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Louise (64 KP) rated Beautiful Broken Things in Books
Jul 2, 2018
This is Sara Barnard's debut novel and a good one at that! Beautiful broken things is an emotional rollercoaster, you are literally up and down on this suspenseful ride, With friendship, self discovery, school, family and abuse this novel certainly packs a punch!
Caddy has been best friends with Rosie for over 10 years despite attending different schools. Calling each other throughout the week and spending the weekends together they couldn't be closer, until Caddy is introduced to Suzanne a new girl from Rosie's school. Jealous of Rosie's new friendship she doesn't instantly take to her, Suzanne is pretty, bold, exciting and totally different from what Caddy is used to. Slowly Suzanne starts to reveal things about herself and the issues that she is hiding from her friends. With this new found knowledge Caddy suddenly sees Suzanne in a different light and wants to help her but also be involved in this interesting girls life and so their friendship blossoms but threatens to break them all apart for good.
Caddy goes to Esther's which is an all girls private school, she is on a tight leash with her parents, paying thousands of pounds per term for her education they are expecting A grades. With all work and no play nothing significant has happened in Caddy's life, she makes a vow for that to end this year and Suzanne is there to help. People around caddy don't think their friendship is a good idea as Suzanne is 'troubled' and leading her astray. Caddy is very naive and hasn't really be involved with boys or been to house parties but with her new-found friend and wanting to fit in she gets more involved and really comes out of her shell.
Suzanne is beautiful, funny and also a "troubled" teenager, living with her aunt starts speculation as to why this is. With a history of abuse, Suzanne is broken and is what people would call a bad influence, she drinks, she goes around with any boy who will have her and when things get tough she runs away. As she becomes friends with Caddy she is pulling her towards her way of life. Caddy would never have dreamt of climbing out of her window in the middle of the night or randomly catching a train without knowing the destination. But in her bid to help Suzanne she feels she has to be with her every step of the way.
This book explores the true meaning of friendship and love between teenage girls. This is a coming of age story with no romance involved and scarily realistic. It portrays mental health and teenagers sensitively and honest.
I loved that this book was set in the UK it felt so more relatable and exciting when your hometown gets referenced in the book.
There things that let down the book for me were the details of the abuser, there wasn't really any detail whether the abuser had been arrested or why Suzanne had or hadn't reported the abuser. It was sort of just glimpsed over this and neither Caddy nor Rosie questioned it which I thought was a little odd. Caddy was very annoying at points and was making some stupid decisions,I felt like shaking her and telling her to stop! JUST STOP!
I definitely recommend this book if you are looking for a realistic portrayal of mental health in young adults.
I rated this 4 out of 5 stars
Caddy has been best friends with Rosie for over 10 years despite attending different schools. Calling each other throughout the week and spending the weekends together they couldn't be closer, until Caddy is introduced to Suzanne a new girl from Rosie's school. Jealous of Rosie's new friendship she doesn't instantly take to her, Suzanne is pretty, bold, exciting and totally different from what Caddy is used to. Slowly Suzanne starts to reveal things about herself and the issues that she is hiding from her friends. With this new found knowledge Caddy suddenly sees Suzanne in a different light and wants to help her but also be involved in this interesting girls life and so their friendship blossoms but threatens to break them all apart for good.
Caddy goes to Esther's which is an all girls private school, she is on a tight leash with her parents, paying thousands of pounds per term for her education they are expecting A grades. With all work and no play nothing significant has happened in Caddy's life, she makes a vow for that to end this year and Suzanne is there to help. People around caddy don't think their friendship is a good idea as Suzanne is 'troubled' and leading her astray. Caddy is very naive and hasn't really be involved with boys or been to house parties but with her new-found friend and wanting to fit in she gets more involved and really comes out of her shell.
Suzanne is beautiful, funny and also a "troubled" teenager, living with her aunt starts speculation as to why this is. With a history of abuse, Suzanne is broken and is what people would call a bad influence, she drinks, she goes around with any boy who will have her and when things get tough she runs away. As she becomes friends with Caddy she is pulling her towards her way of life. Caddy would never have dreamt of climbing out of her window in the middle of the night or randomly catching a train without knowing the destination. But in her bid to help Suzanne she feels she has to be with her every step of the way.
This book explores the true meaning of friendship and love between teenage girls. This is a coming of age story with no romance involved and scarily realistic. It portrays mental health and teenagers sensitively and honest.
I loved that this book was set in the UK it felt so more relatable and exciting when your hometown gets referenced in the book.
There things that let down the book for me were the details of the abuser, there wasn't really any detail whether the abuser had been arrested or why Suzanne had or hadn't reported the abuser. It was sort of just glimpsed over this and neither Caddy nor Rosie questioned it which I thought was a little odd. Caddy was very annoying at points and was making some stupid decisions,I felt like shaking her and telling her to stop! JUST STOP!
I definitely recommend this book if you are looking for a realistic portrayal of mental health in young adults.
I rated this 4 out of 5 stars
BookwormMama14 (18 KP) rated High As the Heavens in Books
Jan 2, 2019
Kate Breslin's new book is FINALLY here! I have been waiting for this day since the moment I finished Not by Sight. And I am so excited to share my review with you. Filled with raw emotion that will grip your heart, this is not a light read, but it is an AMAZING story!
"How in the midst of all this sorrow"...Can hope possibly be found?*
Kate's books continue to elicit emotions in me that I have rarely felt on such an excruciating level. Set in Belgium during WWI we live through the memories of our heroine. We walk with her through the heartache, the pain, the suffering, but also the joy. Evelyn Marche has seen her fair share of evil and sorrows, but as a nurse she is able to bring peace and comfort to those who are also suffering. Through her work, she is making a difference in more people's lives than she knows. I don't want to say TOO much about Eve's story, because I want you to read it! Be warned though...I was not even half way through and I thought I was going to puke, cry, and throw the book across the room.** THAT is how powerful Kate's words are. There were many times of laugh out loud moments, but this is a book set in a WAR ZONE.
While in the middle of reading this book, I had the opportunity to hear a WWII survivor speak. (I know, I know...different war...but a hero is a hero.) Her name is Marthe Cohn, she is 97 years old. Marthe is a French Jew who served as a spy in Nazi Germany during WWII. She was a nurse. She is a HERO. There are SO MANY PARALLELS to Eve in Marthe's story that it was kind of weird. Marthe was instrumental in bringing about the end of the war. I share this with you because I want to honor those who have served...in any war. Those who would risk their lives daily so that my family may live in peace. The heros who, without them, things could have ended so very different.
Evelyn is a strong and powerful representation of the many women who served in WWI. The heroes who cared for the wounded. The heroes that changed history one day at a time. Eve's independent spirit and tenacity has been an asset throughout the war. But living in "survival mode" can wear a person down. Will she continue fighting in her own strength or will she open her heart to God, and allow Him to carry her burdens? Although I have not seen the same horrors that Evelyn (and Marthe) were faced with, I hope that in the midst of chaos I will stand strong, be a light and do what I can to make the world a better place. To bring hope to those who have none.
*Quotation is from the song Days in the Sun found on the 2017 release of Disney's Beauty and the Beast.
** No books were harmed during the process of reading this book and writing the review.
I received a complimentary copy of High as the Heavens from Bethany House Publishers I was not required to write a positive review. All opinions expressed are mine alone.
"How in the midst of all this sorrow"...Can hope possibly be found?*
Kate's books continue to elicit emotions in me that I have rarely felt on such an excruciating level. Set in Belgium during WWI we live through the memories of our heroine. We walk with her through the heartache, the pain, the suffering, but also the joy. Evelyn Marche has seen her fair share of evil and sorrows, but as a nurse she is able to bring peace and comfort to those who are also suffering. Through her work, she is making a difference in more people's lives than she knows. I don't want to say TOO much about Eve's story, because I want you to read it! Be warned though...I was not even half way through and I thought I was going to puke, cry, and throw the book across the room.** THAT is how powerful Kate's words are. There were many times of laugh out loud moments, but this is a book set in a WAR ZONE.
While in the middle of reading this book, I had the opportunity to hear a WWII survivor speak. (I know, I know...different war...but a hero is a hero.) Her name is Marthe Cohn, she is 97 years old. Marthe is a French Jew who served as a spy in Nazi Germany during WWII. She was a nurse. She is a HERO. There are SO MANY PARALLELS to Eve in Marthe's story that it was kind of weird. Marthe was instrumental in bringing about the end of the war. I share this with you because I want to honor those who have served...in any war. Those who would risk their lives daily so that my family may live in peace. The heros who, without them, things could have ended so very different.
Evelyn is a strong and powerful representation of the many women who served in WWI. The heroes who cared for the wounded. The heroes that changed history one day at a time. Eve's independent spirit and tenacity has been an asset throughout the war. But living in "survival mode" can wear a person down. Will she continue fighting in her own strength or will she open her heart to God, and allow Him to carry her burdens? Although I have not seen the same horrors that Evelyn (and Marthe) were faced with, I hope that in the midst of chaos I will stand strong, be a light and do what I can to make the world a better place. To bring hope to those who have none.
*Quotation is from the song Days in the Sun found on the 2017 release of Disney's Beauty and the Beast.
** No books were harmed during the process of reading this book and writing the review.
I received a complimentary copy of High as the Heavens from Bethany House Publishers I was not required to write a positive review. All opinions expressed are mine alone.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Fall in Books
Jan 23, 2020
*puts on best announcer voice* Ahem.
I'd like to present to you the <b>most confusing book of the year</b>, <i>The Fall</i> by Bethany Griffin. It's a <b>very odd and peculiar book </b>based on Edgar Allen Poe's short story, <i>The Fall of the House of Usher</i>. In Griffin's retelling, Madeline Usher believes that she can break the curse on the Ushers, but then she wakes up in a fabulously claustrophobic box called a coffin.
In all seriousness, <i>The Fall</i> is actually <b>a retelling on one of Poe's stories </b>that I didn't actually read, but watched instead (so bad, it was good). From reading the synopsis of Griffin's retelling, <b>it sounded like Madeline Usher had spent most of her life trying to break free from the curse.</b>
I ended up with something different. At least, that's what I would probably end up with if I actually made it to the end of the book, which I chose not to. I totally admit I peeked at the last few pages just to see what would happen, and it was nothing special.
<b>Griffin starts us out right when Madeline wakes up in a coffin. The rest of the book, however, is all flashback from Madeline's childhood, starting from when she was nine. It's a little out of order, but has a pattern to it in a way</b> – one chapter is nine, the next is fifteen, and occasionally there's a diary/journal entry from Lisbeth Usher. I'm no fan of chapters being even remotely out of order (they can get confusing when you're busy and come back to the story a few days later), but <b>at least Griffin had a pattern.</b>
At least, until about page 150. <b>WHERE IS THIRTEEN AND WHY ARE YOU SKIPPED.</b>
Of course, we go back to thirteen in the next chapter and continue the pattern. In my little game of peek-ahead, I found out <b>there <i>is</i> no particular pattern. My hypothesis to all this is Griffin portraying Madeline's madness increasing as her age increases. As Madeline grows older, she becomes madder. </b>How's that for implementing science?
Anyways, about 50 pages later, I'm pretty much going, "Your point is..?" in a very uninterested mental voice that may or may not include a mental eye roll or two in the process. Here's all that I've found out from what I read:
<ol>
<li>Madeline wakes up in a coffin – Go figure.</li>
<li>She and her brother Roderick is cursed – Knew that.</li>
<li>The House of Usher is, well, alive – Knew that.</li>
<li>The House of Usher is malicious – Knew that, but this was ten times creepier from the cheesy short film.</li>
<li>Madeline has a desire to break the curse on her family – It's very subtle.</li>
</ol>
In the long run, <b><i>The Fall</i> is written in a scattered format (see my hypothesis!) to emphasize the fact that the House of Usher is alive, malicious, and will do <i>anything</i> to keep an Usher within its walls for all eternity. It's nothing remotely impressive if you read or watched the original.</b>
And this is when the book club kills me.
<a href="https://bookwyrmingthoughts.com/dnf-review-the-fall-by-bethany-griffin/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I'd like to present to you the <b>most confusing book of the year</b>, <i>The Fall</i> by Bethany Griffin. It's a <b>very odd and peculiar book </b>based on Edgar Allen Poe's short story, <i>The Fall of the House of Usher</i>. In Griffin's retelling, Madeline Usher believes that she can break the curse on the Ushers, but then she wakes up in a fabulously claustrophobic box called a coffin.
In all seriousness, <i>The Fall</i> is actually <b>a retelling on one of Poe's stories </b>that I didn't actually read, but watched instead (so bad, it was good). From reading the synopsis of Griffin's retelling, <b>it sounded like Madeline Usher had spent most of her life trying to break free from the curse.</b>
I ended up with something different. At least, that's what I would probably end up with if I actually made it to the end of the book, which I chose not to. I totally admit I peeked at the last few pages just to see what would happen, and it was nothing special.
<b>Griffin starts us out right when Madeline wakes up in a coffin. The rest of the book, however, is all flashback from Madeline's childhood, starting from when she was nine. It's a little out of order, but has a pattern to it in a way</b> – one chapter is nine, the next is fifteen, and occasionally there's a diary/journal entry from Lisbeth Usher. I'm no fan of chapters being even remotely out of order (they can get confusing when you're busy and come back to the story a few days later), but <b>at least Griffin had a pattern.</b>
At least, until about page 150. <b>WHERE IS THIRTEEN AND WHY ARE YOU SKIPPED.</b>
Of course, we go back to thirteen in the next chapter and continue the pattern. In my little game of peek-ahead, I found out <b>there <i>is</i> no particular pattern. My hypothesis to all this is Griffin portraying Madeline's madness increasing as her age increases. As Madeline grows older, she becomes madder. </b>How's that for implementing science?
Anyways, about 50 pages later, I'm pretty much going, "Your point is..?" in a very uninterested mental voice that may or may not include a mental eye roll or two in the process. Here's all that I've found out from what I read:
<ol>
<li>Madeline wakes up in a coffin – Go figure.</li>
<li>She and her brother Roderick is cursed – Knew that.</li>
<li>The House of Usher is, well, alive – Knew that.</li>
<li>The House of Usher is malicious – Knew that, but this was ten times creepier from the cheesy short film.</li>
<li>Madeline has a desire to break the curse on her family – It's very subtle.</li>
</ol>
In the long run, <b><i>The Fall</i> is written in a scattered format (see my hypothesis!) to emphasize the fact that the House of Usher is alive, malicious, and will do <i>anything</i> to keep an Usher within its walls for all eternity. It's nothing remotely impressive if you read or watched the original.</b>
And this is when the book club kills me.
<a href="https://bookwyrmingthoughts.com/dnf-review-the-fall-by-bethany-griffin/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (980 KP) rated Alice Through the Looking Glass (2016) in Movies
Aug 6, 2019
As an Alice in Wonderland enthusiast, I was more than thrilled when Disney announced they were making Alice Through the Looking Glass, since the first film was visually stunning I went into watching the sequel with the same expectation that it would be rich in color and visuals. Visually it did not disappoint, with lavish costumes, and whimsical set design from beginning to end; the film was entertaining to watch. With returning characters such as Alice (Mia Wasikowska), The Mad Hatter (Johnny Depp), The Red Queen (Helena Bonham Carter), and The White Queen (Anne Hathaway); the main story focuses on Alice trying to save the Hatter. With the citizens of Wonderland concerned for the Hatter’s wellbeing they rely on Alice to try to save the Hatter before it is too late, however Alice must race against Time (Sacha Baron Cohen) to try to learn what has happened to the Hatters family. Alice learns you can’t change the past but you can learn from it for the future; but will this knowledge help her save the Hatter or keep her stuck in the past?
Alice Through the Looking Glass mainly focuses on the friendship of Alice and the Hatter but also gives background history into the past of the Hatter, The Red Queen, and The White Queen. I found this really insightful and made it easier to get invested into the films plot points. I also found this film much more fast paced then the first film, literally about 10 minutes into the film Alice is jumping through the looking glass into Wonderland and right into the action. The newest addition to this film however is Time; who at first is given the main antagonist slot of the film, but as the story progresses that is not entirely the case. The film really shows good and evil are subjective in a sense, all while giving a good old fashion Disney happy ending.
Tim Burton’s Alice Through the Looking Glass keeps the accomplished directors personal style while keeping the characters of Lewis Carroll’s novel noticeable. However, I will warn you, if you were wanting to see this and hoping it was just like the novel.
It’s not. It’s actually the furthest from the actual book Through the Looking-Glass. The only reason it should probably have this title is due to Alice walking through the looking glass to get to Wonderland, but story wise it has nothing in common story wise. Burton used heavy creative license in the film, and even added Time as a leading role and main plot point that’s not even in Carroll’s novel. While the film is visually stunning and the beloved characters help the audience get invested, the overall plot is somewhat lacking the whimsy that is known in Carroll’s story. While the first film tells the story of Carroll’s novel, the sequel is definitely a story of Burton’s creation. So overall I would say the film is decent; if you enjoyed the first one you should enjoy this one. However, for those who loved the novel and were hoping for an accurate adaptation, this might not be for you. For me personally as a lover of all things “Alice in Wonderland”; I enjoyed it visually, and the portrayal of characters was great, but I felt the story was lacking.
Alice Through the Looking Glass mainly focuses on the friendship of Alice and the Hatter but also gives background history into the past of the Hatter, The Red Queen, and The White Queen. I found this really insightful and made it easier to get invested into the films plot points. I also found this film much more fast paced then the first film, literally about 10 minutes into the film Alice is jumping through the looking glass into Wonderland and right into the action. The newest addition to this film however is Time; who at first is given the main antagonist slot of the film, but as the story progresses that is not entirely the case. The film really shows good and evil are subjective in a sense, all while giving a good old fashion Disney happy ending.
Tim Burton’s Alice Through the Looking Glass keeps the accomplished directors personal style while keeping the characters of Lewis Carroll’s novel noticeable. However, I will warn you, if you were wanting to see this and hoping it was just like the novel.
It’s not. It’s actually the furthest from the actual book Through the Looking-Glass. The only reason it should probably have this title is due to Alice walking through the looking glass to get to Wonderland, but story wise it has nothing in common story wise. Burton used heavy creative license in the film, and even added Time as a leading role and main plot point that’s not even in Carroll’s novel. While the film is visually stunning and the beloved characters help the audience get invested, the overall plot is somewhat lacking the whimsy that is known in Carroll’s story. While the first film tells the story of Carroll’s novel, the sequel is definitely a story of Burton’s creation. So overall I would say the film is decent; if you enjoyed the first one you should enjoy this one. However, for those who loved the novel and were hoping for an accurate adaptation, this might not be for you. For me personally as a lover of all things “Alice in Wonderland”; I enjoyed it visually, and the portrayal of characters was great, but I felt the story was lacking.
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ClareR (5945 KP) rated The Testaments (The Handmaid's Tale #2) in Books
Sep 22, 2019 (Updated Sep 23, 2019)
This was well worth the wait!
The Testaments is the book that many people have been waiting for since the TV series first aired (me!). It seems that everyone likes a sequel. Well, most people anyway, because for every person that I’ve seen rave about how good this book is, I’ve seen as many say that it doesn’t live up to the original. Personally, I’m glad that it’s not written in the same style as the first book. The Handmaid’s Tale was written at a different time. 1985 is a lifetime away. We were entering a time then, where women felt hope for the future - equality seemed achievable. I’m really not so sure that we feel the same way in 2019. Certain developed countries are making it more difficult for women to have abortions, more US states are making it illegal, female children are still being married to adult males in many developing countries; climate change is having a huge impact on the poorest countries and as Margaret Atwood has said, with any disasters, natural or otherwise, it’s always the women and children who suffer the worst deprivation. So Margaret Atwood had all of these things at her disposal when she wrote The Testaments. Everything that happens to the women in Gilead has happened, or is happening, somewhere in the world.
The Testaments is written from three different perspectives. I was delighted to see the return of Aunt Lydia - and she seems to have hit her stride. She’s much more sure of herself here, even though she is still having to watch her back. Gilead may be ultra-religious, but that doesn’t stop the literal back-stabbing. Aunt Lydia shows just how high the poison has spread. We see more than the subservient Aunt that she seems to be in front of The Eyes, and her backstory is fascinating.
Then there is Agnes, a child brought up in Gilead in a high profile family. We see how girls are ‘educated’ in a world where women and girls aren’t allowed to read and write. Agnes is contrasted with Daisy, a teenaged girl living in Canada, who was smuggled out of Gilead by her mother as a baby. There are obviously some pretty big differences. I don’t actually want to say too much, because I hate having my own reading experience ruined.
I loved this book. I really liked that by the end we couldn’t actually be sure whether Aunt Lydia’s records were genuine or fabricated. The symposium at the end (just as there was at the end of The Handmaid’s Tale) casts doubt on the authenticity of the papers that were found. Just like any written records found in this situation, historians have to be open minded about who could have written them. So we’re left wondering at the end whether what we’ve just read is actually what happened.
So does this deserve to be on the Booker Prize 2019 shortlist? Yes, I think it does. I believe it’s well written, I finished feeling thoroughly entertained and emotionally exhausted! I liked the open end too. Whether Atwood does anything with this open ending is up to her really, isn’t it. But I won’t be disappointed if she decides to leave the world of Gilead here. This book is a great way to end the story.
The Testaments is written from three different perspectives. I was delighted to see the return of Aunt Lydia - and she seems to have hit her stride. She’s much more sure of herself here, even though she is still having to watch her back. Gilead may be ultra-religious, but that doesn’t stop the literal back-stabbing. Aunt Lydia shows just how high the poison has spread. We see more than the subservient Aunt that she seems to be in front of The Eyes, and her backstory is fascinating.
Then there is Agnes, a child brought up in Gilead in a high profile family. We see how girls are ‘educated’ in a world where women and girls aren’t allowed to read and write. Agnes is contrasted with Daisy, a teenaged girl living in Canada, who was smuggled out of Gilead by her mother as a baby. There are obviously some pretty big differences. I don’t actually want to say too much, because I hate having my own reading experience ruined.
I loved this book. I really liked that by the end we couldn’t actually be sure whether Aunt Lydia’s records were genuine or fabricated. The symposium at the end (just as there was at the end of The Handmaid’s Tale) casts doubt on the authenticity of the papers that were found. Just like any written records found in this situation, historians have to be open minded about who could have written them. So we’re left wondering at the end whether what we’ve just read is actually what happened.
So does this deserve to be on the Booker Prize 2019 shortlist? Yes, I think it does. I believe it’s well written, I finished feeling thoroughly entertained and emotionally exhausted! I liked the open end too. Whether Atwood does anything with this open ending is up to her really, isn’t it. But I won’t be disappointed if she decides to leave the world of Gilead here. This book is a great way to end the story.
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Bob Mann (459 KP) rated The Circle (2017) in Movies
Sep 29, 2021
Social Media involvement in political manipulation? Don’t be ridiculous!
Set in the near future “The Circle” tells a horror story of the social media age involving an omnipotent American corporate, pitched somewhere between being Facebook-like and Google-like (note, lawyers, I just said “like”!) Emma Watson (“Beauty and the Beast“) plays young intern Mae who, partly through the aid of family friend Annie (Karen Gillan, “Guardians of the Galaxy“, “Doctor Who”) but mostly through her own aptitude, lands a foothold job in customer services for the company. With the lush corporate campus fast becoming home, Mae is quickly singled out as having “executive potential” by the charismatic CEO Bailey (Tom Hanks, “Bridge of Spies“) and his more taciturn sidekick Stenton (US comedian Patton Oswalt).
Progressively brainwashed into believing the company’s intrusive snooping (a favourite motto is “Secrets are Lies”) is all for ‘the greater good’, Mae champions the cause until a tragedy rocks her world and her company beliefs to the core.
Whenever I watch a film I tend to form my own opinion first before checking out what the ‘general public’ on IMDB think. In this case, I must confess to being a bit surprised at our divergence of views: a lot of people clearly hated this movie whereas I confess that I found it very entertaining. Certainly with the alleged role of Russia in influencing elections around the world via social media, the film is most certainly topical! Many reviewers seemed quite upset that Watson’s character is such a ‘doormat’, in that her views are so easily manipulated by the corporate machine. But not every woman – as indeed every man – can or should be a Joan of Arc style role model in every film: why should they be?
I actually found her indoctrination into “the Circle way” as quite convincing, especially a creepy scene where two corporate lackies (Cho Smith and Amir Talai) say that they’re not checking up on Mae’s social life, but…. Watson enjoys extending her post-Potter repertoire well, but the talented John Boyega (“Star Wars: The Force Awakens“) is completely wasted in his role as Ty; the Wozniak-like genious behind The Circle’s technology. The script gives him very little to do other than stand around and look grumpy.
A wasted John Boyega with Emma Watson.
The film is sad in being the last movie appearance of the great Bill Paxton (“Apollo 13”) who plays Mae’s sick father and who died of complications following heart surgery two months before the film’s release (the film is dedicated “For Bill”). Tragically, Mae’s mother in the film, actress Glenn Headly (“Dirty Rotten Scoundrels”) also died suddenly at the age of 62, also due to heart problems, a couple of months after the film’s release. It’s surprising the film doesn’t have a “curse of The Circle” tag on it.
The film was directed by James Ponsoldt, who also wrote the screenplay with novel-writer Dave Eggers (“Away We Go”). I particularly liked the on-screen use of captioning (posts) which was reminiscent to me of last year’s “Nerve“, a B-movie film I rated highly that also had a string social media theme.
While the ending of the film is a bit twee – a movie definition of “being hoisted by your own petard” – it’s overall a thought provoking piece sufficiently close to the truth as to where society is going to raise the hairs on your neck.
Progressively brainwashed into believing the company’s intrusive snooping (a favourite motto is “Secrets are Lies”) is all for ‘the greater good’, Mae champions the cause until a tragedy rocks her world and her company beliefs to the core.
Whenever I watch a film I tend to form my own opinion first before checking out what the ‘general public’ on IMDB think. In this case, I must confess to being a bit surprised at our divergence of views: a lot of people clearly hated this movie whereas I confess that I found it very entertaining. Certainly with the alleged role of Russia in influencing elections around the world via social media, the film is most certainly topical! Many reviewers seemed quite upset that Watson’s character is such a ‘doormat’, in that her views are so easily manipulated by the corporate machine. But not every woman – as indeed every man – can or should be a Joan of Arc style role model in every film: why should they be?
I actually found her indoctrination into “the Circle way” as quite convincing, especially a creepy scene where two corporate lackies (Cho Smith and Amir Talai) say that they’re not checking up on Mae’s social life, but…. Watson enjoys extending her post-Potter repertoire well, but the talented John Boyega (“Star Wars: The Force Awakens“) is completely wasted in his role as Ty; the Wozniak-like genious behind The Circle’s technology. The script gives him very little to do other than stand around and look grumpy.
A wasted John Boyega with Emma Watson.
The film is sad in being the last movie appearance of the great Bill Paxton (“Apollo 13”) who plays Mae’s sick father and who died of complications following heart surgery two months before the film’s release (the film is dedicated “For Bill”). Tragically, Mae’s mother in the film, actress Glenn Headly (“Dirty Rotten Scoundrels”) also died suddenly at the age of 62, also due to heart problems, a couple of months after the film’s release. It’s surprising the film doesn’t have a “curse of The Circle” tag on it.
The film was directed by James Ponsoldt, who also wrote the screenplay with novel-writer Dave Eggers (“Away We Go”). I particularly liked the on-screen use of captioning (posts) which was reminiscent to me of last year’s “Nerve“, a B-movie film I rated highly that also had a string social media theme.
While the ending of the film is a bit twee – a movie definition of “being hoisted by your own petard” – it’s overall a thought provoking piece sufficiently close to the truth as to where society is going to raise the hairs on your neck.
Gareth von Kallenbach (980 KP) rated Spider-Man: Across the Spider-Verse (2023) in Movies
May 31, 2023
Life as a teenager is never easy and when you are gifted with the superhuman abilities of a spider and lead a double life as a student and crime fighter; life gets even harder.
Miles Morales (Shameik Moore) is finding it even harder to hide his secret from his family who has grown concerned that his erratic behavior is more than the usual teenage angst.
In another earth, Gwen Stacy (Hailee Steinfeld) deals with her Police officer father desperately hunting down her alter-ego believing that she is a killer which drives a wedge between them as Gwen desperately tries to find her way forward.
In “Spider-Man Across the Spider-Verse audiences learn that what one perceives as reality is often just the corner of a much larger picture and when Miles confronts what he dismisses as a “Villain of the Week” in a quirky enemy known as The Spot (Jason Schwartzman), starts a campaign against Spider-Man, he soon finds that the threat is much larger than he expected and secretly follows a visiting Gwen into an another Earth where his actions soon draw the attention of a larger temporal Spider squad.
Motivated by his feelings for Gwen and a desire to do good, Miles looks to undo the damage that the Spot is causing across various Earths and learns that each one has its own version of Spider-man or Woman to protect it.
At this point the film goes into overdrive as Miles learns more about his past and how he became Spider-Man but also learns more about the cost that his powers enact on his life and those around him. There are plenty of special moments and guest appearances that follow from the more obscure to the mainstream and the range of emotions from the audience at the press screening as they reacted to the film showed they were deeply engaged and loving it.
The film does take a darker turn and does end in a cliffhanger which sets up the next film very well but also may be a bit darker than younger viewers might want. That being said; I enjoyed this film far more than I did the prior film. I found the animation style a bit off-putting as the jerky way the characters moved was a bit much over the length of a feature film. This time around there is a mix of animation styles throughout and at times in the same frame which may be a bit hard for some as the film does come at the viewer with waves of flashing lights, sounds, and animations that very cleverly mimic reading a comic complete with small boxes to define various characters from time to time.
The film runs nearly two and a half hours and did seem to go on a bit long at times but thanks to the great voice-acting and strong cast as well as engaging storyline I found myself eagerly looking forward to the next film.
I first saw a rough cut of a scene at Cinemacon in 2022 and it was amazing seeing the final scene near the opening of the film as it was a rare instance of a film surpassing expectations and delivers the storyline and action with a good dose of solid characters that fans will love.
4.5 stars out of 5
Miles Morales (Shameik Moore) is finding it even harder to hide his secret from his family who has grown concerned that his erratic behavior is more than the usual teenage angst.
In another earth, Gwen Stacy (Hailee Steinfeld) deals with her Police officer father desperately hunting down her alter-ego believing that she is a killer which drives a wedge between them as Gwen desperately tries to find her way forward.
In “Spider-Man Across the Spider-Verse audiences learn that what one perceives as reality is often just the corner of a much larger picture and when Miles confronts what he dismisses as a “Villain of the Week” in a quirky enemy known as The Spot (Jason Schwartzman), starts a campaign against Spider-Man, he soon finds that the threat is much larger than he expected and secretly follows a visiting Gwen into an another Earth where his actions soon draw the attention of a larger temporal Spider squad.
Motivated by his feelings for Gwen and a desire to do good, Miles looks to undo the damage that the Spot is causing across various Earths and learns that each one has its own version of Spider-man or Woman to protect it.
At this point the film goes into overdrive as Miles learns more about his past and how he became Spider-Man but also learns more about the cost that his powers enact on his life and those around him. There are plenty of special moments and guest appearances that follow from the more obscure to the mainstream and the range of emotions from the audience at the press screening as they reacted to the film showed they were deeply engaged and loving it.
The film does take a darker turn and does end in a cliffhanger which sets up the next film very well but also may be a bit darker than younger viewers might want. That being said; I enjoyed this film far more than I did the prior film. I found the animation style a bit off-putting as the jerky way the characters moved was a bit much over the length of a feature film. This time around there is a mix of animation styles throughout and at times in the same frame which may be a bit hard for some as the film does come at the viewer with waves of flashing lights, sounds, and animations that very cleverly mimic reading a comic complete with small boxes to define various characters from time to time.
The film runs nearly two and a half hours and did seem to go on a bit long at times but thanks to the great voice-acting and strong cast as well as engaging storyline I found myself eagerly looking forward to the next film.
I first saw a rough cut of a scene at Cinemacon in 2022 and it was amazing seeing the final scene near the opening of the film as it was a rare instance of a film surpassing expectations and delivers the storyline and action with a good dose of solid characters that fans will love.
4.5 stars out of 5