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Booker's Bliss (Divergent Omegaverse #3)
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One decision was all it took to open a hideous can of worms—and give alpha bear Booker Starling a...
MM Omegaverse Romance Series
Lee (2222 KP) rated Bombshell (2019) in Movies
Jan 8, 2020 (Updated Jan 8, 2020)
With media currently showing us scenes of disgraced Hollywood mogul Harvey Weinstein as he shuffles into court, expecting sympathy while his victims continue to try and rebuild their lives, along comes the timely release of Bombshell. Based on a high profile #MeToo scandal, Bombshell gives us a look deep inside the heart of Fox News, and tells the explosive story of the women who fought back against the powerful man who created it.
Megyn Kelly (Charlize Theron) begins by giving us a whistle-stop tour of the Fox News building - the floor layout, who is located where, how various news teams operate, who some of the news anchors are. We learn about the second floor, where the man at the centre of the scandal to come, Roger Ailes (John Lithgow), has his office and where Rupert Murdoch and his sons all fit in. It's a lot to take in right off the bat, so don't turn up late for the movie and make sure you're paying attention!
It's 2016, and the presidential campaign is in full swing. Megyn is preparing for the Republican debate hosted by Fox News, where she is planning to fire off a controversial question at Donald Trump regarding his treatment of women. There's a bit of an upset (literally) earlier in the day though, when Megyn develops a nasty stomach bug, presumably from someone tampering with the coffee bought for her on the way to work, and she very nearly doesn't make it to the debate, which we assume was the desired result. She manages to get out her question though, resulting in the kind of rage tweeting from Trump that we've now become so accustomed to, backlash from Trump supporters and paparazzi turning up at the holiday home where Megyn is taking a short break with her family.
Meanwhile, Gretchen Carlson (Nicole Kidman) is meeting with lawyers regarding the sexist comments that she regularly receives both on air from her male co-anchors, and off air from people like Roger Ailes. She also feels that her demotion to a less popular daytime show is the result of her reluctance to 'play ball' with Ailes. We see the uncomfortable story of Rudi Bakhitar, fired for politely declining the sexual advances of her employer, and the lawyers advise that Gretchen will need to gain further evidence from other women before they can file a harassment suit against Ailes.
The harassment and treatment of women and what they have to endure at Fox News, just to try and come close to the same level as their male counterparts, becomes increasingly apparent as the movie progresses. Short dresses, wide angle shots and transparent news desks in order to see their legs and hold viewer attention - it's the kind of thing you might only casually notice while watching a show, but eye opening and shocking when you see the orders being given in the control room to switch to a certain camera, and the women being told off screen how they should look and dress. Even though you know it's only a matter of time before Carlson gets the support she needs in order to get justice, there's obviously a lot of tension and drama that needs to play out before we get there.
In order to highlight and demonstrate the treatment off camera, particularly from Roger Ailes, we are introduced to up-and-coming journalist and new employee Kayla Pospisil (Margot Robbie), who is a fictional character. Kayla beings by working for Gretchen Carlson, but is keen to progress to bigger things and, despite warnings from Gretchen that she should stay close to her, takes a job on Fox's number one program, The O'Reilly Factor. Along the way, Kayla forms a relationship with her co-worker Jess Carr (Kate McKinnon) and manages to find her way into the office of Ailes, where we get to see him at work in a very creepy and uncomfortable scene. As news of Gretchen's lawsuit breaks, a slow trickle of former victims begins to come forward, while Megyn remains noticeably tight-lipped about an encounter she had with Ailes 10 years ago. It's clear that somebody like Megyn has enough power to make the lawsuit a lot more viable.
For me, Bombshell is all about the performances. Charlize Theron wears simple prosthetics, and underwent voice coaching in order to play the role of Megyn Kelly convincingly, and she is outstanding, as is Nicole Kidman. We get to live the trauma and the ups and downs of Margot Robbie's character along with her in the movie, earning her a supporting actress BAFTA nomination this week (against herself, for Once Upon A Time In Hollywood!). John Lithgow, who I found to be brilliant as Winston Churchill in The Crown, has once again bulked up in order to portray Roger Ailes, and succeeds in making him seem human, and at times humorous, while still portraying his darker, weaker and more creepier side.
Outside of the performances, I found Bombshell to be a fairly average movie. What happened in the space of just a few days in real life, seems to occur over weeks in the movie and I felt the trailer covered off the majority of the story in a pretty tight and more intense few minutes, with the movie just a more stretched out version of that. Still, Bombshell is definitely a good movie and, as I mentioned right at the start, more important and relevant now than ever before, so it deserves to be seen by all.
Megyn Kelly (Charlize Theron) begins by giving us a whistle-stop tour of the Fox News building - the floor layout, who is located where, how various news teams operate, who some of the news anchors are. We learn about the second floor, where the man at the centre of the scandal to come, Roger Ailes (John Lithgow), has his office and where Rupert Murdoch and his sons all fit in. It's a lot to take in right off the bat, so don't turn up late for the movie and make sure you're paying attention!
It's 2016, and the presidential campaign is in full swing. Megyn is preparing for the Republican debate hosted by Fox News, where she is planning to fire off a controversial question at Donald Trump regarding his treatment of women. There's a bit of an upset (literally) earlier in the day though, when Megyn develops a nasty stomach bug, presumably from someone tampering with the coffee bought for her on the way to work, and she very nearly doesn't make it to the debate, which we assume was the desired result. She manages to get out her question though, resulting in the kind of rage tweeting from Trump that we've now become so accustomed to, backlash from Trump supporters and paparazzi turning up at the holiday home where Megyn is taking a short break with her family.
Meanwhile, Gretchen Carlson (Nicole Kidman) is meeting with lawyers regarding the sexist comments that she regularly receives both on air from her male co-anchors, and off air from people like Roger Ailes. She also feels that her demotion to a less popular daytime show is the result of her reluctance to 'play ball' with Ailes. We see the uncomfortable story of Rudi Bakhitar, fired for politely declining the sexual advances of her employer, and the lawyers advise that Gretchen will need to gain further evidence from other women before they can file a harassment suit against Ailes.
The harassment and treatment of women and what they have to endure at Fox News, just to try and come close to the same level as their male counterparts, becomes increasingly apparent as the movie progresses. Short dresses, wide angle shots and transparent news desks in order to see their legs and hold viewer attention - it's the kind of thing you might only casually notice while watching a show, but eye opening and shocking when you see the orders being given in the control room to switch to a certain camera, and the women being told off screen how they should look and dress. Even though you know it's only a matter of time before Carlson gets the support she needs in order to get justice, there's obviously a lot of tension and drama that needs to play out before we get there.
In order to highlight and demonstrate the treatment off camera, particularly from Roger Ailes, we are introduced to up-and-coming journalist and new employee Kayla Pospisil (Margot Robbie), who is a fictional character. Kayla beings by working for Gretchen Carlson, but is keen to progress to bigger things and, despite warnings from Gretchen that she should stay close to her, takes a job on Fox's number one program, The O'Reilly Factor. Along the way, Kayla forms a relationship with her co-worker Jess Carr (Kate McKinnon) and manages to find her way into the office of Ailes, where we get to see him at work in a very creepy and uncomfortable scene. As news of Gretchen's lawsuit breaks, a slow trickle of former victims begins to come forward, while Megyn remains noticeably tight-lipped about an encounter she had with Ailes 10 years ago. It's clear that somebody like Megyn has enough power to make the lawsuit a lot more viable.
For me, Bombshell is all about the performances. Charlize Theron wears simple prosthetics, and underwent voice coaching in order to play the role of Megyn Kelly convincingly, and she is outstanding, as is Nicole Kidman. We get to live the trauma and the ups and downs of Margot Robbie's character along with her in the movie, earning her a supporting actress BAFTA nomination this week (against herself, for Once Upon A Time In Hollywood!). John Lithgow, who I found to be brilliant as Winston Churchill in The Crown, has once again bulked up in order to portray Roger Ailes, and succeeds in making him seem human, and at times humorous, while still portraying his darker, weaker and more creepier side.
Outside of the performances, I found Bombshell to be a fairly average movie. What happened in the space of just a few days in real life, seems to occur over weeks in the movie and I felt the trailer covered off the majority of the story in a pretty tight and more intense few minutes, with the movie just a more stretched out version of that. Still, Bombshell is definitely a good movie and, as I mentioned right at the start, more important and relevant now than ever before, so it deserves to be seen by all.
Sophia (Bookwyrming Thoughts) (530 KP) rated Night of the Dragon (Shadow of the Fox #3) in Books
Apr 10, 2020 (Updated Apr 10, 2020)
ARC copy provided by Inkyard Press.
This review and other musings can be found at Bookwyrming Thoughts.
I think I’ve been completely ruined once again by Julie Kagawa, so I had to nurse my soul for about a week before I could muster up the courage to write a review.* With Night of the Dragon, the third and final book of her Shadow of the Fox trilogy, Kagawa has taken my heart and chucked it straight into another galaxy. I don’t know the rest of my current reads; what are they?
I’m… not sure when my heart will return this time.
Night of the Dragon is a continuation of Soul of the Sword.
We continue to follow Yumeko and her friends as they race against time to stop Genno from summoning the Kami Dragon and destroying Iwagoto. Safe to assume eventually it will be the world. And not just the short time they have: they have a challenging journey ahead because Genno will stop at nothing to prevent them from ruining his plans. Like the first two books, Kagawa introduces us to new yokai from Japanese mythology: each of them just as cruel, vicious and caring for nothing but spilling the blood of anything that stands in their way.
Tatsumi has a bit of an identity crisis here.
He’s not sure if he’s Haikaimono now that they’ve merged their souls or if he’s still Tatsumi. But over the course of his journey from Shadow of the Fox when he first meets Yumeko through the third book, he’s changed drastically. He’s not the only one who’s changed either; his literal resident demon inside of him has changed too, but he’s still the same badass Kage from the first book. He’s just more bloodthirsty.
I’m here for all the slow burns!
My heart is all mushy with the ships being sailed. Finally! Inside my heart cried because, at this point in the series, I’m cheering the group on to success. All the odds are against them, but I want my favorite cinnamons to conquer.
My heart still cries from wherever it landed.
I’m not surprised by the ending, but it doesn’t mean it didn’t hurt any less than it did. Either way, it was beautiful and perfect, and I couldn’t ask for anything less. (But I mean, it’s Julie Kagawa! I should know at reading 90% of her works that endings to a series are going to be *chef’s kiss*.)
Soul of the Sword was a struggle for me to get through, but it is so worth going through for Night of the Dragon. All the questions I had from the very beginning of the series get answered as everything comes together for an ending that made me want to cry and question my life choices.
*How do I bring justice to such perfection?! All the words have flown out the window. What even is a review?
This review and other musings can be found at Bookwyrming Thoughts.
I think I’ve been completely ruined once again by Julie Kagawa, so I had to nurse my soul for about a week before I could muster up the courage to write a review.* With Night of the Dragon, the third and final book of her Shadow of the Fox trilogy, Kagawa has taken my heart and chucked it straight into another galaxy. I don’t know the rest of my current reads; what are they?
I’m… not sure when my heart will return this time.
Night of the Dragon is a continuation of Soul of the Sword.
We continue to follow Yumeko and her friends as they race against time to stop Genno from summoning the Kami Dragon and destroying Iwagoto. Safe to assume eventually it will be the world. And not just the short time they have: they have a challenging journey ahead because Genno will stop at nothing to prevent them from ruining his plans. Like the first two books, Kagawa introduces us to new yokai from Japanese mythology: each of them just as cruel, vicious and caring for nothing but spilling the blood of anything that stands in their way.
Tatsumi has a bit of an identity crisis here.
He’s not sure if he’s Haikaimono now that they’ve merged their souls or if he’s still Tatsumi. But over the course of his journey from Shadow of the Fox when he first meets Yumeko through the third book, he’s changed drastically. He’s not the only one who’s changed either; his literal resident demon inside of him has changed too, but he’s still the same badass Kage from the first book. He’s just more bloodthirsty.
I’m here for all the slow burns!
My heart is all mushy with the ships being sailed. Finally! Inside my heart cried because, at this point in the series, I’m cheering the group on to success. All the odds are against them, but I want my favorite cinnamons to conquer.
My heart still cries from wherever it landed.
I’m not surprised by the ending, but it doesn’t mean it didn’t hurt any less than it did. Either way, it was beautiful and perfect, and I couldn’t ask for anything less. (But I mean, it’s Julie Kagawa! I should know at reading 90% of her works that endings to a series are going to be *chef’s kiss*.)
Soul of the Sword was a struggle for me to get through, but it is so worth going through for Night of the Dragon. All the questions I had from the very beginning of the series get answered as everything comes together for an ending that made me want to cry and question my life choices.
*How do I bring justice to such perfection?! All the words have flown out the window. What even is a review?
B1
Brooks's, 1764-2014: The Story of a Whig Club
Hugh Johnson, John Ingamells, Philipp Ziegler and Charles Sebag-Montefiore
Book
One of the many aspects of London that never failed to attract comment from foreign visitors in the...
BankofMarquis (1832 KP) rated The Woman in the Window (2021) in Movies
May 24, 2021
It is NOT Rear Window
A piece of advice for you when you start to watch the “Alfred Hitchcock-esque” thriller, THE WOMAN IN THE WINDOW. If you are at all a Hitchcock fan, you will be spending the first part of this film comparing it to the 1954 classic REAR WINDOW and this would be a disservice to this film.
For…THE WOMAN IN THE WINDOW is no Rear Window, nor is it intended to be. It has many, many elements that are the same as Rear Window (most notably, the setup: a housebound person thinks they have witnessed a murder in a neighboring apartment), and THE WOMAN IN THE WINDOW is just like Rear Window…until it isn’t.
And that’s when I started to like this film, when I stopped comparing it (in my head) to Rear Window.
Based on the Best Seller by A.J. Finn (adapted for the screen by Tracy Letts who also appears in the film), THE WOMAN IN THE WINDOW tells the tale of Anna Fox, an agoraphobic who watches life go on outside her window. When she thinks she has witnessed a murder, she (and the audience) must decide is it real? Did she truly witness a murder? If so, who dunnit? If not, is she just hallucinating things? Is Anna crazy?
The answers to these questions were satisfying enough to me that I ended up enjoying the film experience that I had - but I have to be honest and tell you that, for awhile, my enjoyment of this film was hanging by a thread.
Amy Adams (ENCHANTED) is terrific - if unspectacular - in the title role. Her Anna Fox is murkey (that is meant as a compliment) and struggles through most of the film trying to determine what is real and what is an illusion. Adams does a “journeyman’s” job with this role. She acts her way through it in such a workmanlike fashion that I almost forgot that it is Adams on the screen.
Wyatt Russell (Kurt’s son who is also the new Captain America in THE FALCON AND THE WINTER SOLDIER) fares the best of the Supporting players for he has the most to do. Unfortunately, Director Joe Wright (ATONEMENT) and Screenwriter Letts wastes such strong actors as Gary Oldman (DARKEST HOUR), Julianne Moore (STILL ALICE), Anthony Mackie (The Falcon in the Marvel Movies), Jennifer Jason Leigh (HATEFUL 8), Brian Tyree Henry (GET OUT) and Letts himself in terribly underwritten roles that serve (mostly) as red herrings - and each of their characters are interchangeable and forgettable.
And that, ultimately, is where this film comes apart. While I cared about Anna and the solution to the mystery - I didn’t care very much about the other characters involved.
Which is why, I think, I’ll pull my DVD of Rear Window out and watch that film for the umpteenth time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
For…THE WOMAN IN THE WINDOW is no Rear Window, nor is it intended to be. It has many, many elements that are the same as Rear Window (most notably, the setup: a housebound person thinks they have witnessed a murder in a neighboring apartment), and THE WOMAN IN THE WINDOW is just like Rear Window…until it isn’t.
And that’s when I started to like this film, when I stopped comparing it (in my head) to Rear Window.
Based on the Best Seller by A.J. Finn (adapted for the screen by Tracy Letts who also appears in the film), THE WOMAN IN THE WINDOW tells the tale of Anna Fox, an agoraphobic who watches life go on outside her window. When she thinks she has witnessed a murder, she (and the audience) must decide is it real? Did she truly witness a murder? If so, who dunnit? If not, is she just hallucinating things? Is Anna crazy?
The answers to these questions were satisfying enough to me that I ended up enjoying the film experience that I had - but I have to be honest and tell you that, for awhile, my enjoyment of this film was hanging by a thread.
Amy Adams (ENCHANTED) is terrific - if unspectacular - in the title role. Her Anna Fox is murkey (that is meant as a compliment) and struggles through most of the film trying to determine what is real and what is an illusion. Adams does a “journeyman’s” job with this role. She acts her way through it in such a workmanlike fashion that I almost forgot that it is Adams on the screen.
Wyatt Russell (Kurt’s son who is also the new Captain America in THE FALCON AND THE WINTER SOLDIER) fares the best of the Supporting players for he has the most to do. Unfortunately, Director Joe Wright (ATONEMENT) and Screenwriter Letts wastes such strong actors as Gary Oldman (DARKEST HOUR), Julianne Moore (STILL ALICE), Anthony Mackie (The Falcon in the Marvel Movies), Jennifer Jason Leigh (HATEFUL 8), Brian Tyree Henry (GET OUT) and Letts himself in terribly underwritten roles that serve (mostly) as red herrings - and each of their characters are interchangeable and forgettable.
And that, ultimately, is where this film comes apart. While I cared about Anna and the solution to the mystery - I didn’t care very much about the other characters involved.
Which is why, I think, I’ll pull my DVD of Rear Window out and watch that film for the umpteenth time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Andy K (10823 KP) rated Emperor (2013) in Movies
Sep 9, 2019
A tough challenge
The end of Asian campaign of World War II is complicated. The Japanese surrender following the US dropping the pair of atomic bombs; killing hundreds of thousands, wounding many more and leaving cities in ruins. Tensions are still running at a fever pitch and many people are demanding answers and swift justice for those responsible.
"Supreme Commander" General Douglas MacArthur is put in charge of rebuilding Japan and enlists General Bonner Fellers the nearly impossible task of investigating the involvement of Japan's emperor Hirohito and whether or not he should be tried convicted and hung as a result of his orders. Did he order the attack on Pearl Harbor? What did he know and when did he know it? Was he the one who gave the orders or were his generals in charge of the overall operations? In addition, Fellers is given only 10 days to find his ruling before MacArthur has to report back to his commanders in the US.
Sellers starts with trying to figure out the people involved, find them, interview them and find those who don't want to be found. His interviews ask more questions than answer them and he feels like he is going nowhere fast.
Intertwined are his recollections of a romance he had years earlier with a Japanese exchange student who left the US and returned to her home in Japan. His emotions are getting the better of him while he thinks about his former love and attempts to locate her or learn her fate while he does his job.
Matthew Fox is the best part of this film. As a military man, he respects the chain of command and works within in, but also is able to show his emotions when he is with the woman he loves. I loved the flashback scenes as they were able to show the man as well as just the uniform and Fox did this very well.
Tommy Lee Jones played the character he plays in most of his movies. Barking orders to his underlings and enjoying very much being in charge.
I don't know very much about Japanese culture and this film helped me understand what values they hold sacred. These values highly motivate their actions which can be very noble and traditional or unrelenting and barbaric depending on the situation.
You feel real turmoil as the investigation concludes and the results which are found (or not found) and how the situation is resolved. The characters are flawed which makes them more real. This makes the story more emotional and believable.
The Japanese countryside is beautiful in the time of peace contrasted with the desolate scarred Earth shown after the bombs fell.
Compelling historical dramas always intrigue me and this one did the same.
"Supreme Commander" General Douglas MacArthur is put in charge of rebuilding Japan and enlists General Bonner Fellers the nearly impossible task of investigating the involvement of Japan's emperor Hirohito and whether or not he should be tried convicted and hung as a result of his orders. Did he order the attack on Pearl Harbor? What did he know and when did he know it? Was he the one who gave the orders or were his generals in charge of the overall operations? In addition, Fellers is given only 10 days to find his ruling before MacArthur has to report back to his commanders in the US.
Sellers starts with trying to figure out the people involved, find them, interview them and find those who don't want to be found. His interviews ask more questions than answer them and he feels like he is going nowhere fast.
Intertwined are his recollections of a romance he had years earlier with a Japanese exchange student who left the US and returned to her home in Japan. His emotions are getting the better of him while he thinks about his former love and attempts to locate her or learn her fate while he does his job.
Matthew Fox is the best part of this film. As a military man, he respects the chain of command and works within in, but also is able to show his emotions when he is with the woman he loves. I loved the flashback scenes as they were able to show the man as well as just the uniform and Fox did this very well.
Tommy Lee Jones played the character he plays in most of his movies. Barking orders to his underlings and enjoying very much being in charge.
I don't know very much about Japanese culture and this film helped me understand what values they hold sacred. These values highly motivate their actions which can be very noble and traditional or unrelenting and barbaric depending on the situation.
You feel real turmoil as the investigation concludes and the results which are found (or not found) and how the situation is resolved. The characters are flawed which makes them more real. This makes the story more emotional and believable.
The Japanese countryside is beautiful in the time of peace contrasted with the desolate scarred Earth shown after the bombs fell.
Compelling historical dramas always intrigue me and this one did the same.
Jessica Cashen (1 KP) rated True Born (True Born Trilogy, #1) in Books
May 16, 2018
Fantastic read! Well written with a great plot and characters. It took me a few chapters to get into this book, but once I did I couldn't put it down. I feel it is a cross between X-Men, Divergent and the 100. Lucy and Margot Fox are twins and they have a unique bond. They are daughters of the Chief Diplomat of Nor-Am. Being born to the Upper Circle sets Lucy and Margot apart from the rest of her dying world. The world has fallen victim to the plague. The breakdown of society wasn't fast, but it was messy, leaving three types of people in the world: Lasters, the ones who don't survive the plague. Splicers, humans whose bodies can be spliced with alternate genes to help them fight off the plague and survive. And the True Born, those who are immune to the plague, but they come with animal attributes (fins, claws, fur...). People don't learn if they are Lasters, Splicers, or True Born until their reveal on their 18th birthday. Lucy and Margot's 18th birthday is coming and they don't understand why they keep having to go through Protocols to determine their path in life. Lucy meets True Born Jared and do they have chemistry. Lucy and Margot's new security detail, is the True Born leader Nolan Storm. I love this series already! I voluntarily read and reviewed an Advanced Reader Copy of this book from Netgalley.
Debbiereadsbook (1410 KP) rated Mr May (Calendar Men #5) in Books
Jun 17, 2018
didnt feel this one!
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
This is book 5 in the Calendar Men series, but you don't NEED to have read the other books before this one. It would HELP though, to give you a better picture of this doomed photo shoot and what these men have suffered at the hands of Evan.
Derrick plans, and plays safe. His one adventure nearly gets him killed. Meeting Niall, who is a fox shifter, and who lives life to the fulle, knocks Derrick off his axis.
Up until this book, I was really enjoying this series but my feeling on finishing this one?? I did not like it and I have no bloody idea why!
It's a fun read, though, mostly a much lighter read than the other books, with the exception of the nutty ex. I found it a little less explicit too, but that ight just be me!
I read it in one sitting. What's here is well written and well delivered.
I just . . . . . . *ARGH* . . . . . didn't feel this one! And you know how much it pains me, when I can't put my finger on what's letting it down!
Sorry this review is short, but when I cannot word what I need to say, I start to waffle, and waffling does not a good review make.
so,
3 stars
**same worded review will appear elsewhere**
This is book 5 in the Calendar Men series, but you don't NEED to have read the other books before this one. It would HELP though, to give you a better picture of this doomed photo shoot and what these men have suffered at the hands of Evan.
Derrick plans, and plays safe. His one adventure nearly gets him killed. Meeting Niall, who is a fox shifter, and who lives life to the fulle, knocks Derrick off his axis.
Up until this book, I was really enjoying this series but my feeling on finishing this one?? I did not like it and I have no bloody idea why!
It's a fun read, though, mostly a much lighter read than the other books, with the exception of the nutty ex. I found it a little less explicit too, but that ight just be me!
I read it in one sitting. What's here is well written and well delivered.
I just . . . . . . *ARGH* . . . . . didn't feel this one! And you know how much it pains me, when I can't put my finger on what's letting it down!
Sorry this review is short, but when I cannot word what I need to say, I start to waffle, and waffling does not a good review make.
so,
3 stars
**same worded review will appear elsewhere**
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