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Rachel King (13 KP) rated Confessions of an Ugly Stepsister in Books
Feb 11, 2019
I have been meaning to read this book for some time, simply because I loved Gregory Maguire's Wicked so much. This book I read considerably slower than I expected, though I still found the plot compelling. In this retelling of Cinderella, the reader follows the viewpoint of Iris, one of the "stepsisters" of the original tale. Iris is smart and artistic, but plain-looking -- a fact her mother never fails to point out endlessly. Iris's older sister, Ruth, is dumb and mute, which makes life at times both interesting and difficult for Iris and their mother, Margarethe.
The trio flee England for Margarethe's homeland of Holland -- the reasons for which remaining a mystery for most of the book -- and are forced to beg for shelter and work before falling under the mercy of a local painter. This is where Clara, the blonde changeling girl standing in the place of "Cinderella," is introduced. Her beauty is so ethereal that she lives a reclusive, sheltered existence under the extreme protection of her mother. Strangely, Clara and Iris seem to make up two sides of the same coin -- where one lacks the other excels in. Where Clara hides from strangers, Iris is adept at social interaction. Iris's vivid imagination makes up for Clara's lack of intelligence.
Margarethe's machinations first get her and her daughters into the same household under Clara's parents, as their servants. Then when Clara's mother dies through mysterious circumstances, Margarethe maneuvers them to become Clara's step-family, effectively pushing Clara's father almost completely out of the picture. Ironically, a picture is what serves as the glue for almost the entire plot, motivating all of the main characters to a particular behavior.
Clara is almost the complete opposite of what one would expect from the image of "Cinderella." She is spoiled, rich, obstinate, paranoid, reclusive, delusional, confrontational, and quite childish even in adulthood. Margarethe is a villain that is relate-able, as her choices throughout the book stem from an obsessive need to both survive and thrive. Though at times I intensely dislike the things that she spouts, I cannot hate her due to the suffering she endures from a certain ironic malady that befalls her.
The ending that is so familiar to the original tale seems to happen almost by accident -- and how easily Iris could have taken Clara's place makes me a bit sad for Iris. The ending to the book is also a nice surprise, causing me to rethink many of the scenes and the thoughts that could have been occurring to one of the central characters. Indeed, the ending makes the book almost worth a re-read.
The trio flee England for Margarethe's homeland of Holland -- the reasons for which remaining a mystery for most of the book -- and are forced to beg for shelter and work before falling under the mercy of a local painter. This is where Clara, the blonde changeling girl standing in the place of "Cinderella," is introduced. Her beauty is so ethereal that she lives a reclusive, sheltered existence under the extreme protection of her mother. Strangely, Clara and Iris seem to make up two sides of the same coin -- where one lacks the other excels in. Where Clara hides from strangers, Iris is adept at social interaction. Iris's vivid imagination makes up for Clara's lack of intelligence.
Margarethe's machinations first get her and her daughters into the same household under Clara's parents, as their servants. Then when Clara's mother dies through mysterious circumstances, Margarethe maneuvers them to become Clara's step-family, effectively pushing Clara's father almost completely out of the picture. Ironically, a picture is what serves as the glue for almost the entire plot, motivating all of the main characters to a particular behavior.
Clara is almost the complete opposite of what one would expect from the image of "Cinderella." She is spoiled, rich, obstinate, paranoid, reclusive, delusional, confrontational, and quite childish even in adulthood. Margarethe is a villain that is relate-able, as her choices throughout the book stem from an obsessive need to both survive and thrive. Though at times I intensely dislike the things that she spouts, I cannot hate her due to the suffering she endures from a certain ironic malady that befalls her.
The ending that is so familiar to the original tale seems to happen almost by accident -- and how easily Iris could have taken Clara's place makes me a bit sad for Iris. The ending to the book is also a nice surprise, causing me to rethink many of the scenes and the thoughts that could have been occurring to one of the central characters. Indeed, the ending makes the book almost worth a re-read.
Whatchareadin (174 KP) rated The Underwriting in Books
Apr 9, 2019
Hook is the hottest new dating app. It's location based and as long as two users match each other they can "hook" up in a matter of minutes.
Jost Hart, Hook's creator, believes it's time to follow in the steps of Facebook and other apps and take his public. He enlist Todd Kent with L.Cecil to help with the IPO. Todd barely knows Josh, having just met him briefly at a strip club months before, but is grateful for the opportunity seeing the potential in the app since he is one of it's users.
Kelly Jacobsen is also a Hook user, one of about 500 million. She has just accepted a position at L.Cecil after interning there over the summer. Now, back at Stanford, she reaches out to Tara Taylor, her mentor during the internship, letting her know of the decision. Tara is very excited for Kelly, this along with being named as part of the IPO team for Hook is really making her week. But after making this decision and spending a night out with friends, the next day, Kelly is found dead, with a drug overdose as the explanation. Her friends and family are baffled by this as this is something she would never do.
The death of a young co-ed and the introduction of a new company going public. Could these events be related in any way? Could Hook somehow be involved with Kelly's untimely demise? As the buzz for the IPO grows so does the speculation of the security of the app and it's users.
With so many changes happening so quickly, what will be the outcome? This book is filled with sex, lies, and billions of dollars, never a great combination when dealing with murder!
When first reading this book I was shocked at the number of different characters introduced so quickly. The book was fast paced from the start. ou meet the team of L.Cecil bankers in charge of the underwriting. From the guy at the top, to the little-a analyst who is crunching all of the numbers. You meet the guys in Silicon Valley from the creator of the app, to the engineers, that help to keep it running.
Everyone has their own agenda in this deal. To be bigger, better, and more powerful than before. And with billions of dollars on the table, the deal would do just that. This was an intriguing book, that thoroughly kept my attention. After reading one night I had very vivid dream about the book. I was sitting at the table with everyone, trying to make the deal work. It was a bit crazy for me. There are parts of this book that leave you with your mouth hanging open as you can't believe what you just read.
Jost Hart, Hook's creator, believes it's time to follow in the steps of Facebook and other apps and take his public. He enlist Todd Kent with L.Cecil to help with the IPO. Todd barely knows Josh, having just met him briefly at a strip club months before, but is grateful for the opportunity seeing the potential in the app since he is one of it's users.
Kelly Jacobsen is also a Hook user, one of about 500 million. She has just accepted a position at L.Cecil after interning there over the summer. Now, back at Stanford, she reaches out to Tara Taylor, her mentor during the internship, letting her know of the decision. Tara is very excited for Kelly, this along with being named as part of the IPO team for Hook is really making her week. But after making this decision and spending a night out with friends, the next day, Kelly is found dead, with a drug overdose as the explanation. Her friends and family are baffled by this as this is something she would never do.
The death of a young co-ed and the introduction of a new company going public. Could these events be related in any way? Could Hook somehow be involved with Kelly's untimely demise? As the buzz for the IPO grows so does the speculation of the security of the app and it's users.
With so many changes happening so quickly, what will be the outcome? This book is filled with sex, lies, and billions of dollars, never a great combination when dealing with murder!
When first reading this book I was shocked at the number of different characters introduced so quickly. The book was fast paced from the start. ou meet the team of L.Cecil bankers in charge of the underwriting. From the guy at the top, to the little-a analyst who is crunching all of the numbers. You meet the guys in Silicon Valley from the creator of the app, to the engineers, that help to keep it running.
Everyone has their own agenda in this deal. To be bigger, better, and more powerful than before. And with billions of dollars on the table, the deal would do just that. This was an intriguing book, that thoroughly kept my attention. After reading one night I had very vivid dream about the book. I was sitting at the table with everyone, trying to make the deal work. It was a bit crazy for me. There are parts of this book that leave you with your mouth hanging open as you can't believe what you just read.
Mark Jaye (65 KP) rated The Conjuring (2013) in Movies
May 13, 2019
The Conjuring Review
Contains spoilers, click to show
Originally wrote in 2013:
As an avid fan of horror I look for a few little things which if aren't apparent within the first minute decide on whether I'm going to bother with the rest of the film. Usually the company releasing the movie is a good starting point, reputable/recognised director or producer, recognisable actor/s, good production values - that sort of thing. I've seen some hum-dingers over the years - those films where Johnny Nobody has gathered several of his buddies together with a cheap camcorder or two and filmed some alleged zombie epic in the woods at the back of their school.
**The Conjuring is not one of those**
I like to think I have a strong disposition when it comes to scares - usually it takes a lot to make me squint. Examples that come to mind are 'Sinister', 'The Grudge', the end of 'The Ring' (you know, the scary dark haired girl climbing out of the TV!). The Conjuring is one of those - I watched this in the middle of the morning and found it pretty scary in places.
James Wan certainly knows how to make a movie of this type and is great at evoking atmosphere and notching up the scares as the film develops. In a nutshell, this is the alleged real life story of the Perron family who in 1971 moved into a new farmhouse. It isn't long before the usual shenanigans begin - pictures pulled off walls, doors knocking in the dead of night, the children befriending mysterious 'imaginary' kids (who we all know watching are going to show up at some point). The film sticks to the tried and tested story - gradual possession of one of the adults (Lily Taylor), gradually increasing appearances by ghostly figures, calling in the ghostbusters, gathering the proof, then the exorcism. It may be join the dots territory but it works.
Patrick Wilson shines and seems to be making his mark in films of this nature (Insidious and Insidious Chapter 2) - he portrays real life paranormal investigator Ed Warren who with his wife Lorraine (played just as well by Vera Farmiga) become immersed in the life of the Perron's making themselves targets of the supernatural force at work in the process.
The demonic spirit at work is that of a witch who was married to the guy who built the house back in the 1800's who cursed the land before committing suicide after murdering their child whilst a few days old. There is one particularly pant browning scene where the witch makes her first appearance atop a bedroom wardrobe....and I'll leave it there!
Quality. Best horror I've seen since Sinister.
As an avid fan of horror I look for a few little things which if aren't apparent within the first minute decide on whether I'm going to bother with the rest of the film. Usually the company releasing the movie is a good starting point, reputable/recognised director or producer, recognisable actor/s, good production values - that sort of thing. I've seen some hum-dingers over the years - those films where Johnny Nobody has gathered several of his buddies together with a cheap camcorder or two and filmed some alleged zombie epic in the woods at the back of their school.
**The Conjuring is not one of those**
I like to think I have a strong disposition when it comes to scares - usually it takes a lot to make me squint. Examples that come to mind are 'Sinister', 'The Grudge', the end of 'The Ring' (you know, the scary dark haired girl climbing out of the TV!). The Conjuring is one of those - I watched this in the middle of the morning and found it pretty scary in places.
James Wan certainly knows how to make a movie of this type and is great at evoking atmosphere and notching up the scares as the film develops. In a nutshell, this is the alleged real life story of the Perron family who in 1971 moved into a new farmhouse. It isn't long before the usual shenanigans begin - pictures pulled off walls, doors knocking in the dead of night, the children befriending mysterious 'imaginary' kids (who we all know watching are going to show up at some point). The film sticks to the tried and tested story - gradual possession of one of the adults (Lily Taylor), gradually increasing appearances by ghostly figures, calling in the ghostbusters, gathering the proof, then the exorcism. It may be join the dots territory but it works.
Patrick Wilson shines and seems to be making his mark in films of this nature (Insidious and Insidious Chapter 2) - he portrays real life paranormal investigator Ed Warren who with his wife Lorraine (played just as well by Vera Farmiga) become immersed in the life of the Perron's making themselves targets of the supernatural force at work in the process.
The demonic spirit at work is that of a witch who was married to the guy who built the house back in the 1800's who cursed the land before committing suicide after murdering their child whilst a few days old. There is one particularly pant browning scene where the witch makes her first appearance atop a bedroom wardrobe....and I'll leave it there!
Quality. Best horror I've seen since Sinister.
Kyera (8 KP) rated A Wild and Unremarkable Thing in Books
Feb 1, 2018
A Wild and Unremarkable Thing had a very interesting premise that blended fantasy aspects like dragons, with Greek mythology and medieval lore. I love history and mythology, so this book immediately called to me. Unfortunately, it didn't entirely live up to my expectations for it although I did still enjoy my read. I believe that the biggest reason why it stumbled for me is how short the book is. At 238 pages, the author did not have enough time to adequately flesh out the plotline and characters leaving the story feeling rushed and the supporting characters unexplored.
The book is written through alternating points of view, which was a nice way to delve deeper into the character's psyche despite the short text. The main character is Cody, a girl who was born Cayda but has been forced by her father to train and lie her entire life with the hopes that she will slay a Fire Scale. She accepts the pain and commitment because the most important thing is to be able to provide for her family, especially her sisters. I wish that we had been able to get to know the sisters more so that we could form that bond with them and the book would have had more emotional weight.
The other two main characters were Penn and Wolfe. Penn was certainly the most interesting aspect of the story and I enjoyed seeing things from his perspective. Wolfe, on the other hand, was not a character that I related to or enjoyed reading. It was nice however to see things from his perspective as it offered a completely different life experience to view the hunt through.
The book also fell prey to the trope of insta-love, which I believe was also the fault of the story being so short. There was not adequate time to explore the relationship or infatuation between two characters before it seemed as if they were suddenly in love. It almost felt as if chapters of the story were missing because the development of bonds between characters or the plot would jump forward without sufficient explanation. The ending of the book felt incredibly rushed and I wish that it had been given the longer, more detailed conclusion that it deserved.
As a casual reader, I found that I enjoyed the overall story and the weaving of Greek mythology into the plot. Unfortunately, critically there were a number of different aspects that detracted from my enjoyment of the book or drew me out of the story. Despite that, I felt that the author's writing was well done and hope that she can bring more detail to her books in the future.
The book is written through alternating points of view, which was a nice way to delve deeper into the character's psyche despite the short text. The main character is Cody, a girl who was born Cayda but has been forced by her father to train and lie her entire life with the hopes that she will slay a Fire Scale. She accepts the pain and commitment because the most important thing is to be able to provide for her family, especially her sisters. I wish that we had been able to get to know the sisters more so that we could form that bond with them and the book would have had more emotional weight.
The other two main characters were Penn and Wolfe. Penn was certainly the most interesting aspect of the story and I enjoyed seeing things from his perspective. Wolfe, on the other hand, was not a character that I related to or enjoyed reading. It was nice however to see things from his perspective as it offered a completely different life experience to view the hunt through.
The book also fell prey to the trope of insta-love, which I believe was also the fault of the story being so short. There was not adequate time to explore the relationship or infatuation between two characters before it seemed as if they were suddenly in love. It almost felt as if chapters of the story were missing because the development of bonds between characters or the plot would jump forward without sufficient explanation. The ending of the book felt incredibly rushed and I wish that it had been given the longer, more detailed conclusion that it deserved.
As a casual reader, I found that I enjoyed the overall story and the weaving of Greek mythology into the plot. Unfortunately, critically there were a number of different aspects that detracted from my enjoyment of the book or drew me out of the story. Despite that, I felt that the author's writing was well done and hope that she can bring more detail to her books in the future.
Kristy H (1252 KP) rated The Girl in the Spider's Web: Continuing Stieg Larsson's Millennium Series in Books
Feb 13, 2018
This book picks up, time-wise, after the last of Stieg Larsson's Millennium books ended. Mikael Blomkvist is struggling - his career is being debated in the press and his beloved Millennium magazine is floundering. He receives a tip from a source about a story. Mikael reluctantly follows up, but becomes more intrigued when it sounds like the story might involve Lisbeth Salander. Mikael immediately gets sucked into a plot of intrigue with implications far beyond his greatest expectations.
I was hesitant to read this novel, knowing the fights between Larsson's girlfriend and his family over his material. Eventually, I chose to read it, as I think of Blomkvist and Salander as dear friends and it was difficult to pass up the chance to continue to read further about their lives. I think Lagercrantz does a good job picking up with the material. No one can fill Larsson's shoes, in any way, but he does an excellent job of staying true to the characters and creating a highly suspenseful and interesting tale.
It's apparent you're not reading a Larsson novel at times - the plot is almost too quickly paced, versus Larsson's meandering writing. Lagercrantz goes into a lot of backstory, which is very interesting, but did leave me wondering how much was "true" (hard to leave behind the whole author dispute at times). But mostly, the plot was so well paced and well-written and Blomkvist seemed so like himself, that I just found myself immersed in the story. The story flips between Sweden and the USA -- bringing in an element of the NSA -- and it's exciting and fun. Lagercrantz does a strong job of bringing the series into the present day with this plotline. He also writes about an autistic child, August, so clearly, that you just find yourself rooting for the kid.
Blomkvist, as I mentioned, seems much his usual self. I love him so, so it was a little easier to overlook the lack of Lisbeth in this novel, but I do have to point it out - there's definitely not as much Lisbeth as one might want. She's around, of course, and amazing and strong (of course!), but you'll find yourself wishing for more Lisbeth scenes.
Finally, the end left me wishing for more in the series, so I figure that's a sign Lagercrantz did his job well, despite all the tumult associated with the book. I appreciate the care he took with Lisbeth and Blomkvist, and I was glad to spend some time with them again. I have to admit - I hope they'll be back. In the meantime, it was fun to catch up with them again.
I was hesitant to read this novel, knowing the fights between Larsson's girlfriend and his family over his material. Eventually, I chose to read it, as I think of Blomkvist and Salander as dear friends and it was difficult to pass up the chance to continue to read further about their lives. I think Lagercrantz does a good job picking up with the material. No one can fill Larsson's shoes, in any way, but he does an excellent job of staying true to the characters and creating a highly suspenseful and interesting tale.
It's apparent you're not reading a Larsson novel at times - the plot is almost too quickly paced, versus Larsson's meandering writing. Lagercrantz goes into a lot of backstory, which is very interesting, but did leave me wondering how much was "true" (hard to leave behind the whole author dispute at times). But mostly, the plot was so well paced and well-written and Blomkvist seemed so like himself, that I just found myself immersed in the story. The story flips between Sweden and the USA -- bringing in an element of the NSA -- and it's exciting and fun. Lagercrantz does a strong job of bringing the series into the present day with this plotline. He also writes about an autistic child, August, so clearly, that you just find yourself rooting for the kid.
Blomkvist, as I mentioned, seems much his usual self. I love him so, so it was a little easier to overlook the lack of Lisbeth in this novel, but I do have to point it out - there's definitely not as much Lisbeth as one might want. She's around, of course, and amazing and strong (of course!), but you'll find yourself wishing for more Lisbeth scenes.
Finally, the end left me wishing for more in the series, so I figure that's a sign Lagercrantz did his job well, despite all the tumult associated with the book. I appreciate the care he took with Lisbeth and Blomkvist, and I was glad to spend some time with them again. I have to admit - I hope they'll be back. In the meantime, it was fun to catch up with them again.
Nicole Hadley (380 KP) rated Defending Taylor in Books
Jun 14, 2018
<a href="https://awindowintobooks.wordpress.com">Full Review</a>
I received an Advance Reader Copy from the publisher via NetGalley.
About a year ago I discovered Miranda Kenneally. The first book I read was Breathe, Annie, Breath and I immediately fell in love with her writing style and the characters. I am a person who loves sports. I played soccer starting from the age of 7, so when I heard about this book I was very excited. While I enjoyed the book very much I did not enjoy it as much as Kenneally's other books.
Defending Taylor is about Taylor. Taylor is the daughter of a state senator. Previously she attended St. Andrews, an elite private school; however, she was kicked out when she lied about drugs that were found in her possession saying that they belonged to her when in fact they belonged to her boyfriend. Her decision to lie not only caused a lot of problems. It caused her to be kicked out of St. Andrews. It caused problems with her dad's re-election campaign. Now that Taylor no longer can attend St. Andrews she must enroll in Hundred Oaks High School for her senior year.
Taylor feels terrible about everything, and things seems to be getting worse but she is not sure how to solve it; other than telling the truth, but telling the truth now will do not good; in fact, it may make it worse. Part of Taylor's consequence is to visit a counselor several times a week. Taylor at first does not like it but as time goes on it gets better and the counselor helps Taylor sort out some of her feelings and big decisions about her future.
When Taylor was at St. Andrews she played on the soccer team and was due to become the captain her senior year; however, with being expelled she lost that position. Taylor joined Hundred Oaks team to get to mind off of all the stress. Unfortunately, the team is one of the worse in the state and Taylor learns why fast. Taylor thought soccer would help with making friends but the team is not a team and only makes her frustrated. When Ezra, Taylor's brothers friend, comes into the picture, that when things begin to turn around for Taylor. Taylor has had a crush on Ezra for many years. Ezra helps Taylor find her old self again.
This books shows that a teenagers life is not always perfect. Life has its ups and downs even if your family is in the spotlight. It does not matter if you put the pressure on yourself or you take the blame for something you did not do; life is not always perfect.
I received an Advance Reader Copy from the publisher via NetGalley.
About a year ago I discovered Miranda Kenneally. The first book I read was Breathe, Annie, Breath and I immediately fell in love with her writing style and the characters. I am a person who loves sports. I played soccer starting from the age of 7, so when I heard about this book I was very excited. While I enjoyed the book very much I did not enjoy it as much as Kenneally's other books.
Defending Taylor is about Taylor. Taylor is the daughter of a state senator. Previously she attended St. Andrews, an elite private school; however, she was kicked out when she lied about drugs that were found in her possession saying that they belonged to her when in fact they belonged to her boyfriend. Her decision to lie not only caused a lot of problems. It caused her to be kicked out of St. Andrews. It caused problems with her dad's re-election campaign. Now that Taylor no longer can attend St. Andrews she must enroll in Hundred Oaks High School for her senior year.
Taylor feels terrible about everything, and things seems to be getting worse but she is not sure how to solve it; other than telling the truth, but telling the truth now will do not good; in fact, it may make it worse. Part of Taylor's consequence is to visit a counselor several times a week. Taylor at first does not like it but as time goes on it gets better and the counselor helps Taylor sort out some of her feelings and big decisions about her future.
When Taylor was at St. Andrews she played on the soccer team and was due to become the captain her senior year; however, with being expelled she lost that position. Taylor joined Hundred Oaks team to get to mind off of all the stress. Unfortunately, the team is one of the worse in the state and Taylor learns why fast. Taylor thought soccer would help with making friends but the team is not a team and only makes her frustrated. When Ezra, Taylor's brothers friend, comes into the picture, that when things begin to turn around for Taylor. Taylor has had a crush on Ezra for many years. Ezra helps Taylor find her old self again.
This books shows that a teenagers life is not always perfect. Life has its ups and downs even if your family is in the spotlight. It does not matter if you put the pressure on yourself or you take the blame for something you did not do; life is not always perfect.
Ross (3284 KP) rated House of Sacrifice in Books
Aug 14, 2019
Style over substance in a long grind of a conclusion
* I received an advance copy of this book from the publishers and NetGalley in exchange for an honest review *
Anna Smith Spark broke onto the scene with The Court of Broken Knives (which always annoyed me because the place in the book is named the Court of the Broken Knife), a truly dark and gritty fantasy tale mixing magic, ambition, political intrigue and good old fashion hacking limbs off with blunted swords. Her narrative tone made her debut stand out, being much more lyrical and poetic than the rest of the genre. While this took time to get used to, it added to the immersion of the story and made the reader feel like they were experiencing the conflict themselves. The lyrical prose added to the underlying story. This continued into the second book, where Marith's journey to taking over/destroying the world continued, as did the turmoil in the heart of the empire.
Here, however, the story seems to have been put on the back-burner in favour of more literary prose. A whole lot of not a lot happens. While a large chunk of this is in favour of some character development, it is laboured and a real slog. I hated the first quarter of the book, and while I could see that what little was happening would be important in telling Marith's story, it really did take forever and was so utterly rammed home that I found it frustrating. So much so that I had to put the book aside so that my mood didn't ruin my family holiday.
The book serves as something of a conclusion to the trilogy with a lot of wrongs righted and paths ended. However, so much of it is simply gratuitous war for the sake of war (which I get as part of Marith's character but I grasped that after the first couple of unnecessary towns were razed).
However, with less of import happening, the reader starts to focus on the world-building, and I certainly started to realise how little of the "magic" in the world was explained or even described. So many instances of "shadowbeasts" just appearing and I cannot remember them being introduced in any detail at all. I really couldn't remember what was so special about Marith after all.
And the ending was so much of a damp squib I just had to laugh. After everything Marith had been through, for that to be the ending was ludicrous. While I appreciated the circularity of it, I didn't like it.
A disappointing case of style over substance in this dragged out ending to a series that could easily have squeezed into two book.
Anna Smith Spark broke onto the scene with The Court of Broken Knives (which always annoyed me because the place in the book is named the Court of the Broken Knife), a truly dark and gritty fantasy tale mixing magic, ambition, political intrigue and good old fashion hacking limbs off with blunted swords. Her narrative tone made her debut stand out, being much more lyrical and poetic than the rest of the genre. While this took time to get used to, it added to the immersion of the story and made the reader feel like they were experiencing the conflict themselves. The lyrical prose added to the underlying story. This continued into the second book, where Marith's journey to taking over/destroying the world continued, as did the turmoil in the heart of the empire.
Here, however, the story seems to have been put on the back-burner in favour of more literary prose. A whole lot of not a lot happens. While a large chunk of this is in favour of some character development, it is laboured and a real slog. I hated the first quarter of the book, and while I could see that what little was happening would be important in telling Marith's story, it really did take forever and was so utterly rammed home that I found it frustrating. So much so that I had to put the book aside so that my mood didn't ruin my family holiday.
The book serves as something of a conclusion to the trilogy with a lot of wrongs righted and paths ended. However, so much of it is simply gratuitous war for the sake of war (which I get as part of Marith's character but I grasped that after the first couple of unnecessary towns were razed).
However, with less of import happening, the reader starts to focus on the world-building, and I certainly started to realise how little of the "magic" in the world was explained or even described. So many instances of "shadowbeasts" just appearing and I cannot remember them being introduced in any detail at all. I really couldn't remember what was so special about Marith after all.
And the ending was so much of a damp squib I just had to laugh. After everything Marith had been through, for that to be the ending was ludicrous. While I appreciated the circularity of it, I didn't like it.
A disappointing case of style over substance in this dragged out ending to a series that could easily have squeezed into two book.
Kristy H (1252 KP) rated Mother Knows Best in Books
Oct 31, 2019
Claire Abrams' world crashed when her mitochondrial DNA passed along a mutation that eventually killed her son, Colton, when he was eight. It devastated Claire and her husband, Ethan. But then Claire discovers Dr. Robert Nash, a fertility doctor who is working with his young research scientist, Jillian Nash, to create the first baby with three genetic parents. This allows Claire to have a healthy baby. The fact that it's currently illegal doesn't stop the trio, but eventually news of their feat leaks, and Claire goes into hiding, joined by Robert. Years later, young Abby lives a sheltered life with her parents, including a mom who barely wants to leave the house. And then there's Jillian, who served a prison sentence for her work on the experiment. She's determined to get credit for her science, and nothing will stop her.
"It is impossible to tell that my beautiful girl is the first of her kind. Even she doesn't know."
I found this book totally addictive. Yes, it's a little crazy at times, but it was a real page-turner, and it had me glued to the pages. I loved Abby, who gets her own turn at telling her story, and I even liked Claire, even if I questioned some of her decisions at times. As someone who has been through IVF, a lot of this story hit close to home, and I could understand and empathize with what was going on, even if the plotline was far more far-fetched than anything that has occurred in my own life. But the ultimate themes of family, searching for a place to belong, and the desire to have safe and healthy children--those are universal.
The book certainly raises some interesting ethical questions. It keeps the science fairly simple, so it's easy to follow along and understand. It makes you think, and with Ethan and Claire on two starkly opposing sides, it lets you put yourself in their shoes and wonder what you would do in a similar situation. The multiple narrators--including Abby, Claire, and Jillian--work well, too.
At the same time, much of the book is an adrenaline filled thriller, with crazy characters and wild situations. I figured out some of the pieces, but it always kept me guessing and interested. I was definitely fascinated and mesmerized, wondering what on earth was going to happen next.
"But someone out there will never give up searching. Someone who's long out of prison, whose name I can't bear to utter or think."
There were a few slightly crazy moments, and I think the ending wrapped up a little too easily, but I liked it, so all is well. This book was exactly what I needed--an addictive read with an interesting story that kept me interested. 4 stars.
"It is impossible to tell that my beautiful girl is the first of her kind. Even she doesn't know."
I found this book totally addictive. Yes, it's a little crazy at times, but it was a real page-turner, and it had me glued to the pages. I loved Abby, who gets her own turn at telling her story, and I even liked Claire, even if I questioned some of her decisions at times. As someone who has been through IVF, a lot of this story hit close to home, and I could understand and empathize with what was going on, even if the plotline was far more far-fetched than anything that has occurred in my own life. But the ultimate themes of family, searching for a place to belong, and the desire to have safe and healthy children--those are universal.
The book certainly raises some interesting ethical questions. It keeps the science fairly simple, so it's easy to follow along and understand. It makes you think, and with Ethan and Claire on two starkly opposing sides, it lets you put yourself in their shoes and wonder what you would do in a similar situation. The multiple narrators--including Abby, Claire, and Jillian--work well, too.
At the same time, much of the book is an adrenaline filled thriller, with crazy characters and wild situations. I figured out some of the pieces, but it always kept me guessing and interested. I was definitely fascinated and mesmerized, wondering what on earth was going to happen next.
"But someone out there will never give up searching. Someone who's long out of prison, whose name I can't bear to utter or think."
There were a few slightly crazy moments, and I think the ending wrapped up a little too easily, but I liked it, so all is well. This book was exactly what I needed--an addictive read with an interesting story that kept me interested. 4 stars.
LeftSideCut (3776 KP) rated American Horror Story - Season 4 in TV
Nov 18, 2019 (Updated Nov 18, 2019)
Season 4 of AHS, subtitled 'Freak Show' gets a bad wrap in my opinion.
It doesn't reach the lofty heights of the first two seasons, but there's plenty to love and it tries something new.
The bulk of the series revolves around Elsa Mars (Jessica Lange) and her group of travelling sideshow performers, all who have some sort of abnormality. As they arrive in 1951 Florida to set up shop and make a living amongst a world that fears and targets them, they are also being eyed up by Richard Spencer (Denis O'Hare), a shady businessman attempting to profit from their misfortune, and Dandy Mott (Finn Wittrock), who harbours an unhealthy obsession with the Freak Show, and in particular, conjoined twins Bette and Dot Tattler (Sarah Paulson).
All the while, a murderous and sinister clown called Twisty (John Carroll Lynch) is on the loose, causing the finger to be pointed at another Freak Show member, Jimmy Darling (Evan Peters).
All of these plot lines running at once actually run side by side pretty smoothly, making for an engaging narrative, with plenty of plot twists along the way.
The Twisty plot line is proper classic slasher horror, and is unfortunately tied up pretty quickly, but it makes way for a surprisingly touching story about family, and what it means to be different.
I found myself caring about almost everybody during Freak Show. It's very well written.
The cast are as usual, pretty great. As well as the cast members mentioned above, we have returning AHS in the likes of Kathy Bates, Francis Conroy, Emma Roberts, Angela Bassett, and Naomi Grossman, as well as some new blood in the form of Michael Chiklis, Erika Ervin, Mat Fraser, Wes Bentley, and Neil Patrick-Harris.
Sarah Paulson is the undisputed highlight during this season, playing two characters at once, with some fantastic effects work going on.
The only character I really struggled to get on board with here was Elsa, which is a shame as she's front and centre. No fault of the great Jessica Lange of course.
The season drags for a while in the mid section, but with so many likable characters, it's not a huge issue.
Freak Show is also the first season that has a concrete connection to other seasons in the AHS story, confirming finally that all the seasons take place in the same universe, which is incredibly exciting, and opens the door for a lot of possibilities.
The gore effects and horror elements continue to be a big plus for AHS, and as always, the anthology format keeps it feeling fresh. Another win for Ryan Murphy and co.
It doesn't reach the lofty heights of the first two seasons, but there's plenty to love and it tries something new.
The bulk of the series revolves around Elsa Mars (Jessica Lange) and her group of travelling sideshow performers, all who have some sort of abnormality. As they arrive in 1951 Florida to set up shop and make a living amongst a world that fears and targets them, they are also being eyed up by Richard Spencer (Denis O'Hare), a shady businessman attempting to profit from their misfortune, and Dandy Mott (Finn Wittrock), who harbours an unhealthy obsession with the Freak Show, and in particular, conjoined twins Bette and Dot Tattler (Sarah Paulson).
All the while, a murderous and sinister clown called Twisty (John Carroll Lynch) is on the loose, causing the finger to be pointed at another Freak Show member, Jimmy Darling (Evan Peters).
All of these plot lines running at once actually run side by side pretty smoothly, making for an engaging narrative, with plenty of plot twists along the way.
The Twisty plot line is proper classic slasher horror, and is unfortunately tied up pretty quickly, but it makes way for a surprisingly touching story about family, and what it means to be different.
I found myself caring about almost everybody during Freak Show. It's very well written.
The cast are as usual, pretty great. As well as the cast members mentioned above, we have returning AHS in the likes of Kathy Bates, Francis Conroy, Emma Roberts, Angela Bassett, and Naomi Grossman, as well as some new blood in the form of Michael Chiklis, Erika Ervin, Mat Fraser, Wes Bentley, and Neil Patrick-Harris.
Sarah Paulson is the undisputed highlight during this season, playing two characters at once, with some fantastic effects work going on.
The only character I really struggled to get on board with here was Elsa, which is a shame as she's front and centre. No fault of the great Jessica Lange of course.
The season drags for a while in the mid section, but with so many likable characters, it's not a huge issue.
Freak Show is also the first season that has a concrete connection to other seasons in the AHS story, confirming finally that all the seasons take place in the same universe, which is incredibly exciting, and opens the door for a lot of possibilities.
The gore effects and horror elements continue to be a big plus for AHS, and as always, the anthology format keeps it feeling fresh. Another win for Ryan Murphy and co.
Kristy H (1252 KP) rated The Friend Zone in Books
Mar 19, 2020
Kristen Petersen is a no-nonsense kind of girl. She's loyal to her best friend, Sloan, and worried about finally living with her boyfriend, who has been deployed for most of their relationship. She's also struggled for years with medical issues and is about to have a procedure that will leave her unable to have children. Then she meets Josh, the best friend and best man of Sloan's fiance, Brandon. Thrown together as they plan Sloan and Brandon's wedding, Kristen realizes she has feelings for Josh that she's never felt for anyone else. He's funny, kind, and puts up with all her quirks. But Josh wants a big family in the future. So Kristen distances herself from him. But the more time they spend together, the harder and harder it becomes to keep up the boundaries she's trying so hard to enforce.
The Friend Zone is one of those books that has been everywhere, but I clearly wasn't paying total attention to the plot. This is not your standard rom-com. The last note in my bookly app for this book reads, "fun sad enjoyed," and that really sums it all up. I found this one to be wonderfully written, much sadder than I expected, richly witty, rather dirty, and quite an enjoyable read. It wasn't at all what I went in expecting, but it was really more. Apparently there's a second book coming out soon, delving more into Sloan's story, and I'll certainly be reading that too.
Kristen is a tough character. She drove me crazy at first. I'm not a fan of books where so much could be resolved if someone just told someone else their secret. Sure, they may have their reasons for not wanting to spill, but good grief. Enough already! Luckily, Kristen was also a self-made businesswoman, really funny, a fully-fleshed out character, and easy to get hangry, which I could identify with (perhaps too much). She's a trip.
The friendship between Sloan and Kristen is a great part of the story--it's nice to see two women have a relationship that isn't marred by in-fighting or one that isn't based just on boys. It's real and flawed and, like much of the book, has its funny and sad moments. Josh is also a wonderful character, and, truly, he was a patient guy. The book's coverage of infertility is, mostly, quite well-done.
Overall, this was a strong read: funny and heartbreaking while featuring two characters with strong voices. It covers several serious topics without losing its way, and it's nearly impossible not to root for the main couple, even you want to shake Kristen once in a while. 4 stars.
The Friend Zone is one of those books that has been everywhere, but I clearly wasn't paying total attention to the plot. This is not your standard rom-com. The last note in my bookly app for this book reads, "fun sad enjoyed," and that really sums it all up. I found this one to be wonderfully written, much sadder than I expected, richly witty, rather dirty, and quite an enjoyable read. It wasn't at all what I went in expecting, but it was really more. Apparently there's a second book coming out soon, delving more into Sloan's story, and I'll certainly be reading that too.
Kristen is a tough character. She drove me crazy at first. I'm not a fan of books where so much could be resolved if someone just told someone else their secret. Sure, they may have their reasons for not wanting to spill, but good grief. Enough already! Luckily, Kristen was also a self-made businesswoman, really funny, a fully-fleshed out character, and easy to get hangry, which I could identify with (perhaps too much). She's a trip.
The friendship between Sloan and Kristen is a great part of the story--it's nice to see two women have a relationship that isn't marred by in-fighting or one that isn't based just on boys. It's real and flawed and, like much of the book, has its funny and sad moments. Josh is also a wonderful character, and, truly, he was a patient guy. The book's coverage of infertility is, mostly, quite well-done.
Overall, this was a strong read: funny and heartbreaking while featuring two characters with strong voices. It covers several serious topics without losing its way, and it's nearly impossible not to root for the main couple, even you want to shake Kristen once in a while. 4 stars.