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Amy Norman (1048 KP) rated The Umbrella Academy - Season 2 in TV
Aug 5, 2020
This quirky show always seems to deliver!
I don't normally start out by mentioning soundtracks but from the get-go it packed an absolute punch, and became a living, breathing, essential part of the show.
There was a good range of old and modern, foreign language versions, and just a whole mix of genres - that had me looking up tracks and adding them to my playlists.
Adele's 'Hello' will never be the same again.
This season I genuinely sang, laughed, cried, cheered, and my jaw dropped. Watching programmes on my own means it is normally hard to elicit an actual physical, or emotional, response.
The show has definitely eased into a comfortable stride, and the characters were far more likeable, now that a lot of the angst is out of the way. All the characters have matured somewhat but retained many of their issues, it's what makes them them, and in any good TV show, it takes a bit of time to fully overcome these.
I have come to love and appreciate many of the characters differently from season one. Season one had a few more stand out characters, and they really pushed those ones on to the audience. Whereas this time, it felt more like an ensemble piece, with all the parts being essential (and did I mention more likeable đ ).
The show touched on some tricky themes, and resonates with the current political climate. I feel like the show dealt with these historically horrific times with an elegance and dignity that was in keeping with the feel of the programme.
A few more puzzle pieces fell into place but there is still plenty of mystery left to keep you wanting more.
The whole thing is over the top, messy, and utterly outrageous at times, but that is all part of the charm.
I am eager for the next season, and hope it isn't delayed too much.
I don't normally start out by mentioning soundtracks but from the get-go it packed an absolute punch, and became a living, breathing, essential part of the show.
There was a good range of old and modern, foreign language versions, and just a whole mix of genres - that had me looking up tracks and adding them to my playlists.
Adele's 'Hello' will never be the same again.
This season I genuinely sang, laughed, cried, cheered, and my jaw dropped. Watching programmes on my own means it is normally hard to elicit an actual physical, or emotional, response.
The show has definitely eased into a comfortable stride, and the characters were far more likeable, now that a lot of the angst is out of the way. All the characters have matured somewhat but retained many of their issues, it's what makes them them, and in any good TV show, it takes a bit of time to fully overcome these.
I have come to love and appreciate many of the characters differently from season one. Season one had a few more stand out characters, and they really pushed those ones on to the audience. Whereas this time, it felt more like an ensemble piece, with all the parts being essential (and did I mention more likeable đ ).
The show touched on some tricky themes, and resonates with the current political climate. I feel like the show dealt with these historically horrific times with an elegance and dignity that was in keeping with the feel of the programme.
A few more puzzle pieces fell into place but there is still plenty of mystery left to keep you wanting more.
The whole thing is over the top, messy, and utterly outrageous at times, but that is all part of the charm.
I am eager for the next season, and hope it isn't delayed too much.
Allison Anders recommended Carnival of Souls (1962) in Movies (curated)
Haley Mathiot (9 KP) rated Jessica's Guide to Dating on the Dark Side (Jessica, #1) in Books
Apr 27, 2018
Jessicaâs Guide to Dating on the Dark Side by Beth Fantaskey
Genre: YA Paranormal romance
ISBN: 9780547259406
Pub date: January 18th 2010 by Graphia (first published in hardback on February 1st 2009)
Rating: 5
Jessica was sure she was just your average teenager⌠until an ultra-hot European foreign exchange student shows up at school, stalks her, and then follows her home, insisting that they are both vampire royalty and must be married when she turns eighteen to ensure peace between their families⌠and Jessica is sure that Lucius, no matter how attractive, is absolutely insane. She manages to free herself of his grip⌠and then realizes that heâs all she ever wanted in the first place. But getting him back before he destroys her âor himselfâwill be quite a challenge. But Jessica is up to it. She has to be.
I absolutely loved Jessicaâs Guide. It was funny, romantic, and entertaining the whole way through. I donât know why I put off reading it so long.
The plot had great pacing, great twists, and great conflict. At one point I was tempted to flip to the end of the book just to make sure it all worked out at the end⌠because I wasnât sure I could handle it if it didnât.
I loved how Jessicaâs and Luciusâs relationship wasnât perfect. I saw this in Fantaskeyâs other novel, Jekel Loves Hyde. Like Jill and Tristen, Jessica and Lucius certainly had their ups and downs⌠may I say more of the latter than the first. I dispise happyland syndrome in romances⌠and was pleased to find none whatsoever in Jessicaâs Guide. Their romance was destiny and fate, the only question was how theyâd get there in the end. And it was quite a rollercoaster. Their love was based on character more than actions, something that is sometimes hard to write well, and many authors fail miserably, but Fantaskey did a great job. For both Jessica and Lucius, there can never be anyone else.
The characters were great. I officially adore Lucius⌠passionate and mysterious and infuriatingâŚwe need more heroes like him⌠and Jessica was the kind of girl who would work hard for what she wanted, and sacrifice anything. I think we need more heroines like her, too! Jessicaâs parents were both annoying and funny⌠I especially loved her mom.
The writing was fluid and descriptive, and easy to read. I demolished this one in about four hours.
Heart-pounding plot, characters to die for, and an epic romance, this one begs many re-reads.
Content/recommendation: some language, no sex. Ages 14+. This one is a perfect summer-read⌠or anytime read, really.
Genre: YA Paranormal romance
ISBN: 9780547259406
Pub date: January 18th 2010 by Graphia (first published in hardback on February 1st 2009)
Rating: 5
Jessica was sure she was just your average teenager⌠until an ultra-hot European foreign exchange student shows up at school, stalks her, and then follows her home, insisting that they are both vampire royalty and must be married when she turns eighteen to ensure peace between their families⌠and Jessica is sure that Lucius, no matter how attractive, is absolutely insane. She manages to free herself of his grip⌠and then realizes that heâs all she ever wanted in the first place. But getting him back before he destroys her âor himselfâwill be quite a challenge. But Jessica is up to it. She has to be.
I absolutely loved Jessicaâs Guide. It was funny, romantic, and entertaining the whole way through. I donât know why I put off reading it so long.
The plot had great pacing, great twists, and great conflict. At one point I was tempted to flip to the end of the book just to make sure it all worked out at the end⌠because I wasnât sure I could handle it if it didnât.
I loved how Jessicaâs and Luciusâs relationship wasnât perfect. I saw this in Fantaskeyâs other novel, Jekel Loves Hyde. Like Jill and Tristen, Jessica and Lucius certainly had their ups and downs⌠may I say more of the latter than the first. I dispise happyland syndrome in romances⌠and was pleased to find none whatsoever in Jessicaâs Guide. Their romance was destiny and fate, the only question was how theyâd get there in the end. And it was quite a rollercoaster. Their love was based on character more than actions, something that is sometimes hard to write well, and many authors fail miserably, but Fantaskey did a great job. For both Jessica and Lucius, there can never be anyone else.
The characters were great. I officially adore Lucius⌠passionate and mysterious and infuriatingâŚwe need more heroes like him⌠and Jessica was the kind of girl who would work hard for what she wanted, and sacrifice anything. I think we need more heroines like her, too! Jessicaâs parents were both annoying and funny⌠I especially loved her mom.
The writing was fluid and descriptive, and easy to read. I demolished this one in about four hours.
Heart-pounding plot, characters to die for, and an epic romance, this one begs many re-reads.
Content/recommendation: some language, no sex. Ages 14+. This one is a perfect summer-read⌠or anytime read, really.
Ross (3284 KP) rated Stormblood in Books
Jul 14, 2020
Fairly mediocre sci-fi
I received an advance copy of this book from the publishers and Netgalley in exchange for an honest review.
Stormblood is set in a world where the human race has agreed terms with numerous alien races and Harmony governs the included races (the Common). Vakov Fukasawa (a character whose name is more fun to say than he is to read about) is a retired Reaper - that is, he was injected with alien DNA which gave him the rage and healing powers needed to become a super-soldier in the earlier Reaper Wars. He is hired to investigate reports of attacks on or attacks by his former colleagues, as reports of them "bluing-out" and dealing out devastation are mounting. This may well involve him being pitted against his younger brother who feels Vakov abandoned him to their cruel father.
Throughout the book, the story is told purely by telling the reader. Fukasawa finds himself in an extreme situation, having thrown himself in recklessly, and is almost always captured, told some crucial details, which dictate the next stage of the plot, and escapes or is rescued.
The world-building had so much promise, being a form of city built in an asteroid. However it wasn't very well described and I felt quite lost and really struggled to picture the setting. At times I had completely forgotten where the action was happening, and why.
The narrative is quite frustrating as well. What starts off as nice flowing narration with analogies, similes and metaphors, this quickly becomes at the expense of the pacing of the book. A number of times someone responded to a statement that was several paragraphs previous, with thick descriptions and side-tracked passages coming in between, making the reader go back and see what they were responding to.
As with most modern sci-fi, a number of cringeworthy technical terms have been made up and are not explained well enough to allow all but the most avid sci-fi tech-nerd to picture what they are supposed to refer to. See "slingshiv", "thin-gun", "micronades" etc etc. At times, these terms were used so frequently in long rambling passages listing tech and armoury that it may as well have been in a foreign language.
Speaking of which, the world the book takes place in is very reminiscent of Richard Morgan's Altered Carbon, even down to the part-Eastern European/part Japanese names. Fans of those books (which I suffered with similarly on the made-up technical terms) may enjoy this.
Overall, a great idea but needs some work on the pacing, how the plot is revealed (i.e. using different tricks and scenarios) and the narrative.
Stormblood is set in a world where the human race has agreed terms with numerous alien races and Harmony governs the included races (the Common). Vakov Fukasawa (a character whose name is more fun to say than he is to read about) is a retired Reaper - that is, he was injected with alien DNA which gave him the rage and healing powers needed to become a super-soldier in the earlier Reaper Wars. He is hired to investigate reports of attacks on or attacks by his former colleagues, as reports of them "bluing-out" and dealing out devastation are mounting. This may well involve him being pitted against his younger brother who feels Vakov abandoned him to their cruel father.
Throughout the book, the story is told purely by telling the reader. Fukasawa finds himself in an extreme situation, having thrown himself in recklessly, and is almost always captured, told some crucial details, which dictate the next stage of the plot, and escapes or is rescued.
The world-building had so much promise, being a form of city built in an asteroid. However it wasn't very well described and I felt quite lost and really struggled to picture the setting. At times I had completely forgotten where the action was happening, and why.
The narrative is quite frustrating as well. What starts off as nice flowing narration with analogies, similes and metaphors, this quickly becomes at the expense of the pacing of the book. A number of times someone responded to a statement that was several paragraphs previous, with thick descriptions and side-tracked passages coming in between, making the reader go back and see what they were responding to.
As with most modern sci-fi, a number of cringeworthy technical terms have been made up and are not explained well enough to allow all but the most avid sci-fi tech-nerd to picture what they are supposed to refer to. See "slingshiv", "thin-gun", "micronades" etc etc. At times, these terms were used so frequently in long rambling passages listing tech and armoury that it may as well have been in a foreign language.
Speaking of which, the world the book takes place in is very reminiscent of Richard Morgan's Altered Carbon, even down to the part-Eastern European/part Japanese names. Fans of those books (which I suffered with similarly on the made-up technical terms) may enjoy this.
Overall, a great idea but needs some work on the pacing, how the plot is revealed (i.e. using different tricks and scenarios) and the narrative.
Movie Metropolis (309 KP) rated The Great Wall (2016) in Movies
Jun 11, 2019
Disappointingly Pedestrian
Acclaimed director Zhang Yimou has been at the helm of some of Chinaâs greatest film assets. 1991âs Raise the Red Lantern is widely regarded as one of the defining foreign-language films of its period and 2004âs House of Flying Daggers received huge critical acclamation for its stunning cinematography and exceptional script.
Here, Yimou teams up with one of Hollywoodâs greatest assets, Matt Damon in a monster flick to rival all others. But does The Great Wall showcase the very best from its director and leading man?
When a mercenary warrior on the run from a group of bandits (Matt Damon) is imprisoned within Chinaâs magnificent Great Wall, he discovers the mystery behind one of the greatest wonders of the world. As surge after surge of snarling, prowling beasts called Taotie besiege the massive construction, his quest for immeasurable fortune turns into a journey toward heroism. He joins a vast army of elite Chinese soldiers to confront the unimaginable and seemingly unstoppable force.
Unfortunately, The Great Wall squanders the talents of both Damon and Yimou with an unnecessarily dense script overriding any sense of drama. To be honest, itâs all just a bit of a bore.
The cast is fine but so vast that Damon and Jin Tian, who we will see again very soon in Kong: Skull Island, are the only stars to make any sort of impact. Even then, a poor script stops them from being anything but cardboard cut-outs. There is no character development whatsoever. In fact, as I write this paragraph I nearly forgot to mention Willem Dafoe. He makes no impact on the final outcome at all.
Elsewhere, the special effects range from laughably poor to adequate and certainly not befitting of a film costing well over $200million. The wall itself is rendered in decent CGI and the numerous battle scenes have a reasonably immersive feel, but the Taotie lacks realism and as the main antagonists throughout, this is a serious problem.
The cinematography too is not up to the standard of Yimouâs previous works. Relying far too heavily on green screen, it wastes his incredible eye for detail and continuously feels like youâre sat watching a very expensive video game. As with last yearâs Gods of Egypt, thereâs a certain glossy quality to the picture that dominates and this is what stops it being believable.
Nevertheless, the music is very good indeed. Ramin Djawadi has scored big budget blockbusters like Iron Man and Pacific Rim with The Great Wall taking a few influences from the latter. Itâs definitely the saving grace here and alleviates a couple of the shortcomings.
Overall, The Great Wall is a film unworthy of the talent both behind and in front of the lens. Itâs crammed full of poor CGI and uninspiring cinematography, though its great score is unquestionably a highlight. With such good subject matter, it feels like a bit of a wasted opportunity.
https://moviemetropolis.net/2017/02/18/the-great-wall-disappointingly-pedestrian/
Here, Yimou teams up with one of Hollywoodâs greatest assets, Matt Damon in a monster flick to rival all others. But does The Great Wall showcase the very best from its director and leading man?
When a mercenary warrior on the run from a group of bandits (Matt Damon) is imprisoned within Chinaâs magnificent Great Wall, he discovers the mystery behind one of the greatest wonders of the world. As surge after surge of snarling, prowling beasts called Taotie besiege the massive construction, his quest for immeasurable fortune turns into a journey toward heroism. He joins a vast army of elite Chinese soldiers to confront the unimaginable and seemingly unstoppable force.
Unfortunately, The Great Wall squanders the talents of both Damon and Yimou with an unnecessarily dense script overriding any sense of drama. To be honest, itâs all just a bit of a bore.
The cast is fine but so vast that Damon and Jin Tian, who we will see again very soon in Kong: Skull Island, are the only stars to make any sort of impact. Even then, a poor script stops them from being anything but cardboard cut-outs. There is no character development whatsoever. In fact, as I write this paragraph I nearly forgot to mention Willem Dafoe. He makes no impact on the final outcome at all.
Elsewhere, the special effects range from laughably poor to adequate and certainly not befitting of a film costing well over $200million. The wall itself is rendered in decent CGI and the numerous battle scenes have a reasonably immersive feel, but the Taotie lacks realism and as the main antagonists throughout, this is a serious problem.
The cinematography too is not up to the standard of Yimouâs previous works. Relying far too heavily on green screen, it wastes his incredible eye for detail and continuously feels like youâre sat watching a very expensive video game. As with last yearâs Gods of Egypt, thereâs a certain glossy quality to the picture that dominates and this is what stops it being believable.
Nevertheless, the music is very good indeed. Ramin Djawadi has scored big budget blockbusters like Iron Man and Pacific Rim with The Great Wall taking a few influences from the latter. Itâs definitely the saving grace here and alleviates a couple of the shortcomings.
Overall, The Great Wall is a film unworthy of the talent both behind and in front of the lens. Itâs crammed full of poor CGI and uninspiring cinematography, though its great score is unquestionably a highlight. With such good subject matter, it feels like a bit of a wasted opportunity.
https://moviemetropolis.net/2017/02/18/the-great-wall-disappointingly-pedestrian/
Debbie (52 KP) rated Zora and Me: The Cursed Ground in Books
Aug 24, 2018
Zora and Me: The Cursed Ground By: T.R. Simon
Children's Fiction Middle Grade 272 Pages Release Date September 11, 2018 Publisher: Candlewick Press
<img src="https://www.netgalley.com/badge/9a41056d7201c045d3f9e5c161f9569494687ae1"; width="80" height="80" alt="Professional Reader" title="Professional Reader"/>
#ZoraAndMe#NetGalley
Okay now that I got all the information that Net Galley wants me to put onto each of my reviews I can now review this book.
I enjoyed this book a lot. I gave it 4.5 stars.
This book is about two girls named Zora and Me(Carrie Brown). They learn a lot about their little towns history in this story. The town is called Eatonville, Florida. This town is a color town meaning only color people live here. The town was established in around 1887.
This story takes place in the summer of 1903
Carrie is staying with Zora and her family while her mom is off working with a sick baby. One night it is raining and the neighbors horses get loose. This is unusual so the girls go to check on the neighbor, Mr. Polk who is a mute. They find him beaten up and go to find the healer who people claim to be a witch. They soon discover that Mr. Polk is able to talk but in a foreign language and not very often. The healer is Old Lady Bronson.
Here is the reason why I only gave the book 4.5 stars it went into a flash back and I it took me almost half way through the book to figure out why.
The story turns to the year 1855 and talks about a little girl called Lucia. This little girl is friends with a white girl named Prisca. Prisca Dad brings them both to Florida to marry a lady Miss Caroline. Lucia is made into a slave and having to learn about a new of way life. The book keeps flashing back every now and then to keep you informed about what happened.
I could tell you about the book but then you want to read it and I highly recommend that you do. Ms. Simon does a wonderful job telling the way the country was back in that time that needs to be told.
You will enjoy the twist and turns this story tells. You will not want to put the book down.
Zora loves adventures and can get into a lot of scrapes. They see a ghost or two and that is unnerving to them. One quote that I liked is when Zora says "I know you go anyway, even though you're scared and you're right it doesn't make you a scaredy-cat. It makes you brave."
You must read this book to your children and help them learn about our history because the schools are slowly fading out this part of history.
Children's Fiction Middle Grade 272 Pages Release Date September 11, 2018 Publisher: Candlewick Press
<img src="https://www.netgalley.com/badge/9a41056d7201c045d3f9e5c161f9569494687ae1"; width="80" height="80" alt="Professional Reader" title="Professional Reader"/>
#ZoraAndMe#NetGalley
Okay now that I got all the information that Net Galley wants me to put onto each of my reviews I can now review this book.
I enjoyed this book a lot. I gave it 4.5 stars.
This book is about two girls named Zora and Me(Carrie Brown). They learn a lot about their little towns history in this story. The town is called Eatonville, Florida. This town is a color town meaning only color people live here. The town was established in around 1887.
This story takes place in the summer of 1903
Carrie is staying with Zora and her family while her mom is off working with a sick baby. One night it is raining and the neighbors horses get loose. This is unusual so the girls go to check on the neighbor, Mr. Polk who is a mute. They find him beaten up and go to find the healer who people claim to be a witch. They soon discover that Mr. Polk is able to talk but in a foreign language and not very often. The healer is Old Lady Bronson.
Here is the reason why I only gave the book 4.5 stars it went into a flash back and I it took me almost half way through the book to figure out why.
The story turns to the year 1855 and talks about a little girl called Lucia. This little girl is friends with a white girl named Prisca. Prisca Dad brings them both to Florida to marry a lady Miss Caroline. Lucia is made into a slave and having to learn about a new of way life. The book keeps flashing back every now and then to keep you informed about what happened.
I could tell you about the book but then you want to read it and I highly recommend that you do. Ms. Simon does a wonderful job telling the way the country was back in that time that needs to be told.
You will enjoy the twist and turns this story tells. You will not want to put the book down.
Zora loves adventures and can get into a lot of scrapes. They see a ghost or two and that is unnerving to them. One quote that I liked is when Zora says "I know you go anyway, even though you're scared and you're right it doesn't make you a scaredy-cat. It makes you brave."
You must read this book to your children and help them learn about our history because the schools are slowly fading out this part of history.
Phil Leader (619 KP) rated A Clockwork Orange in Books
Nov 11, 2019
Grab a moloko or hot chai and peet it with your rot while you viddy my malenky review with your glazzies, real horrorshow.
Welcome to the world of Alex, a 15 year old boy living in some unspecified country in an unspecified future time. What Alex enjoys is classical music and ultraviolence. Every night he and his gang terrorise the streets looking for any kind of criminal activity, the more violent the better. They steal, burgle, assault and rape, all for fun.
When Alex is caught he is put in prison and then rehabilitated using an experimental procedure. But what effect will this have on Alex? And will it produce the desired results of preventing the youth turning every night into a time of danger for all.
The first thing any reader notices about the book is that, told from Alex's point of view, he uses street slang throughout. This makes it clear that the young have their own culture and are quite separate from the adults in terms of outlook and thinking. It also makes the reading quite immersive, like learning a foreign language particularly as only a very few of the words are ever explained and must be learned from context. This makes for a steep learning curve at the start of the book but it is worth the effort. The use of slang terms for the violent acts also helps to soften them a little - clearly what Alex does is horrendous but as it is described using these terms it is perhaps not so graphic as it would be otherwise.
Like critics of the film, it would be unfair to focus purely on the violence. The book is divided neatly into three parts. In the first we follow Alex as he perpetrates a number of terrible crimes. The second part describes his experiences in prison and is rehabilitation. The third what happens when he returns to society.
Burgess is clearly trying to make a number of points about individuality and state control of its citizens, and a fairly heavy handed job he makes of it too. But this is a slight volume - the paperback I read ran to a mere 140 pages - so there is little time for subtlety.
I would say the first two sections of the book were the best. The third section suffers a little from being rushed - it would have been better to have more insight into the world of the 'new' Alex - and also of the story being driven by coincidence after coincidence. This really did make the book seem like a sort of dream sequence where previous characters appeared and suddenly took on new meanings. In fact what it reminded me most of was the interrogation sequence in Alfred Bester's The Demolished Man. This did detract from the story for me but not enough to do much damage to the tale. The ending is particularly strong and positive, in a book full of desperation it strikes the perfect counternote.
For anyone interested in the social side of 'science fiction' this is definitely worth reading. A morality tale for the future.
Rated: Frequent and extreme violence
Welcome to the world of Alex, a 15 year old boy living in some unspecified country in an unspecified future time. What Alex enjoys is classical music and ultraviolence. Every night he and his gang terrorise the streets looking for any kind of criminal activity, the more violent the better. They steal, burgle, assault and rape, all for fun.
When Alex is caught he is put in prison and then rehabilitated using an experimental procedure. But what effect will this have on Alex? And will it produce the desired results of preventing the youth turning every night into a time of danger for all.
The first thing any reader notices about the book is that, told from Alex's point of view, he uses street slang throughout. This makes it clear that the young have their own culture and are quite separate from the adults in terms of outlook and thinking. It also makes the reading quite immersive, like learning a foreign language particularly as only a very few of the words are ever explained and must be learned from context. This makes for a steep learning curve at the start of the book but it is worth the effort. The use of slang terms for the violent acts also helps to soften them a little - clearly what Alex does is horrendous but as it is described using these terms it is perhaps not so graphic as it would be otherwise.
Like critics of the film, it would be unfair to focus purely on the violence. The book is divided neatly into three parts. In the first we follow Alex as he perpetrates a number of terrible crimes. The second part describes his experiences in prison and is rehabilitation. The third what happens when he returns to society.
Burgess is clearly trying to make a number of points about individuality and state control of its citizens, and a fairly heavy handed job he makes of it too. But this is a slight volume - the paperback I read ran to a mere 140 pages - so there is little time for subtlety.
I would say the first two sections of the book were the best. The third section suffers a little from being rushed - it would have been better to have more insight into the world of the 'new' Alex - and also of the story being driven by coincidence after coincidence. This really did make the book seem like a sort of dream sequence where previous characters appeared and suddenly took on new meanings. In fact what it reminded me most of was the interrogation sequence in Alfred Bester's The Demolished Man. This did detract from the story for me but not enough to do much damage to the tale. The ending is particularly strong and positive, in a book full of desperation it strikes the perfect counternote.
For anyone interested in the social side of 'science fiction' this is definitely worth reading. A morality tale for the future.
Rated: Frequent and extreme violence
Sophia (Bookwyrming Thoughts) (530 KP) rated Camelot Burning (Metal & Lace, #1) in Books
Jan 23, 2020
I don't know much about Arthurian Lore  it's probably one of the only story I've never read in it's original form aside from the original Grimm Brothers' Fairy Tales (but those are horrifying, so I'm not even going to bother). I somehow doubt that Magic Tree House  who made Morgan LeFay a harmless fly  or Wizard101's Avalonian world even counts, except for maybe the latter being used as visual aid. :p
But personally that's sort of the thrill in reading a retelling without reading the original one: no judging or comparing  it's a mostly complete blank slate.
Camelot Burning follows Vivienne, a lady-in-waiting and Merlin's Apprentice, who wants a way out of Camelot's way of life. She even has a plan hatched  at least until Morgan Le Fay enters the picture and she has to stay to build a weapon that could ultimately save Camelot.
Merlin is actually a fun character  am I weird to say that I found him drunk yet wise? It's not an easy combo since most drunk people act... well, not wise at all. While I'm not exactly warm and fuzzy with the other characters yet, Merlin is a winner.
There's a very interesting way with magic Rose introduces. Usually when it comes to magic, the price is something minor or huge, depending on whatever is asked  very similar to karma (or fate or etc.). Here though... it's the ultimate price if you use magic too much: *cues ominous music* your soul. That's like selling your soul to the devil! Unless you're a creepy villain who wants to take over the world, that's not usually the ultimate price. Minor = minor payback. Major = major payback. No ifs buts or  wait, what's after that? o_O
<img border="0" src="http://2.bp.blogspot.com/-dV7rlbVhpPk/UyjGVWubEkI/AAAAAAAACyA/ngeF1DAiEmk/s1600/tumblr_m5x9n1xf3D1rqfhi2o1_500.gif"; height="143" width="200">
Behind the Blog Tidbit: Camelot Burning was one of those novels who got a neutral rating (rawly speaking). I would have rounded up to a 4.5 rather than a 4, but I chose not to for a few reasons:
~ Too predictable  It could just be me, but I guessed that <spoiler>Vivienne was the coordinates to Avalon and Morgan Le Fay was acting innocent as a distraction.</spoiler>
~ Too much technicalities  I felt like I was reading a foreign language, and that was not the words used in magic. It all felt really confusing.
~ It said The End.
<img border="0" src="http://1.bp.blogspot.com/-lsFMKEdcrBc/UyjG4_6Sj3I/AAAAAAAACyM/Q0tKlJ9xOLw/s1600/th.jpg"; height="155" width="200">
That last bullet didn't play a major impact. It's just a minor peeve, especially when it's the first novel in the series.
I fully enjoyed reading Kathryn Rose's debut novel. Camelot Burning takes a refreshing and unique spin on Arthurian lore, or more accurately Arthurian + Fantasy + Steampunk.
-----------------
Advance Review Copy provided by Flux for review
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/05/arc-review-camelot-burning-by-kathryn-rose.html">Bookwyrming Thoughts</a>
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But personally that's sort of the thrill in reading a retelling without reading the original one: no judging or comparing  it's a mostly complete blank slate.
Camelot Burning follows Vivienne, a lady-in-waiting and Merlin's Apprentice, who wants a way out of Camelot's way of life. She even has a plan hatched  at least until Morgan Le Fay enters the picture and she has to stay to build a weapon that could ultimately save Camelot.
Merlin is actually a fun character  am I weird to say that I found him drunk yet wise? It's not an easy combo since most drunk people act... well, not wise at all. While I'm not exactly warm and fuzzy with the other characters yet, Merlin is a winner.
There's a very interesting way with magic Rose introduces. Usually when it comes to magic, the price is something minor or huge, depending on whatever is asked  very similar to karma (or fate or etc.). Here though... it's the ultimate price if you use magic too much: *cues ominous music* your soul. That's like selling your soul to the devil! Unless you're a creepy villain who wants to take over the world, that's not usually the ultimate price. Minor = minor payback. Major = major payback. No ifs buts or  wait, what's after that? o_O
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Behind the Blog Tidbit: Camelot Burning was one of those novels who got a neutral rating (rawly speaking). I would have rounded up to a 4.5 rather than a 4, but I chose not to for a few reasons:
~ Too predictable  It could just be me, but I guessed that <spoiler>Vivienne was the coordinates to Avalon and Morgan Le Fay was acting innocent as a distraction.</spoiler>
~ Too much technicalities  I felt like I was reading a foreign language, and that was not the words used in magic. It all felt really confusing.
~ It said The End.
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That last bullet didn't play a major impact. It's just a minor peeve, especially when it's the first novel in the series.
I fully enjoyed reading Kathryn Rose's debut novel. Camelot Burning takes a refreshing and unique spin on Arthurian lore, or more accurately Arthurian + Fantasy + Steampunk.
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Advance Review Copy provided by Flux for review
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/05/arc-review-camelot-burning-by-kathryn-rose.html">Bookwyrming Thoughts</a>
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Gareth von Kallenbach (980 KP) rated Elle (2016) in Movies
Jul 12, 2019
The end of 2016 is just a few short weeks away. That being said, studios and filmmakers across the world are rolling out the few remaining big budget blockbusters and potential breakout independent masterpieces before yearâs end. Among them is todayâs film for your consideration. A film that has already received international acclaim when it premiered in competition for the Palme dâOr at the 2016 Cannes Film Festival as well as several awards including the Gotham Independent Film Award For Best Actress, the Los Angeles Film Critics Association Award for Best Actress, a New York Film Critics Association Award for Best Actress, and a Golden Globe Award Nomination for Best Actress for the filmâs star, celebrated French film and stage actress Isabelle Huppert. The film would later go on to be selected as the French entry for Best Foreign Language Film at the 89th Academy Awards.
âElleâ ( meaning âherâ or âsheâ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of âRoboCopâ , âBasic Instinctâ, âStarship Troopersâ, âShowgirlsâ, and âTotal Recallâ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel âOh âŚ. â by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. âElleâ is Verhoevenâs first French language film and his first film since 2006âs âBlack Bookâ.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly âcleans up the messâ and carries on with life as usual. The film also features several subplots that intricately weave into the filmâs main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincentâs lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Micheleâs relationship with her mother is also strained due to her motherâs narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her motherâs request to visit Michelleâs father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Micheleâs religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Micheleâs company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to âstalk in reverseâ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her companyâs resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers Iâve seen in the last few years. In my opinion, we here in America donât partake in enough of the films our neighbors in other countries have to offer. This film doesnât âplay it safeâ. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no âhappy endingsâ in the situation such as depicted in the film. Itâs harsh, itâs in your face, itâs plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If youâre searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. Iâm giving this one 4 out of 5 stars.
âElleâ ( meaning âherâ or âsheâ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of âRoboCopâ , âBasic Instinctâ, âStarship Troopersâ, âShowgirlsâ, and âTotal Recallâ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel âOh âŚ. â by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. âElleâ is Verhoevenâs first French language film and his first film since 2006âs âBlack Bookâ.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly âcleans up the messâ and carries on with life as usual. The film also features several subplots that intricately weave into the filmâs main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincentâs lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Micheleâs relationship with her mother is also strained due to her motherâs narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her motherâs request to visit Michelleâs father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Micheleâs religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Micheleâs company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to âstalk in reverseâ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her companyâs resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers Iâve seen in the last few years. In my opinion, we here in America donât partake in enough of the films our neighbors in other countries have to offer. This film doesnât âplay it safeâ. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no âhappy endingsâ in the situation such as depicted in the film. Itâs harsh, itâs in your face, itâs plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If youâre searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. Iâm giving this one 4 out of 5 stars.
Louise (64 KP) rated Anna and the French Kiss in Books
Jul 2, 2018
I was pretty late on this band wagon, so late that I almost missed it. I found the delights of booktube this year!( I have been hiding under a rock!) and whenever some one mentioned a book to re read or one that gets you out of slumps etcetera etcetera, This was the one that popped up most of the time or Fangirl by Rainbow Rowell.
I really loved this book, I probably could have read it in one sitting but the fact I had to go to work the next morning made me put it down (I was late for work). I was reading this well into the night as I was unable to put it down, I needed to read more and find out what happened without having a break, to say I was fully invested was an understatement.
Anna is enrolled to go to a College/school in Paris for Americans, she totally doesn't want to be there, but because her dad is a high regarded author in the book world, he wants his daughter to reap the benefits or in Anna's terms... to show off. Being in a foreign country is daunting when there are no familiar people around you and the fact that you have no understanding of the language - Luckily Anna befriends a group of people very quickly, they take her under their wing and help Anna with her French and her way around the city. Among the group is Etienne St Clair, one of the hottest guys at the school - there is an instant mutual attraction, however there is a problem.....HIS GIRLFRIEND!
Anna is a great female protagonist, she starts off naive, shy and comes across as a bit whiney but the great thing as the story goes on you see her develop and act more grown up. I felt sorry for her being forced to school in Paris where she is all alone, when all she wants to do is be at home in Atlanta with her Mum, Seany (brother), Bridgette(best friend) and Toph (Potential love interest).
Etienne St Clair! Well what can I say? He was a complicated character he had so much emotional baggage. He is the heart-throb of the school, everyone wants to be hanging off his arm and there is a lot of bitchiness towards Anna as people notice their closeness. He has this certain aura about him, he has amazing hair, teeth, skin, dresses like a Parisian and not too tall (for some reason this was mentioned a lot) He has a British accent but lives in America and his father is french! He is swoon worthy in short, he blushes, he gets anxious and he isn't a complete douche-bag. He is mature for his age. However his family life is complicated, he's got a girlfriend but he wants Anna.
This book is cute, sweet , fluffy and all the adjectives. The fact that it is set in the City of Love also makes it more romantic. I totally recommend this book if you are a fan of Romance and YA. It is definitely a book you can reread, the writing is so easy to follow and a fast read.
I will be continuing with the trilogy.
I rated this book 5 out of 5 stars
I really loved this book, I probably could have read it in one sitting but the fact I had to go to work the next morning made me put it down (I was late for work). I was reading this well into the night as I was unable to put it down, I needed to read more and find out what happened without having a break, to say I was fully invested was an understatement.
Anna is enrolled to go to a College/school in Paris for Americans, she totally doesn't want to be there, but because her dad is a high regarded author in the book world, he wants his daughter to reap the benefits or in Anna's terms... to show off. Being in a foreign country is daunting when there are no familiar people around you and the fact that you have no understanding of the language - Luckily Anna befriends a group of people very quickly, they take her under their wing and help Anna with her French and her way around the city. Among the group is Etienne St Clair, one of the hottest guys at the school - there is an instant mutual attraction, however there is a problem.....HIS GIRLFRIEND!
Anna is a great female protagonist, she starts off naive, shy and comes across as a bit whiney but the great thing as the story goes on you see her develop and act more grown up. I felt sorry for her being forced to school in Paris where she is all alone, when all she wants to do is be at home in Atlanta with her Mum, Seany (brother), Bridgette(best friend) and Toph (Potential love interest).
Etienne St Clair! Well what can I say? He was a complicated character he had so much emotional baggage. He is the heart-throb of the school, everyone wants to be hanging off his arm and there is a lot of bitchiness towards Anna as people notice their closeness. He has this certain aura about him, he has amazing hair, teeth, skin, dresses like a Parisian and not too tall (for some reason this was mentioned a lot) He has a British accent but lives in America and his father is french! He is swoon worthy in short, he blushes, he gets anxious and he isn't a complete douche-bag. He is mature for his age. However his family life is complicated, he's got a girlfriend but he wants Anna.
This book is cute, sweet , fluffy and all the adjectives. The fact that it is set in the City of Love also makes it more romantic. I totally recommend this book if you are a fan of Romance and YA. It is definitely a book you can reread, the writing is so easy to follow and a fast read.
I will be continuing with the trilogy.
I rated this book 5 out of 5 stars