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Kristy H (1252 KP) rated Beyond the Point in Books
Jun 21, 2019
Hannah, Dani, and Avery meet at West Point, the U.S. Military Academy. Together, they are going to face four difficult years--at a tough military academy that is even harder on women. Through the adversity, the three will forge a tight friendship. Dani has come to play basketball, but her body may not be on board with that plan. Hannah comes from a military family, but even her own grandfather isn't sure he wants Hannah at West Point. But Hannah forges ahead anyway, and at school, she meets Tim, the love of her life. And finally, there's Avery, who has come to West Point to escape her tough parents and get a free education. But once there, she finds the strict rules harder to follow than expected, especially when she can't help breaking a few hearts along the way. Hannah, Dani, and Avery are coming of age at West Point in the era of 9/11, facing war together, along with love, heartbreak, and more. Can their friendship survive all these things?
This book took me forever to read; it's very long and detailed, starting with the girls arriving at West Point and going much past it. It actually begins with a series of emails, then dips back to West Point. I have somewhat mixed feelings about this novel, which is very sweeping in its content. I never felt a deep desire to get back and pick it up, but when reading it, found it interesting and compelling.
Hannah, Dani, and Avery are intriguing characters, though it took me a little while to tell them apart. At times, they seemed a bit cliched. Other times, they seemed very in-depth. It was very interesting to read a book that went into such detail about military life. (While West Point clearly offered a chance at great friendships and future success, it seemed really scary sometimes!) It offers a lot of heartfelt moments, and I think it truly gave some insight to what military families go through.
Overall, I liked this one - it was a very different read, and I really enjoyed the chance to read a book set at West Point. It's very poignant and often heartbreaking. It felt a bit long and uneven at times, but still very strong for a debut novel. 3+ stars.
This book took me forever to read; it's very long and detailed, starting with the girls arriving at West Point and going much past it. It actually begins with a series of emails, then dips back to West Point. I have somewhat mixed feelings about this novel, which is very sweeping in its content. I never felt a deep desire to get back and pick it up, but when reading it, found it interesting and compelling.
Hannah, Dani, and Avery are intriguing characters, though it took me a little while to tell them apart. At times, they seemed a bit cliched. Other times, they seemed very in-depth. It was very interesting to read a book that went into such detail about military life. (While West Point clearly offered a chance at great friendships and future success, it seemed really scary sometimes!) It offers a lot of heartfelt moments, and I think it truly gave some insight to what military families go through.
Overall, I liked this one - it was a very different read, and I really enjoyed the chance to read a book set at West Point. It's very poignant and often heartbreaking. It felt a bit long and uneven at times, but still very strong for a debut novel. 3+ stars.

Gareth von Kallenbach (980 KP) rated Kubo and the Two Strings (2016) in Movies
Jul 15, 2019
If you must blink, do it now” or you might miss any number of details the
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.

Phil Leader (619 KP) rated Out of the Silence in Books
Nov 21, 2019
This book tackles a difficult subject without compromise but still manages to be a gripping and powerful read. In rural Pakistan a woman is found badly injured after a horrific attack. Sure she is about to die she tells the nurse tending her the story of her life.
She is called Afra and was courted by a boy called Jameel in her village. But her family only see profit in Afra and sell her to a rich businessman from a distant city to be his wife. Jameel leaves the village in shame. Their lives take very different paths from there.
Ralph Buchanan used to be the toast of the journalistic world, exposing corruption and scandal, his work earning him awards and fame. However too many corners cut and too many regrets have left him washed up in Lahore, a has-been drinking his life away. He is told the story of Afra and realises he could make a difference, but before that he needs to drag himself up from rock bottom.
The first part of the book, telling the story of Afra and Jameel is relatively slow paced. It is also a pretty grim read as Mullen describes the reality of life for many women who are still treated as property in Pakistan. There is much that is hard to read, but sometimes the truth can be very ugly. This is nothing like anything Mullen has written before. But he is a writer of considerable talent and weaves the tale expertly. Naturally there is a murder mystery woven into the story, so it is not a complete departure from his normal subject matter.
Once Buchanen enters, the pace picks up and something of the style of his other books returns, with Ralph being very much in the mould of a 'noir journalist'. The story from this point forward is not only his ongoing investigation into Afra's story and the murderer, but also his own personal journey. Mullen has a fabulously light touch with both characters and language that mean the reader is drawn into the events, even more so for having read the shocking story that kicks this book into life.
Owen Mullen has tried something different here, and has sought to expose a deep injustice in the world. He has succeeded on both counts. An author that deserves a wider audience
She is called Afra and was courted by a boy called Jameel in her village. But her family only see profit in Afra and sell her to a rich businessman from a distant city to be his wife. Jameel leaves the village in shame. Their lives take very different paths from there.
Ralph Buchanan used to be the toast of the journalistic world, exposing corruption and scandal, his work earning him awards and fame. However too many corners cut and too many regrets have left him washed up in Lahore, a has-been drinking his life away. He is told the story of Afra and realises he could make a difference, but before that he needs to drag himself up from rock bottom.
The first part of the book, telling the story of Afra and Jameel is relatively slow paced. It is also a pretty grim read as Mullen describes the reality of life for many women who are still treated as property in Pakistan. There is much that is hard to read, but sometimes the truth can be very ugly. This is nothing like anything Mullen has written before. But he is a writer of considerable talent and weaves the tale expertly. Naturally there is a murder mystery woven into the story, so it is not a complete departure from his normal subject matter.
Once Buchanen enters, the pace picks up and something of the style of his other books returns, with Ralph being very much in the mould of a 'noir journalist'. The story from this point forward is not only his ongoing investigation into Afra's story and the murderer, but also his own personal journey. Mullen has a fabulously light touch with both characters and language that mean the reader is drawn into the events, even more so for having read the shocking story that kicks this book into life.
Owen Mullen has tried something different here, and has sought to expose a deep injustice in the world. He has succeeded on both counts. An author that deserves a wider audience

Hazel (2934 KP) rated Who Did You Tell? in Books
Dec 20, 2019
Compelling and engrossing
From the Sunday Times bestselling author of "The Rumour" comes another cracking story from Lesley Kara.
I was looking forward to reading this after having read and enjoyed Ms Kara's debut novel "The Rumour" and I certainly wasn't disappointed although this was sometimes a difficult read due to the main character, Astrid, being a recovering alcoholic with a chequered history.
Initially, Astrid was a difficult character to like but as the novel moved on, I found myself rooting for her to succeed against the inner voices in her head pulling her back towards the demon drink and although I am not an alcoholic, recovering or current, it does feel authentic. The way Ms Kara describes the impact addiction has not only on the person themselves but also on the family and wider relationships is well captured in this book.
Astrid is trying to rebuild her life - moving back to her childhood home to live with her mum, attending AA meetings, trying to rekindle her gift of painting, rebuilding the trust of her mum but she is full of shame and guilt regarding events she recalls from her past drinking days; events that only she and her ex-boyfriend know about or so she thought ... someone is watching her, someone is sending her notes, someone is going out of their way to try and prevent her from moving on.
The book is told mainly from Astrid's point of view with snippets included from the "stalker's" perspective. This, I think, was genius as it not only immersed me into Astrid's thought processes and daily struggles with addiction but also gave me an idea of what she was up against.
The story starts quite slowly but develops in intensity and pace with twists along the way and although you would think it would be heavy-going given the subject matter, it isn't as there are lighter moments sprinkled throughout. All of the characters are well developed and interesting and the setting of the small coastal town is perfect.
This is a compelling and engrossing read dealing with a difficult subject matter with sensitivity and one I would definitely recommend to readers who like to get their teeth into something a bit different.
Many thanks to RandomHouse UK, Transworld Publishers via NetGalley for my copy in return for an honest and unbiased review.
I was looking forward to reading this after having read and enjoyed Ms Kara's debut novel "The Rumour" and I certainly wasn't disappointed although this was sometimes a difficult read due to the main character, Astrid, being a recovering alcoholic with a chequered history.
Initially, Astrid was a difficult character to like but as the novel moved on, I found myself rooting for her to succeed against the inner voices in her head pulling her back towards the demon drink and although I am not an alcoholic, recovering or current, it does feel authentic. The way Ms Kara describes the impact addiction has not only on the person themselves but also on the family and wider relationships is well captured in this book.
Astrid is trying to rebuild her life - moving back to her childhood home to live with her mum, attending AA meetings, trying to rekindle her gift of painting, rebuilding the trust of her mum but she is full of shame and guilt regarding events she recalls from her past drinking days; events that only she and her ex-boyfriend know about or so she thought ... someone is watching her, someone is sending her notes, someone is going out of their way to try and prevent her from moving on.
The book is told mainly from Astrid's point of view with snippets included from the "stalker's" perspective. This, I think, was genius as it not only immersed me into Astrid's thought processes and daily struggles with addiction but also gave me an idea of what she was up against.
The story starts quite slowly but develops in intensity and pace with twists along the way and although you would think it would be heavy-going given the subject matter, it isn't as there are lighter moments sprinkled throughout. All of the characters are well developed and interesting and the setting of the small coastal town is perfect.
This is a compelling and engrossing read dealing with a difficult subject matter with sensitivity and one I would definitely recommend to readers who like to get their teeth into something a bit different.
Many thanks to RandomHouse UK, Transworld Publishers via NetGalley for my copy in return for an honest and unbiased review.

KalJ95 (25 KP) rated God of War in Video Games
Jan 3, 2020
The most gripping and emotionally engaging narrative in years. (2 more)
Combat is brutal and satisfying.
The one take camera is an astonishing achievement.
Powerful Playstation Epic.
Back in 2015, gaming hit its peak, and the new generation really came into full effect. Bloodborne, MGS V: The Phantom Pain, Rise of the Tomb Raider, just some games to hit the same year, but what really made me question just how incredible video games could become, was The Witcher 3: Wild Hunt. Since then, I found games that reached similar levels, but never peaked as much as that. Until God of War.
God of War engaged with me so much because at the time I was trying with my other half to have a child, and persistent family issues meant I no longer spoke to my father. Following the story of Kratos and Atreus really hit home, and I've never felt so gripped and emotionally attached to fictional characters. Every beat of the narrative is put there to for purpose, and to carry weight along this epic journey with a father and son. It packs so much intensity at times it becomes enthralling, almost addictive to continue its 25 hour length. This, I suppose, you could say is it's one part of two contained within the game.
Of course, there are levels upon levels to examine within this masterpiece, but simplifying it within two aspects seems the most appropriate way. The second is the combat.
God of War is brutal, bloody, bold. The simplicity to master the move sets is so brilliant and often bonkers. Throwing your trusty Leviathan Axe, and calling it back never, ever gets boring, and pushes you to become more intelligent with its system. The more the game enters its next stage, a curveball hits you, and you have to learn what you know already, and add even more creativity. By the end, you should be an expert. That is until you meet the Queen Valkyrie. That's all I'll say.
God of War is a masterpiece. Sure, there could of been a little more meat on the bone when it came to the endgame, more side mission content. But the story is so perfect, so masterful, it deserves every bit of praise it gathers.
God of War engaged with me so much because at the time I was trying with my other half to have a child, and persistent family issues meant I no longer spoke to my father. Following the story of Kratos and Atreus really hit home, and I've never felt so gripped and emotionally attached to fictional characters. Every beat of the narrative is put there to for purpose, and to carry weight along this epic journey with a father and son. It packs so much intensity at times it becomes enthralling, almost addictive to continue its 25 hour length. This, I suppose, you could say is it's one part of two contained within the game.
Of course, there are levels upon levels to examine within this masterpiece, but simplifying it within two aspects seems the most appropriate way. The second is the combat.
God of War is brutal, bloody, bold. The simplicity to master the move sets is so brilliant and often bonkers. Throwing your trusty Leviathan Axe, and calling it back never, ever gets boring, and pushes you to become more intelligent with its system. The more the game enters its next stage, a curveball hits you, and you have to learn what you know already, and add even more creativity. By the end, you should be an expert. That is until you meet the Queen Valkyrie. That's all I'll say.
God of War is a masterpiece. Sure, there could of been a little more meat on the bone when it came to the endgame, more side mission content. But the story is so perfect, so masterful, it deserves every bit of praise it gathers.

Kristy H (1252 KP) rated The Sea of Lost Girls in Books
Mar 19, 2020
Tessa has started her life over at Haywood, an elite boarding school in coastal Maine. She teaches English there and is married to a well-respected fellow professor, Harmon. Her seventeen-year-old son, Rudy, while troubled in the past, seems to be doing well. This is much in part to his girlfriend, Lila Zeller, a smart and focused teen. But then Tessa gets an early morning text from Rudy, asking her to pick him up. He and Lila had a fight, and Tessa finds him wet and shivering. Later that morning they receive the devastating news that Lila's dead body was found on the beach, not far from where Tessa picked Rudy up. Soon there are whispers of murder surrounding Lila's death, and both Tessa's husband and son find themselves under investigation. And the more she delves into Haywood's past, the more she realizes she isn't the only one keeping secrets.
"When we landed here in this pretty harbor town with its sailboats and white clapboard houses I'd thought we'd come to a place where we'd always be safe. But Rudy has always had a nose for darkness."
I love Carol Goodman's books, and I'm always into a good boarding school book, so picking up this one was a no-brainer. She doesn't disappoint. This is a quick, captivating story that keeps you guessing the entire time. While Tessa isn't always the most likeable character, I was certainly invested in her story.
Goodman deftly weaves two storylines together--the present, featuring Tessa's family and Lila's death and the past, which revolves around the titular lost girls, whom tie back to Haywood in its earlier days. We also learn more about Tessa's past and her long-hidden secrets, many of which also link into Haywood itself. Somehow all of this works together. It's a mysterious, sometimes dark story, and one that keeps you wondering. I changed my mind several times about who could have harmed Lila. I love a book that keeps me on my toes. I also enjoyed the story of the lost girls and the school's eerie stories.
Goodman is a master storyteller, and this book flies by. She brings in links such as "The Crucible," which the Haywood students are performing, and ties to the #metoo movement. They all augment this strong story about the power of lies and hidden secrets. The parallels between the past and present are expertly woven together. 4 stars.
"When we landed here in this pretty harbor town with its sailboats and white clapboard houses I'd thought we'd come to a place where we'd always be safe. But Rudy has always had a nose for darkness."
I love Carol Goodman's books, and I'm always into a good boarding school book, so picking up this one was a no-brainer. She doesn't disappoint. This is a quick, captivating story that keeps you guessing the entire time. While Tessa isn't always the most likeable character, I was certainly invested in her story.
Goodman deftly weaves two storylines together--the present, featuring Tessa's family and Lila's death and the past, which revolves around the titular lost girls, whom tie back to Haywood in its earlier days. We also learn more about Tessa's past and her long-hidden secrets, many of which also link into Haywood itself. Somehow all of this works together. It's a mysterious, sometimes dark story, and one that keeps you wondering. I changed my mind several times about who could have harmed Lila. I love a book that keeps me on my toes. I also enjoyed the story of the lost girls and the school's eerie stories.
Goodman is a master storyteller, and this book flies by. She brings in links such as "The Crucible," which the Haywood students are performing, and ties to the #metoo movement. They all augment this strong story about the power of lies and hidden secrets. The parallels between the past and present are expertly woven together. 4 stars.

ClareR (5945 KP) rated The Bastille Spy in Books
Aug 1, 2019 (Updated Aug 1, 2019)
A very enjoyable historical spy adventure!
England’s best spy, in this novel set in only just pre-Revolution Paris (1789), is Attica Morgan. Yes, in a time where a woman was deemed to be the fairer, weaker sex, Attica is a ruthless, all-action spy in His Majesty’s Government. And I loved her.
I’ve no idea how likely this would have been, and largely speaking, I don’t actually care. This book is non-stop action, as Attica is asked to investigate the murder of a rebel in the Bastille. She sees how dangerous Paris is becoming, and how the French royal family really don’t care about their poorer subjects. Attica teams up with a Privateer/ Pirate to complete her mission - and I found myself wondering (and hoping - see point 2):
1. When the next book will be coming out*, and
2. Will he be in it!
*for the record, I know that this book has only just released, and I’m firmly of the opinion that authors should take as long as they want/ need to take over writing their books. Can’t help but want to see more of these fabulous characters though!
Attica’s backstory is fascinating: the bastard daughter of a British nobleman who has escaped from slavery, educated and brought up as a Lady, she is expected to marry to her family’s advantage (or to that of the Crown). Attica doesn’t really like playing by the rules though, and trains to be a spy - which sounds brutal, but prepares her for some pretty risky missions.
The French people generally, whether Royalists or Republicans, don’t come off terribly well. The Republicans all seem to be pretty bloodthirsty and immoral, the Royalists are ‘just’ immoral. So, happy days (I should also say here that I know lots of lovely French people who are neither immoral or bloodthirsty. Just to make that clear 😉)!
Have I said how much I liked this book? Because I really did. If you want a fun, exciting, historical fiction novel, then this will be right up your street. I’m definitely putting this in my ‘Look out for the next in the series’ watchlist (yes, I really do have one of those).
Many thanks to Jellybooks who provided me with a copy of this book to read and review all the way back in April 2019! I’ve had to try very hard to keep this under my hat since then!
I’ve no idea how likely this would have been, and largely speaking, I don’t actually care. This book is non-stop action, as Attica is asked to investigate the murder of a rebel in the Bastille. She sees how dangerous Paris is becoming, and how the French royal family really don’t care about their poorer subjects. Attica teams up with a Privateer/ Pirate to complete her mission - and I found myself wondering (and hoping - see point 2):
1. When the next book will be coming out*, and
2. Will he be in it!
*for the record, I know that this book has only just released, and I’m firmly of the opinion that authors should take as long as they want/ need to take over writing their books. Can’t help but want to see more of these fabulous characters though!
Attica’s backstory is fascinating: the bastard daughter of a British nobleman who has escaped from slavery, educated and brought up as a Lady, she is expected to marry to her family’s advantage (or to that of the Crown). Attica doesn’t really like playing by the rules though, and trains to be a spy - which sounds brutal, but prepares her for some pretty risky missions.
The French people generally, whether Royalists or Republicans, don’t come off terribly well. The Republicans all seem to be pretty bloodthirsty and immoral, the Royalists are ‘just’ immoral. So, happy days (I should also say here that I know lots of lovely French people who are neither immoral or bloodthirsty. Just to make that clear 😉)!
Have I said how much I liked this book? Because I really did. If you want a fun, exciting, historical fiction novel, then this will be right up your street. I’m definitely putting this in my ‘Look out for the next in the series’ watchlist (yes, I really do have one of those).
Many thanks to Jellybooks who provided me with a copy of this book to read and review all the way back in April 2019! I’ve had to try very hard to keep this under my hat since then!

Gareth von Kallenbach (980 KP) rated Mr. Peabody & Sherman (2014) in Movies
Aug 6, 2019
Mr. Peabody and Sherman were first introduced to the world via the
1950s-1960s legendary kids cartoon "The Rocky and Bullwinkle Show." Mr.
Peabody (Ty Burell), a Nobel prize winning brainiac canine, whose
intelligence is beyond that of any human being; there is nothing this
Beagle cannot do. He was able to put his brilliant mind to use and adopt
a young boy named Sherman (Max Charles) and he also invents a time
travelling machine he calls the WABAC (pronounced way-back). He uses the
WABAC as a teaching tool by travelling back in time with Sherman to
experience some of the most famous moments in history.
On Sherman's first day school, he finds that some of the history lessons
being taught in school were not accurate to how the events actually took
place. Remember, he traveled in time and witnessed it all first hand.
Sherman finds himself clashing with his classmate Penny (Ariel Winter),
who spends most of her time teasing and bullying Sherman for 'knowing too
much' and for being raised by a dog. In an attempt to bring peace among
Sherman's classmates and to also avoid the impending threat from child
services who would like nothing more than to prove that a dog does not have
the right to raise human child, Mr. Peabody invites Penny and her parents
over to their home for dinner. Sherman tries to impress Penny by breaking
Mr. Peabody's rules and introduces Penny to the WABAC. Nothing good comes
of two kids travelling in time and disrupting the space time continuum.
Enter Mr. Peabody, who uses the WABAC to try and rectify the disruptions
that were caused by Penny and Sherman's adventure through time.
This movie is not the story of "man's best friend!" It is geared more
towards the father-son relationship. A very likeable film that brings us
back to some significant moments in history, such as Leonardo DaVinci's
painting of the Mona Lisa, the Trojan War, the time when King Tut ruled
Ancient Egypt, and the French Revolution. In true Dreamwork fashion, there
was just the perfect of amount of humor for kids and adults alike to
enjoy. What sets this movie apart from others is its ability to embrace
education as an adventure and how it challenges the 'traditional' family
stereotype and that love can be found in all creatures and at any time.
4 out of 5 stars.
1950s-1960s legendary kids cartoon "The Rocky and Bullwinkle Show." Mr.
Peabody (Ty Burell), a Nobel prize winning brainiac canine, whose
intelligence is beyond that of any human being; there is nothing this
Beagle cannot do. He was able to put his brilliant mind to use and adopt
a young boy named Sherman (Max Charles) and he also invents a time
travelling machine he calls the WABAC (pronounced way-back). He uses the
WABAC as a teaching tool by travelling back in time with Sherman to
experience some of the most famous moments in history.
On Sherman's first day school, he finds that some of the history lessons
being taught in school were not accurate to how the events actually took
place. Remember, he traveled in time and witnessed it all first hand.
Sherman finds himself clashing with his classmate Penny (Ariel Winter),
who spends most of her time teasing and bullying Sherman for 'knowing too
much' and for being raised by a dog. In an attempt to bring peace among
Sherman's classmates and to also avoid the impending threat from child
services who would like nothing more than to prove that a dog does not have
the right to raise human child, Mr. Peabody invites Penny and her parents
over to their home for dinner. Sherman tries to impress Penny by breaking
Mr. Peabody's rules and introduces Penny to the WABAC. Nothing good comes
of two kids travelling in time and disrupting the space time continuum.
Enter Mr. Peabody, who uses the WABAC to try and rectify the disruptions
that were caused by Penny and Sherman's adventure through time.
This movie is not the story of "man's best friend!" It is geared more
towards the father-son relationship. A very likeable film that brings us
back to some significant moments in history, such as Leonardo DaVinci's
painting of the Mona Lisa, the Trojan War, the time when King Tut ruled
Ancient Egypt, and the French Revolution. In true Dreamwork fashion, there
was just the perfect of amount of humor for kids and adults alike to
enjoy. What sets this movie apart from others is its ability to embrace
education as an adventure and how it challenges the 'traditional' family
stereotype and that love can be found in all creatures and at any time.
4 out of 5 stars.

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