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Forced premise (2 more)
Storytelling & writing that drives you insane
Not interesting
You'll probably love it or hate it
Dustin Tillman is a psychologist in Ohio; he's married with two sons and rarely even thinks about the horrific incident of his childhood, when his adopted brother, Rusty, murdered Dustin's parents and his aunt and uncle. Dustin was just a child then, and his brother was arrested largely on the testimony of Dustin and his cousin Kate and the 1980s' fears over satanism. But now Dustin learns that Rusty is being released from prison; his appeal has been granted, and his verdict overturned based on DNA evidence. Meanwhile, Dustin is struggling with one of his patients, Aqil, a former police officer who believes there is a link among a group of drunken college boys who have died by drowning. As more and more things start going wrong in Dustin's life, he gets drawn into Aqil's paranoia-- and he threatens to bring down his family with him.
This book had an interesting premise: linking two sets of crimes in the past and present, but I felt like that premise was a little forced/falsified, and I never got into the book, or the characters. As a reader, you'll probably find the way it's written either brilliant or incredibly irritating, and I fell squarely into the irritating camp. There are very abrupt chapter switches between the present and the past that are quite annoying, making it difficult to tell exactly where you are in time. The changes in point of view aren't as bad, allowing you to hear from Dustin, his son, and others, but it still gets confusing quickly. (Sidebar: doesn't anyone just tell a linear story from one person's point of view anymore?)
Even more, the story is written quite like the characters think--which is fine in theory--for instance, this includes Dustin's tendency to just stop mid-sentence, something his family teases him about. After a bit you get somewhat used to the random sentences that end mid-thought, or the weird white spaces, but it's still strange. Other parts are the story are split into two or three parts on a page and told almost in parallel, causing you to flip back and forth to read each set. I never was quite sure of the point of that. Yes, people in the novel are going crazy and on drugs. I could get that concept and not have to flip back and forth constantly to read chunks of the story. It's one of those storytelling devices that, to me, could be amazing, but just winds up driving you slightly insane.
This novel is also very dark. Again, that's fine. I just finished The Roanoke Girls, which was incredibly dark, and loved it. But this one: I just didn't find it that interesting. I found myself finishing it more out of a vague curiosity and duty than anything else. I figured out one of the main plot points pretty on and wasn't engaged with any of the characters. Then, after all of this, the ending is awful and vague, and there's no resolution, and I found myself just throwing the whole thing down in disgust. Definitely not one of my favorites. I can see the potential for others, but it wasn't for me.
I received a copy of this novel from the publisher and Netgalley (thank you) in return for an unbiased review.
This book had an interesting premise: linking two sets of crimes in the past and present, but I felt like that premise was a little forced/falsified, and I never got into the book, or the characters. As a reader, you'll probably find the way it's written either brilliant or incredibly irritating, and I fell squarely into the irritating camp. There are very abrupt chapter switches between the present and the past that are quite annoying, making it difficult to tell exactly where you are in time. The changes in point of view aren't as bad, allowing you to hear from Dustin, his son, and others, but it still gets confusing quickly. (Sidebar: doesn't anyone just tell a linear story from one person's point of view anymore?)
Even more, the story is written quite like the characters think--which is fine in theory--for instance, this includes Dustin's tendency to just stop mid-sentence, something his family teases him about. After a bit you get somewhat used to the random sentences that end mid-thought, or the weird white spaces, but it's still strange. Other parts are the story are split into two or three parts on a page and told almost in parallel, causing you to flip back and forth to read each set. I never was quite sure of the point of that. Yes, people in the novel are going crazy and on drugs. I could get that concept and not have to flip back and forth constantly to read chunks of the story. It's one of those storytelling devices that, to me, could be amazing, but just winds up driving you slightly insane.
This novel is also very dark. Again, that's fine. I just finished The Roanoke Girls, which was incredibly dark, and loved it. But this one: I just didn't find it that interesting. I found myself finishing it more out of a vague curiosity and duty than anything else. I figured out one of the main plot points pretty on and wasn't engaged with any of the characters. Then, after all of this, the ending is awful and vague, and there's no resolution, and I found myself just throwing the whole thing down in disgust. Definitely not one of my favorites. I can see the potential for others, but it wasn't for me.
I received a copy of this novel from the publisher and Netgalley (thank you) in return for an unbiased review.
Kristy H (1252 KP) rated Blueprints in Books
Feb 13, 2018
Caroline MacAfee is a divorced carpenter; one who has kept her last name because she is still part of the well-known MacAfee family, which owns MacAfee Homes, a popular business in their town. Caroline is also host of the popular TV show "Gut It" (think something on DIY or HGTV) - that is until she's told she's too old to host the show the day after her 56th birthday. The network wants a new host: Caroline's 29-year-old daughter, Jamie MacAfee, an architect with the family company. Pushing for the change is Caroline's ex-husband, Roy, and her ex-father-in-law, Theo. The news rattles Caroline and upsets the foundation of her happy mother/daughter relationship with Jamie.
But everyone's life is further upended when Roy and his new wife die suddenly on a stormy night, leaving MacAfee Homes without its charismatic marketing lead and Jamie to deal with sudden guardianship of her toddler half-brother, Tad. Quickly, she must navigate life as a new mom; deal with the impact of motherhood on her relationship with her fiance; juggle the impact on her work, especially with her father no longer with the company; and try to heal her fractured relationship with Caroline.
If it sounds like there is a lot going on in this novel, there is. Yet, it seemed like it got off to a slow start. I almost put the book aside for some others on my "to-read" list until I got to the accident and things picked up. After that, even if parts of the plot and the characters' actions irked me, the book itself breezed by, and I found myself wanting to finish it quickly.
One of my biggest pet peeves with this novel was all of the talk of sex. I am no prude and have no issues with sex being in a novel, when appropriate. In this book, it seemed like it was inserted just because. Delinsky made several veiled references to "50 Shades of Grey" (the characters were reading it, for instance) and it almost seemed as if, because of that, it felt necessary to insert dialogue about sex, sex scenes, and more. Caroline and Jamie's discussions of sex, Caroline's discussions of sex with her friend, Annie - they were all painful and came across as extremely stilted. In fact, several times, it seemed like the characters were having various conversations to make sure we really, really knew how they felt about certain things, when, truly, if Delinksy would have just let the plot unfold naturally, it would have all come out on its own. It was a little unnatural and forced.
Speaking of said plot, it is a Delinsky novel, so be prepared that it will all seem a little fantastical at times. I would have liked to have been reading this novel on the beach - it's the perfect beach read where you can just suspend real life for a little while and get caught up in a slightly unrealistic plot.
That being said, Caroline and Jamie are fairly likable characters. They grow on you. I found myself empathizing with Jamie and her struggles with working motherhood, for instance. If you go in expecting a fun, silly book, you won't be disappointed.
(Note: I received an ARC of this book via the Goodreads First Reads program in return for an unbiased review.)
But everyone's life is further upended when Roy and his new wife die suddenly on a stormy night, leaving MacAfee Homes without its charismatic marketing lead and Jamie to deal with sudden guardianship of her toddler half-brother, Tad. Quickly, she must navigate life as a new mom; deal with the impact of motherhood on her relationship with her fiance; juggle the impact on her work, especially with her father no longer with the company; and try to heal her fractured relationship with Caroline.
If it sounds like there is a lot going on in this novel, there is. Yet, it seemed like it got off to a slow start. I almost put the book aside for some others on my "to-read" list until I got to the accident and things picked up. After that, even if parts of the plot and the characters' actions irked me, the book itself breezed by, and I found myself wanting to finish it quickly.
One of my biggest pet peeves with this novel was all of the talk of sex. I am no prude and have no issues with sex being in a novel, when appropriate. In this book, it seemed like it was inserted just because. Delinsky made several veiled references to "50 Shades of Grey" (the characters were reading it, for instance) and it almost seemed as if, because of that, it felt necessary to insert dialogue about sex, sex scenes, and more. Caroline and Jamie's discussions of sex, Caroline's discussions of sex with her friend, Annie - they were all painful and came across as extremely stilted. In fact, several times, it seemed like the characters were having various conversations to make sure we really, really knew how they felt about certain things, when, truly, if Delinksy would have just let the plot unfold naturally, it would have all come out on its own. It was a little unnatural and forced.
Speaking of said plot, it is a Delinsky novel, so be prepared that it will all seem a little fantastical at times. I would have liked to have been reading this novel on the beach - it's the perfect beach read where you can just suspend real life for a little while and get caught up in a slightly unrealistic plot.
That being said, Caroline and Jamie are fairly likable characters. They grow on you. I found myself empathizing with Jamie and her struggles with working motherhood, for instance. If you go in expecting a fun, silly book, you won't be disappointed.
(Note: I received an ARC of this book via the Goodreads First Reads program in return for an unbiased review.)
Sloane Jacobsen is the most famous and sought after trends forecaster in the world. Companies across the globe seek Sloane's knowledge about the "next big thing." Sloane may be confident in her work life, but her personal life is a mess. She's not happy with her boyfriend, Roman, and she's basically estranged from her family--all since she fled to Paris shortly after her father's death. But now Sloane is working for six months in New York: she's back near her family, and Roman is accompanying her on the trip.
This book immediately got off on the wrong foot with me as the main character ranted against how society has changed--using peanut allergies and the horror of having to avoid her favorite peanut-filled treats on a plane as proof. As someone with a kid with a peanut allergy (who has met these lovely people on planes in real life), I was already turned off by Sloane. <i>It never really got any better. </i>
Sloane is supposedly a trend forecaster. Her entire life she's been able to "see" things and predict where society is going with certain trends. She is credited with foreseeing the famous "swipe" action. The problem Sloane faces now is that she thinks society is going to turn against the technology it has come to hold so dear: something that doesn't sit well with the technology-focused firm, Mammoth, who has hired her. After all, Mammoth uses a driverless car to transport Sloane while she works for them. They want her to present at a convention that aims to showcase technology for the childless set.
On the surface, this doesn't sound so bad. Consider parts of it satire and a critique on our tech-obsessed society, and it has real promise. Unfortunately, for me, <i>the premise fell flat.</i> My favorite character wound up being Anastasia, the driverless car. Sloane's boyfriend, Roman, wears a Zentai suit (imagine a full-length wet-suit that covers his entire body) and preaches an anti-touch, pro-cybersex agenda. He's strange. That whole part of the plot is weird, albeit one that offers the occasional comic moment. Maybe my sense of humor is not finely developed enough?
The book nails a lot of the corporate world (you can certainly picture Dax, the head of Mammoth, and many of his worker bees). Other parts of the plot are harder to swallow. Sloane waffles. Roman irritates. The dialogue is oddly written at times. Large pieces of the plot didn't really seem necessary. Other pieces were interesting, but felt like reading a research paper (and I found myself skimming).
So while there were certainly funny moments (and it picked up a bit as it neared the end), overall I just found myself cringing. I didn't like the plot, I never warmed up to Sloane, and I wanted to hit Roman and Dax. Maybe I missed a higher meaning to this novel, as it seems to be getting a lot of better reviews, so take mine with a grain of salt. For me, I just didn't enjoy reading it, and that's why (and I debated this a while), I'm going with 2.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review. It is available everywhere as of 05/30/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
This book immediately got off on the wrong foot with me as the main character ranted against how society has changed--using peanut allergies and the horror of having to avoid her favorite peanut-filled treats on a plane as proof. As someone with a kid with a peanut allergy (who has met these lovely people on planes in real life), I was already turned off by Sloane. <i>It never really got any better. </i>
Sloane is supposedly a trend forecaster. Her entire life she's been able to "see" things and predict where society is going with certain trends. She is credited with foreseeing the famous "swipe" action. The problem Sloane faces now is that she thinks society is going to turn against the technology it has come to hold so dear: something that doesn't sit well with the technology-focused firm, Mammoth, who has hired her. After all, Mammoth uses a driverless car to transport Sloane while she works for them. They want her to present at a convention that aims to showcase technology for the childless set.
On the surface, this doesn't sound so bad. Consider parts of it satire and a critique on our tech-obsessed society, and it has real promise. Unfortunately, for me, <i>the premise fell flat.</i> My favorite character wound up being Anastasia, the driverless car. Sloane's boyfriend, Roman, wears a Zentai suit (imagine a full-length wet-suit that covers his entire body) and preaches an anti-touch, pro-cybersex agenda. He's strange. That whole part of the plot is weird, albeit one that offers the occasional comic moment. Maybe my sense of humor is not finely developed enough?
The book nails a lot of the corporate world (you can certainly picture Dax, the head of Mammoth, and many of his worker bees). Other parts of the plot are harder to swallow. Sloane waffles. Roman irritates. The dialogue is oddly written at times. Large pieces of the plot didn't really seem necessary. Other pieces were interesting, but felt like reading a research paper (and I found myself skimming).
So while there were certainly funny moments (and it picked up a bit as it neared the end), overall I just found myself cringing. I didn't like the plot, I never warmed up to Sloane, and I wanted to hit Roman and Dax. Maybe I missed a higher meaning to this novel, as it seems to be getting a lot of better reviews, so take mine with a grain of salt. For me, I just didn't enjoy reading it, and that's why (and I debated this a while), I'm going with 2.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review. It is available everywhere as of 05/30/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Gareth von Kallenbach (980 KP) rated Once Upon A Deadpool (Deadpool 2 PG-13 Version) (2018) in Movies
Jun 19, 2019
Taking what was old making it new again as long been criticism that is been levied against Hollywood. With abundance equals flooding the theaters as well as reboots; people often cynically ask if Hollywood has run out of new ideas. The latest film to fall under these criteria would be “Once Upon A Deadpool” where audiences are presented with a sanitized version of “Deadpool 2” accompanied by approximately 11 min. worth of new footage at the beginning and spread throughout.
The PG-13 take on what was definitely a very “R” rated film is been met with skeptics who see this as a sign of the pending Disney acquisition of Fox to test the waters to see if audiences will accept a more subdued take on the hero us paving the way for future adventures to be the more box office friendly “PG-13″.
The film cleverly opens with Deadpool (Ryan Reynolds), having kidnapped or as he likes to refer to it” involuntary relocation assistance”; Fred Savage as he attempts to re-create the opening of “The Princess Bride” and reads to him a family-friendlier version of “Deadpool 2”.
The film plays out as it did earlier this summer safe for much of the language being removed and use of pixels and cutaways to remove objectionable or an adult content to preserve the “PG-13” rating. What makes it enjoyable are the new seems where Reynolds and Savage exchange banter and debate topics ranging from Nickelback to the pending Disney acquisition of Fox.
I found myself looking forward to the next cutaway to hear what comments would be coming next including a very clever discussion of possible outcomes of Deadpool’s regenerative properties; and how they were not explored in the film due to “lazy writing”.
For me it was mostly a mixed bag as I enjoyed seeing the new footage as any new Deadpool content is always a treat and Reynolds seem to be having a great time returning to the character in an abbreviated fashion.
While the film basically played out as before; I found a sanitized version to not be as appealing simply because one of the joys of the character and the series is not knowing what will come next. How far will a joke be taken, how much Gore is going to be used for comedic effect, what invented a new profanity is going to spew from Deadpool? Much of this is been taken away to what I believe is a detriment to the franchise. One of the joys about the films is that the wise comments come at the audience and a rapid-fire approach. This makes you want to see the film again in order to catch what you witnessed previously. It felt like I was being deprived of this opportunity because while in many ways it was the same film, much of the adage that made the film stand out has been subdued.
While it is great that younger audiences will have an opportunity to experience the character; those of us who’ve seen him and his full uncensored glory will undoubtedly feel that this is a direction that should not be pursued for the future and that audiences want and deserve a fully uncensored Deadpool.
However for a little bit of family fun and a cute new laughs; “Once Upon A Deadpool”, is a pleasant enough distraction.
http://sknr.net/2018/12/12/once-upon-a-deadpool/
The PG-13 take on what was definitely a very “R” rated film is been met with skeptics who see this as a sign of the pending Disney acquisition of Fox to test the waters to see if audiences will accept a more subdued take on the hero us paving the way for future adventures to be the more box office friendly “PG-13″.
The film cleverly opens with Deadpool (Ryan Reynolds), having kidnapped or as he likes to refer to it” involuntary relocation assistance”; Fred Savage as he attempts to re-create the opening of “The Princess Bride” and reads to him a family-friendlier version of “Deadpool 2”.
The film plays out as it did earlier this summer safe for much of the language being removed and use of pixels and cutaways to remove objectionable or an adult content to preserve the “PG-13” rating. What makes it enjoyable are the new seems where Reynolds and Savage exchange banter and debate topics ranging from Nickelback to the pending Disney acquisition of Fox.
I found myself looking forward to the next cutaway to hear what comments would be coming next including a very clever discussion of possible outcomes of Deadpool’s regenerative properties; and how they were not explored in the film due to “lazy writing”.
For me it was mostly a mixed bag as I enjoyed seeing the new footage as any new Deadpool content is always a treat and Reynolds seem to be having a great time returning to the character in an abbreviated fashion.
While the film basically played out as before; I found a sanitized version to not be as appealing simply because one of the joys of the character and the series is not knowing what will come next. How far will a joke be taken, how much Gore is going to be used for comedic effect, what invented a new profanity is going to spew from Deadpool? Much of this is been taken away to what I believe is a detriment to the franchise. One of the joys about the films is that the wise comments come at the audience and a rapid-fire approach. This makes you want to see the film again in order to catch what you witnessed previously. It felt like I was being deprived of this opportunity because while in many ways it was the same film, much of the adage that made the film stand out has been subdued.
While it is great that younger audiences will have an opportunity to experience the character; those of us who’ve seen him and his full uncensored glory will undoubtedly feel that this is a direction that should not be pursued for the future and that audiences want and deserve a fully uncensored Deadpool.
However for a little bit of family fun and a cute new laughs; “Once Upon A Deadpool”, is a pleasant enough distraction.
http://sknr.net/2018/12/12/once-upon-a-deadpool/
<i>I received this book for free through Goodreads First Reads.</i>
Rosie Lewis, presumably a penname, has been a professional foster carer for over seven years. During this time, she has dealt with children and teenagers from all sorts of backgrounds who are usually facing some form of crisis or difficulty. In latter years, Rosie has begun to combine her love of writing with her fostering experiences by writing story-like memoirs. <i>Taken</i> is Rosie’s latest publication, which reveals how emotionally challenging fostering can be.
Rosie first met Megan when she was only a few days old, struggling with the effects of neonatal abstinence syndrome and a cleft plate. Removed from her mother’s care – a drug addict – Megan needs a temporary home to go to. Rosie is more than happy to take care of Megan until her “forever home” can be found.
As time goes on, Rosie and her children become attached to the little girl and include her as part of the family. Megan’s salient recovery turns her into an energetic, slightly precocious toddler who absolutely adores Rosie’s family as much as they love her. But Rosie knows she will eventually have to say goodbye, no matter what her feelings.
Rosie explains to the reader how difficult it is to function properly as a foster carer once strong emotions have got involved. She dreams of being able to keep Megan forever, but when a couple are found who desperately want a child, Rosie has no choice but to say goodbye.
It is heartbreaking to see the effects of the separation on Rosie as well as on Megan, who, despite Rosie’s attempts to elucidate the situation, does not fully comprehend what is going on. Guiltily hoping that Megan’s irascible behaviour, or a cataclysmic event, puts the new parents off adoption, Rosie says goodbye to the little girl she loves with all her heart. However, her hopes are raised when it becomes clear the adoption is not sitting as well with the new parents as much as they originally hoped. Perhaps Rosie has a chance to become Megan’s “forever mummy” after all?
Told from Rosie’s professional perspective, readers are taken on a journey from a child’s unstable beginning, to a time when they are at peace with the world. It is impossible to be unaffected by the events in Megan’s life, or experience versions of Rosie’s own emotions.
Many foster carers, social workers and nurses have put their experiences onto paper to share with the world. Most are good storytellers and are able to create a tale that could almost be fiction, with good use of vocabulary and imagery. At times, it felt like Rosie was attempting to tell a story, but instead ended up with a formal account of events. As the book progressed, however, the reader becomes so invested in Megan’s wellbeing that this issue becomes unnoticeable.
Unlike stories about older children in care, Megan’s life is easier to read about since, being fostered as a new born baby, she has no demoralizing past to overcome. Taken is by far the happier story within its genre, not least because of its satisfying ending, but from the joy Megan brings to the lives of everyone around her, too. Those new to this style of book may find <i>Taken</i> a good way of easing themselves into the genre, rather than jumping in with a story about a child with a background full of unspeakable things.
Rosie Lewis, presumably a penname, has been a professional foster carer for over seven years. During this time, she has dealt with children and teenagers from all sorts of backgrounds who are usually facing some form of crisis or difficulty. In latter years, Rosie has begun to combine her love of writing with her fostering experiences by writing story-like memoirs. <i>Taken</i> is Rosie’s latest publication, which reveals how emotionally challenging fostering can be.
Rosie first met Megan when she was only a few days old, struggling with the effects of neonatal abstinence syndrome and a cleft plate. Removed from her mother’s care – a drug addict – Megan needs a temporary home to go to. Rosie is more than happy to take care of Megan until her “forever home” can be found.
As time goes on, Rosie and her children become attached to the little girl and include her as part of the family. Megan’s salient recovery turns her into an energetic, slightly precocious toddler who absolutely adores Rosie’s family as much as they love her. But Rosie knows she will eventually have to say goodbye, no matter what her feelings.
Rosie explains to the reader how difficult it is to function properly as a foster carer once strong emotions have got involved. She dreams of being able to keep Megan forever, but when a couple are found who desperately want a child, Rosie has no choice but to say goodbye.
It is heartbreaking to see the effects of the separation on Rosie as well as on Megan, who, despite Rosie’s attempts to elucidate the situation, does not fully comprehend what is going on. Guiltily hoping that Megan’s irascible behaviour, or a cataclysmic event, puts the new parents off adoption, Rosie says goodbye to the little girl she loves with all her heart. However, her hopes are raised when it becomes clear the adoption is not sitting as well with the new parents as much as they originally hoped. Perhaps Rosie has a chance to become Megan’s “forever mummy” after all?
Told from Rosie’s professional perspective, readers are taken on a journey from a child’s unstable beginning, to a time when they are at peace with the world. It is impossible to be unaffected by the events in Megan’s life, or experience versions of Rosie’s own emotions.
Many foster carers, social workers and nurses have put their experiences onto paper to share with the world. Most are good storytellers and are able to create a tale that could almost be fiction, with good use of vocabulary and imagery. At times, it felt like Rosie was attempting to tell a story, but instead ended up with a formal account of events. As the book progressed, however, the reader becomes so invested in Megan’s wellbeing that this issue becomes unnoticeable.
Unlike stories about older children in care, Megan’s life is easier to read about since, being fostered as a new born baby, she has no demoralizing past to overcome. Taken is by far the happier story within its genre, not least because of its satisfying ending, but from the joy Megan brings to the lives of everyone around her, too. Those new to this style of book may find <i>Taken</i> a good way of easing themselves into the genre, rather than jumping in with a story about a child with a background full of unspeakable things.
LilyLovesIndie (123 KP) rated Star of Bethlehem (Flowering, #1.6) in Books
Nov 5, 2018
I remember when I was first given this book, and I was very excited to get my hands on it. Then, when I actually started reading it, I relived that excitement as it really is wonderful. A tale of that fateful evening when you introduce your new partner to your parents for the first time. Always scary, always charged with lots of different emotions, and Daltry manages this brilliantly, hence the four star review!
I thoroughly enjoyed so many parts of this book. Perhaps the first thing I feel needs pointing out is how easy it is to read. I was given the earlier books in the series by the author (reviews will follow when I get a spare few moments!) but I went into this book ÔcoldÕ as it were, but I honestly couldnÕt have known there were earlier books. Daltry gives enough information about her characters to keep you involved if you are new to the series, but not too much to overwhelm you if you have already read them. Add to that a smooth pace and impeccable flow and you have, in a kindle sized nutshell, the perfect easy read for after a tough day in the classroom. I could dip in and out of this book to suit my schedule (a godsend Ð thankyou!) all without ever losing my thread of the characters or events.
Something else I really enjoyed was the relationship between Jack and Lily. TheyÕre both great characters, and their passion and love is so wonderful to read. ItÕs full of the trials and difficulties that you could expect in a real relationship, even down to the last tiny detail of the annoying ÔexÕ in the background. The sex scenes are well written and not too Ôin your faceÕ, taking a back seat (quite literally at times!) in the story telling which suits me perfectly. In addition, the emotions between them was all incredibly well written and very tangible throughout. This adds a lovely believability to the story and makes it that much more enjoyable and easy to read.
In addition, the family dynamic in LilyÕs life, contrasted with that of JackÕs is also fantastic. Although itÕs never made fully clear what has happened in JackÕs past, Daltry weaves the contrast between their families very carefully and without over-exaggerating it. LilyÕs family are a mad bunch, but they remind me of so many of my own family that I found it really easy to invest emotionally in the characters. To me, this is an important part of a story as, if done properly, it makes it a joy to read, and IÕm pleased to say that is exactly what Daltry managed.
In conclusion, although this story may be slightly on the shorter side, it had a lot of fantastic plot and plenty of great characters. The two viewpoints of Lily and Jack are woven with skill and detail throughout and the entire story was an absolute pleasure to read. Daltry is most definitely a talented author and one I am looking forward to reading more of in the near future!
Review first posted to Lily Loves Indie (ARC received with thanks) - http://lilylovesindie.co.uk/?p=272
I thoroughly enjoyed so many parts of this book. Perhaps the first thing I feel needs pointing out is how easy it is to read. I was given the earlier books in the series by the author (reviews will follow when I get a spare few moments!) but I went into this book ÔcoldÕ as it were, but I honestly couldnÕt have known there were earlier books. Daltry gives enough information about her characters to keep you involved if you are new to the series, but not too much to overwhelm you if you have already read them. Add to that a smooth pace and impeccable flow and you have, in a kindle sized nutshell, the perfect easy read for after a tough day in the classroom. I could dip in and out of this book to suit my schedule (a godsend Ð thankyou!) all without ever losing my thread of the characters or events.
Something else I really enjoyed was the relationship between Jack and Lily. TheyÕre both great characters, and their passion and love is so wonderful to read. ItÕs full of the trials and difficulties that you could expect in a real relationship, even down to the last tiny detail of the annoying ÔexÕ in the background. The sex scenes are well written and not too Ôin your faceÕ, taking a back seat (quite literally at times!) in the story telling which suits me perfectly. In addition, the emotions between them was all incredibly well written and very tangible throughout. This adds a lovely believability to the story and makes it that much more enjoyable and easy to read.
In addition, the family dynamic in LilyÕs life, contrasted with that of JackÕs is also fantastic. Although itÕs never made fully clear what has happened in JackÕs past, Daltry weaves the contrast between their families very carefully and without over-exaggerating it. LilyÕs family are a mad bunch, but they remind me of so many of my own family that I found it really easy to invest emotionally in the characters. To me, this is an important part of a story as, if done properly, it makes it a joy to read, and IÕm pleased to say that is exactly what Daltry managed.
In conclusion, although this story may be slightly on the shorter side, it had a lot of fantastic plot and plenty of great characters. The two viewpoints of Lily and Jack are woven with skill and detail throughout and the entire story was an absolute pleasure to read. Daltry is most definitely a talented author and one I am looking forward to reading more of in the near future!
Review first posted to Lily Loves Indie (ARC received with thanks) - http://lilylovesindie.co.uk/?p=272
Gareth von Kallenbach (980 KP) rated A Quiet Place (2018) in Movies
Jun 19, 2019
Like many parents, Lee (John Krasinski), and Evelyn (Emily Blunt), have an overwhelming urge to keep their children safe in the world and protect them at all costs. In the new film “A Quiet Place”, that maternal drive is taken to extreme levels as the world has been attacked by vicious creatures who hunt by sound alone.
The slightest loud noise will bring a rapid moving creature in moments that will destroy whatever made the sound instantly. As such, Lee and Evelyn have gone to great lengths to live as quietly as possible and even have a system for their home and supply runs to be as safe as possible.
When tragedy strikes, it causes a division between Lee and their only daughter Regan (Millicent Simmonds), who although deaf herself believes she is being blamed for the tragedy and the guilt has only grown over time.
The family continues on and the film jumps forward in time to show that Lee is studying as much about the creatures as he can in an effort to find a weakness they can use as well as to provide more security for his family.
Of course even the best plans do not always work and what follows is a very intense and raw struggle for survival which shows just how far a person is willing to go for their family.
Krasinski not only stars in the film but also directed it and helped to write the screenplay. Working with his actual wife worked very well as they have a fantastic chemistry which helps them convey the emotions and thoughts of the film well which is amazing considering how little dialogue there is in the film as gestures and sign language are the most common form of communication.
The film is very intense in moments and a fantastic extended sequence with Blunt had my wife squeezing my hand tightly and afraid to utter a sound as it left her holding her breath.
The film is a very fresh take on the creature genre and the quality of the performances lifts the film to a level rarely seen in a suspense film. The film did play a bit fast and loose with some aspects such as the history of the creatures and the state of the world around them as it is largely conveyed through newspaper headlines left lying around. As such I found myself wondering why certain defensive options and offensive tactics were not used as to me they seemed to be common sense approaches. For a film with such a fresh premise and strong performances, the ending did seem to depend a bit too much on some of the usual Hollywood stereotypes but it did not keep the film from being highly entertaining and effective. As I watched the film I kept thinking that there could be a connection to “Cloverfield” especially based on aspects of the creatures. The film was made for a very small budget so hopefully we will be seeing a sequel in the near future as “A Quiet Place” was a very enjoyable film and one of the best surprises of the year.
http://sknr.net/2018/04/05/a-quiet-place/
The slightest loud noise will bring a rapid moving creature in moments that will destroy whatever made the sound instantly. As such, Lee and Evelyn have gone to great lengths to live as quietly as possible and even have a system for their home and supply runs to be as safe as possible.
When tragedy strikes, it causes a division between Lee and their only daughter Regan (Millicent Simmonds), who although deaf herself believes she is being blamed for the tragedy and the guilt has only grown over time.
The family continues on and the film jumps forward in time to show that Lee is studying as much about the creatures as he can in an effort to find a weakness they can use as well as to provide more security for his family.
Of course even the best plans do not always work and what follows is a very intense and raw struggle for survival which shows just how far a person is willing to go for their family.
Krasinski not only stars in the film but also directed it and helped to write the screenplay. Working with his actual wife worked very well as they have a fantastic chemistry which helps them convey the emotions and thoughts of the film well which is amazing considering how little dialogue there is in the film as gestures and sign language are the most common form of communication.
The film is very intense in moments and a fantastic extended sequence with Blunt had my wife squeezing my hand tightly and afraid to utter a sound as it left her holding her breath.
The film is a very fresh take on the creature genre and the quality of the performances lifts the film to a level rarely seen in a suspense film. The film did play a bit fast and loose with some aspects such as the history of the creatures and the state of the world around them as it is largely conveyed through newspaper headlines left lying around. As such I found myself wondering why certain defensive options and offensive tactics were not used as to me they seemed to be common sense approaches. For a film with such a fresh premise and strong performances, the ending did seem to depend a bit too much on some of the usual Hollywood stereotypes but it did not keep the film from being highly entertaining and effective. As I watched the film I kept thinking that there could be a connection to “Cloverfield” especially based on aspects of the creatures. The film was made for a very small budget so hopefully we will be seeing a sequel in the near future as “A Quiet Place” was a very enjoyable film and one of the best surprises of the year.
http://sknr.net/2018/04/05/a-quiet-place/
Gareth von Kallenbach (980 KP) rated Rango (2011) in Movies
Aug 7, 2019
Y’all want to know what Rango is about? Have a seat by the camp fire and I’ll tell ya. The chameleon that would one day be known as Rango (voiced by Johnny Depp) begins the movie as a pet, traveling across the desert with a human family in their SUV. However, fate or perhaps the Spirit of the West (voiced by Timothy Olyphant) has other plans for him. Soon he is separated from his human family and he meets a wise armadillo named Roadkill (voiced by Alfred Molina) who tells him about the Spirit of the West, fate and, more importantly to him, where to find water.
Fans of Johnny Depp will recognize an amazing reference, tribute if you will, to the 1998 movie Fear and Loathing in Las Vegas that starred the actor. On his way to the nearest town where he can get some water, he meets one of the locals, a young lady lizard named Beans (voiced by Isla Fisher) who offers him a ride to the edge of town, a town aptly named Dirt. As he tries to fit in with the locals he realizes that he can reinvent himself here, so he gives himself the name Rango but thanks to a lie that he told to the guys in the saloon he soon finds himself in a showdown with one of the meanest gangs in town. Through a very funny turn of events he not only survives but becomes the town hero. In honor of his victory the Mayor (voiced by Ned Beatty) offers him the job of sheriff which Rango gladly accepts.
Soon after, the limited water supply in town disappears and it is up to Rango (along with some quirky townfolk) to solve the mystery and save Dirt. Along his journey, Rango eventually comes to a point where he must decide what kind of lizard he wants to be, a hero of the people or a person who just plays one. Will he make the right choices? Will he find the water? Will he save the town? See the movie to find out the answers to these questions and more.
I have seen many family movies that were very entertaining for the kids but extremely boring for the adults. Luckily Rangois not one of those movies. Not only does the movie have a very talented voice cast, it also has entertaining action that enhances the story instead of over-powering or taking away from it. The visuals were so realistic that at times I almost forgot it was an animated film and it has plenty of humor to make the audience laugh, regardless of age.
At the end of the movie as we all were heading towards the exit I overhead a person saying to their friends how the movie actually felt like the old westerns that they had watched growing up and I found myself agreeing. The story unfolded with a natural flow, beautiful scenery and wild west action that kept the audience engaged from start to finish.
Fans of Johnny Depp will recognize an amazing reference, tribute if you will, to the 1998 movie Fear and Loathing in Las Vegas that starred the actor. On his way to the nearest town where he can get some water, he meets one of the locals, a young lady lizard named Beans (voiced by Isla Fisher) who offers him a ride to the edge of town, a town aptly named Dirt. As he tries to fit in with the locals he realizes that he can reinvent himself here, so he gives himself the name Rango but thanks to a lie that he told to the guys in the saloon he soon finds himself in a showdown with one of the meanest gangs in town. Through a very funny turn of events he not only survives but becomes the town hero. In honor of his victory the Mayor (voiced by Ned Beatty) offers him the job of sheriff which Rango gladly accepts.
Soon after, the limited water supply in town disappears and it is up to Rango (along with some quirky townfolk) to solve the mystery and save Dirt. Along his journey, Rango eventually comes to a point where he must decide what kind of lizard he wants to be, a hero of the people or a person who just plays one. Will he make the right choices? Will he find the water? Will he save the town? See the movie to find out the answers to these questions and more.
I have seen many family movies that were very entertaining for the kids but extremely boring for the adults. Luckily Rangois not one of those movies. Not only does the movie have a very talented voice cast, it also has entertaining action that enhances the story instead of over-powering or taking away from it. The visuals were so realistic that at times I almost forgot it was an animated film and it has plenty of humor to make the audience laugh, regardless of age.
At the end of the movie as we all were heading towards the exit I overhead a person saying to their friends how the movie actually felt like the old westerns that they had watched growing up and I found myself agreeing. The story unfolded with a natural flow, beautiful scenery and wild west action that kept the audience engaged from start to finish.
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Charlie Cobra Reviews (1840 KP) rated The Curse of La Llorona (2019) in Movies
Jul 7, 2020
The Mexican Legend
The Curse of La Llorona is a 2019 supernatura/horror movie directed by Michael Chaves and written by Mikki Daughtry and Tobias Iaconis. The film was produced by James Wan through his Atomic Monster Productions. It is based on the Mexican folklore, is Chaves directorial debut, and is set in "The Conjuring" Universe. It stars Linda Cardellini, Raymond Cruz, and Patricia Velasquez.
While playing with his family in 1673 Mexico, a young boy closes his eyes only to re-open them and find his family missing. While searching for them he witnesses his mother drowning his brother in a stream. Frightened, he runs away but is caught and suffers the same fate.
300 years later, in 1973 Los Angeles, Anna Tate-Garcia (Linda Cardellini) works as a social worker and is investigating a well known client of hers, Patrica Alvarez (Patricia Velasquez) whose children have gone missing. Demanding to check on her children's well being, Anna goes to Patricia's home with a police of. She searches for the children and finds them locked in a room. Patricia attacks her as she locates the children and is dragged away by the officer while screaming for her not to open the door. Anna takes the boys, Carlos and Tomas out of the room, ignoring their request to stay in the room where they are safe. That night, two boys are found drowned in a nearby river and Anna is called in to investigate their deaths. At the scene Anna hears Patricia screaming that it was Anna's fault for their deaths. This draws Anna and her family into the frightening supernatural realm of "La Llorona" and her deadly wrath.
I felt like this movie was a tough mix of somewhat silly but still creepy. It was good but had too many jump scares that you could see coming from a mile a way. The acting was generally good with Linda Cardellini really selling the terror of fighting off the evil presence. The children's performances were kind of hit or miss for me.. The tone and atmosphere of the film was great but for me "La Llorona" was scarier when she had her face veiled rather than the highly CGI-ed one they gave her when it was removed. The opening was downright silly to me. I didn't find it scary/creepy at all but a little disturbing. Also for some reason I think they went for too many scares in daylight. I know everything scary doesn't have to be at night, but I felt like it undersold them or didn't do them justice. One aspect that I really liked was how they brought in a faith healer or shaman, in Spanish "Curandero" to the Conjuring Universe. He was an interesting original character addition. Astwo different critics put it, "convincing premise, sufficient drama, decent twists, and enough scares make it worth the watch", but "predictable jump scare treatment and dragging exposition take out the potential from this film despite decent performance Orverall I'd give this movie a 6/10.
While playing with his family in 1673 Mexico, a young boy closes his eyes only to re-open them and find his family missing. While searching for them he witnesses his mother drowning his brother in a stream. Frightened, he runs away but is caught and suffers the same fate.
300 years later, in 1973 Los Angeles, Anna Tate-Garcia (Linda Cardellini) works as a social worker and is investigating a well known client of hers, Patrica Alvarez (Patricia Velasquez) whose children have gone missing. Demanding to check on her children's well being, Anna goes to Patricia's home with a police of. She searches for the children and finds them locked in a room. Patricia attacks her as she locates the children and is dragged away by the officer while screaming for her not to open the door. Anna takes the boys, Carlos and Tomas out of the room, ignoring their request to stay in the room where they are safe. That night, two boys are found drowned in a nearby river and Anna is called in to investigate their deaths. At the scene Anna hears Patricia screaming that it was Anna's fault for their deaths. This draws Anna and her family into the frightening supernatural realm of "La Llorona" and her deadly wrath.
I felt like this movie was a tough mix of somewhat silly but still creepy. It was good but had too many jump scares that you could see coming from a mile a way. The acting was generally good with Linda Cardellini really selling the terror of fighting off the evil presence. The children's performances were kind of hit or miss for me.. The tone and atmosphere of the film was great but for me "La Llorona" was scarier when she had her face veiled rather than the highly CGI-ed one they gave her when it was removed. The opening was downright silly to me. I didn't find it scary/creepy at all but a little disturbing. Also for some reason I think they went for too many scares in daylight. I know everything scary doesn't have to be at night, but I felt like it undersold them or didn't do them justice. One aspect that I really liked was how they brought in a faith healer or shaman, in Spanish "Curandero" to the Conjuring Universe. He was an interesting original character addition. Astwo different critics put it, "convincing premise, sufficient drama, decent twists, and enough scares make it worth the watch", but "predictable jump scare treatment and dragging exposition take out the potential from this film despite decent performance Orverall I'd give this movie a 6/10.