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BookInspector (124 KP) rated Mine in Books
Sep 24, 2020
There are two protagonists in this story, Alice and Luke, and the story is told from their perspectives. Alice is Luke’s biological mother, and Luke only recently found her. Alice integrates into this family really quickly, until Luke realises that something is not right. Alice is sharing her story with the reader, her life in the seventies, when she was a young art student, that had a beautifully heartbreaking relationship, that caused her to give up Luke for adoption. I really liked Alice’s parts of this story, it was very absorbing and romantic. Luke’s parts were less interesting to me, even though that was were the mysterious events were happening, I found it a little slower paced. I think the author allowed me to connect with the protagonists through their thoughts and all the challenges the characters had to endure.
The narrative has a nice contrast between the past and the present, and this combination made this read more intriguing and absorbing. As I mentioned before, this novel breaks the barrier between genres, we have a romantic story and a domestic thriller mixed together, and I really enjoyed this way of storytelling. The plot had tendencies of kind of plodding along sometimes, and I would have liked a little more pace and twists added to it. It is a really emotional read, filled with depression, wishes to belong, secrets, abusive parenting and many more.
I liked the author’s writing style in this novel, it was creatively written and well delivered. I enjoyed the research done for this book in the music and arts industries, it was intriguing to read about the music bands lifestyle. The setting of this book constantly changes between seventies London and present day, and I really liked the ability to learn more about the past. The chapters had a decent length and didn’t drag to me. I really loved the ending, it left me shocked and nearly in tears, I really wasn’t expecting it.
The narrative has a nice contrast between the past and the present, and this combination made this read more intriguing and absorbing. As I mentioned before, this novel breaks the barrier between genres, we have a romantic story and a domestic thriller mixed together, and I really enjoyed this way of storytelling. The plot had tendencies of kind of plodding along sometimes, and I would have liked a little more pace and twists added to it. It is a really emotional read, filled with depression, wishes to belong, secrets, abusive parenting and many more.
I liked the author’s writing style in this novel, it was creatively written and well delivered. I enjoyed the research done for this book in the music and arts industries, it was intriguing to read about the music bands lifestyle. The setting of this book constantly changes between seventies London and present day, and I really liked the ability to learn more about the past. The chapters had a decent length and didn’t drag to me. I really loved the ending, it left me shocked and nearly in tears, I really wasn’t expecting it.
LeftSideCut (3776 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 28, 2019 (Updated Oct 25, 2019)
Another fantastic entry into Tarantino's legacy
If there's one thing that springs to mind after watching Once Upon a Time in Hollywood, is that's it's not particularly user friendly, it's not easily consumed.
It's a loooong film (perhaps a little too long), and I feel that even some proper Tarantino fans may struggle to get along with it.
The film feels like a full on love letter to Hollywood during the late 60s, and Tarantino's passion for this period is obvious.
The audience are spoiled with gorgeous shots throughout, set to a backdrop of great music (as per usual).
The cast are fantastic - I've mentioned before on here that I'm an unashamed Brad Pitt fanboy, and nothing here changes that. Leonardo DiCaprio is also great (just as he was in Django Unchained) as the two of them stick by each other as Rick Dalton's (DiCaprio) acting career starts to waver.
Living just up the road from Rick are Roman Polanski and Sharon Tate (played by a hugely charming Margot Robbie).
As the film progresses, I found myself wondering what story was trying to be told, but it does all tie up in a very Tarantino way. It's pretty glorious (no spoilers here).
The plot certainly benefits from the viewer having prior knowledge to the horrific Manson family/Tate murder.
The final 20 minutes is where things ramp up, after a very slow burning 2 hours... and after Tarantino's last 3 movies, which I found more action heavy than some of his early work, it's a different approach, and a reason why I think some people may struggle with it.
The pacing is, weirdly, most akin to Death Proof - an extremely dialogue heavy movie with a crazy final act.
But the huge amount of dialogue we're subjected to is pretty much perfect. It's a real treat if you have the patience.
Once Upon a Time... can proudly stand shoulder to shoulder with the rest of Tarantino's portfolio.
It's a loooong film (perhaps a little too long), and I feel that even some proper Tarantino fans may struggle to get along with it.
The film feels like a full on love letter to Hollywood during the late 60s, and Tarantino's passion for this period is obvious.
The audience are spoiled with gorgeous shots throughout, set to a backdrop of great music (as per usual).
The cast are fantastic - I've mentioned before on here that I'm an unashamed Brad Pitt fanboy, and nothing here changes that. Leonardo DiCaprio is also great (just as he was in Django Unchained) as the two of them stick by each other as Rick Dalton's (DiCaprio) acting career starts to waver.
Living just up the road from Rick are Roman Polanski and Sharon Tate (played by a hugely charming Margot Robbie).
As the film progresses, I found myself wondering what story was trying to be told, but it does all tie up in a very Tarantino way. It's pretty glorious (no spoilers here).
The plot certainly benefits from the viewer having prior knowledge to the horrific Manson family/Tate murder.
The final 20 minutes is where things ramp up, after a very slow burning 2 hours... and after Tarantino's last 3 movies, which I found more action heavy than some of his early work, it's a different approach, and a reason why I think some people may struggle with it.
The pacing is, weirdly, most akin to Death Proof - an extremely dialogue heavy movie with a crazy final act.
But the huge amount of dialogue we're subjected to is pretty much perfect. It's a real treat if you have the patience.
Once Upon a Time... can proudly stand shoulder to shoulder with the rest of Tarantino's portfolio.
Mark @ Carstairs Considers (2434 KP) rated Haunted House Murder in Books
Aug 30, 2019
Cozy Halloween Hauntings
This collection of three novellas focuses on Halloween. The book opens with the title story featuring Leslie Meier’s protagonist Lucy Stone. A couple has moved into the old abandoned house in town, but they are rebuffing efforts from Lucy and others to welcome them to town. Then strange things start happening and rumors start flying. What is happening? Up next is “Death by Haunted House” by Lee Hollis which takes up back to 2009 and shows us what life was like for Hayley Powell while she was married. When the house next door, which is rumored to be haunted, gets a new family, Hayley’s husband Danny is certain that they are up to something. The discovery of a dead body in the nearby woods just confirms his theory – at least to himself. Is he right? Finally comes “Hallowed Out” from Barbara Ross. The local Haunted House tour is gearing up for Halloween, trying to bring some more people to town in the fall. However, when a reenactment of a crime leaves an actor dead, Julia Snowden must figure out what happened.
As you might expect in a collection of stories by various authors, some are stronger than others. Personally, I found the opening story to be the weakest – I think it might have worked as a short story, but even as a novella is was too long. The middle story was better, with some fun scenes and a good twist to the mystery. I adore Barbara Ross’s Maine Clambake mysteries, so it was the reason I picked up the book. It also means I found the third story to be the best, with some good twists and a very fun sub-plot. While each story has plenty of fall atmosphere, these stories aren’t that spooky – they are by cozy mystery authors after all. Still, fans of these authors will enjoy picking up the book.
As you might expect in a collection of stories by various authors, some are stronger than others. Personally, I found the opening story to be the weakest – I think it might have worked as a short story, but even as a novella is was too long. The middle story was better, with some fun scenes and a good twist to the mystery. I adore Barbara Ross’s Maine Clambake mysteries, so it was the reason I picked up the book. It also means I found the third story to be the best, with some good twists and a very fun sub-plot. While each story has plenty of fall atmosphere, these stories aren’t that spooky – they are by cozy mystery authors after all. Still, fans of these authors will enjoy picking up the book.
Too Late to Say Goodbye
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Jenn Corbin, a lovely, slim, brown-eyed blonde, appeared to have it all: two dear little boys, a...
Only Mostly Devastated
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Ollie and Will were a summer fling; now they're classmates. But only one of them is out...SIMON VS...
Phillip McSween (751 KP) rated The Godfather (1972) in Movies
Dec 3, 2018
Epic Indeed
What makes a film stand the test of time? How do you create a movie that will have the same impact today as it will fifty years from now? That’s almost how long it’s been since The Godfather was released. Can you believe that? It was a classic then and still remains to be so. It follows the story of the Corleone family, a prominent mob family in New York. Michael (Al Pacino), youngest son of Godfather Vito (Marlon Brando), is trying to stay away from the “family business” but finds himself thrust right in the middle after a mob war erupts.
Acting: 10You couldn’t ask for a better cast than within that of The Godfather. Brando captures your attention from jump, smooth yet broiling with passion. He comes off as the type that can handle any situation but doesn’t need to do so to prove himself.
Pacino is phenomenal in his role as Michael. You can feel the weight of his innocence as he finds himself in the middle of things he vowed to stay away from. One of my favorite scenes involves him having to kill someone in a restaurant. When he goes to the bathroom to grab the gun (where it’s stashed in a stall), he is pacing and nervous. As a viewer, you can sense his struggle. He knows that once he does this, there is no going back. It’s incredible to watch his transformation over time as he ascends to power. You can see him becoming what his father was.
Beginning: 10
Characters: 10
Vito and Michael are just a taste of the rich characters that keep the film fresh even to this day. You’ve got Sonny the firstborn, quick to drop a hit or do whatever it takes to protect his family. You find out exactly what that means when he confronts his sister’s abusive husband in the streets threatening to blow his head off.
Then you have a guy like Tom Hagen, the soft-spoken consigliere of the family. He brings a voice of reason to the chaos surrounding the Corleone family. He wants badly to be an official part of the family but can’t because of his Irish descent. As a result, it makes him work twice as hard.
These characters aren’t just one-dimensional, but they carry enough layers to singlehandedly move their own story. Through each of these characters you understand what it means to be a Corleone and how each of them play a specific part to complete the whole.
Cinematography/Visuals: 10
Conflict: 10
If the characters are what enhance the movie, conflict is what ultimately drives it. Sometimes the intensity is subtle while other times it’s loud and boisterous. It’s always there because you understand as a viewer that lives are always on the line, always at stake. The mafia families are playing for power and, most importantly, they are playing for keeps. There are so many great action sequences that stick out in my mind. There is no shortage of death and every death in this film comes with a meaning and a price.
Genre: 10
Memorability: 10
Pace: 10
When a movie is pushing three hours or goes 3+, I’m usually thinking how they could have shortened things. Not only was the runtime necessary here, but The Godfather runs at a consistent smooth pace. It manages itself by keeping you on high alert in some scenes then reining you back in for the next scene.
I remember watching one intense scene where Michael was protecting his father in the hospital. I remember thinking, “Thank God the entire movie is not like this! I would have a heartattack.” Though the film is long, I would have gladly watched another hour if it had been tacked on.
Plot: 9
Enough of the love fest. Time for my one itty bitty gripe. There were a couple of occasions where I found it difficult to keep up with the families, in some cases the Corleones themselves. The plot tripped me up in spots but it was nothing close to ruining an amazing experience.
Resolution: 10The ending of this film is one for the ages, a powerful scene that will stand out in your mind for a long time. It’s the passing of a torch, but the way is unfolds is just so damn cool! I don’t want to ruin it for those that haven’t seen, but for those that have, you know exactly what I mean.
Overal: 99
Classic. I can’t believe it took me this long to watch it. I have to say, it was well worth the wait.
Acting: 10You couldn’t ask for a better cast than within that of The Godfather. Brando captures your attention from jump, smooth yet broiling with passion. He comes off as the type that can handle any situation but doesn’t need to do so to prove himself.
Pacino is phenomenal in his role as Michael. You can feel the weight of his innocence as he finds himself in the middle of things he vowed to stay away from. One of my favorite scenes involves him having to kill someone in a restaurant. When he goes to the bathroom to grab the gun (where it’s stashed in a stall), he is pacing and nervous. As a viewer, you can sense his struggle. He knows that once he does this, there is no going back. It’s incredible to watch his transformation over time as he ascends to power. You can see him becoming what his father was.
Beginning: 10
Characters: 10
Vito and Michael are just a taste of the rich characters that keep the film fresh even to this day. You’ve got Sonny the firstborn, quick to drop a hit or do whatever it takes to protect his family. You find out exactly what that means when he confronts his sister’s abusive husband in the streets threatening to blow his head off.
Then you have a guy like Tom Hagen, the soft-spoken consigliere of the family. He brings a voice of reason to the chaos surrounding the Corleone family. He wants badly to be an official part of the family but can’t because of his Irish descent. As a result, it makes him work twice as hard.
These characters aren’t just one-dimensional, but they carry enough layers to singlehandedly move their own story. Through each of these characters you understand what it means to be a Corleone and how each of them play a specific part to complete the whole.
Cinematography/Visuals: 10
Conflict: 10
If the characters are what enhance the movie, conflict is what ultimately drives it. Sometimes the intensity is subtle while other times it’s loud and boisterous. It’s always there because you understand as a viewer that lives are always on the line, always at stake. The mafia families are playing for power and, most importantly, they are playing for keeps. There are so many great action sequences that stick out in my mind. There is no shortage of death and every death in this film comes with a meaning and a price.
Genre: 10
Memorability: 10
Pace: 10
When a movie is pushing three hours or goes 3+, I’m usually thinking how they could have shortened things. Not only was the runtime necessary here, but The Godfather runs at a consistent smooth pace. It manages itself by keeping you on high alert in some scenes then reining you back in for the next scene.
I remember watching one intense scene where Michael was protecting his father in the hospital. I remember thinking, “Thank God the entire movie is not like this! I would have a heartattack.” Though the film is long, I would have gladly watched another hour if it had been tacked on.
Plot: 9
Enough of the love fest. Time for my one itty bitty gripe. There were a couple of occasions where I found it difficult to keep up with the families, in some cases the Corleones themselves. The plot tripped me up in spots but it was nothing close to ruining an amazing experience.
Resolution: 10The ending of this film is one for the ages, a powerful scene that will stand out in your mind for a long time. It’s the passing of a torch, but the way is unfolds is just so damn cool! I don’t want to ruin it for those that haven’t seen, but for those that have, you know exactly what I mean.
Overal: 99
Classic. I can’t believe it took me this long to watch it. I have to say, it was well worth the wait.
Midge (525 KP) rated The East End in Books
May 8, 2019
A Brilliant Début!
My word, how exciting and enthralling was this début novel by newcomer Jason Allen?!
Being honest, I went into The East End without much enthusiasm, thinking “Oh well, yet another novel about dysfunctional behaviour and taking drugs.” (Huge sigh). But if I had continued with that line of thought and not read The East End, I would have missed out on so much as it turned out to be one of the best reads of the year, so far.
I was immediately blown away by all of the drama, from page one. Yes, there was some drug-taking - well a lot actually - however, it was absolutely essential to the story-line.
The book opens with a break-in. Living with his mum, Gina, in the Hamptons, Corey Halpern has just graduated from high school and Gina is employed as a housekeeper for billionaire Leo Sheffield. Full of angst towards the filthy rich, Corey spends much of his time breaking into their homes, not to steal but to play pranks on them. He decides to break into the Sheffield mansion which is home to Leo, wife Sheila and teenage daughter, Tiffany and witnesses something he wished he had not. But what will he choose to do next?
The East End was told from several different perspectives which is normally something I am not too fond of, however, Jason Allen achieved this admirably and without any confusion for me.
The characters that Jason Allen created were so well drawn it was almost unbelievable. I felt that I was part of the unfolding drama with every chapter, as I found myself shouting out advice to the particular character who was facing their latest dilemma. I found it difficult to choose a favourite character so I opted for three of them - Leo, Gina and Angelique. Leo, I felt huge sadness for, as he was so down on his luck, though he did habitually make a lot of bad choices. I had so much empathy with Gina and who could not adore Angelique? She was so feisty, gutsy and full of hope despite her start in life.
The emotional complexity of the story was definitely one of the highlights of The East End and I loved the tenderness between Corey and Angelique.
Jason Allen’s writing style was very unique. There were longer paragraphs of narrative and less dialogue in this book than I’m used to, however, the plot was so engrossing that it didn’t prevent me from loving the story.
This book has everything from secrets, love and family to addiction, scandal, desperation, tragedy and greed. The plot was presented in the form of a slow-burning mystery with underlying themes of class, social structure and discrimination packaged as a family drama but with added comedic aspect.
The ending was a surprise and, for me, very fitting and fulfilling. All in all, I found this book to be a fantastic and very worthwhile read and I look forward to reading more from Jason Allen.
Thanks to NetGalley, Park Row Books and the author, Jason Allen for my complimentary ARC of The East End. My honest review is entirely voluntary.
My review will be published on my blog, Brianne’s Book Reviews on May 8, 2019.
Being honest, I went into The East End without much enthusiasm, thinking “Oh well, yet another novel about dysfunctional behaviour and taking drugs.” (Huge sigh). But if I had continued with that line of thought and not read The East End, I would have missed out on so much as it turned out to be one of the best reads of the year, so far.
I was immediately blown away by all of the drama, from page one. Yes, there was some drug-taking - well a lot actually - however, it was absolutely essential to the story-line.
The book opens with a break-in. Living with his mum, Gina, in the Hamptons, Corey Halpern has just graduated from high school and Gina is employed as a housekeeper for billionaire Leo Sheffield. Full of angst towards the filthy rich, Corey spends much of his time breaking into their homes, not to steal but to play pranks on them. He decides to break into the Sheffield mansion which is home to Leo, wife Sheila and teenage daughter, Tiffany and witnesses something he wished he had not. But what will he choose to do next?
The East End was told from several different perspectives which is normally something I am not too fond of, however, Jason Allen achieved this admirably and without any confusion for me.
The characters that Jason Allen created were so well drawn it was almost unbelievable. I felt that I was part of the unfolding drama with every chapter, as I found myself shouting out advice to the particular character who was facing their latest dilemma. I found it difficult to choose a favourite character so I opted for three of them - Leo, Gina and Angelique. Leo, I felt huge sadness for, as he was so down on his luck, though he did habitually make a lot of bad choices. I had so much empathy with Gina and who could not adore Angelique? She was so feisty, gutsy and full of hope despite her start in life.
The emotional complexity of the story was definitely one of the highlights of The East End and I loved the tenderness between Corey and Angelique.
Jason Allen’s writing style was very unique. There were longer paragraphs of narrative and less dialogue in this book than I’m used to, however, the plot was so engrossing that it didn’t prevent me from loving the story.
This book has everything from secrets, love and family to addiction, scandal, desperation, tragedy and greed. The plot was presented in the form of a slow-burning mystery with underlying themes of class, social structure and discrimination packaged as a family drama but with added comedic aspect.
The ending was a surprise and, for me, very fitting and fulfilling. All in all, I found this book to be a fantastic and very worthwhile read and I look forward to reading more from Jason Allen.
Thanks to NetGalley, Park Row Books and the author, Jason Allen for my complimentary ARC of The East End. My honest review is entirely voluntary.
My review will be published on my blog, Brianne’s Book Reviews on May 8, 2019.
Kristy H (1252 KP) rated Saving Ruby King in Books
Jun 18, 2020
Ruby King is twenty-four-years-old when her mother, Alice, is found murdered in the home she shared with Ruby and Ruby's father, Lebanon. The police show little interest in--to them--another death in the King's black neighborhood, but Alice's death unhinges Ruby and leaves her alone with her violent, abusive father. Her only confidante is her best friend, Layla, who knows how long Alice and Ruby have suffered under Lebanon's wrath. But Layla is angry that Ruby won't do more to get away from Lebanon and she's even angrier at her father, a pastor, who has been close to Lebanon all these years, and yet never did anything to free Alice or Ruby from his abuse. Layla is determined to save Ruby, but as she works to rescue her friend, she starts to uncover a world of secrets and lies flowing back generations.
"I'm stitched together by the lies I tell myself and the lies people want to believe about me." ~Alice
I found this excellent and timely book to be incredibly well-written, with a power and tenderness to it that goes far behind your typical debut novel (I had to double check that this was actually West's first novel, I was so impressed).
West tells her story from a variety of points of view--Ruby; her late mother, Alice; her father, Lebanon; her best friend, Layla; Layla's father, a pastor; and more. We even hear from a central figure in all of these characters' lives--their church, via its omnipresent voice. The plot spans generations, with West giving a nuanced look at each of her complex characters. She does an amazing job of showing the power of family, for both good and bad. How choices can affect generations: one person's bad decisions can pass poison on, with children reliving dysfunction and sins.
"How can there be a me without her?" ~Ruby
No one is simply good or bad here, though Lebanon is not an easy-to-like man. Abused and neglected by his own parent, Sara, we see how Sara's neglect has turned Lebanon hard. But West is such a good writer that Lebanon is not a one-dimensional bad guy, as much as you want to hate him. I was incredibly impressed at how she could create sympathy for so many of her players, even when they did despicable things.
"Without Sara, who do I blame for...being me? Are children supposed to forgive their parents for the horrible things they've done?" ~Lebanon
This novel does an impressive job at delving into racism, domestic abuse, and sexual assault and trauma. The city of Chicago appears as its own character, springing to life via West's lovely prose. She expertly shows the difficulties black people face on the south side (and in general). I read this book during George Floyd's murder and found myself highlighting passages about police brutality that just hit me right in the gut. It's very powerful.
West's book features a variety of characters--they can be hard to keep track of at first, and I was glad to have the family tree in the beginning of the book. A few times the plot felt repetitious and the middle dragged a bit, but it picked up in the second half. There's a surprising amount of twists and turns. Overall, this is a realistic look at racism and domestic violence, but also friendship. It's quite well-written and layered with a twinge of hope throughout. I can't wait to see what West writes next. 4+ stars.
"I'm stitched together by the lies I tell myself and the lies people want to believe about me." ~Alice
I found this excellent and timely book to be incredibly well-written, with a power and tenderness to it that goes far behind your typical debut novel (I had to double check that this was actually West's first novel, I was so impressed).
West tells her story from a variety of points of view--Ruby; her late mother, Alice; her father, Lebanon; her best friend, Layla; Layla's father, a pastor; and more. We even hear from a central figure in all of these characters' lives--their church, via its omnipresent voice. The plot spans generations, with West giving a nuanced look at each of her complex characters. She does an amazing job of showing the power of family, for both good and bad. How choices can affect generations: one person's bad decisions can pass poison on, with children reliving dysfunction and sins.
"How can there be a me without her?" ~Ruby
No one is simply good or bad here, though Lebanon is not an easy-to-like man. Abused and neglected by his own parent, Sara, we see how Sara's neglect has turned Lebanon hard. But West is such a good writer that Lebanon is not a one-dimensional bad guy, as much as you want to hate him. I was incredibly impressed at how she could create sympathy for so many of her players, even when they did despicable things.
"Without Sara, who do I blame for...being me? Are children supposed to forgive their parents for the horrible things they've done?" ~Lebanon
This novel does an impressive job at delving into racism, domestic abuse, and sexual assault and trauma. The city of Chicago appears as its own character, springing to life via West's lovely prose. She expertly shows the difficulties black people face on the south side (and in general). I read this book during George Floyd's murder and found myself highlighting passages about police brutality that just hit me right in the gut. It's very powerful.
West's book features a variety of characters--they can be hard to keep track of at first, and I was glad to have the family tree in the beginning of the book. A few times the plot felt repetitious and the middle dragged a bit, but it picked up in the second half. There's a surprising amount of twists and turns. Overall, this is a realistic look at racism and domestic violence, but also friendship. It's quite well-written and layered with a twinge of hope throughout. I can't wait to see what West writes next. 4+ stars.
Kristy H (1252 KP) rated I Know You Know in Books
Mar 12, 2019
Fascinating and compelling mystery
For twenty years, Sidney Noyce has claimed his innocence for the murders of Charlie Paige and Scott Ashby. In 1996, their bodies were found dumped by a dog track near the estate where they lived. Their friend, Cody Swift, who was ten like Charlie, lived, and now, twenty years later, is reviving the case via a podcast, It's Time to Tell. He too has his doubts about Sidney's guilt. He returns home to Bristol to start investigating. But not everyone wants this case reopened, including Charlie's mother, Jessica, who has started a new life, with a new family. And then there's the investigating detective, John Fletcher, who found the boys. Charlie died in his arms; you don't forget a case like that. Now, he's investigating another body--found buried in a location near where the boys died. Are the two cases related? Is there a murderer still out there?
I still remember the moment I discovered Gilly Macmillan, and her books are such a treat. This one was no exception. This is a stand-alone novel, or at least not one of her Jim Clemo novels, and I found it to be a highly enjoyable and compelling mystery. When I first realized that part of the book was being told via the podcast format, I felt a bit of deja-vu, as I had just recently finished another book in that structure (Sadie), but have no fear: the organization of this one is fresh and flawless.
The book is told via the podcast; Jessica's point of view; and Fletcher's perspective--both now and back then, when he was a rookie cop, investigating the boys' death. You have to get used to the book swinging back and forth in time with Fletcher, but it doesn't take much, and it's worth it, because Macmillan parallels things so well in time. The juxtaposition of the past and present with the two cases (current body, the boys' case - plus Cody's podcast) is really brilliant. Plus, we get to see the trajectory of Fletcher's life and the many decisions that have led him to where he his today. His character, for me, was fascinating and one of the best surprises of the book.
One of my favorite aspects of any Macmillan novel is her characters. They are always so detailed and fully fleshed out. That is the case here: you will find yourself transported back to the estate twenty years ago, with Charlie, Scott, and Cody running around, and then to the present, with Cody and his podcast, Jessica struggling to keep her new life afloat, and Fletcher, unraveling the details on a new--potentially related--case.
There are multiple mystery threads to keep any detective fan happy: what happened to Charlie and Scott all those years ago? Was it really Sidney Noyce? How about the body Fletcher just discovered nearby? Just a coincidence? I loved the way Macmillan weaved the pieces of all these stories together. There are some wonderful and unexpected turns here. I adore a book that surprises me, and it was great to have some twists and turns that shocked me.
Overall, this is a fascinating and compelling mystery that expertly weaves together the thread of two cases separated by twenty years. The characters are well-detailed and the book is beautifully plotted. It's hard to go wrong with a Macmillan mystery, and this one is no exception.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
I still remember the moment I discovered Gilly Macmillan, and her books are such a treat. This one was no exception. This is a stand-alone novel, or at least not one of her Jim Clemo novels, and I found it to be a highly enjoyable and compelling mystery. When I first realized that part of the book was being told via the podcast format, I felt a bit of deja-vu, as I had just recently finished another book in that structure (Sadie), but have no fear: the organization of this one is fresh and flawless.
The book is told via the podcast; Jessica's point of view; and Fletcher's perspective--both now and back then, when he was a rookie cop, investigating the boys' death. You have to get used to the book swinging back and forth in time with Fletcher, but it doesn't take much, and it's worth it, because Macmillan parallels things so well in time. The juxtaposition of the past and present with the two cases (current body, the boys' case - plus Cody's podcast) is really brilliant. Plus, we get to see the trajectory of Fletcher's life and the many decisions that have led him to where he his today. His character, for me, was fascinating and one of the best surprises of the book.
One of my favorite aspects of any Macmillan novel is her characters. They are always so detailed and fully fleshed out. That is the case here: you will find yourself transported back to the estate twenty years ago, with Charlie, Scott, and Cody running around, and then to the present, with Cody and his podcast, Jessica struggling to keep her new life afloat, and Fletcher, unraveling the details on a new--potentially related--case.
There are multiple mystery threads to keep any detective fan happy: what happened to Charlie and Scott all those years ago? Was it really Sidney Noyce? How about the body Fletcher just discovered nearby? Just a coincidence? I loved the way Macmillan weaved the pieces of all these stories together. There are some wonderful and unexpected turns here. I adore a book that surprises me, and it was great to have some twists and turns that shocked me.
Overall, this is a fascinating and compelling mystery that expertly weaves together the thread of two cases separated by twenty years. The characters are well-detailed and the book is beautifully plotted. It's hard to go wrong with a Macmillan mystery, and this one is no exception.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
Heather Cranmer (2721 KP) rated The Revenge of Praying Mantis (Hattori Hachi, #1) in Books
Jun 7, 2018
(As featured on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk/2012/09/review-of-revenge-of-praying-mantis.html">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> )
I've never read a book about ninjas or anything ninja related before. It never really interested me. However, I am glad I came across Revenge of Praying Mantis by Jane Prowse. I found it to be extremely interesting, and not once did my attention waver!
Revenge of the Praying Mantis is the first book in the series of Hattori Hachi, a fifteen year old girl whose mother goes missing under suspicious circumstances. Hattie must learn ninjutsu if she wishes to find out what happened to her mother. She also must learn who to trust.
I loved loved loved the characters in Revenge. I felt they were all very well developed especially those of Hattie, Mad Dog, and Yazuki. I loved the fact that finally a mixed race person was the main character of a book as you don't often see that. I also loved the fact that Hattie could hold her own. She didn't act like a damsel in distress either. She was a kick butt girl!! I found Mad Dog to be a perfect gentlemen. He didn't try to overshadow Hattie at all, and he was always willing to do his own thing. I also loved the fact that he was always willing to risk his life for Hattie. Yazuki was definitely my favourite character. I found her to be a very strong character throughout the book. She says and does some very funny things, but she is very wise. Yazuki becomes Hattie's mentor and friend. I'm really hoping Yazuki will be featured in all of the books because she feels like part of my family for some reason.
Throughout the book, I felt like I was being taught ninjutsu as well. It is very obvious throughout the book that Ms Prowse has definitely done her research in ninjutsu. I loved how each chapter started out with a saying about ninjutsu.
I found the pacing to be absolutely perfect. It wasn't too fast that I didn't understand what was going on, nor was it too slow where I got bored. Every chapter held my interest, and I was desperate to know what would happen in the next chapter.
The dialogue is very easy to understand especially as this is a YA book. It's not condescending either. I felt it used the right dialogue that would appeal to pre-teens, teens and adults alike.
Okay, I have to mention the cover now. I love it, and I find it very appealing! The cover definitely matches the story of the book especially with the shadow on the front. I like the fact that the cover is very simple yet beautiful. It's not cluttered like a lot of covers sometimes are.
Overall, I thoroughly enjoyed this book. I believe it appeals to both boys and girls, young and old. I'd definitely recommend this book to anyone and everyone even if martial arts aren't your thing as there's so much more going on in this book!!
The Revenge of Praying Mantis (Hattori Hachi #1) by Jane Prowse gets a 5 out of 5 from me.
I've never read a book about ninjas or anything ninja related before. It never really interested me. However, I am glad I came across Revenge of Praying Mantis by Jane Prowse. I found it to be extremely interesting, and not once did my attention waver!
Revenge of the Praying Mantis is the first book in the series of Hattori Hachi, a fifteen year old girl whose mother goes missing under suspicious circumstances. Hattie must learn ninjutsu if she wishes to find out what happened to her mother. She also must learn who to trust.
I loved loved loved the characters in Revenge. I felt they were all very well developed especially those of Hattie, Mad Dog, and Yazuki. I loved the fact that finally a mixed race person was the main character of a book as you don't often see that. I also loved the fact that Hattie could hold her own. She didn't act like a damsel in distress either. She was a kick butt girl!! I found Mad Dog to be a perfect gentlemen. He didn't try to overshadow Hattie at all, and he was always willing to do his own thing. I also loved the fact that he was always willing to risk his life for Hattie. Yazuki was definitely my favourite character. I found her to be a very strong character throughout the book. She says and does some very funny things, but she is very wise. Yazuki becomes Hattie's mentor and friend. I'm really hoping Yazuki will be featured in all of the books because she feels like part of my family for some reason.
Throughout the book, I felt like I was being taught ninjutsu as well. It is very obvious throughout the book that Ms Prowse has definitely done her research in ninjutsu. I loved how each chapter started out with a saying about ninjutsu.
I found the pacing to be absolutely perfect. It wasn't too fast that I didn't understand what was going on, nor was it too slow where I got bored. Every chapter held my interest, and I was desperate to know what would happen in the next chapter.
The dialogue is very easy to understand especially as this is a YA book. It's not condescending either. I felt it used the right dialogue that would appeal to pre-teens, teens and adults alike.
Okay, I have to mention the cover now. I love it, and I find it very appealing! The cover definitely matches the story of the book especially with the shadow on the front. I like the fact that the cover is very simple yet beautiful. It's not cluttered like a lot of covers sometimes are.
Overall, I thoroughly enjoyed this book. I believe it appeals to both boys and girls, young and old. I'd definitely recommend this book to anyone and everyone even if martial arts aren't your thing as there's so much more going on in this book!!
The Revenge of Praying Mantis (Hattori Hachi #1) by Jane Prowse gets a 5 out of 5 from me.