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    Keeper - Password Manager

    Keeper - Password Manager

    Productivity and Business

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    App

    Keeper is a password manager and secure digital vault that protects your passwords, private...

    WGT Golf Game by Topgolf

    WGT Golf Game by Topgolf

    Games and Sports

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    The #1 free 3D golf game, by TOPGOLF Media, as seen on NBC Sports, Golf Channel, DIRECTV and Fox...

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RəX Regent (349 KP) rated Wall Street (1987) in Movies

Feb 19, 2019  
Wall Street (1987)
Wall Street (1987)
1987 | Drama
6
7.3 (6 Ratings)
Movie Rating Watch
When looking to review a film like this, there are two distinct points of view to take in to a account:

The first being the contemporary context. That being that this was made in 1987, at the height of the Wall Street boom and that, at the time, this must have been a revelation for so many people, who still had either faith or ignorance about the financial institutions which had metamorphosed into the corrupt capitalist cancer which we all know today.

The later half of the 80’s was to herald the fall of the Gordon Gecco’s and this film, whilst reflecting its time, was also ushering in an era of doom for Wall Street, as well as the continuing propagation of this corruption which would lead to the 2008 crash which are still reeling from today.

So given that like so many films which have essentially whistle blown in there own time, Psycho (1960) also springs to mind, the impact is lessened by thirty years of dilution, in which case it would be unfair to judge the film harshly on the fact that it does not really tell us anything new today.

But when it comes to judging how well the film was made, that is surly timeless.

And considering that Oliver Stone put this together, I was disappointed. The characters where not only dislikable, which I am sure was intentional, they were also poorly written. People just come and go throughout and with the exceptions of Michael Douglas’ Gorden Gecco, Charlie Sheen’s Bud Fox and his real life father, Martin Sheen as Bud’s blue collar dad, the rest of the cast seemed to be wasted.

The plot was all over the place, inconstant and littered with goofs and continuity errors right from the get-go. In fact, it only took a few minutes before I was aghast that a film which begins in 1985 made a reference to Gecco’s ruthlessness by stating that he made money out of the Challenger disaster, which did not occur until January 1986!

Charlie Sheen’s character is difficult to sympathise with, not only because he is trying to be the villain, yet of course he finds his soul by the end, but that he is so utterly naive that it is beyond belief!

It is never clear how much money is being made, who has what or what the real gains or losses are by the end, to the point that whist it is implied that Sheen will be jailed for his insider trading, the film ends before he enters the court and Gecco, who has been recorded by Sheen confessing to his involvement, is never resolved at all!

By the end I was really annoyed by how shallow and lackadaisical the script was, seemingly only really interested in showing the power hungry greed of Wall Street traders at this time.

“Greed is good”.

Well, Mr Stone, so is some exposition.
  
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Movie Metropolis (309 KP) rated Fantastic Four (2015) in Movies

Jun 11, 2019  
Fantastic Four (2015)
Fantastic Four (2015)
2015 | Action
5
4.1 (23 Ratings)
Movie Rating Watch
An absolute snooze
Here comes yet another superhero film. Ending Marvel’s year that has included the charming Big Hero 6, the overstuffed Avengers: Age of Ultron and the surprisingly excellent Ant-Man, the Fox produced Fantastic Four reboot has a tough job trying to get audiences to forget the horror that came before it.

It’s been a tough ride for the quartet of heroes, but does director Josh Trank’s modern day reimagining of Marvel’s first team do enough to change perceptions?

Not by a long shot. Despite some excellent special effects, this yawnfest of a film that was plagued by rumours of constant behind-the-scenes tension and last-minute editing doesn’t have an ounce of originality in its short 100 minute running time.

Miles Teller (Insurgent), Kate Mara (Transcendence), Michael B. Jordan (Chronicle) and Jamie Bell (Billy Elliot) take on the roles of Reed Richards, Sue Storm, Johnny Storm and Ben Grimm respectively and are fine, if lacking in any real chemistry.

Fantastic Four is above all, an origins story as the four young adults try to crack interdimensional travel. Naturally, things don’t go quite to plan and they, alongside fellow colleague Victor Von Doom end up with an unusual set of powers – with Doom becoming the main antagonist.

Unfortunately, the plot, devised by no less than three writers is a complete bore. There is hardly anything of interest throughout the entire film as Trank pushes his cast from one underwhelming set piece to another.

When things do get tense, it’s only for a five minute scene involving Doom breaking out of a research facility. This is when we get to see what Fantastic Four could’ve been, a dark and brooding film with a disturbing villain at its core.

However, it seems this has been pushed back to make way for an unusually flat sense of humour and an uninteresting origins story. Marvel films live and die on their comedic elements and unfortunately Fantastic Four is as poor as they come.

Nevertheless, the film’s special effects are on the whole, very good. The other dimension looks fantastic and The Thing in particular is rendered using excellent motion capture animation.

An underwhelming climax wraps up a bitterly disappointing outing for the four heroes. Most superhero films end with a spectacular showdown of good versus evil but Fantastic Four has none of this. The ending is clichéd, short and has no real payoff.

Overall, expectations were already low for this reboot and despite director Josh Trank’s obvious talent for direction, this talent is nowhere to be found in Fantastic Four.

A cast that doesn’t gel together, a poor soundtrack and a lack of tonal balance ensures it will rest alongside X-Men Origins: Wolverine as proof that Marvel Studios needs the rights to all of its heroes returning to it.

https://moviemetropolis.net/2015/08/09/an-absolute-snooze-fantastic-four-review/