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Buddies, Bullies, and Baseball
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When Bullies Act Out, It’s Time for Buddies and Baseball A cloud hangs over Jack as he begins...
Sophia (Bookwyrming Thoughts) (530 KP) rated A Wicked Thing (A Wicked Thing, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
My all-time favorite Disney movie (in VCR) – along with Pocahontas and Mulan, to which there are literally zilch retellings to my knowledge – while growing up was <i>Sleeping Beauty</i>. I even reenacted it... for fun and on my own (expected of a four or five year old).
And perhaps it is also one of the most difficult tales to be retold. There's a princess who has a curse placed on her that she would prick her finger on the spindle of a spinning wheel before her sixteenth birthday and die – not entirely too much to take a spin on, is there?
No pun intended.
Much as I give props to Rhiannon Thomas for taking <i>Sleeping Beauty</i> on another path, <i>A Wicked Thing</i> is certainly not a book I would enjoy even for the pleasure of reading. In fact, truth be told in maybe a harsh way, <i>A Wicked Thing</i> was funny. And while funny typically means a good thing, I honestly had a field day reading the first three chapters in between chess matches and poking fun at the book (aka making sassy comments that will make no appearance whatsoever in this review aside from a big basket of mozzarella sticks).
<i>A Wicked Thing</i> is almost a sequel to the original <i>Sleeping Beauty</i>. Some time has passed, and then the prince kisses Aurora – all that jazz is pretty much the same aside from maybe happily ever after, to which I won't bother finding out. Perhaps there <i>is</i> a happily ever after by the end of the book – I'm still not going to go and find out because I'm too focused on making it to at least the top 10 in the class now that I'm extremely close to it.
But let's start with the prince kisses Aurora. She wakes up and screams. It probably makes sense to scream when you wake up to a random stranger hovering above your face and actually kissed you. Honestly, a pretty fantastic opening scene – and I'm serious – aside from the part where the "boy" (we don't know he's a prince YET) says, "I did it. I actually did it."
Then I get a sled and start laughing gleefully (read: found it absolutely amusing) while sliding down a hill (read: continuing the book just see how it all plays out because I haven't found reasons to throw this aside yet and then I do).
Prince Rodric, the "boy," is pathetic. The <i>royal family</i>, in my opinion, is a little pathetic and cheesy. Are they actually pathetic? Perhaps not when you really get to know them and perhaps they're marvelous rulers and the people love them oh-so-dearly, but from the little bit of the book that I read and met the royal family, I find myself disappointed. Particularly disappointed in Rodric the princeling because he will obviously make a huge appearance throughout the rest of the book and I've got to at least like the main characters to enjoy the book.
The dear prince blushes <i>at almost every single sentence he speaks to Aurora</i>. I'm pretty sure the amount of blushes will be the equal amount of election commercials soon (Vote for me! Vote for me!).
<blockquote>He stopped and blushed again.</blockquote>
Princeling probably stutters as well, and is most likely a descendant of Romeo.
<blockquote>“I mean, you always look beautiful. But you look especially beautiful tonight. Is what I mean.”</blockquote>
The king is overly cheery, and while there seems to be a probable reason (my son woke up a slumbering princess!), "overly cheery" really means "exuberantly happy-go-lucky."
<blockquote>“Please send out the heralds. A little extra pomp and circumstance, if you please. It is hardly a normal day.”</blockquote>
No... definitely not a normal day. That much I'll agreee with. But isn't celebrating as soon as Aurora wakes up a little overboard? The chick just woke up from a hundred plus years of slumber and everything literally comes crashing down over on her head upside down! I'm not sure Aurora appreciated that – she was quite confuzzled when she woke up (whoa... what's going on here?!) and even protested a little (not that anyone heard her).
Betsy the maid babbles in excitement and is worse than the king.
<blockquote>“I was so honored, Princess, when they asked me to assist you. I never expected it! But then, I never expected you’d be standing here, if you don’t mind me saying. Not that I didn’t think Rodric could be your true love, because of course he’s wonderful, but it always seemed too much like a dream to ever happen while I was here. Things will be amazing, now, you’ll see. Everyone loves you already. How could they not?”</blockquote>
Reasonable babbling of excitement, seeing as she's a humble servant.
But she and everyone else aside from Aurora is also a little naïve with the assumption that everything is going to be fantastic and happily ever after Aurora and Rodric marry, simply based a fairy tale.
Aurora, however, might have been a character that I would actually like had I continued the book. But by that point in the novel, when Rodric and Aurora are first dining together, I was quite cheesed (it was the constant blushing and cheeriness). While I normally feel guilty for throwing a book aside really early, I don't think I feel too guilty in <i>A Wicked Thing's</i> case.
<a href="https://bookwyrmingthoughts.com/dnf-arc-review-wicked-thing-by-rhiannon-thomas/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
My all-time favorite Disney movie (in VCR) – along with Pocahontas and Mulan, to which there are literally zilch retellings to my knowledge – while growing up was <i>Sleeping Beauty</i>. I even reenacted it... for fun and on my own (expected of a four or five year old).
And perhaps it is also one of the most difficult tales to be retold. There's a princess who has a curse placed on her that she would prick her finger on the spindle of a spinning wheel before her sixteenth birthday and die – not entirely too much to take a spin on, is there?
No pun intended.
Much as I give props to Rhiannon Thomas for taking <i>Sleeping Beauty</i> on another path, <i>A Wicked Thing</i> is certainly not a book I would enjoy even for the pleasure of reading. In fact, truth be told in maybe a harsh way, <i>A Wicked Thing</i> was funny. And while funny typically means a good thing, I honestly had a field day reading the first three chapters in between chess matches and poking fun at the book (aka making sassy comments that will make no appearance whatsoever in this review aside from a big basket of mozzarella sticks).
<i>A Wicked Thing</i> is almost a sequel to the original <i>Sleeping Beauty</i>. Some time has passed, and then the prince kisses Aurora – all that jazz is pretty much the same aside from maybe happily ever after, to which I won't bother finding out. Perhaps there <i>is</i> a happily ever after by the end of the book – I'm still not going to go and find out because I'm too focused on making it to at least the top 10 in the class now that I'm extremely close to it.
But let's start with the prince kisses Aurora. She wakes up and screams. It probably makes sense to scream when you wake up to a random stranger hovering above your face and actually kissed you. Honestly, a pretty fantastic opening scene – and I'm serious – aside from the part where the "boy" (we don't know he's a prince YET) says, "I did it. I actually did it."
Then I get a sled and start laughing gleefully (read: found it absolutely amusing) while sliding down a hill (read: continuing the book just see how it all plays out because I haven't found reasons to throw this aside yet and then I do).
Prince Rodric, the "boy," is pathetic. The <i>royal family</i>, in my opinion, is a little pathetic and cheesy. Are they actually pathetic? Perhaps not when you really get to know them and perhaps they're marvelous rulers and the people love them oh-so-dearly, but from the little bit of the book that I read and met the royal family, I find myself disappointed. Particularly disappointed in Rodric the princeling because he will obviously make a huge appearance throughout the rest of the book and I've got to at least like the main characters to enjoy the book.
The dear prince blushes <i>at almost every single sentence he speaks to Aurora</i>. I'm pretty sure the amount of blushes will be the equal amount of election commercials soon (Vote for me! Vote for me!).
<blockquote>He stopped and blushed again.</blockquote>
Princeling probably stutters as well, and is most likely a descendant of Romeo.
<blockquote>“I mean, you always look beautiful. But you look especially beautiful tonight. Is what I mean.”</blockquote>
The king is overly cheery, and while there seems to be a probable reason (my son woke up a slumbering princess!), "overly cheery" really means "exuberantly happy-go-lucky."
<blockquote>“Please send out the heralds. A little extra pomp and circumstance, if you please. It is hardly a normal day.”</blockquote>
No... definitely not a normal day. That much I'll agreee with. But isn't celebrating as soon as Aurora wakes up a little overboard? The chick just woke up from a hundred plus years of slumber and everything literally comes crashing down over on her head upside down! I'm not sure Aurora appreciated that – she was quite confuzzled when she woke up (whoa... what's going on here?!) and even protested a little (not that anyone heard her).
Betsy the maid babbles in excitement and is worse than the king.
<blockquote>“I was so honored, Princess, when they asked me to assist you. I never expected it! But then, I never expected you’d be standing here, if you don’t mind me saying. Not that I didn’t think Rodric could be your true love, because of course he’s wonderful, but it always seemed too much like a dream to ever happen while I was here. Things will be amazing, now, you’ll see. Everyone loves you already. How could they not?”</blockquote>
Reasonable babbling of excitement, seeing as she's a humble servant.
But she and everyone else aside from Aurora is also a little naïve with the assumption that everything is going to be fantastic and happily ever after Aurora and Rodric marry, simply based a fairy tale.
Aurora, however, might have been a character that I would actually like had I continued the book. But by that point in the novel, when Rodric and Aurora are first dining together, I was quite cheesed (it was the constant blushing and cheeriness). While I normally feel guilty for throwing a book aside really early, I don't think I feel too guilty in <i>A Wicked Thing's</i> case.
<a href="https://bookwyrmingthoughts.com/dnf-arc-review-wicked-thing-by-rhiannon-thomas/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Bob Mann (459 KP) rated The Roads Not Taken (2020) in Movies
Sep 15, 2020
Javier Bardem and Elle Fanning act their socks off (1 more)
Robbie Ryan cinematography is Oscar worthy
Pain and not a lot of Glory.
If you like your movies action packed you are going to dislike this movie. If you like light and uplifting stories you are going to positively loathe this one! For everyone else, "The Roads Not Taken" is a very thought-provoking piece of film-making from writer/director Sally Potter that I have a lot of respect for. Even more so, since I learned that the film is based on the director's time caring for her now deceased brother Nic, diagnosed with early onset dementia in 2010.
It's not a promising premise. "The Roads Not Taken" concerns a New Yorker with dementia being taking to the dentist and the opticians. Gripped yet? Nope... didn't think so. But stay with me here.
Elle Fanning plays Molly, daughter of the almost catatonic Leo (Javier Bardem) who is receiving a lot of support to stay in his own home. As his daughter assists him on his trip to his medical appointments, he is only about 10% 'there'. Glassy-eyed and almost incomprehensible, his utterances are often taken to refer to his present experiences. But actually, he's 90% somewhere else, revisiting two key episodes in his past life and reacting in the real world to what's happening in his dreams.
As he relives 'the roads not taken' we can piece together the elements of a life that's lived and - perhaps - lay out some elements that might have contributed to his mental decline in later life.
Before we plunge into the doom and gloom of the story, there was one moment of levity for me in the opening titles. I commented in my review of "The Farewell" that the company 'dog-tags' at the start of the film reminded me of a famous Family Guy comic moment. But this is kindergarten level compared to this movie. I assume Sally Potter must have tapped her complete phone contacts list to raise the funding for this one! Since I counted FOURTEEN different production companies referenced! Is this a record?
As you enter later life, it's common for many of us to suffer a significant source of stress. Sometimes - if you're lucky - four sources of stress. The reason? You stop worrying about your kids as much and start worrying about your aged parents and in-laws. Like heating up a frog in water, it's often imperceptible how much stress you are actually carrying with that until the last of the relatives 'shuffles off this mortal coil'. Within the grief, there's also a source of guilty relief in there somewhere. Such is the maelstrom that young Molly is in - with knobs on - given the disability of Leo. As a professional in her 20's, she is also having the juggle this responsibility with progressing her career.
It's a bit early in this turbulent year to talk of Oscar nominations. But for me, there are three standout performances in this movie:
1) Javier Bardem: what an acting masterclass! As with Daniel Day-Lewis's win in 1990 for "My Left Foot", the Academy loves a disability-based performance. I haven't seen much Oscar-buzz about this performance, but I'd personally throw his hat into the ring, for at least my long-list;
2) Elle Fanning: this young lady has been in movies since the age of 2, but rose to stardom with "Super 8". She's building a formidable filmography behind her. Here she matches Bardem shot-for-shot in the acting stakes: a caring daughter being emotionally torn apart; always needing to be in two places at the same time (as nicely positioned by the cryptic ending). A first Oscar-nomination perhaps?
3) Robbie Ryan: with an Oscar-nom previously for "The Favourite", could another one follow for this? For this is a beautiful film to look at, despite its downbeat story. There are some drop-dead gorgeous shots. One in particular is where a sun-lit Fanning has a "Marilyn Monroe subway skirt moment" at a window (with her hair being blown, I should add). Glorious. And all of the Mexican/Greek scenes (all Spain I believe) are deliciously lit and coloured.
"The Roads Not Taken" is an intelligent watch for sure, and reminiscent to me of Almodovar's "Pain and Glory": another artist's life lived again in flashback. If anything, this one is more unstructured in setting out a box of jigsaw pieces that you need to piece together through the unreliable narrator's random memories. ("Ooh, look - here's a bit with Laura Linney on it... ah, that goes there"; "So that's who Selma Hayek is"; etc.) But, as with a jigsaw, staying the course and putting the last pieces in is a very satisfying experience.
There's also a really feelgood scene in a taxi rank that restores your faith in the underlying goodness of people.... and a rant by a "Trump-voter" that gives you quite the opposite view!
Where I found some frustration was in the lack of backstory for Molly. She seems to be painted rather two-dimensionally. Yes - young with job, but of her personal life we see nothing. Adding another dimension (a young family for example) would have added yet another set of stresses to the mix. Leo's flashbacks are also focused on just two time periods. More wide-ranging reminiscences might have broadened the drama.
But I personally found "The Roads Not Taken" intensely moving. I'm not sure I could say I "enjoyed" it, but it is a worthy watch and has left me with thought-provoking images to chew on.
(For the full graphical review, please check out the One Mann's Movies here https://bob-the-movie-man.com/2020/09/15/the-roads-not-taken-2020-pain-and-very-little-glory/.)
It's not a promising premise. "The Roads Not Taken" concerns a New Yorker with dementia being taking to the dentist and the opticians. Gripped yet? Nope... didn't think so. But stay with me here.
Elle Fanning plays Molly, daughter of the almost catatonic Leo (Javier Bardem) who is receiving a lot of support to stay in his own home. As his daughter assists him on his trip to his medical appointments, he is only about 10% 'there'. Glassy-eyed and almost incomprehensible, his utterances are often taken to refer to his present experiences. But actually, he's 90% somewhere else, revisiting two key episodes in his past life and reacting in the real world to what's happening in his dreams.
As he relives 'the roads not taken' we can piece together the elements of a life that's lived and - perhaps - lay out some elements that might have contributed to his mental decline in later life.
Before we plunge into the doom and gloom of the story, there was one moment of levity for me in the opening titles. I commented in my review of "The Farewell" that the company 'dog-tags' at the start of the film reminded me of a famous Family Guy comic moment. But this is kindergarten level compared to this movie. I assume Sally Potter must have tapped her complete phone contacts list to raise the funding for this one! Since I counted FOURTEEN different production companies referenced! Is this a record?
As you enter later life, it's common for many of us to suffer a significant source of stress. Sometimes - if you're lucky - four sources of stress. The reason? You stop worrying about your kids as much and start worrying about your aged parents and in-laws. Like heating up a frog in water, it's often imperceptible how much stress you are actually carrying with that until the last of the relatives 'shuffles off this mortal coil'. Within the grief, there's also a source of guilty relief in there somewhere. Such is the maelstrom that young Molly is in - with knobs on - given the disability of Leo. As a professional in her 20's, she is also having the juggle this responsibility with progressing her career.
It's a bit early in this turbulent year to talk of Oscar nominations. But for me, there are three standout performances in this movie:
1) Javier Bardem: what an acting masterclass! As with Daniel Day-Lewis's win in 1990 for "My Left Foot", the Academy loves a disability-based performance. I haven't seen much Oscar-buzz about this performance, but I'd personally throw his hat into the ring, for at least my long-list;
2) Elle Fanning: this young lady has been in movies since the age of 2, but rose to stardom with "Super 8". She's building a formidable filmography behind her. Here she matches Bardem shot-for-shot in the acting stakes: a caring daughter being emotionally torn apart; always needing to be in two places at the same time (as nicely positioned by the cryptic ending). A first Oscar-nomination perhaps?
3) Robbie Ryan: with an Oscar-nom previously for "The Favourite", could another one follow for this? For this is a beautiful film to look at, despite its downbeat story. There are some drop-dead gorgeous shots. One in particular is where a sun-lit Fanning has a "Marilyn Monroe subway skirt moment" at a window (with her hair being blown, I should add). Glorious. And all of the Mexican/Greek scenes (all Spain I believe) are deliciously lit and coloured.
"The Roads Not Taken" is an intelligent watch for sure, and reminiscent to me of Almodovar's "Pain and Glory": another artist's life lived again in flashback. If anything, this one is more unstructured in setting out a box of jigsaw pieces that you need to piece together through the unreliable narrator's random memories. ("Ooh, look - here's a bit with Laura Linney on it... ah, that goes there"; "So that's who Selma Hayek is"; etc.) But, as with a jigsaw, staying the course and putting the last pieces in is a very satisfying experience.
There's also a really feelgood scene in a taxi rank that restores your faith in the underlying goodness of people.... and a rant by a "Trump-voter" that gives you quite the opposite view!
Where I found some frustration was in the lack of backstory for Molly. She seems to be painted rather two-dimensionally. Yes - young with job, but of her personal life we see nothing. Adding another dimension (a young family for example) would have added yet another set of stresses to the mix. Leo's flashbacks are also focused on just two time periods. More wide-ranging reminiscences might have broadened the drama.
But I personally found "The Roads Not Taken" intensely moving. I'm not sure I could say I "enjoyed" it, but it is a worthy watch and has left me with thought-provoking images to chew on.
(For the full graphical review, please check out the One Mann's Movies here https://bob-the-movie-man.com/2020/09/15/the-roads-not-taken-2020-pain-and-very-little-glory/.)
Kaysee Hood (83 KP) rated All the Crooked Saints in Books
Nov 17, 2017
Music (2 more)
Mental Illness
Family
Saints Have Darkness, Too
Forget all you know about Stiefvater's previous books.
Okay, don't forget everything. Let me make it a bit clearer. Forget the characters you've known before. Forget the twists and turns, plots, and bits of information before. You'll need your mind clear to process All the Crooked Saints because a whole new world has been created in 1962 Colorado on a ranch in Bicho Raro where miracles take place, yet not the type of miracles you may have in mind.
The Sorias have a gift to perform these miracles on people who come, called pilgrims, where the darkness within a person becomes tangible. Some come believing once it is done then all is well. This is not the case. Drawing out the darkness is the first part. The second part is on the pilgrim to figure out on their own or darkness shall overcome the Soria who attempts to help. This is how it has always been. This is what the Sorias have been told. This is what the cousins, who the story is greatly based around, have been told. Yet is this the truth?
This is what the cousins (Beatriz and Joaquin) are trying to figure out when Daniel, the oldest of their trio, breaks the rule in aiding one of the pilgrims. They know neither can directly interfere. So Beatriz goes out on a limb using the radio system she has built for Joaquin to see if the broadcasting can help the others and let Daniel know he is not alone until they figure out how to change his fate. They've noticed the broadcast has done well for the other pilgrims, so why not their dear cousin, too? They have to figure it out before he dies out in the valley from the darkness, starvation, dehydration, or the elements.
However, there may be a slight problem with this plan. Well, two problems. One, Pete Wyatt arrived with a pilgrim to do odd jobs around the ranch to earn the box truck. The very box truck Beatriz fixed up and built the radio station in. As well as he is doing Pete may earn the truck before they can help Daniel. It's hard enough working under the time frame they have without the ticking time of Pete. Two, a Soria recognized Joaquin's voice. This means their secret is no longer a secret. This means they may not be able to help Daniel anyway.
They're pressed for time. Can Pete be talked to? Can Daniel, the saint, who should have known better, even be saved from his darkness? Or will the little bit of work be all in vain?
All this can be found out in the tale that will have you turning pages to find out if Daniel can be saved from his darkness, why he risked his life, and if the other pilgrims can be helped without bringing darkness to them all.
Okay, don't forget everything. Let me make it a bit clearer. Forget the characters you've known before. Forget the twists and turns, plots, and bits of information before. You'll need your mind clear to process All the Crooked Saints because a whole new world has been created in 1962 Colorado on a ranch in Bicho Raro where miracles take place, yet not the type of miracles you may have in mind.
The Sorias have a gift to perform these miracles on people who come, called pilgrims, where the darkness within a person becomes tangible. Some come believing once it is done then all is well. This is not the case. Drawing out the darkness is the first part. The second part is on the pilgrim to figure out on their own or darkness shall overcome the Soria who attempts to help. This is how it has always been. This is what the Sorias have been told. This is what the cousins, who the story is greatly based around, have been told. Yet is this the truth?
This is what the cousins (Beatriz and Joaquin) are trying to figure out when Daniel, the oldest of their trio, breaks the rule in aiding one of the pilgrims. They know neither can directly interfere. So Beatriz goes out on a limb using the radio system she has built for Joaquin to see if the broadcasting can help the others and let Daniel know he is not alone until they figure out how to change his fate. They've noticed the broadcast has done well for the other pilgrims, so why not their dear cousin, too? They have to figure it out before he dies out in the valley from the darkness, starvation, dehydration, or the elements.
However, there may be a slight problem with this plan. Well, two problems. One, Pete Wyatt arrived with a pilgrim to do odd jobs around the ranch to earn the box truck. The very box truck Beatriz fixed up and built the radio station in. As well as he is doing Pete may earn the truck before they can help Daniel. It's hard enough working under the time frame they have without the ticking time of Pete. Two, a Soria recognized Joaquin's voice. This means their secret is no longer a secret. This means they may not be able to help Daniel anyway.
They're pressed for time. Can Pete be talked to? Can Daniel, the saint, who should have known better, even be saved from his darkness? Or will the little bit of work be all in vain?
All this can be found out in the tale that will have you turning pages to find out if Daniel can be saved from his darkness, why he risked his life, and if the other pilgrims can be helped without bringing darkness to them all.
Rachel King (13 KP) rated Heavenly in Books
Feb 11, 2019
I found the opening chapter of this book to be very strange, but intriguing, and I understood that it was meant be an extended teaser of something that happens later in the book. I liked that the author used this to hook the reader in, but the drawback is that I was looking for where the opening chapter fits in for the rest of the book.
Very quickly into the book, I felt an emotional connection with the main character, Zoe. The responsibilities of having an autistic sister have really drained her in many ways, and left her with this hole that she was either looking to fill or ignore. At the same time, when she was at home, she assumed the role of the "second mother" with an unselfish pride that showed a maturity beyond her age of seventeen.
On the flip side, her brother Luke is the opposite of Zoe in many ways in that he does not seem to share the responsibilities of caring for their sister, Abria, but instead is often seen running out the door. But like Abria, he also seeks to fill the void that the demands of his life have pulled out of him in different, but just as self-destructive, ways as Zoe.
Abria, the austistic younger sibling, is quite a fascinating character to read about, as I felt like I could extract the meaning behind her varied antics better than her family could. For instance, she has a habit of climbing anything she can get on, but it's the guardian angel Matthias who must point out to Zoe that Abria climbs because she like high places. The permanence of her innocence puts her in a state of joy that Zoe can only envy.
It was not until the end of the book that I fully understood the slogan attached to the Heavenly series: "Real Angels Don't Fall." The character of Matthias is just as unique and interesting as Abria, and the details put into both of them had me flying through this book in a matter of days. Matthias holds to the principles of his role as a guardian angel with both humor and intensity, and the number of times he side-stepped Zoe's questions even while answering others became quite frustrating. I would love for the story to switch viewpoints just so I could understand more of what Matthias was thinking and what motivated him.
I had expected this book to be mostly focused on romance, but I would say that the romantic aspects are only part of the story. Both Abria and Luke are vital to the plotline, and the ending was different than what I was predicting by a mile. I shed a few tears at the end, but there was still a sweetness that put a smile on my face. I can't wait to get my hands on the next one in the series, Penitence (Volume 2).
Very quickly into the book, I felt an emotional connection with the main character, Zoe. The responsibilities of having an autistic sister have really drained her in many ways, and left her with this hole that she was either looking to fill or ignore. At the same time, when she was at home, she assumed the role of the "second mother" with an unselfish pride that showed a maturity beyond her age of seventeen.
On the flip side, her brother Luke is the opposite of Zoe in many ways in that he does not seem to share the responsibilities of caring for their sister, Abria, but instead is often seen running out the door. But like Abria, he also seeks to fill the void that the demands of his life have pulled out of him in different, but just as self-destructive, ways as Zoe.
Abria, the austistic younger sibling, is quite a fascinating character to read about, as I felt like I could extract the meaning behind her varied antics better than her family could. For instance, she has a habit of climbing anything she can get on, but it's the guardian angel Matthias who must point out to Zoe that Abria climbs because she like high places. The permanence of her innocence puts her in a state of joy that Zoe can only envy.
It was not until the end of the book that I fully understood the slogan attached to the Heavenly series: "Real Angels Don't Fall." The character of Matthias is just as unique and interesting as Abria, and the details put into both of them had me flying through this book in a matter of days. Matthias holds to the principles of his role as a guardian angel with both humor and intensity, and the number of times he side-stepped Zoe's questions even while answering others became quite frustrating. I would love for the story to switch viewpoints just so I could understand more of what Matthias was thinking and what motivated him.
I had expected this book to be mostly focused on romance, but I would say that the romantic aspects are only part of the story. Both Abria and Luke are vital to the plotline, and the ending was different than what I was predicting by a mile. I shed a few tears at the end, but there was still a sweetness that put a smile on my face. I can't wait to get my hands on the next one in the series, Penitence (Volume 2).
The Disappointing Mr. Whicher...or is it the Wandering Ms. Summerscale? No, I've got it! The Bloated Book of Everything Victorian!
I was looking forward to reading, what I thought was, a true crime book with a bit of a look into Mr. Whicher's professional life too. What I got instead was four, possibly more, books in a 304 page book. These four parts consist of the murder of Saville Kent, Mr. Jonathan Whicher himself, an analysis of detective fiction (especially Poe, Dickens, and Collins), the origin of words and phrases in the detection field, many murder/crime stories of the day, other oddly inserted facts and history, etc., etc.
Now, Ms. Summerscale is a fine writer (and researcher for that matter), but it seems as if she wrote for herself instead of us, the readers. While her odd bits and pieces of history are interesting (usually), they are not essential to the plot (or what I thought was the main story), and I found myself glazing quite a bit. Whenever she rhapsodized poetic about Poe, Dickens or any of the other writers of the early detection mystery, it had the overall feel of a research paper and usually didn't have much to do with the murder in the least. The author wandered off way too many times to her own fancy and whenever she went back to the supposed case, it felt as if she had forgotten that she was supposed to be writing about the murder. This left the plotting of the book oddly pieced together and me discombobulated. Where was the editor? Out to lunch? Or did the author disregard what the editor(s) advised her to do? Who knows, but all this extraneous information was just filler and added nothing to the book. I cannot believe this actually won anything. Another quibble was that she also had a bit of a problem with her 'sensationalistic' chapter endings; they just didn't go (or flow) with the whole book.
My biggest problem with the whole book is there isn't much on the murder, which you would think there would be by the cover, synopsis, praise, and marketing. Only a little speculation is spared on a few other suspects; no why might they have done it, how the family may have felt - I wish there had been more focused on the murder and less on everything else. That's why I picked up the book, I wanted to know about the crime and consequences, not on the way of Victorian life or how it influenced writers, there are other books for that (which are listed in the notes and select bibliography in the back I might add). Now, don't get me wrong, I enjoyed the subject content, but the overall construction of the book with all the un-necessary passages left me dissatisfied and grumpy.
I was looking forward to reading, what I thought was, a true crime book with a bit of a look into Mr. Whicher's professional life too. What I got instead was four, possibly more, books in a 304 page book. These four parts consist of the murder of Saville Kent, Mr. Jonathan Whicher himself, an analysis of detective fiction (especially Poe, Dickens, and Collins), the origin of words and phrases in the detection field, many murder/crime stories of the day, other oddly inserted facts and history, etc., etc.
Now, Ms. Summerscale is a fine writer (and researcher for that matter), but it seems as if she wrote for herself instead of us, the readers. While her odd bits and pieces of history are interesting (usually), they are not essential to the plot (or what I thought was the main story), and I found myself glazing quite a bit. Whenever she rhapsodized poetic about Poe, Dickens or any of the other writers of the early detection mystery, it had the overall feel of a research paper and usually didn't have much to do with the murder in the least. The author wandered off way too many times to her own fancy and whenever she went back to the supposed case, it felt as if she had forgotten that she was supposed to be writing about the murder. This left the plotting of the book oddly pieced together and me discombobulated. Where was the editor? Out to lunch? Or did the author disregard what the editor(s) advised her to do? Who knows, but all this extraneous information was just filler and added nothing to the book. I cannot believe this actually won anything. Another quibble was that she also had a bit of a problem with her 'sensationalistic' chapter endings; they just didn't go (or flow) with the whole book.
My biggest problem with the whole book is there isn't much on the murder, which you would think there would be by the cover, synopsis, praise, and marketing. Only a little speculation is spared on a few other suspects; no why might they have done it, how the family may have felt - I wish there had been more focused on the murder and less on everything else. That's why I picked up the book, I wanted to know about the crime and consequences, not on the way of Victorian life or how it influenced writers, there are other books for that (which are listed in the notes and select bibliography in the back I might add). Now, don't get me wrong, I enjoyed the subject content, but the overall construction of the book with all the un-necessary passages left me dissatisfied and grumpy.
Kristy H (1252 KP) rated Pieces Of Her in Books
Mar 11, 2019
Wonderful wild ride of a book and just a great read!
Andrea "Andy" Cooper thinks she knows everything about her mom, Laura. Laura has taken care of Andy for Andy's entire 31 years--perhaps to Andy's detriment, at times. Laura works as a speech pathologist and lives a peaceful life in the beach town of Belle Isle. But on the morning of Andy's birthday, as Laura takes her to breakfast, everything changes. Violence erupts at the mall, Laura instinctively acts to protect her daughter, and suddenly the secrets she's been hiding are exposed for all to see. She only wants to shelter Andy, but Andy is shocked by her mother's actions and what they mean. Even more, the mall episode sets off a series of events that can't be stopped and leads Andy on a dangerous journey unlike anything she ever imagined.
I'm learning that you can always count on Slaughter for an amazing, twisted ride. I so enjoyed her novels PRETTY GIRLS and THE GOOD DAUGHTER and now PIECES OF HER joins them as another suspenseful, tense mystery.
What I love about Slaughter is that she's wonderfully descriptive in her writing. You don't just get a mystery, you receive a beautifully written novel, full of detailed characters and excellent writing. Andy and Laura are well-formed characters: you'll find yourself incredibly frustrated with Andy in the beginning, as she's so helpless for a 30+ woman. Get it together, Andy! Do something, save yourself, help your mother. Laura is closed off and reluctant to share anything with her family. Luckily, both characters grow on you as the book progresses.
The novel does a good job of showing how the U.S. reacts to public tragic events--the incident in the mall--for it is public opinion to that moment which really influences so much of Laura's future actions. I was captivated by this one from the very beginning. It's fascinating to watch the action unfold in Slaughter's deft hands. I found myself going "wow" at a variety of the twists and was frantically turning the pages, wanting to know what on earth was going on.
The narration switches between Andy in the present-day and another narrator in 1986. This is incredibly effective in creating suspense and slowly unraveling our story. The novel is stressful and tense as the pieces come together, and--per typical Slaughter--brutal and dark in many places.
Overall, I really enjoyed this one. It keep me glued to my seat the entire time, wondering what was happening and what would happen. I loved all the details and little twists. I am always captivated by the dark aspects of Slaughter's novels and her twisted characters and plot plots. While this one could be a little unbelievable perhaps, in places, it was a wonderful wild ride of a book and just a great read. Highly recommend!
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
I'm learning that you can always count on Slaughter for an amazing, twisted ride. I so enjoyed her novels PRETTY GIRLS and THE GOOD DAUGHTER and now PIECES OF HER joins them as another suspenseful, tense mystery.
What I love about Slaughter is that she's wonderfully descriptive in her writing. You don't just get a mystery, you receive a beautifully written novel, full of detailed characters and excellent writing. Andy and Laura are well-formed characters: you'll find yourself incredibly frustrated with Andy in the beginning, as she's so helpless for a 30+ woman. Get it together, Andy! Do something, save yourself, help your mother. Laura is closed off and reluctant to share anything with her family. Luckily, both characters grow on you as the book progresses.
The novel does a good job of showing how the U.S. reacts to public tragic events--the incident in the mall--for it is public opinion to that moment which really influences so much of Laura's future actions. I was captivated by this one from the very beginning. It's fascinating to watch the action unfold in Slaughter's deft hands. I found myself going "wow" at a variety of the twists and was frantically turning the pages, wanting to know what on earth was going on.
The narration switches between Andy in the present-day and another narrator in 1986. This is incredibly effective in creating suspense and slowly unraveling our story. The novel is stressful and tense as the pieces come together, and--per typical Slaughter--brutal and dark in many places.
Overall, I really enjoyed this one. It keep me glued to my seat the entire time, wondering what was happening and what would happen. I loved all the details and little twists. I am always captivated by the dark aspects of Slaughter's novels and her twisted characters and plot plots. While this one could be a little unbelievable perhaps, in places, it was a wonderful wild ride of a book and just a great read. Highly recommend!
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
Kristy H (1252 KP) rated The Witch Elm: A Novel in Books
Mar 18, 2019
Interesting but long and slow at times
Life has always been pretty easy for Toby--school, girls, job, etc. All that changes in an instant, however, after a night out with his two best friends. Upon arriving home, Toby surprises two burglars in his home. They beat him horribly, leaving him with terrible injuries that may impact his life forever. Unable to go back to work, Toby reluctantly heads to the Ivy House, his family home, where he spent many happy summers with his cousins. His Uncle Hugo is ill--with irreparable brain cancer--and Toby agrees to help care for him in his last few months. Then Toby's nephew discovers a skull in the backyard of Ivy House and everything changes again. Toby begins questioning everything he remembered about his happy childhood--and his own guilt and innocence.
This is the first "stand-alone" for Tana French, versus her group of loosely connected police procedural novels. For some reason, it wasn't quite what I was expecting, and I found myself sort of missing the detective side of things. As this is a typical Tana French novel, there are a lot of thoughts and feelings, with Toby explaining (a lot) about how he feels, how things affect him, etc. It's always something you just have to be prepared for and used to with her books. She's a wonderful writer, and the novel's setting unfolds so easily around you.
Of course, it also means that things can happen fairly slowly. The discovery of the skull, for instance, while heralded in the novel's description, doesn't happen until around 200 pages in. Those first 200 pages can be a bit slow. Things do pick up when they find the skull, but there is definitely a lot of character-driven angst that accompanied the mystery of what happened in the backyard of the Ivy House, and sometimes it was a bit much for me.
Toby has to grow on you, and the book is Toby central, with everything coming in from him and all his many ramblings. The other characters are a bit hard to like (with the exception, perhaps, of poor Hugo), which doesn't make things any easier. A lot of bickering unlikable relatives can only take you so far.
Still, I was intrigued as to what had gone down in the backyard to lead to a skull landing in a tree, and I cannot argue that French is just a lovely writer, who can weave a beautiful scene. This was an interesting novel and compelling at times, but it was a bit long, and it took me a over a week to finish, which is certainly longer than usual in my typical reading span. I never really felt excited to read it, though I often enjoyed it once I picked it up, if that makes any sense. I'll still be back to read whatever Tana French writes, of course.
This is the first "stand-alone" for Tana French, versus her group of loosely connected police procedural novels. For some reason, it wasn't quite what I was expecting, and I found myself sort of missing the detective side of things. As this is a typical Tana French novel, there are a lot of thoughts and feelings, with Toby explaining (a lot) about how he feels, how things affect him, etc. It's always something you just have to be prepared for and used to with her books. She's a wonderful writer, and the novel's setting unfolds so easily around you.
Of course, it also means that things can happen fairly slowly. The discovery of the skull, for instance, while heralded in the novel's description, doesn't happen until around 200 pages in. Those first 200 pages can be a bit slow. Things do pick up when they find the skull, but there is definitely a lot of character-driven angst that accompanied the mystery of what happened in the backyard of the Ivy House, and sometimes it was a bit much for me.
Toby has to grow on you, and the book is Toby central, with everything coming in from him and all his many ramblings. The other characters are a bit hard to like (with the exception, perhaps, of poor Hugo), which doesn't make things any easier. A lot of bickering unlikable relatives can only take you so far.
Still, I was intrigued as to what had gone down in the backyard to lead to a skull landing in a tree, and I cannot argue that French is just a lovely writer, who can weave a beautiful scene. This was an interesting novel and compelling at times, but it was a bit long, and it took me a over a week to finish, which is certainly longer than usual in my typical reading span. I never really felt excited to read it, though I often enjoyed it once I picked it up, if that makes any sense. I'll still be back to read whatever Tana French writes, of course.
Kara Skinner (332 KP) rated Eleanor & Park in Books
Jun 11, 2019
Eleanor and Park: First Love At Its Finest
Contains spoilers, click to show
I did this book for a reading vlog without knowing anything about it and that turned out to be a mistake. This book was a lot heavier than I anticipated. Trigger warnings for domestic violence and child abuse for those who want to read it.
Together, Eleanor and Park are excellent. They have witty dialogue full of 80’s references and general high school silliness. The two of them together made me nostalgic for high school with their cuteness.
That was definitely needed because the rest of the book was really dark.
From the start, Eleanor isn’t doing well. As the new kid in school, she is an easy target for bullies and has no friends to turn to (at least until Park). But her home life is even worse. After living off a neighbor’s couch for a year, Eleanor was finally allowed to move back into her mom’s house, where her mom and siblings live under the tyrannical rule of Ritchie, a violent and abusive alcoholic.
In Eleanor’s house, the feeling of danger and unease is always there, heightened by nightly fights between Ritchie and the mother and having no bathroom door. Eleanor only really feels safe in the house when Ritchie isn’t there.
Her escape becomes Park, the quiet boy on the bus who let her sit next to him and lets her read comic books over his shoulder. Slowly they develop a reluctant friendship which turns into love.
I really like Eleanor. I think she’s really smart and witty and very relatable. She’s insecure about her body and the abuse definitely took a toll on her emotional state. But in general, she’s just a normal teenager.
Park is a typical teenager as well. He’s frustratingly insecure and angsty, which makes him act like a jerk to Eleanor sometimes, especially in the beginning. But despite that, he’s usually a really nice guy who cares deeply for Eleanor. He’s pretty understanding about her home life and is patient with her, which I really like. He does a lot of things that he thinks are small, like lending Eleanor comics and making her mixtapes, but they mean the world to Eleanor, and it’s really sweet.
The only time I didn’t like him was when he found out someone was writing dirty messages on Eleanor’s textbook and he accused her of writing the messages herself. That was really out-of-character for him and was pretty horrible. Aside from that, though, he was nice. He was, in general, a normal, realistic teenage boy.
My biggest problem with the book was the ending. It wasn’t satisfying for me because it ends abruptly and I didn’t get enough closure about Eleanor’s family. It’s hinted at that they move out of the toxic house but it’s never confirmed. So because of that, it’s only 4 out of 5 stars, but still definitely worth reading.
Together, Eleanor and Park are excellent. They have witty dialogue full of 80’s references and general high school silliness. The two of them together made me nostalgic for high school with their cuteness.
That was definitely needed because the rest of the book was really dark.
From the start, Eleanor isn’t doing well. As the new kid in school, she is an easy target for bullies and has no friends to turn to (at least until Park). But her home life is even worse. After living off a neighbor’s couch for a year, Eleanor was finally allowed to move back into her mom’s house, where her mom and siblings live under the tyrannical rule of Ritchie, a violent and abusive alcoholic.
In Eleanor’s house, the feeling of danger and unease is always there, heightened by nightly fights between Ritchie and the mother and having no bathroom door. Eleanor only really feels safe in the house when Ritchie isn’t there.
Her escape becomes Park, the quiet boy on the bus who let her sit next to him and lets her read comic books over his shoulder. Slowly they develop a reluctant friendship which turns into love.
I really like Eleanor. I think she’s really smart and witty and very relatable. She’s insecure about her body and the abuse definitely took a toll on her emotional state. But in general, she’s just a normal teenager.
Park is a typical teenager as well. He’s frustratingly insecure and angsty, which makes him act like a jerk to Eleanor sometimes, especially in the beginning. But despite that, he’s usually a really nice guy who cares deeply for Eleanor. He’s pretty understanding about her home life and is patient with her, which I really like. He does a lot of things that he thinks are small, like lending Eleanor comics and making her mixtapes, but they mean the world to Eleanor, and it’s really sweet.
The only time I didn’t like him was when he found out someone was writing dirty messages on Eleanor’s textbook and he accused her of writing the messages herself. That was really out-of-character for him and was pretty horrible. Aside from that, though, he was nice. He was, in general, a normal, realistic teenage boy.
My biggest problem with the book was the ending. It wasn’t satisfying for me because it ends abruptly and I didn’t get enough closure about Eleanor’s family. It’s hinted at that they move out of the toxic house but it’s never confirmed. So because of that, it’s only 4 out of 5 stars, but still definitely worth reading.
Phillip McSween (751 KP) rated The Debut (2000) in Movies
Jan 18, 2018
Must See
Bottom Line: You need to watch The Debut. It's not the best movie out there, but I think it's absolutely necessary as we strive to understand race and our place in the world. No, the acting isn't out-of-this-world and the film is a bit cheesy in spots. The beauty of it all is that it still manages to deliver a powerful message in spite of its shortcomings.
The story revolves around Ben Mercado (Dante Basco). Ben is trying to find himself. He's torn between the lines of his Filipino culture and the rest of the majority world. Racism is tackled head-on, self-racism being one of the most central focuses. When you come from a strong, influential culture, it's not unreal to be scrutinized by others within that culture because you don't confine to the norm. There's power in seeing it unfold in front of you.
I thoroughly enjoyed the insight into the Filipino culture and their traditions. As different as cultures and races can be, it's very interesting to see the similarities that bind us. The birthday party that was thrown for Ben's sister had a familiar feel to the cookouts my mom used to host growing up. At the same time, the differences are also glaring. There is a scene where Ben hits up a party with his friends and he's the only minority there. While he was with people he knew, he still felt out of place. Been there. Interestingly enough, he felt most comfortable around the family and culture he spent part of his life running from, even when there was heavy tension afoot. If that's not real life, I don't know what is.
Director Gene Cajayon made it pretty easy for you to become invested in Ben. You've got everyone trying to decide his life for him while he puts his heart and soul into a passion that no one respects. His father wants him to go to medical school and follow in his own footsteps, but Ben has other plans. Everything comes to a head at his sister's birthday party where the story primarily takes place.
I do wish there were subtitles during the scenes were they were speaking Filipino, however I understand the director's choice to keep that barrier up. At the same time, I felt it lessened the impact of what was being said. It was awkward in spots, but awkwardly real.
The film reinforces one thing among many: We still struggle with race issues today and, unfortunately, it's hard for people on the other side of the coin to properly address those issues. Progress is slow, but as long as there is progress of some sort, it's the only way we can really hope to get better as a society.
So glad this film randomly found its way onto my Movies 365 list. I give it a 73.
The story revolves around Ben Mercado (Dante Basco). Ben is trying to find himself. He's torn between the lines of his Filipino culture and the rest of the majority world. Racism is tackled head-on, self-racism being one of the most central focuses. When you come from a strong, influential culture, it's not unreal to be scrutinized by others within that culture because you don't confine to the norm. There's power in seeing it unfold in front of you.
I thoroughly enjoyed the insight into the Filipino culture and their traditions. As different as cultures and races can be, it's very interesting to see the similarities that bind us. The birthday party that was thrown for Ben's sister had a familiar feel to the cookouts my mom used to host growing up. At the same time, the differences are also glaring. There is a scene where Ben hits up a party with his friends and he's the only minority there. While he was with people he knew, he still felt out of place. Been there. Interestingly enough, he felt most comfortable around the family and culture he spent part of his life running from, even when there was heavy tension afoot. If that's not real life, I don't know what is.
Director Gene Cajayon made it pretty easy for you to become invested in Ben. You've got everyone trying to decide his life for him while he puts his heart and soul into a passion that no one respects. His father wants him to go to medical school and follow in his own footsteps, but Ben has other plans. Everything comes to a head at his sister's birthday party where the story primarily takes place.
I do wish there were subtitles during the scenes were they were speaking Filipino, however I understand the director's choice to keep that barrier up. At the same time, I felt it lessened the impact of what was being said. It was awkward in spots, but awkwardly real.
The film reinforces one thing among many: We still struggle with race issues today and, unfortunately, it's hard for people on the other side of the coin to properly address those issues. Progress is slow, but as long as there is progress of some sort, it's the only way we can really hope to get better as a society.
So glad this film randomly found its way onto my Movies 365 list. I give it a 73.