer sun, wine made by my own fair hands... *sigh*
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Sean Freese (4 KP) rated The Witch (2015) in Movies
Jun 25, 2020
THE VVITCH
The full title is, The Witch: A New England Folktale. Like Grimm’s fairytales, American folklore has taken revisions over the centuries to become a palatable collection of juvenile life lessons. Anyone who has read the original versions of these stories knows how brutal, horrifying, and far removed they are from our current values. As much as I would not condone reading original classic witch tales to a small child, they do contain much deeper implications and ideas than the simple “Don’t tell lies” that are gleaned from modern revisions. What’s fascinating about The Witch is how familiar the setting and story is, without a single cliché or moment of prediction to speak of. The evil that was feared in 17th Century Puritan America has been so eclipsed by the human horrors of The Salem Witch Trials, that we have forgotten what it was to fear a witch.
We know these characters only by their Christian names. William removes his family from their Colonial settlement due to an incompatibility of faith. The colony of Puritans isn’t Christian enough. With his wife, Katherine, William takes his 4 children into the wilds of the Northeast. Airs of The Crucible envelope the setting. Common pronouns are replaced with “thines” and “thous”. Dialogue is delivered as if quoted from Shakespeare or the Bible itself. In the past, this oral dynamic has always sounded ardently rehearsed. Somehow, it’s natural here. Considering William’s rigorous faith, you might expect him to be an overbearingly shrewd father. He is in fact a loving and good man of his time; often a pushover. Katherine is the more fearsome parent, with a shrill voice and gaunt pointed face. While they do live in hardship, this is a good family. Once Fall deadens the colors and greys the skies, things begin to take a disturbing turn.
Ralph Ineson and Kate Dickie play the parents without an exaggeration of the material. Remarkable still are the actors portraying their children. Harvey Scrimshaw plays William’s 10-year-old son, Caleb, as natural as can be imagined. The dramatic beats of a horror movie come with taxing climactic moments and Scrimshaw acts beyond his years. Anya Taylor-Joy plays the eldest daughter Thomasin; a doe-eyed blonde beauty who plays the most relatable character of the flock. The dynamic between Caleb and Thompsin has notes of innocent sexual tension. Their secluded life leaves a great deal of new feelings that can’t be addressed due to their customs. These feelings lead to foreign temptations that are preyed upon by the timeless evil beyond the trees.
The greatest achievement of this film is how faithful it is to its setting and story, while keeping enough behind the veil to become engrossing. The tale feels as old as any, drawing from universal fears and motivations. How it draws you in, keeping you tied to the victims and their perspective while keeping the evil at arm’s length, shows a discipline of craft that greatly compliments the material. Much like vampires, witches have been trivialized and diluted by film into something superficially attractive and entertainingly evil. As with Noseferatu, seeing a witch living a damnable existence of ugliness is much more appropriate. If they’re ever beautiful, they won’t be for long.
The full title is, The Witch: A New England Folktale. Like Grimm’s fairytales, American folklore has taken revisions over the centuries to become a palatable collection of juvenile life lessons. Anyone who has read the original versions of these stories knows how brutal, horrifying, and far removed they are from our current values. As much as I would not condone reading original classic witch tales to a small child, they do contain much deeper implications and ideas than the simple “Don’t tell lies” that are gleaned from modern revisions. What’s fascinating about The Witch is how familiar the setting and story is, without a single cliché or moment of prediction to speak of. The evil that was feared in 17th Century Puritan America has been so eclipsed by the human horrors of The Salem Witch Trials, that we have forgotten what it was to fear a witch.
We know these characters only by their Christian names. William removes his family from their Colonial settlement due to an incompatibility of faith. The colony of Puritans isn’t Christian enough. With his wife, Katherine, William takes his 4 children into the wilds of the Northeast. Airs of The Crucible envelope the setting. Common pronouns are replaced with “thines” and “thous”. Dialogue is delivered as if quoted from Shakespeare or the Bible itself. In the past, this oral dynamic has always sounded ardently rehearsed. Somehow, it’s natural here. Considering William’s rigorous faith, you might expect him to be an overbearingly shrewd father. He is in fact a loving and good man of his time; often a pushover. Katherine is the more fearsome parent, with a shrill voice and gaunt pointed face. While they do live in hardship, this is a good family. Once Fall deadens the colors and greys the skies, things begin to take a disturbing turn.
Ralph Ineson and Kate Dickie play the parents without an exaggeration of the material. Remarkable still are the actors portraying their children. Harvey Scrimshaw plays William’s 10-year-old son, Caleb, as natural as can be imagined. The dramatic beats of a horror movie come with taxing climactic moments and Scrimshaw acts beyond his years. Anya Taylor-Joy plays the eldest daughter Thomasin; a doe-eyed blonde beauty who plays the most relatable character of the flock. The dynamic between Caleb and Thompsin has notes of innocent sexual tension. Their secluded life leaves a great deal of new feelings that can’t be addressed due to their customs. These feelings lead to foreign temptations that are preyed upon by the timeless evil beyond the trees.
The greatest achievement of this film is how faithful it is to its setting and story, while keeping enough behind the veil to become engrossing. The tale feels as old as any, drawing from universal fears and motivations. How it draws you in, keeping you tied to the victims and their perspective while keeping the evil at arm’s length, shows a discipline of craft that greatly compliments the material. Much like vampires, witches have been trivialized and diluted by film into something superficially attractive and entertainingly evil. As with Noseferatu, seeing a witch living a damnable existence of ugliness is much more appropriate. If they’re ever beautiful, they won’t be for long.
