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Purple Phoenix Games (2266 KP) rated Decktective: Nightmare in the Mirror in Tabletop Games
May 29, 2021
Decktective: Nightmare in the Mirror is an amazing title that just makes people conjure images of actual nightmares and immediately piques interest around the table. But what if you are a solo player about to face your fear of mirrors that was brought on by watching Poltergeist 3 at much too young an age? I am already shuddering!
Decktective: Nightmare in the Mirror (which I will just refer to as Decktective from here) is an immersive storytelling card game where the player(s) attempt to solve the case by the time the final cards are drawn from the deck. At the end of the game player(s) are asked questions and, depending on the answers given, are scored by how many questions were answered correctly.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
Setup is super easy. Open the box, place the paper clips nearby, and set out the deck of cards. The game comes with no rulebook; the cards instruct players what to do along the way. I will not be covering ever facet of the game to avoid potential spoilers, so please keep that in mind.
The mechanics of this game system rely on players either playing or discarding cards as they are drawn. Essentially, players will need to discard enough cards to be able to play others. For example, some cards hold a value of 1-10, meaning that they may only be played to the table once there is at least 1-10 cards already existing in the discard pile. So a card with a value of 4 requires at least four cards in the discard in order to play. So choices will need to be made to determine which cards are vital and which can be sent to the discard. The solo player is eventually told that they may have five cards in their hands and the deck will guide the player through the rest of the game.
I really don’t think I can go much further without spoiling something, so I will stop here and hope I have given enough description of the mechanics to help with understanding.
Components. This is a big deck of oversized cards and a few red plastic paper clips. The clips are fine, but are a little tight on the cards, so I did not leave them on very long. They are only used at the end to answer questions, so I was able to only briefly use them. The cards are big and nice quality and feature great art. I do not want to give away too much, but there are times where the cards and the box have interplay, and I think their usage is absolutely genius. Great job on that!
This is a tough one to give my thoughts on without spoiling some things, so I will be vague. Not because I want to be vague, but because I feel I need to be vague. As I played through the game (and this is one of those that may only be played ONCE ever) I found my head needed scratched and my brows needed furrowed. I usually am not a player that thinks through their turns for a long time, but I felt I gave each card fair consideration throughout. This paid off at the end, but I still finished with a score of 7 / 10. I felt I probably could have achieved the full 10 but I did not really think about my answer on a card, and that one was worth those 3 points.
So here is what I ultimately think about this one (and possibly the entire Decktective series, though I have not played any others): I love it. I have also played several games in the Deckscape series and I definitely prefer Decktective. Is is the system or the individual game though? I am unsure. What I can tell you for certain is that of the three titles in the Deck- family, this is by far my favorite. I really wish I could qualify it much more, but I will offer this: once you play through this title, please message me and I will chat with you about my actual opinions on the game with spoilers a-plenty.
I do recommend this one, as I had an absolute blast playing it, and I think that a good number of players from all ages and skill levels will also enjoy it. If you happen to share my general game preferences, then you will like this one a LOT. Another great benefit? Once you are done playing you can gift it to another gamer or family or library or whatever you like. That said, I am eager to try the other Decktective titles just as soon as I can!
Decktective: Nightmare in the Mirror (which I will just refer to as Decktective from here) is an immersive storytelling card game where the player(s) attempt to solve the case by the time the final cards are drawn from the deck. At the end of the game player(s) are asked questions and, depending on the answers given, are scored by how many questions were answered correctly.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
Setup is super easy. Open the box, place the paper clips nearby, and set out the deck of cards. The game comes with no rulebook; the cards instruct players what to do along the way. I will not be covering ever facet of the game to avoid potential spoilers, so please keep that in mind.
The mechanics of this game system rely on players either playing or discarding cards as they are drawn. Essentially, players will need to discard enough cards to be able to play others. For example, some cards hold a value of 1-10, meaning that they may only be played to the table once there is at least 1-10 cards already existing in the discard pile. So a card with a value of 4 requires at least four cards in the discard in order to play. So choices will need to be made to determine which cards are vital and which can be sent to the discard. The solo player is eventually told that they may have five cards in their hands and the deck will guide the player through the rest of the game.
I really don’t think I can go much further without spoiling something, so I will stop here and hope I have given enough description of the mechanics to help with understanding.
Components. This is a big deck of oversized cards and a few red plastic paper clips. The clips are fine, but are a little tight on the cards, so I did not leave them on very long. They are only used at the end to answer questions, so I was able to only briefly use them. The cards are big and nice quality and feature great art. I do not want to give away too much, but there are times where the cards and the box have interplay, and I think their usage is absolutely genius. Great job on that!
This is a tough one to give my thoughts on without spoiling some things, so I will be vague. Not because I want to be vague, but because I feel I need to be vague. As I played through the game (and this is one of those that may only be played ONCE ever) I found my head needed scratched and my brows needed furrowed. I usually am not a player that thinks through their turns for a long time, but I felt I gave each card fair consideration throughout. This paid off at the end, but I still finished with a score of 7 / 10. I felt I probably could have achieved the full 10 but I did not really think about my answer on a card, and that one was worth those 3 points.
So here is what I ultimately think about this one (and possibly the entire Decktective series, though I have not played any others): I love it. I have also played several games in the Deckscape series and I definitely prefer Decktective. Is is the system or the individual game though? I am unsure. What I can tell you for certain is that of the three titles in the Deck- family, this is by far my favorite. I really wish I could qualify it much more, but I will offer this: once you play through this title, please message me and I will chat with you about my actual opinions on the game with spoilers a-plenty.
I do recommend this one, as I had an absolute blast playing it, and I think that a good number of players from all ages and skill levels will also enjoy it. If you happen to share my general game preferences, then you will like this one a LOT. Another great benefit? Once you are done playing you can gift it to another gamer or family or library or whatever you like. That said, I am eager to try the other Decktective titles just as soon as I can!
Ivana A. | Diary of Difference (1171 KP) rated The Nothing Man in Books
Oct 5, 2020
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-75.png"/>;
I am so excited to be part of the Ambassador Book Buzz for The Nothing Man by Catherine Ryan Howard. Thank you to the amazing team at LoveReading and Corvus for this opportunity.
Needless to say, this book made me stay up all night, just to find out how it ends.
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/The-Nothing-Man.jpg"/>;
<b><i>I was the girl who survived the Nothing Man.
Now I am the woman who is going to catch him...</i></b>
You've just read the opening pages of The Nothing Man, the true crime memoir Eve Black has written about her obsessive search for the man who killed her family nearly two decades ago.
The Nothing Man starts when Jim is at work, walking through the supermarket, and he notices that a girl has a book with the name "The Nothing Man" with her. His heart starts racing - because he knows what it means. The Nothing Man is a mysterious man that has assaulted and killed many people in the area, and even after twenty years, no one has found him yet. But Jim knows the truth - because he is the man who did all these crimes.
Eve Black is one of the survivors, that managed to escape his attack by hiding in her bathroom. She writes a book about her experiences and the experiences of the other victims. With her whole family dead and nothing to lose, she is set to find out, once and for all, who the mysterious man is.
I loved the writing style - the book within the book - it was unusual and very interesting for me to engage with. I was so intrigued and invested, and that did not change at all. There are many twists and turns in this book, and you will enjoy them all, especially the very ending, where everything just comes to a big climax. It kept me glued to my seat, and I want more.
I loved the difference between Jim and Eve - their different recollections to how things happened, and why they did. In her book, Eve is explaining how the attacks and murders took place, and right after that, we also witness Jim's reaction to Eve's writing, and whether he agrees or not with how correct her facts are. It was very scary at times, to read from the killer's perspective, and the reasons of why he made some choices.
The more Jim reads, the more he realizes how dangerously close Eve is getting to the truth. He knows she won't give up until she finds him. He has no choice but to stop her first...
Usually, in our standard crime books, we have a crime scene, then suspects, and then we figure our way to finding the murderer. But here - we already know who the murderer is at the beginning of the story. But the rest of the world doesn't. And this is a concept that I haven't encountered yet, but really enjoyed it. Because this is something we don't think about often - when we have a crime, and we don't know who did it, the person that is guilty is out there somewhere, and knows he's deceived us.
The other important message from this book is to remember the victims.
Everyone remembers the name of a serial killer - but only few remember the victim's names.
<b><i>"It's fine to be fascinated by serial killers," she tells me in her office after the lecture. "I am myself, obviously. They are fascinating because even though they look just like the rest of us, they do things the rest of us would never, ever do. But they are not especially intelligent. They don't outsmart authorities. You know David Berkowitz? Son of Sam? They caught him because he got himself a parking ticket at the scene of one of his crimes.
They are boring, ordinary, failures of men - not always men, of course, but predominately - who can't even manage to live, love and process their feelings in a world where the rest of us have all managed to master it by the time we're in our teens. These are no dark magicians. They have no special skills. People seem to forget that we know their names because they got caught. In fact, the only remarkable thing about them is what they took from the world: their victims. It's their names we should know."</i></b>
Eve's book and her investigation behind the book had some powerful psychological lessons, and I enjoyed learning everything. If you already love true crime, and psychological thrillers, you have to absolutely read this and soon. This book is too good to be skipped.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
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<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-75.png"/>;
I am so excited to be part of the Ambassador Book Buzz for The Nothing Man by Catherine Ryan Howard. Thank you to the amazing team at LoveReading and Corvus for this opportunity.
Needless to say, this book made me stay up all night, just to find out how it ends.
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/The-Nothing-Man.jpg"/>;
<b><i>I was the girl who survived the Nothing Man.
Now I am the woman who is going to catch him...</i></b>
You've just read the opening pages of The Nothing Man, the true crime memoir Eve Black has written about her obsessive search for the man who killed her family nearly two decades ago.
The Nothing Man starts when Jim is at work, walking through the supermarket, and he notices that a girl has a book with the name "The Nothing Man" with her. His heart starts racing - because he knows what it means. The Nothing Man is a mysterious man that has assaulted and killed many people in the area, and even after twenty years, no one has found him yet. But Jim knows the truth - because he is the man who did all these crimes.
Eve Black is one of the survivors, that managed to escape his attack by hiding in her bathroom. She writes a book about her experiences and the experiences of the other victims. With her whole family dead and nothing to lose, she is set to find out, once and for all, who the mysterious man is.
I loved the writing style - the book within the book - it was unusual and very interesting for me to engage with. I was so intrigued and invested, and that did not change at all. There are many twists and turns in this book, and you will enjoy them all, especially the very ending, where everything just comes to a big climax. It kept me glued to my seat, and I want more.
I loved the difference between Jim and Eve - their different recollections to how things happened, and why they did. In her book, Eve is explaining how the attacks and murders took place, and right after that, we also witness Jim's reaction to Eve's writing, and whether he agrees or not with how correct her facts are. It was very scary at times, to read from the killer's perspective, and the reasons of why he made some choices.
The more Jim reads, the more he realizes how dangerously close Eve is getting to the truth. He knows she won't give up until she finds him. He has no choice but to stop her first...
Usually, in our standard crime books, we have a crime scene, then suspects, and then we figure our way to finding the murderer. But here - we already know who the murderer is at the beginning of the story. But the rest of the world doesn't. And this is a concept that I haven't encountered yet, but really enjoyed it. Because this is something we don't think about often - when we have a crime, and we don't know who did it, the person that is guilty is out there somewhere, and knows he's deceived us.
The other important message from this book is to remember the victims.
Everyone remembers the name of a serial killer - but only few remember the victim's names.
<b><i>"It's fine to be fascinated by serial killers," she tells me in her office after the lecture. "I am myself, obviously. They are fascinating because even though they look just like the rest of us, they do things the rest of us would never, ever do. But they are not especially intelligent. They don't outsmart authorities. You know David Berkowitz? Son of Sam? They caught him because he got himself a parking ticket at the scene of one of his crimes.
They are boring, ordinary, failures of men - not always men, of course, but predominately - who can't even manage to live, love and process their feelings in a world where the rest of us have all managed to master it by the time we're in our teens. These are no dark magicians. They have no special skills. People seem to forget that we know their names because they got caught. In fact, the only remarkable thing about them is what they took from the world: their victims. It's their names we should know."</i></b>
Eve's book and her investigation behind the book had some powerful psychological lessons, and I enjoyed learning everything. If you already love true crime, and psychological thrillers, you have to absolutely read this and soon. This book is too good to be skipped.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Charlie Cobra Reviews (1840 KP) rated Smart Wi-Fi LED Light Bulb in Tech
Sep 19, 2021
Easily turn on/off light bulb anywhere you have wi-fi through app. (2 more)
Control light bulb by voice using Alexa, Google assistant or Cortana.
Set light bulb to automatic conditions like weather, time, or device status.
Will sometimes go back to setup mode where it just keeps flashing and you have to connect or setup again. (2 more)
You have to have the switch turned on for it to be online or else you cannot turn the bulb on/off through app.
Confusing packaging.
Convenient, But How Convenient Really?
The Merkury Innovations Smart Wi-Fi LED Bulb (Dimmable*White/A19 Bulb) is made to replace your traditional light bulb where you can now control, dim and schedule your lights by app (geeni app) from anywhere you have your smart phone. The one I purchased was the 9W=60W, brightness 800 lumens, A19 bulb. The smart wi-fi bulb can be controlled from anywhere with wi-fi access by the app, voice or can even be set to a pre-set schedule and can easily share access with other family members. The life of the bulb based on 3 hours a day is 22.8 years.
So the other day I was at my grandmother's house with my Dad. The family has been doing some renovations over there and I saw my Aunt messing with a lamp and her phone. She told me she had bought one of those smart light bulbs and that she could use an app on her phone to control it. I have seen commercials for different similar products like the smart A/C thermostat and thought it was pretty cool. So I decided next time I was at the store to have a look at them and see if there was something affordable and not too expensive to give it a try and that's how I found this product.
This is my first time buying a smart bulb so I didn't really know what to expect. Inside the box was just the light bulb and instructions. The instructions didn't seem to complicated, download the "geeni" app, create an account and password, login and then setup the bulb. There were 3 ways to setup the bulb, bluetooth, easy mode and backup AP mode. I was doing it by bluetooth but somehow wound up not being able to get it. So then I tried easy mode and still wasn't able to get it and that's when I saw the small print that says, "Note: Geeni can't connect to 5GHz networks." Once I connected to the right network everything went smoothly.
In the app on the "My Home" tab, it shows you which light bulbs you have connected. If they are off it will show a message that says "device offline". If on it will show an on/off button and will also show a "Quick Actions" link where you can control the brightness from 1% - 100%. via dimmer. The next tab in the app is the "Smart Scenes" tab, under the Tap-to-Run page you can control multiple devices with one tap or with voice assistance like Amazon Alexa, Google Assistant or Microsoft Cortana. On the Automation page you can execute actions automatically, and setup them up by specifications based on weather conditions, device status or time. The next tab is the "Notification Center", and there are pages for Alarms, Home, and Alerts. The last tab is the "Profile" tab and is where you can set your name, find the help center, the settings tab and manage your home so you can organize your light bulbs by house hold.
Pro:
Easily turn on/off light bulb anywhere you have wi-fi through app.
Control light bulb by voice using Alexa, Google assistant or Cortana.
Set light bulb to automatic conditions like weather, time, or device status.
Con:
Will sometimes go back to setup mode where it just keeps flashing and you have to connect or setup again.
You have to have the switch turned on for it to be online or else you cannot turn the bulb on/off through app.
Confusing packaging.
Rating: 7/10
Conclusion:
I have to say that these light bulbs can be pretty convenient and an awesome way to setup some lights at home to turn on when it's dark to make people think you're home. It's also good for when you are getting home at night and want to turn on the lights so you don't walk into a pitch dark room. It's awesome to just use the app to dim the lights without having to get up or even turn them off when your sitting down about to watch a movie. When I purchased them there was a 3-pack that was more expensive then buying 3 bulbs separately and I couldn't understand why. In retrospect I think maybe those were non-dimmable which really doesn't make sense. So I would say shopping for light bulbs is already confusing enough and getting a smart bulb might just cause more headaches for some people. But if you're looking to try it out I got this bulb for under $10 at Wal-Mart and think they are pretty cool. I give the Merkury Innovations Smart Wi-Fi- LED bulb a 7/10.
So the other day I was at my grandmother's house with my Dad. The family has been doing some renovations over there and I saw my Aunt messing with a lamp and her phone. She told me she had bought one of those smart light bulbs and that she could use an app on her phone to control it. I have seen commercials for different similar products like the smart A/C thermostat and thought it was pretty cool. So I decided next time I was at the store to have a look at them and see if there was something affordable and not too expensive to give it a try and that's how I found this product.
This is my first time buying a smart bulb so I didn't really know what to expect. Inside the box was just the light bulb and instructions. The instructions didn't seem to complicated, download the "geeni" app, create an account and password, login and then setup the bulb. There were 3 ways to setup the bulb, bluetooth, easy mode and backup AP mode. I was doing it by bluetooth but somehow wound up not being able to get it. So then I tried easy mode and still wasn't able to get it and that's when I saw the small print that says, "Note: Geeni can't connect to 5GHz networks." Once I connected to the right network everything went smoothly.
In the app on the "My Home" tab, it shows you which light bulbs you have connected. If they are off it will show a message that says "device offline". If on it will show an on/off button and will also show a "Quick Actions" link where you can control the brightness from 1% - 100%. via dimmer. The next tab in the app is the "Smart Scenes" tab, under the Tap-to-Run page you can control multiple devices with one tap or with voice assistance like Amazon Alexa, Google Assistant or Microsoft Cortana. On the Automation page you can execute actions automatically, and setup them up by specifications based on weather conditions, device status or time. The next tab is the "Notification Center", and there are pages for Alarms, Home, and Alerts. The last tab is the "Profile" tab and is where you can set your name, find the help center, the settings tab and manage your home so you can organize your light bulbs by house hold.
Pro:
Easily turn on/off light bulb anywhere you have wi-fi through app.
Control light bulb by voice using Alexa, Google assistant or Cortana.
Set light bulb to automatic conditions like weather, time, or device status.
Con:
Will sometimes go back to setup mode where it just keeps flashing and you have to connect or setup again.
You have to have the switch turned on for it to be online or else you cannot turn the bulb on/off through app.
Confusing packaging.
Rating: 7/10
Conclusion:
I have to say that these light bulbs can be pretty convenient and an awesome way to setup some lights at home to turn on when it's dark to make people think you're home. It's also good for when you are getting home at night and want to turn on the lights so you don't walk into a pitch dark room. It's awesome to just use the app to dim the lights without having to get up or even turn them off when your sitting down about to watch a movie. When I purchased them there was a 3-pack that was more expensive then buying 3 bulbs separately and I couldn't understand why. In retrospect I think maybe those were non-dimmable which really doesn't make sense. So I would say shopping for light bulbs is already confusing enough and getting a smart bulb might just cause more headaches for some people. But if you're looking to try it out I got this bulb for under $10 at Wal-Mart and think they are pretty cool. I give the Merkury Innovations Smart Wi-Fi- LED bulb a 7/10.
Bob Mann (459 KP) rated The Hate U Give (2018) in Movies
Sep 28, 2021
It’s a turf war on a global scale.
I saw this as part of a “Secret Cinema” event by Cineworld cinemas in the UK. That’s where you go to see a pre-release movie without knowing what it is going to be. It’s an interesting litmus test for a) a movie’s upfront marketing appeal (how many people get up and walk out when the BBFC title appears) and b) the “grab ’em early” appeal of the movie itself (how many people get up and walk out during the first 20 minutes of so).
I’m afraid this movie didn’t do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. There’s a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, “Fences“) and Lisa (Regina Hall) are devoting all of their energies to “break the cycle” and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starr’s anonymous world is about to get a national focus shone onto it.
Man… I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (“Blah, blah, blah..”): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one that’s well done with kissing (“Blah, blah, blah..”) while the local Mean Girls look on (“Blah, blah”) then with Starr’s friends trying to act street (“blah, blah”) while Starr tries not to be street, all to the constant droning of Starr’s voiceover (“Blah, blah, blah..”). (I never walk out of movies…. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato “thoughts”, before storming back for a “blah, blah” finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent “The Darkest Minds“. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. There’s also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starr’s perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starr’s police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldn’t feel like that… and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, there’s a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. “You don’t SEE me” wails Starr. “I see you” replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starr’s perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., it’s undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad… it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in today’s America. Jackson sang “It doesn’t matter if you’re black or white”: and it really shouldn’t, but actually in some quarters, it clearly still does.
I’m afraid this movie didn’t do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. There’s a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, “Fences“) and Lisa (Regina Hall) are devoting all of their energies to “break the cycle” and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starr’s anonymous world is about to get a national focus shone onto it.
Man… I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (“Blah, blah, blah..”): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one that’s well done with kissing (“Blah, blah, blah..”) while the local Mean Girls look on (“Blah, blah”) then with Starr’s friends trying to act street (“blah, blah”) while Starr tries not to be street, all to the constant droning of Starr’s voiceover (“Blah, blah, blah..”). (I never walk out of movies…. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato “thoughts”, before storming back for a “blah, blah” finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent “The Darkest Minds“. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. There’s also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starr’s perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starr’s police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldn’t feel like that… and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, there’s a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. “You don’t SEE me” wails Starr. “I see you” replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starr’s perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., it’s undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad… it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in today’s America. Jackson sang “It doesn’t matter if you’re black or white”: and it really shouldn’t, but actually in some quarters, it clearly still does.
Bob Mann (459 KP) rated Spencer (2021) in Movies
Nov 11, 2021
Diana hits rock bottom… as does the script.
Discordant strings sound as the royal party arrives at Sandringham for Christmas. “Is she here yet” intones the Queen. “No ma’am” her major domo replies. “Then she’s late”. Cut to a soulful choral version of “Perfect Day” as Diana Princess of Wales (née Spencer) arrives via a dramatic aerial shot. Hugs go to her sons William and Harry before she unhappily stalks through the corridors like a hunted animal.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
Ryan Hill (152 KP) rated Guardians of the Galaxy (2014) in Movies
May 10, 2019
“You said it yourself bitch, we’re the Guardians of the Galaxy”
The Marvel marathon continues. We started with the story of a soldier out of time. Now we move on to the tale of a group of losers having to learn not to kill each other and maybe, just maybe, becoming friends along the way. Guardians of the Galaxy I view as the movie that fully cemented Marvel Studios as the powerhouse we know today. The popularity of Iron Man and Thor spiked after their respective films, but I'm gonna guess if you pulled someone random off the street and asked them who either character was before their movies were released, they could probably at least tell you who they are. Now, not too far separated from the humongous success of The Avengers, here comes Marvel with a film about characters next to no one, not even some avid fans of comics, knew existed. And wouldn't you know, five years after Guardians came out and made Groot a household word, it's still one of their best films Marvel has made.
Guardians of the Galaxy almost off the bat confronts two major complaints I hear about Marvel flicks. First, that they don't look cinematic. Call it the "TV show aesthetic." Moderately flat shots, muted colors, forgettable music, etc. Second, that they're too heavy on witty banter and don't leave enough room for genuinely meaty substance. In regards to the first point, this film looks gorgeous. The color palette and cinematography are both creative and have an absolute blast with the concept of creating a grandiose space opera with equal parts charm and toilet humor. Each planet has its own distinct decor and aliens. Gunn managed to create a fleshed-out, lively, and unique galaxy. In regards to the second point, while there is all sorts of banter to be found throughout, including a Jackson Pollock cum joke, Guardians of the Galaxy has to have the biggest heart out of any film in the MCU. The movie is a full measured ton of fun, but it tugs at the heartstrings in a way few modern blockbusters have been able to achieve.
Four of the five Guardians have something in their life that lead to great tragedy. Peter and Drax lost family very close to them. Gamora and Rocket were tortured and bred to be bloodthirsty warriors. But then, there's Groot. Sweet, unassuming Groot. A beast in battle, but a gentle giant otherwise. His existence seems simple. He eats a leaf off of his shoulder, he drinks water straight from a fountain, and he's more than willing to grow and give a flower to a small girl. He's perhaps the closest we have to a lead character who is wholly happy. The Guardians all start off as renegades, loners, folks reasonably hardened by lives that have enjoyed fucking them over. We get to see them by the end of the film not just grow into heroes, but friends and good people. I am Groot. You are Groot. We are Groot.
Marvel took a big gamble with this movie, but it payed off so absurdly well. The humor is great, the characters even better, and the atmosphere equal parts fun and emotional. Guardians of the Galaxy stands out in the sea of superhero films as a movie that wears its heart on its sleeve. It's weird, but it's damn proud of the fact that it is. Maybe it's alright to be a loser. The world could use a few more losers to help us along the way of life. I think what I'm trying to get down to is this: It was polite of James Gunn to make a movie to go along with his sick mixtape.
Guardians of the Galaxy almost off the bat confronts two major complaints I hear about Marvel flicks. First, that they don't look cinematic. Call it the "TV show aesthetic." Moderately flat shots, muted colors, forgettable music, etc. Second, that they're too heavy on witty banter and don't leave enough room for genuinely meaty substance. In regards to the first point, this film looks gorgeous. The color palette and cinematography are both creative and have an absolute blast with the concept of creating a grandiose space opera with equal parts charm and toilet humor. Each planet has its own distinct decor and aliens. Gunn managed to create a fleshed-out, lively, and unique galaxy. In regards to the second point, while there is all sorts of banter to be found throughout, including a Jackson Pollock cum joke, Guardians of the Galaxy has to have the biggest heart out of any film in the MCU. The movie is a full measured ton of fun, but it tugs at the heartstrings in a way few modern blockbusters have been able to achieve.
Four of the five Guardians have something in their life that lead to great tragedy. Peter and Drax lost family very close to them. Gamora and Rocket were tortured and bred to be bloodthirsty warriors. But then, there's Groot. Sweet, unassuming Groot. A beast in battle, but a gentle giant otherwise. His existence seems simple. He eats a leaf off of his shoulder, he drinks water straight from a fountain, and he's more than willing to grow and give a flower to a small girl. He's perhaps the closest we have to a lead character who is wholly happy. The Guardians all start off as renegades, loners, folks reasonably hardened by lives that have enjoyed fucking them over. We get to see them by the end of the film not just grow into heroes, but friends and good people. I am Groot. You are Groot. We are Groot.
Marvel took a big gamble with this movie, but it payed off so absurdly well. The humor is great, the characters even better, and the atmosphere equal parts fun and emotional. Guardians of the Galaxy stands out in the sea of superhero films as a movie that wears its heart on its sleeve. It's weird, but it's damn proud of the fact that it is. Maybe it's alright to be a loser. The world could use a few more losers to help us along the way of life. I think what I'm trying to get down to is this: It was polite of James Gunn to make a movie to go along with his sick mixtape.
The Book of Life is the third book in the All Souls Trilogy by Deborah Harkness. It is time to finish the war that had begun; only this time our characters find that the amount of people backing them is more than expected. As Diana and Mathew continue trying to take down the existing laws and all they stand for, they gain a huge occasion to celebrate, two new infants, who prove that everything that was once known was wrong and begins to put everyone else into questioning mindsets. With their new information and better understandings about each other and themselves from their previous adventures, Diana and Mathew begin the tedious task of going against century old laws in a very direct way that has their family and friends concerned and willing to fight alongside them, especially when the darkest secret has to be faced once and for all.
Like its predecessors before it, The Book of Life is a well-written book that causes emotions to rise to the surface. Harkness is able to cause the feeling of urgency making the reader want to read faster because it could save a life or change a policy that is in place and needs to be changed. I find this to be surprising and often a bit anxiety ridden because I had grown attached to the characters and hated to feel like danger was around the corner and nothing was going to stop it. And though the book was fast paced and kept me turning pages, I find that I wish a little more time would have been given to some characters in the Congregation. I feel it would have helped the story out a bit, though it would have probably added more pages to the already 500+ page book.
I really enjoyed how the character grew and thought that it did finish the story up with a nice red bow. I could see smaller novels or other adventures the main characters could embark on, but even without it I don’t mind. It was very entertaining. It brought up some major questions into view on survival of creature of all kinds and even answered questions on how vampires, witches and daemons are connected in this storyline. The ideas that The Book of Life present to the reader, helps them appreciate life as it is and really begin to gain some prespective of that of what we question more often than not. Even though it is fiction and these creatures don’t exist, you once again wonder if maybe it could happen. And if it did happen and was happening around us now, would it be like what this delicious story had us to see, or would it be something else.
Though the book kept me thinking and exploring ideas that stemmed off its vision, I find that I am questioning a few smaller details of the characters, even though it had revealed some of those answers, I felt like it could’ve been elaborated on to give the reader a better idea on how the main characters came up with this solution or explanation. Even with the few critiques I have mention, I still rather enjoyed the book and found that only after putting a ton of deep thought into it did I find any issues to begin with.
I would recommend The Book of Life to anyone who has read the first two books in the trilogy. It would create a ton of confusion if you just picked this book up and started reading it without the prior knowledge from the first two books in the All Souls Trilogy. I would rate this book 3 stars out of 4 stars.
Like its predecessors before it, The Book of Life is a well-written book that causes emotions to rise to the surface. Harkness is able to cause the feeling of urgency making the reader want to read faster because it could save a life or change a policy that is in place and needs to be changed. I find this to be surprising and often a bit anxiety ridden because I had grown attached to the characters and hated to feel like danger was around the corner and nothing was going to stop it. And though the book was fast paced and kept me turning pages, I find that I wish a little more time would have been given to some characters in the Congregation. I feel it would have helped the story out a bit, though it would have probably added more pages to the already 500+ page book.
I really enjoyed how the character grew and thought that it did finish the story up with a nice red bow. I could see smaller novels or other adventures the main characters could embark on, but even without it I don’t mind. It was very entertaining. It brought up some major questions into view on survival of creature of all kinds and even answered questions on how vampires, witches and daemons are connected in this storyline. The ideas that The Book of Life present to the reader, helps them appreciate life as it is and really begin to gain some prespective of that of what we question more often than not. Even though it is fiction and these creatures don’t exist, you once again wonder if maybe it could happen. And if it did happen and was happening around us now, would it be like what this delicious story had us to see, or would it be something else.
Though the book kept me thinking and exploring ideas that stemmed off its vision, I find that I am questioning a few smaller details of the characters, even though it had revealed some of those answers, I felt like it could’ve been elaborated on to give the reader a better idea on how the main characters came up with this solution or explanation. Even with the few critiques I have mention, I still rather enjoyed the book and found that only after putting a ton of deep thought into it did I find any issues to begin with.
I would recommend The Book of Life to anyone who has read the first two books in the trilogy. It would create a ton of confusion if you just picked this book up and started reading it without the prior knowledge from the first two books in the All Souls Trilogy. I would rate this book 3 stars out of 4 stars.
Kristy H (1252 KP) rated Small Great Things in Books
Feb 1, 2018
Ruth Jefferson is a successful labor and delivery nurse with over twenty years of experience. She has a nice home and a college-bound seventeen-year-old son, Edison. She also happens to be African American. When Ruth takes over for a colleague at shift change, she is simply doing a checkup on newborn baby boy Davis. But after his checkup, she's told Davis' parents don't want her touching their child. A post-it note in his file states that no African American staff should be touching the patient. Ruth is shocked-- and angry. The next day, when Davis has a medical emergency, Ruth is faced with a choice. Does she help the baby--defying the order of the parents and her supervisor? Ruth's decision leads her on a path that involves the police and being charged with a serious crime. Police come into her home, handcuffing her and her son. Her public defender, Kennedy McQuarrie, recommends that Ruth's defense not involve race: a lightning rod for juries, she says. But Ruth is angry and humiliated and wants to clear her name, at whatever the cost.
This is a touching and powerful novel. Told from the varying points of view of Ruth, Kennedy, and Turk--baby Davis' father-- it is a compelling look at how race and family history shapes the person we become. It is a poignant story at points: it is amazing what people can rationalize when it comes to hatred. I found the novel very fitting right now, with what's going on in the U.S. Honestly, it's very frightening at times and hits a little too close to home.
Picoult's characters are well-formed and dynamic, and you find yourself drawn into parts of each.
Turk, obviously, despite the loss of his child, is not a sympathetic character, but he is a complex one; his progression over the course of the novel is intriguing, and it's amazing how Picoult did not make him a one dimensional white supremacist. The book is extremely well-researched; both from the side of white supremacy, as well as racism and the medical aspects of Davis' case. Kennedy is likeable and her struggle with Ruth's case, as she realizes the depth of both the visible and latent racism her client faces on a daily basis, is real and relatable. I applaud Picoult for tackling such a difficult subject with such honesty. It's almost as if, through Kennedy, she's admitting exactly what she doesn't know. (I highly recommend reading Picoult's afterword, as well.)
For me, the hardest parts of the book was that it gets a little too poetic in the Jodi Picoult way (those who frequently read her novels will identify), with her waxing on about race and parents and being brought together, versus letting the story tell itself. At points the book just goes on and on a bit, versus getting to the story and the point. There are lots of little subplots that go off, detracting at times from the main story and frustrating the reader. And, of course, there are some weird twists and plot points in the typical Picoult style, though they don't seem to pack the punch of her older novels. It all wraps up a little too smoothly, though I have to confess I sort of enjoyed the ending. It may have been a bit trite, but I am often a sucker for such things.
Overall, I was impressed with how Picoult approached this novel, and I enjoyed the storyline for the most part (I was certainly invested), though it dawdled at times and ended a bit too easily. I'd rate this a strong 3.5 - 3.75 stars. Certainly worth reading, especially if you're a Picoult fan.
I received a copy of this novel from the publisher and Netgalley; is available everywhere as of 10/11/2016.
This is a touching and powerful novel. Told from the varying points of view of Ruth, Kennedy, and Turk--baby Davis' father-- it is a compelling look at how race and family history shapes the person we become. It is a poignant story at points: it is amazing what people can rationalize when it comes to hatred. I found the novel very fitting right now, with what's going on in the U.S. Honestly, it's very frightening at times and hits a little too close to home.
Picoult's characters are well-formed and dynamic, and you find yourself drawn into parts of each.
Turk, obviously, despite the loss of his child, is not a sympathetic character, but he is a complex one; his progression over the course of the novel is intriguing, and it's amazing how Picoult did not make him a one dimensional white supremacist. The book is extremely well-researched; both from the side of white supremacy, as well as racism and the medical aspects of Davis' case. Kennedy is likeable and her struggle with Ruth's case, as she realizes the depth of both the visible and latent racism her client faces on a daily basis, is real and relatable. I applaud Picoult for tackling such a difficult subject with such honesty. It's almost as if, through Kennedy, she's admitting exactly what she doesn't know. (I highly recommend reading Picoult's afterword, as well.)
For me, the hardest parts of the book was that it gets a little too poetic in the Jodi Picoult way (those who frequently read her novels will identify), with her waxing on about race and parents and being brought together, versus letting the story tell itself. At points the book just goes on and on a bit, versus getting to the story and the point. There are lots of little subplots that go off, detracting at times from the main story and frustrating the reader. And, of course, there are some weird twists and plot points in the typical Picoult style, though they don't seem to pack the punch of her older novels. It all wraps up a little too smoothly, though I have to confess I sort of enjoyed the ending. It may have been a bit trite, but I am often a sucker for such things.
Overall, I was impressed with how Picoult approached this novel, and I enjoyed the storyline for the most part (I was certainly invested), though it dawdled at times and ended a bit too easily. I'd rate this a strong 3.5 - 3.75 stars. Certainly worth reading, especially if you're a Picoult fan.
I received a copy of this novel from the publisher and Netgalley; is available everywhere as of 10/11/2016.
Kristy H (1252 KP) rated The Animators in Books
Feb 13, 2018
Sharon Kisses (yep, that's her real name) and Mel Vaught meet in college in upstate New York. Sharon is a reserved, talented girl from a rural Kentucky town. Mel is a out, tough, lesbian from Florida -- all bravado hiding a softer interior. The two form a fast friendship, bonding quickly over their art and their family histories: both come from dysfunctional families who have formed the girls into what they are today. Mel and Sharon pour this into their art, and they become talented animation partners, with their first movie showing a raw, truthful look at Mel's childhood and her mother, a rough woman who ended up in jail. The two are on the cusp of success -- tours, awards, artistic grants. But success comes with an edge: Mel starts drinking and turning to drugs, while Sharon doubts herself and her role in this brilliant duo. Suddenly, however, none of that matters when tragedy strikes the pair, and everything they've known changes in an instant.
This book is insane and amazing. I honestly had no idea what it was about when I started to read it; I surely had read the ARC blurb when I chose it, but had forgotten by the time I began, and the cover art seems to indicate a light-hearted tale about movies and animation. It is not. This is a powerful, gut-wrenching novel that will drag you into its story and characters and eventually spit you out, exhilarated and exhausted. There was so much about this novel I loved and related to: the fast friendship of two girls in college; an actual lead lesbian character (but whose lesbianism wasn't her only defining aspect - how refreshing); Sharon and her doubts and insecurities - the way she feels as if she's disappearing into herself in her thirties; the way Whitaker so easily captured growing up in a rural town (Sharon's Kentucky hometown)... I immediately identified with both characters, although Sharon is our protagonist, and the one telling us our story.
I won't lie to you: this book will make you feel uncomfortable. It's not a fun read, or really even a pleasant one. It's not a "feel good novel." It hurts--physically hurts--to read this book. Some of the novel is uneven, and it jumps around a bit. This is Whitaker's first novel, and I think she's only going to get more amazing as she goes, because you can look past this, and see so much power and force in this book. It's raw. It's the story of a friendship, and it's told so beautifully that you are completely drawn into Mel and Sharon's world. When you read this book, there is really nothing else going on in your life but this novel. Mel and Sharon are real, you love them, and you can see them in your mind. (I saw Mel as Kate McKinnon, despite the references to Lori Petty.) The storyline, for me, was unexpected, and, as I said, jumped a bit, but it worked. I had one issue with the end (a bit of a cliche about straight/lesbian friendship, but I won't go into it much, for spoiler reasons), but otherwise, found this novel to be energetic and forceful. It's dark, it's an ode to art and friendship and life, it's deep - I really have no words. It will take you to an exposed place inside of yourself, but you'll be glad it did.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 1/31/2017.
This book is insane and amazing. I honestly had no idea what it was about when I started to read it; I surely had read the ARC blurb when I chose it, but had forgotten by the time I began, and the cover art seems to indicate a light-hearted tale about movies and animation. It is not. This is a powerful, gut-wrenching novel that will drag you into its story and characters and eventually spit you out, exhilarated and exhausted. There was so much about this novel I loved and related to: the fast friendship of two girls in college; an actual lead lesbian character (but whose lesbianism wasn't her only defining aspect - how refreshing); Sharon and her doubts and insecurities - the way she feels as if she's disappearing into herself in her thirties; the way Whitaker so easily captured growing up in a rural town (Sharon's Kentucky hometown)... I immediately identified with both characters, although Sharon is our protagonist, and the one telling us our story.
I won't lie to you: this book will make you feel uncomfortable. It's not a fun read, or really even a pleasant one. It's not a "feel good novel." It hurts--physically hurts--to read this book. Some of the novel is uneven, and it jumps around a bit. This is Whitaker's first novel, and I think she's only going to get more amazing as she goes, because you can look past this, and see so much power and force in this book. It's raw. It's the story of a friendship, and it's told so beautifully that you are completely drawn into Mel and Sharon's world. When you read this book, there is really nothing else going on in your life but this novel. Mel and Sharon are real, you love them, and you can see them in your mind. (I saw Mel as Kate McKinnon, despite the references to Lori Petty.) The storyline, for me, was unexpected, and, as I said, jumped a bit, but it worked. I had one issue with the end (a bit of a cliche about straight/lesbian friendship, but I won't go into it much, for spoiler reasons), but otherwise, found this novel to be energetic and forceful. It's dark, it's an ode to art and friendship and life, it's deep - I really have no words. It will take you to an exposed place inside of yourself, but you'll be glad it did.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 1/31/2017.
Heather Cranmer (2721 KP) rated Crank (Crank, #1) in Books
Jun 6, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
Okay, so yesterday I went to my local library to get a library card since I just moved back here. Anyway, I decided to check out their YA section (which was amazing by the way). I came across Crank by Ellen Hopkins which I've only wanted to read since forever!!! It was such a good book!!
Kristina is a high school junior that has everything going for her. She's a family girl, has great friends, and makes good grades. She would never do drugs. However, a trip to visit her father changes everything. Whilst visiting her father, she changes into Bree, the sexy brave girl who is up for anything including drugs. Everything changes for Kristina during that visit. No longer is Kristina a straight edge girl, she is now addicted to crank.
The title of this book is quite straightforward. Crank is an excellent title for this book because it lets you know exactly what's going on. Crank is definitely the main plot line in this story.
Okay, you all know how I am with my covers. I'm really picky about covers for books, so you probably won't believe me when I say that I actually like this cover. Yes, strange I know but there's something about how simplistic it is that makes me like it. It's a straightforward book, so a straightforward cover is a great choice for this book. Crank written in lines in what appears to be some sort of drug really suits this book.
Ellen Hopkins did an excellent job with the world building in Crank. Every scene in this book comes alive no matter if it's taking place during a good moment or a bad one. The settings aren't really described that much which really suits the feeling of the book. However, the surroundings in the book seemed to really transport me to wherever Kristina was.
The pacing is this book really took me by surprise. The first 2 or 3 pages started off slow, and I thought I had made a big mistake in borrowing this book. After the first 2 or 3 pages, the pacing really picked up. It flowed so well. If I hadn't started reading it so late, I would've finished it all in one setting.
There's not much dialogue between the characters due to the book being written mostly in verse. The way the book is written is really done well. The words used work together beautifully. There are a few swear words but not many. I think I counted maybe two or three.
Kristina is a very well developed character. All of her actions and thoughts seem to be consistent with a 16 year old girl. Her reactions to her experiences also seem consistent with her age. I liked Kristina because, although she is a drug addict, I felt that she had a sort of vulnerable quality about her. The supporting characters encountered in the book are also very well developed. They each have their own unique personality.
Keep in mind that this isn't a very long book. It looks like it would be a long book with over 500 pages, but it's written in verse so almost all the pages don't use the whole page. It took me about 2 hours more or less to finish this book. Also, please don't be put off of this book because it's written in verse. I've never been a fan of verse until this book. It's so easy to lose yourself in it and finish it in one sitting.
I definitely loved this book, and I am going back to my library ASAP to get the next book in the series. I can't wait to find out more about Kristina and her life.
I'd recommend this book to everyone aged 14+ due to the themes and language used.
Okay, so yesterday I went to my local library to get a library card since I just moved back here. Anyway, I decided to check out their YA section (which was amazing by the way). I came across Crank by Ellen Hopkins which I've only wanted to read since forever!!! It was such a good book!!
Kristina is a high school junior that has everything going for her. She's a family girl, has great friends, and makes good grades. She would never do drugs. However, a trip to visit her father changes everything. Whilst visiting her father, she changes into Bree, the sexy brave girl who is up for anything including drugs. Everything changes for Kristina during that visit. No longer is Kristina a straight edge girl, she is now addicted to crank.
The title of this book is quite straightforward. Crank is an excellent title for this book because it lets you know exactly what's going on. Crank is definitely the main plot line in this story.
Okay, you all know how I am with my covers. I'm really picky about covers for books, so you probably won't believe me when I say that I actually like this cover. Yes, strange I know but there's something about how simplistic it is that makes me like it. It's a straightforward book, so a straightforward cover is a great choice for this book. Crank written in lines in what appears to be some sort of drug really suits this book.
Ellen Hopkins did an excellent job with the world building in Crank. Every scene in this book comes alive no matter if it's taking place during a good moment or a bad one. The settings aren't really described that much which really suits the feeling of the book. However, the surroundings in the book seemed to really transport me to wherever Kristina was.
The pacing is this book really took me by surprise. The first 2 or 3 pages started off slow, and I thought I had made a big mistake in borrowing this book. After the first 2 or 3 pages, the pacing really picked up. It flowed so well. If I hadn't started reading it so late, I would've finished it all in one setting.
There's not much dialogue between the characters due to the book being written mostly in verse. The way the book is written is really done well. The words used work together beautifully. There are a few swear words but not many. I think I counted maybe two or three.
Kristina is a very well developed character. All of her actions and thoughts seem to be consistent with a 16 year old girl. Her reactions to her experiences also seem consistent with her age. I liked Kristina because, although she is a drug addict, I felt that she had a sort of vulnerable quality about her. The supporting characters encountered in the book are also very well developed. They each have their own unique personality.
Keep in mind that this isn't a very long book. It looks like it would be a long book with over 500 pages, but it's written in verse so almost all the pages don't use the whole page. It took me about 2 hours more or less to finish this book. Also, please don't be put off of this book because it's written in verse. I've never been a fan of verse until this book. It's so easy to lose yourself in it and finish it in one sitting.
I definitely loved this book, and I am going back to my library ASAP to get the next book in the series. I can't wait to find out more about Kristina and her life.
I'd recommend this book to everyone aged 14+ due to the themes and language used.